Chuck Close

Dates

Born 1940, Monroe, Washington

Died 2021, New York

Education

1962, University of Washington, Seattle, B.A.

1963, Yale University School of Art and Architecture, New Haven, B.F.A.

1964, Yale University School of Art and Architecture, New Haven, M.F.A.

2024

Chuck Close: Red, Yellow and Blue: The Last Paintings, Pace Gallery, 510 West 25th Street, New York, February 22–April 13, 2024. (Catalogue)

2021

Chuck Close, Gary Tatintsian Gallery, Moscow, April 22–September 28, 2021.

2020

Chuck Close, White Cube, Hong Kong, January 16–February 22 (extended through March 7), 2020.

Chuck Close, Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, January 10–February 22 (extended through March 7), 2020.

2017

Chuck Close: Selections from the Collections of Jordan D. Schnitzer and his Family Foundation, Pendleton Center for the Arts, Pendleton, Oregon, March 10–April 29, 2017.

2016

Chuck Close Photographs, NSU Art Museum Fort Lauderdale, Florida, March 20–October 2, 2016. Traveled to: Henry Art Gallery, University of Washington, Seattle, November 5, 2016–April 2, 2017; Pennsylvania Academy of the Fine Arts, Philadelphia, October 6, 2017–April 8, 2018.

Chuck Close: Fingerprint Paintings and Drawings, 1978–86, Craig F. Starr Gallery, New York, April 1–May 27, 2016. (Catalogue)

2015

Chuck Close: Red Yellow Blue, Pace Gallery, 534 West 25th Street, New York, September 11–October 17, 2015. (Catalogue)

Chuck Close Prints, Schack Art Center, Everett, Washington, May 12–September 7, 2016.

Chuck Close Photographs, Parrish Art Museum, Southampton, New York, May 10–July 26, 2015. Traveled to: University Museum of Contemporary Art, University of Massachusetts, Amherst, September 11–December 6, 2015; Nova Southeastern University Museum of Art, Fort Lauderdale, March 30–August 28, 2016.

Chuck Close, Merchant House, Amsterdam, April 17–July 12, 2015.

Chuck Close: Face Forward, From the Collections of Jordan D. Schnitzer and his Family Foundation, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California, January 17–April 5, 2015. Traveled to: Schneider Museum of Art, Southern Oregon University, June 19–September 5, 2015.

2014

Chuck Close, Alan Avery Art Company, Atlanta, March 9–April 19, 2014.

Chuck Close: Nudes 1967–2014, Pace Gallery, 534 West 25th Street, New York, February 28–March 29, 2014. (Catalogue)

2013

Chuck Close: About Face, Westport Arts Center, Connecticut, November 22, 2013–January 12, 2014.

Chuck Close: Radical Innovator, Contessa Gallery, Cleveland, November 8, 2013–January 12, 2014.

Chuck Close and his Turnaround Arts Kids, Housatonic Museum of Art, Bridgeport, Connecticut, November 7–December 15, 2013.

Chuck Close: Tapestries, Blue Sky Gallery, Portland, October 2–November 3, 2013.

Closer: The Graphic Art of Chuck Close, Bruce Museum, Greenwich, Connecticut, September 28, 2013–January 26, 2014. (Catalogue)

Chuck Close: Important Works on Paper from the Past Forty Years, John Berggruen Gallery, San Francisco, September 5–November 16, 2013.

Chuck Close, Guild Hall Museum, East Hampton, New York, August 10–October 14, 2013. (Brochure)

Chuck Close: Photo Maquettes, Eykyn Maclean, New York, April 16–May 24, 2013. (Catalogue)

2012

Chuck Close, Galerie Thomas Modern, Munich, November 23, 2012–February 16, 2013. (Brochure)

Chuck Close: New Works, Adamson Gallery, Washington, D.C., November 10–December 29, 2012.

Chuck Close: Works on Paper 1975–2012, From the Collections of Jordan D. Schnitzer and His Family Foundation, Monterey Museum of Art, California, October 27, 2012–February 17, 2013. Traveled to: Oklahoma City Museum of Art, December 13, 2013–February 16, 2014.

Chuck Close, Pace Prints, New York, October 25–November 21, 2012.

Chuck Close, Pace Gallery, 534 West 25th Street, New York, October 19–December 22, 2012. (Catalogue)

Chuck Close and Crown Point Press: Prints and Processes, M.H. de Young Memorial Museum, San Francisco, July 7–October 24, 2012.

2011

Chuck Close: Photographs, Prints and Tapestries, A Selection 1978–2010, Galerie de Bellefeuille, Montreal, November 5–30, 2011. (Catalogue)

Chuck Close, Blum and Poe, Los Angeles, October 29–December 22, 2011.

Chuck Close: Self-Portraits in Edition, Steven Vail Fine Arts Project Room, Des Moines, March 17–July 8, 2011.

2010

Chuck Close: Drawings of the 1970s, Craig F. Starr Gallery, New York, October 15–December 18, 2010. (Catalogue)

Chuck Close: People Who Matter to Me, Virginia Museum of Fine Arts, Richmond, July 10–November 14, 2010.

Chuck Close: Polaroids, Xippas Gallery, Athens, June–July 2010.

Chuck Close: Polaroids, Galerie Xippas, Paris, April 10–May 22, 2010.

Chuck Close: Portraits, Robert and Frances Fullerton Museum of Art, California State University, San Bernardino, March 26–May 25, 2010.

Chuck Close, Pace Prints, New York, February 4–27, 2010.

Look Close: Works on Paper by Chuck Close, Louis K. Meisel, New York, January 22–March 1, 2010.

2009

Chuck Close: Recent Works, Contessa Gallery, Cleveland, September 11–November 1, 2009.

Familiar Faces: Chuck Close in Ohio Collections, Akron Art Museum, Ohio, September 5, 2009–January 17, 2010.

Faces: Chuck Close and Contemporary Portraiture, Nevada Museum of Art, Reno, June 27–October 18, 2009.

Chuck Close: Maquettes and Multi-Part Work (1966–2009), Pace/MacGill Gallery, New York, May 7–June 6, 2009.

Chuck Close: Selected Paintings and Tapestries 2005–2009, PaceWildenstein, 534 West 25th Street, New York, May 1–June 20, 2009. (Catalogue)

Chuck Close: The Keith Series, Reynolda House Museum of American Art, Winston-Salem, South Carolina, January 17–May 31, 2009.

2008

Chuck Close: Grids, Gary Tatintsian Gallery, Inc., Moscow, December 16, 2008–February 25, 2009.

Chuck Close: Recent Work, William Shearburn Gallery, Santa Fe, June 6–July 1, 2008.

Chuck Close: 10 Years in Print, William Shearburn Gallery, Saint Louis, April 4–May 5, 2008.

Chuck Close, Philip Glass,40 Years, Arnold and Marie Schwartz Gallery Met, Metropolitan Opera House, New York, March 16–May 17, 2008. (Brochure)

Chuck Close, Nicholas Metivier Gallery, Toronto, January 10–February 2, 2008.

2007

Chuck Close: Janet/Pulp, 2007 Print & Process, Pace Prints, New York, November 29, 2007–January 5, 2008.

Chuck Close: Self-Portrait, 2007, Pace Prints, New York, November 1, 2007–January 10, 2008.

Chuck Close: Family and Others, White Cube, London, October 10–November 17, 2007. Traveled as: Chuck Close: Seven Portraits, State Hermitage Museum, St. Petersburg, February 29–April 13, 2008. (Catalogues)

Chuck Close: Self-Portrait/Scribble/Etching Portfolio, 2000, Picker Art Gallery, Colgate University, Hamilton, New York, August 24–November 4, 2007. Traveled to: Mead Art Museum, Amherst College, Massachusetts, November 16, 2007–March 18, 2008; Colby College Museum of Art, Waterville, Maine, May 1–September 21, 2008. (Catalogue)

Chuck Close, Galerie Xippas, Paris, February 24–April 7, 2007.

Chuck Close: Paintings 1968–2006, Museo Nacional Centro de Arte Reina Sofia, Madrid, February 6–May 7, 2007. Traveled to: Ludwig Forum für Internationale Kunst, Aachen, Germany, May 26–September 2, 2007. (Catalogue)

2006

Chuck Close: From the Collection of Sherry Mallin, Nassau County Museum, Roslyn Harbor, New York, November 19, 2006–February 4, 2007.

Chuck Close: A Couple of Ways of Doing Something, Aperture Foundation, New York, November 10, 2006–January 4, 2007. Traveled to: Art Gallery of Ontario, Toronto, June 23–September 9, 2007;Tacoma Art Museum, Washington, March 1–July 15, 2008; Pontificia Universidad Católica de Chile, Santiago, October 6–November 26, 2008; Louisiana Art and Science Museum, Baton Rouge, January 17–March 15, 2009; Sonoma County Museum, Santa Rosa, June 19–August 2, 2009; Austin Museum of Art, August 22–November 8, 2009; David Owsley Museum of Art, Ball State University, Muncie, Indiana, January 15–March 14, 2010; Joseloff Gallery, University of Hartford, Connecticut, April 15–June 27, 2010; Arkansas Art Center, Little Rock, April 29–June 26, 2011; Loveland Museum/Gallery, Colorado, October 1–December 31, 2011; Wichita Art Museum, January 29–April 15, 2012; Florida Museum of Photographic Arts, Tampa, January 31–March 31, 2013; Tarble Arts Center, Eastern Illinois University, Charleston, October 26–December 20, 2013. (Catalogue)

Chuck Close, Xippas Gallery, Athens, June 28–October 30, 2006.

Chuck Close, Munson-Williams-Proctor Institute, Utica, New York, June 7–August 13, 2006.

2005

Chuck Close: Self Portraits 1967–2005, Walker Art Center, Minneapolis, July 24–October 16, 2005. Traveled to: San Francisco Museum of Modern Art, November 19, 2005–February 28, 2006; High Museum of Art, Atlanta, March 25–July 9, 2006; Albright-Knox Art Gallery, Buffalo, New York, July 22–October 22, 2006. (Catalogue)

Chuck Close: Recent Paintings, PaceWildenstein, 534 West 25th Street, New York, May 10–June 18, 2005. (Catalogue)

Chuck Close: Face to Face, Jerald Melberg Gallery, Charlotte, North Carolina, April 23–May 28, 2005.

2004

Chuck Close: Prints and Process, Van Every/Smith Galleries, Davidson College, North Carolina, January 22–February 27, 2004.

Chuck Close: Drawings, Photographs, Prints, Craig F. Starr Associates, New York, January 15–31, 2004.

2003

Chuck Close Prints: Process and Collaboration, Blaffer Gallery, University of Houston, September 13–November 23, 2003. Traveled to: Metropolitan Museum of Art, New York, January 13–April 18, 2004; Miami Art Museum, May 14–August 22, 2004; Knoxville Museum of Art, Tennessee, October 29, 2004–March 27, 2005; Mint Museum of Art, Charlotte, North Carolina, April 16–August 7, 2005; Addison Gallery of American Art, Andover, Massachusetts, September 6–December 4, 2005; Modern Art Museum of Fort Worth, Texas, April 16–June 25, 2006; Madison Museum of Contemporary Art, Wisconsin, July 30–October 8, 2006; Orange County Museum of Art, Newport Beach, California, January 28–April 22, 2007; Boise Art Museum, May 12–August 12, 2007; Portland Art Museum, Oregon, October 6, 2007–January 6, 2008; Sungkok Museum of Art, Seoul, June 19–September 28, 2008; Frist Center for Visual Arts, Nashville, June 26–September 13, 2009; San Jose Museum of Art, October 6, 2009–January 10, 2010; Scottsdale Museum of Contemporary Art, February 13–May 9, 2010; Corcoran Gallery of Art, Washington, D.C., July 3–September 12, 2010; Kunsthal Rotterdam, January 28–May 20, 2012; as Chuck Close: Multiple Portraits, MdM Mönchsberg, Museum der Moderne, Salzburg, October 27–February 17, 2013; White Cube, London, March 6–April 21, 2013; Museum of Contemporary Art, Sydney, November 20, 2014–March 8, 2015; Schack Art Center, Everett, Washington, May 12–September 5, 2016. (Catalogue)

Chuck Close: Daguerreotype to Digital, Texas Gallery, Houston, September 13–October 11, 2003.

Chuck Close:Prints, Clark Fine Art, Southampton, New York, August 15–September 8, 2003.

Chuck Close: Recent Works, White Cube, London, January 31–March 15, 2003. (Catalogue)

2002

Chuck Close: Daguerrotypes, Pace/MacGill, New York, November 15, 2002–January 11, 2003. (Joint catalogue with Chuck Close: Recent Works, 2003.)

Chuck Close: Paintings, PaceWildenstein, 534 West 25th Street, New York, November 15, 2002–January 11, 2003. (Joint catalogue with Chuck Close: Recent Works, 2003.)

Chuck Close: New Editions, Pace Prints, New York, November 1, 2002–January 10, 2003.

Chuck Close Prints, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, September 29–December 29, 2002.

Chuck Close Ritratti, American Academy in Rome, February 22–April 21, 2002.

Chuck Close, Pace Prints, New York, February 20–March 9, 2002.

2001

Chuck Close: Self Portraits 1967–2001, Fraenkel Gallery, San Francisco, March 8–April 28, 2001.

2000

Chuck Close, Worcester Art Museum, Massachusetts, December 9, 2000–March 25, 2001.

Chuck Close: Photographic Works, Butler Institute of American Art, Youngstown, Ohio, September 24-November 26, 2000. (Catalogue)

Chuck Close: Self-Portraits, Adamson Gallery, Washington, D. C., September 16–October 21, 2000.

Chuck Close: Daguerreotypien und Iris Drucke, Galerie Daniel Blau, Munich, September 7–October 28, 2000. (Catalogue)

Chuck Close: Paintings of Agnes/Prints and Drawings, Harwood Museum of Art, University of New Mexico, Taos, May 7–July 9, 2000.

Chuck Close: Recent Prints, Pace Prints, New York, April 8–May 6, 2000.

Chuck Close: Recent Paintings, PaceWildenstein, 142 Greene Street, New York, March 16–April 29 (extended through May 6), 2000. (Catalogue)

Chuck Close: Portraits and Nudes, Pace/MacGill, New York, March 16–April 22, 2000.

1999

Photographs by Chuck Close, White Cube, London, July 23–September 4, 1999.

1998

Chuck Close: Prints, Virginia Lynch Gallery, Tiverton, Rhode Island, September 27–October 25, 1998.

Chuck Close: Edition Works, Butler Institute of American Art, Youngstown, Ohio, September 17–October 22, 1998.

Chuck Close: Prints 1978–1997, Georg Kargl Gallery, Vienna, September 11–October 10, 1998.

Chuck Close, The Museum of Modern Art, New York, February 26–May 26, 1998. Traveled to: Museum of Contemporary Art Chicago, June 20–September 13, 1998; Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 15, 1998–January 10, 1999; Seattle Art Museum, February 18, 1999–May 9, 1999; Hayward Gallery, London, July 22–September 19, 1999. (Catalogue)

Chuck Close: Self-Portraits, Martin Weinstein Gallery, Minneapolis, March 13–April 11, 1998.

Focus: Chuck Close Editioned Works, Museum of Modern Art, New York, February 26–May 26, 1998.

Chuck Close: Translations, Akus Gallery, Eastern Connecticut State University, Willimantic, Connecticut, January 22–February 27, 1998

1997

Chuck Close: Large-Scale Photographs, Galerie Thomas Schulte, Berlin, July–August 1997.

Chuck Close, Henry Art Gallery, Seattle, May 30–June 22, 1997.

Chuck Close 'Großformatige Polaroids': Large Polaroids 1984–1995, Galerie Daniel Blau, Munich, March 7–April 26, 1997.

1996

Chuck Close: Large-Scale Photographs, PaceWildensteinMacGill, New York, October 24–November 23, 1996. Traveled to: PaceWildensteinMacGill, Los Angeles, January 24–March 1, 1997.

Chuck Close: A Personal Portrait, Works and Papers, Archives of American Art, Smithsonian Institution, New York, October 8, 1996–January 6, 1997.

1995

Chuck Close: Alex/Reduction Block, Lannan Foundation, Los Angeles, September 30, 1995–January 7, 1996.

Chuck Close: Recent Paintings, PaceWildenstein, Los Angeles, September 29–October 28, 1995. Traveled to: PaceWildenstein, 142 Greene Street, New York, December 2, 1995–January 6, 1996. (Catalogue)

Chuck Close, University Gallery, University of Massachusetts, Amherst, April 12–May 5, 1995.

Chuck Close Recent Editions: Alex—Chuck—Lucas, Pace Editions, New York, March 10–April 13, 1995.

Chuck Close: The Graphics, Dean Jensen Gallery, Milwaukee, January 20–March 4, 1995.

1994

Chuck Close: 8 peintures récentes, Fondation Cartier pour l'art contemporain, Paris, September 24–October 23, 1994. (Catalogue)

Chuck Close: Visible and Invisible Portraits, Kaohsiung Museum of Fine Arts, Taiwan, June 1994.

Chuck Close: Retrospektive, Staatliche Kunsthalle, Baden-Baden, April 10–June 22, 1994. Traveled to: Lenbachhaus Kunstbau, Munich, July 13–September 11, 1994. (Catalogue)

1993

Chuck Close: Recent Works, The Pace Gallery, 142 Greene Street, New York, October 22–November 27, 1993. (Catalogue)

A Print Project by Chuck Close, The Museum of Modern Art, New York, July 24–September 28, 1993. (Catalogue)

Chuck Close: Portraits, Virginia Museum of Fine Arts, Richmond, July 21–October 31, 1993.

Chuck Close: Lucas Rug, A/D Gallery, New York, April 1–June 3, 1993.

Chuck Close Editions, Pace Editions, New York, March 20–30, 1993.

Chuck Close: Black and White Portraits, Pace/MacGill Gallery, New York, March 11–April 24, 1993.

1991

Chuck Close, Art Institute of Boston, Lesley University, Boston, November 8–December 18, 1991.

Chuck Close: Recent Paintings, The Pace Gallery, 142 Greene Street, New York, November 2–December 7 (extended through December 14), 1991. (Catalogue)

Chuck Close: Large Color Photographs, The Contemporary Museum, Honolulu, September 10–November 17, 1991.

Chuck Close: Editions, University Art Museum, University of Southwestern Louisiana, Lafayette, September 7–October 24, 1991.

Chuck Close: Up Close, Guild Hall Museum, East Hampton, New York, June 15–July 28, 1991. (Catalogue)

1989

Chuck Close: Works on Paper from the Collection of Sherry Hope Mallin, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, October 29, 1989–February 25, 1990.

Chuck Close Editions: A Catalogue Raisonné and Exhibition, The Butler Institute of American Art, Youngstown, Ohio, September 17–November 26, 1989. (Catalogue)

Chuck Close, Art Institute of Chicago, February 4–April 16, 1989. Traveled to: The Friends of Photography, Ansel Adams Center, San Francisco, November 8, 1989–January 7, 1990. (Catalogue)

1988

Works of Paper by Chuck Close, Tomasulo Art Gallery, Union City College, Cranford, New Jersey, December 2–23, 1998.

Chuck Close: Photographs, Fendrick Gallery, Washington, D.C., November 1–December 3, 1988.

Chuck Close: Prints and Photographs, Pace Editions, New York, September 23–October 22, 1988.

Chuck Close: New Paintings, The Pace Gallery, 32 East 57th Street, New York, September 23–October 22, 1988. (Catalogue)

Chuck Close: A Survey, Pace/MacGill Gallery, New York, September 23–October 22, 1988.

1987

Chuck Close Drawings, 1974–1986, The Pace Gallery, 32 East 57th Street, New York, June 19–July 24, 1987. (Catalogue)

Chuck Close: Photographs, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, March 1–May 10, 1987.

1986

Chuck Close: New Etchings, Pace Editions, New York, February 21–March 22, 1986.

Chuck Close: Recent Work, The Pace Gallery, 32 East 57th Street, New York, February 21–March 22, 1986. (Catalogue)

Chuck Close: Maquettes, Pace/MacGill Gallery, New York, January 9–February 15, 1986.

1985

Chuck Close: Large Scale Photographs, Fraenkel Gallery, San Francisco, June 26–July 27, 1985.

Chuck Close, Fuji Television Gallery, Tokyo, March 1–30, 1985. (Catalogue)

Chuck Close: Works on Paper, Contemporary Arts Museum, Houston, February 9–April 21, 1985. (Catalogue)

Chuck Close: Photographs, Pace/ MacGill Gallery, New York, January 12–February 16, 1985.

1984

Chuck Close: An Exhibition of Handmade Paper Works, Herbert Palmer Gallery, Los Angeles, February 4–March 16, 1984. Traveled as Chuck Close: Handmade Paper Editions to: Spokane Center of Art, Cheney, Washington, April 5–May 12, 1984; Milwaukee Art Museum, June 1–September 30, 1984; Columbia Museum, South Carolina, November 18, 1984–January 13, 1985.

1983

Chuck Close: Recent Editions, Pace Editions, New York, February 26–March 26, 1983.

Chuck Close: Recent Work, The Pace Gallery, 32 East 57th Street, New York, February 25–March 26, 1983. (Catalogue)

1982

Chuck Close: Paperworks, Richard Gray Gallery, Chicago, September–October 1982. Traveled to: John Stoller Gallery, Minneapolis, October–November 1982; Jacksonville Art Museum, Florida, December 9, 1982–January 23, 1983; Greenberg Gallery, St. Louis, September 10–October 15, 1983.

Chuck Close: Matrix/Berkeley 50, University Art Museum, Berkeley, California, March 3–May 5, 1982. Traveled as Chuck Close: Polaroid Photographs to: California Museum of Photography, University of California, Riverside, May 14–July 31, 1982. (Catalogue)

1981

Chuck Close: Etchings, Lithographs and Handmade Paper, Pace Editions, New York, October–November, 1981.

1980

Close Portraits, Walker Art Center, Minneapolis, September 28–November 16, 1980. Traveled to: St. Louis Art Museum, Missouri, December 5, 1980–January 25, 1981; Museum of Contemporary Art, Chicago, February 6–March 29, 1981; Whitney Museum of American Art, New York, April 14–June 21, 1981. (Catalogue)

1979

Chuck Close: Recent Work, The Pace Gallery, 32 East 57th Street, New York, October 26–November 24, 1979. (Catalogue)

Chuck Close, Kunstraum München, June 28–July 21, 1979. (Catalogue)

1977

Chuck Close/Matrix 35, Wadsworth Atheneum, Hartford, November 1, 1977–January 29, 1978. (Catalogue)

Chuck Close: Recent Work, The Pace Gallery, 32 East 57th Street, New York, April 30–June 4, 1977. (Catalogue)

1975

Chuck Close: Drawings and Paintings, Portland Center for the Visual Arts, Oregon, September 26–October 26, 1975.

Chuck Close: Dot Drawings 1973–75, Laguna Gloria Art Museum, Austin, June 17–July 20, 1975. Traveled to: Texas Gallery, Houston, July 22–August 16, 1975; Art Museum of South Texas, Corpus Christi, August 19–September 20, 1975; San Francisco Museum of Modern Art, December 10, 1975–January 25, 1976; Contemporary Arts Center, Cincinnati, February 22–March 5, 1976; Baltimore Museum of Art, April 6–May 30, 1976. (Catalogue)

Chuck Close, Bykert Gallery, New York, April 5–24, 1975.

Chuck Close: Keith, Organized by Parasol Press, Ltd., New York. Traveled to: Mint Museum of Art, Charlotte, North Carolina, January 5–February 2, 1975, Ball State University Art Gallery, Muncie, Indiana; Phoenix Art Museum, June 1–29, 1975; The Minneapolis Institute of Art, July 18–August 31, 1975.

1973

Chuck Close: Recent Works, Bykert Gallery, New York, October 20–November 15, 1973.

Chuck Close, Akron Art Museum, Ohio, March 31–May 6, 1973.

1972

Chuck Close, Museum of Contemporary Art, Chicago, February 5–March 19, 1972. (Catalogue)

1971

Chuck Close: Recent Work, Bykert Gallery, New York, December 4, 1971–January 5, 1972.

Chuck Close: Recent Work, Los Angeles County Museum of Art, September 21–November 14, 1971. (Catalogue)

1970

Chuck Close, Bykert Gallery, New York, February 28–March 28, 1970.

1967

Charles Close, University of Massachusetts Art Gallery, Amherst, January 8–February 1, 1967.

2023

Face Values, Gallery 125 Newbury, 395 Broadway, New York, June 9-July 28, 2023.

2022

Hello! Super Collection 99 Untold Stories, Nakanoshima Art Museum, Osaka, Japan, February 2–March 21, 2022. (Catalogue).

Into the New: Being Human from Pollock to Bourgeois, Städel Museum, Frankfurt, April 6−July 17, 2022. (Catalogue)

Western Arts in the 20th Century Through Printmaking: The Challenge of Artists, Takamatsu Art Museum, February 11–March 21, 2023. (Catalogue)

2021

Julian Opie: Collected Works/Works Collected, Newlands House Gallery, Petworth, United Kingdom, November 6, 2021–March 6, 2022. (Catalogue)

2020

Act of Sight: The Tsiaras Family Photography Collection, Colby College Museum of Art, Waterville, Maine, 2022. (Catalogue)

2019

Andy Warhol to Cindy Sherman: American art from the Albertina Museum, Albertina Museum, Vienna, November 19, 2019–March 29, 2020. (Catalogue)

2018

Photo Revolution: Andy Warhol to Cindy Sherman, Worcester Art Museum, Massachusetts, November 16, 2019–February 16, 2020. (Catalogue)

Eye to I: Self-Portraits from 1900 to Today, National Portrait Gallery, Washington, D.C., November 4, 2018–August 18, 2019.

Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, September 20–December 15, 2019. (Catalogue)

American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue)

2017

Monochrome: Painting in Black and White, National Gallery, London, October 30, 2017–February 18, 2018. (Catalogue)

Photorealism: 50 Years of Hyperrealistic Painting, Tampa Museum of Art, July 13–October 22, 2017.

The Polaroid Project: Art and Technology, Amos Carter Museum of American Art, Fort Worth, Texas, June 3–September 3, 2017.

From Selfie to Self-Expression, Saatchi Gallery, London, March 31–July 23, 2017. (Catalogue)

Atlanta Collects: Contemporary Art Treasures from Atlanta’s Private Collectors, The Breman Museum, Atlanta, March 13–June 11, 2017.

The American Dream: Pop to the Present, British Museum, London, March 9–June 18, 2017. (Catalogue)

Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration, A. Afred Taubman Gallery, the University of Michigan Museum of Art, February 19–June 11, 2017; Part 2: Abstraction, A. Afred Taubman Gallery, the University of Michigan Museum of Art, July 1–October 29, 2017; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, August 19–November 26, 2017. (Catalogue)

Chewing Gum II, Pace Hong Kong, 15C Entertainment Building, 30 Queen's Road Central, February 10–March 11, 2017.

The Human Form, Berggruen Gallery, San Francisco, January 13–March 11, 2017.

2016

A Closer Look: Portraits from the Paul G. Allen Family Collection, Pivot Art + Culture, Seattle, December 2, 2016–February 26, 2017.

Saturated: Selections from the Permanent Collection, The University of Alabama, Sarah Moody Gallery of Art, Tuscaloosa, November 17–December 16, 2016.

The Human Image: From Velazquez to Viola, Richard L. Feigen & Co., New York, October 13, 2016–February 18, 2017.

Wall to Wall: Carpets by Artists, Museum of Contemporary Art Cleveland, September 23, 2016–January 1, 2017. (Catalogue)

There Was a Whole Collection Made: Photography from Lester and Betty Guttman, Smart Museum of Art, the University of Chicago, September 22–December 30, 2016. (Catalogue)

Face to Face to Face, Thomas Ammann Fine Art AG, Zurich, June 1–September 30, 2016. (Catalogue)

Big & Bold! Selections from the Collection, Columbia Museum of Art, South Carolina, May 27–November 6, 2016.

Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy, New York, January 27–March 19, 2016. (Catalogue)

2015

Selfies & Portraits of the East End, Guild Hall Museum, East Hampton, New York, June 20–July 26, 2015.

The Memory of Time: Contemporary Photographs at the National Gallery of Art Acquired with the Alfred H. Moses and Fern M. Schad Fund, National Gallery of Art, Washington, D.C., May 3–September 7, 2015. (Catalogue)

River Crossings: Contemporary Art Comes Home, Thomas Cole National Historic Site and Olana State Historic Site, Hudson Valley, May 3–November 1, 2015. (Catalogue)

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

American Icons: Master Works from the SFMoMA and the Fisher Collection, Galeries nationales du Grand Palais, Paris, April 8–June 22, 2015. Traveled to: Musee Granet, Aix-en-Provence, July 11–October 18, 2015. (Catalogue)

Portraits: The Last Headline, Galerie Bergamin, São Paulo, March 25–April 30, 2015.

Picasso and the 20th Century Art: Masterpieces from the Museum of Modern Art, Toyama, Tokyo Station Gallery, Tokyo, March 21–May 17, 2015. (Catalogue)

About Face: The Self-Portrait in Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 31–August 30, 2015.

SELF: Portraits of Artists in Their Absence, National Academy Museum, New York, January 29–May 3, 2015.

2014

Photorealism: Beginnings to Today, New Orleans Museum of Art, November 2014–January 2015.

Ray Johnson's Art World, Richard L. Feigen & Co., New York, November 7, 2014–January 16, 2015.

Art at the Center: 75 Years of Walker Collections, The Walker Art Center, October 16, 2014–September 11, 2016.

A Brief History of Pace, Pace Menlo Park, California, September 18–December 13, 2014.

Still Life: 1970s Photorealism, Nassau Museum, Roslyn Harbor, New York, July 19–November 9, 2014.

Visual Deception II: Into the Future, The Bunkamura Museum of Art, Tokyo, August 9–October 5, 2014. Traveled to: Hyogo Prefectural Museum of Art, Kobe, Japan, October 15–December 28, 2014; Nagoya City Art Museum, January 10–March 22, 2015.

From Sitting to Selfie: 300 Years of South African Portraits, Standard Bank Gallery, Johannesburg, June 24–September 6, 2014.

Janet Fish: Master of Light and Shadow, Huntsville Museum of Art, Alabama, May 4–July 27, 2014.

Face Value: Portraiture in the Age of Abstraction, The National Portrait Gallery, Washington, D.C., April 18, 2014–January 11, 2015. (Catalogue)

From Picasso to Jasper Johns. Aldo Crommelynck’s Workshop, Bibliothèque nationale de France, Paris, April 8–July 13, 2014. (Catalogue)

Slow 206h, Espace de l'Art Concret, Mouans-Sartoux, France, April 5–June 1, 2014.

Multi Panel, Pace/MacGill Gallery, New York, March 27–May 29, 2014.

Year After Year, Lavori Su Carta Dalla UBS Collection, Galleria d'Arte Moderna di Milano (GAM), Villa Reale Milan, March 21–June 21, 2014.

Aspects of the Self: Portraits of Our Times, Center for the Arts at Virginia Tech, Blacksburg, Virginia, March 21–April 27, 2014.

Woven, Turner Carroll Gallery, Santa Fe, March 17–April 7, 2014.

Vis-à-vis. Portraits in the Department of Prints and Drawings, Städel Museum, Frankfurt am Main, February 19–May 11, 2014.

Reflections: A Century of Art, U.S. Bank/Ascent Private Capital Management, Denver, February 14–May 24, 2014.

Graphicstudio: Uncommon Practice at USF, Tampa Museum of Art, February 1–May 18, 2014. (Catalogue)

Manipulated, Gutstein Gallery, Savannah College of Art and Design, January 27–March 15, 2014.

Striking Resemblance: The Changing Art of Portraiture, Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, January 25–July 13, 2014.

2013

Eye to I... 3,000 Years of Portraits, Katonah Museum of Art, Katonah, New York, October 27, 2013–February 16. 2014. (Catalogue)

Out of Hand: Materializing the Postdigital, Museum of Arts and Design, New York, October 15, 2013–July 6, 2014. (Catalogue)

>SEHNSUCHT ICH< [Longing for Myself], Essl Museum – Kunst der Gegenwart, Vienna, September 27–January 12, 2014.

Looking Forward: Gifts of Contemporary Art from the Patricia A. Bell Collection, Montclair Art Museum, New Jersey, September 22, 2013–January 15, 2014.

Albrecht Dürer to Claes Oldenburg: Collecting at the Cornell, 1990–2010, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, September 17–December 1, 2013. (Catalogue)

Screened and Selected II: Contemporary Photography & Video Acquisitions 2006–2011, Middlebury College Museum of Art, Vermont, September 13–December 8, 2013.

System/Repetition, Russell Bowman Art Advisory, Chicago, September 6–October 26, 2013.

Yes, No, Maybe: Artists Working at Crown Point Press, National Gallery of Art, Washington, D.C, September 1, 2013–January 5, 2014. Traveled to: McNay Art Museum, San Antonio, January 28–May 17, 2015. (Catalogue)

Paradise, Pace Gallery, 534 West 25th Street, New York, July 15–August 16, 2013.

It's New / It's Now: Recent Gifts of Contemporary Prints and Drawings, Minneapolis Institute of Arts, July 14–September 1, 2013.

Summer Exhibition, Royal Academy of Arts, London, June 10–August 18, 2013.

The Polaroid Years: Instant Photography and Experimentation, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, April 12–June 30, 2013. Traveled to: Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, September 20–December 1, 2013; Norton Museum of Art, West Palm Beach, December 19, 2013–March 23, 2014. (Catalogue)

Material World, Denver Art Museum, May 19–September 22, 2013.

Kansai Collections, National Museum of Art, Osaka, April 6–July 15, 2013. (Catalogue)

2012

Fotorealismus: 50 Jahre Hyperrealistiche Malerei, Kunsthalle Tübingen, Germany, December 6, 2012–March 10, 2013. Traveled to: as Hyperrealism 1967–2012, Museo Thyssen-Bornemisza, Madrid, April 8–June 30, 2012; Museum and Art Gallery, Birmingham, United Kingdom, November 20, 2013–march 30, 2014. (Catalogue)

Selected Recent Acquisitions: Building a Collection, Parrish Art Museum, Southampton, New York November 10, 2012–January 13, 2012.

FAPE's Lee Kimche McGrath Original Print Collection, Matthew Marks Gallery, Los Angeles, October 6–13, 2012.

Retratos: Obras Maestras Centre Pompidou, Fundación MAPFRE, Madrid, September 26–January 6, 2013. (Catalogue)

Pictures from the Moon: Artists’ Holograms 1969–2008, New Museum, New York, July 5–September 30, 2012.

Regarding Warhol: Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York, September 18–December 31, 2012. Traveled to: The Andy Warhol Museum, Pittsburgh, February 2–April 28, 2013. (Catalogue)

Self-Portrait, Louisiana Museum of Modern Art, Humlebaek, September 14, 2012–January 13, 2013. (Catalogue)

The Hero, the Heroine, and the Author, Ludwig Museum, Museum of Contemporary Art, Budapest, July 6, 2012–October 23, 2012.

Tracing the Grid: The Grid in Art after 1945, Kunstmuseum Stuttgart, May 5–October 7, 2012. (Catalogue)

1964: An Atmospheric Picture, Georg Kargl Fine Arts, Vienna, March 23–April 28, 2012.

Lifelike, Walker Art Center, Minneapolis, February 25–May 27, 2012. Traveled to: New Orleans Museum of Art, November 10, 2012–January 27, 2013; Museum of Contemporary Art, San Diego, February 24–May 26, 2013; The Blanton Museum of Art, Austin, June 23–September 29, 2013. (Catalogue)

2011

Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, November 19, 2011–February 12, 2012.

Multiplicity, Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C., November 11, 2011–March 11, 2012.

Collection Platform 2: Circulation, PinchukArtCentre, Kiev, October 29, 2011–May 20, 2012.

Face Time, Barbara Krakow Gallery, Boston, October 22–December 3, 2011.

American Portraits: Treasures from the Parrish Art Museum, Parrish Art Museum, Southampton, New York October 16–November 27, 2011.

Tricks & Humor, Yokosuka Museum of Art, Japan, September 10–November 6, 2011. (Catalogue)

The New York Times Magazine Photographs (organized by Aperture Foundation, New York). Rencontres d’Arles, France, July 4–September 4, 2011. Traveled to: Foam, Amsterdam, March 22–May 31, 2012; Palao Robert, Barcelona, September 20–December 2, 2012; Pontifica Universidad Católica de Chile, Santiago, April 15–May 31, 2013; Museum of Contemporary Art, Jacksonville, Florida, April 26–August 24, 2014; Hunter Museum of American Art, Chattanooga, Tennessee, November 24–March 29, 2015.

Neue Realitäten: FotoGrafilk von Warhol bis Havekost, Kupferstichkabinett Staatliche Museen zu Berlin, June 10–October 9, 2011. Traveled to: Galerie Stihl Waiblingen, Germany, February 18–May 27, 2012. (Catalogue)

Chuck Close, Thomas Nozkowski, Fabian Marcaccio and Alex Brown, BravinLee Programs, New York, June 7–July 28, 2011.

Esteban Vicente in America: Collage, Color and Somewhere in Between, Meadows Museum, Southern Methodist University, Dallas, May 15–July 31, 2011. (Catalogue)

Seattle as Collector, Seattle Art Museum, May 11–October 23, 2011. (Catalogue)

America: Now and Here, Leedy Voulkos Art Center, Kansas City, Missouri, May 6–28, 2011.

Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Washington, D.C., April 8–September 5, 2011. (Catalogue)

Diane von Furstenberg: Journey of a Dress, Pace Beijing, April 3–May 14, 2011. Travelled to: Wilshire May Company Building, Los Angeles, January 11–May 1, 2014.

Hyper Real: Art and America around 1970, Ludwig Forum Aachen, Germany, March 13–June 19, 2011. (Catalogue)

Chuck Close and Kehinde Wiley: Art Adds 2, Art Production Fund, New York, January 4–31, 2011.

2010

50/50: Audience and Experts Curate the Paper Collection, Walker Art Center, Minneapolis, December 16, 2010–July 17, 2011.

Icon Effigy, Pace Primitive, New York, November 4–December 23, 2010.

Best 100, The Tokushima Modern Art Museum, Japan, October 9–December 26, 2010. (Catalogue)

50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 17–October 23, 2010, and 510 West 25th Street, New York, September 17–October 16, 2010. (Catalogue)

Post-War American Art: The Novak/O’ Doherty Collection, Irish Museum of Modern Art, Dublin, September 7, 2010–February 27, 2011. (Catalogue)

Calder to Warhol: Introducing the Fischer Collection (exhibition catalogue). San Francisco Museum of Art, June 25–September 19, 2010. (Catalogue)

The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum, Hekinan City Tatsukichi Fujii Museum of Contemporary Art, Japan, June 8–July 19, 2010. (Catalogue)

Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery of Fine Art, Las Vegas, May 1, 2010–March 27, 2011.

Size DOES Matter, FLAG Art Foundation, New York, February 19–May 27, 2010. (Catalogue; curated by Shaquille O’Neal)

Face to Face, Denver Art Museum, January 30–June 30, 2010.

Realism - The Adventure of Reality, Kunsthalle Emden, Germany, January 23–May 24, 2010. Traveled to: Kunsthalle der Hypo-Kulturstiftung, Munich, June 11–September 5, 2010. (Catalogue)

New Editions, Pace Prints, New York, January 7–February 13, 2010.

2009

Look at Me: Faces and Gazes in Art 1969–2009, Museo Cantonale d'Arte, Lugano, Switzerland, October 24, 2009–February 21, 2010. (Catalogue)

Trick Art (organized by the Japan Association of Art Museums), Toyohashi City Museum of Art & History, Aichi, Japan, August 22–September 23, 2009. Traveled to: Kushiro Art Museum, Hokkaido, Japan, November 21, 2009– January 20, 2010; Mie Prefectural Art Museum, Japan, February 20–April 11, 2010; Fukuyama Museum of Art, Japan, April 17–June 2010; Sompo Japan Museum of Art, Tokyo, July–August 29, 2010; Nagano Prefectural Shinano Art Museum, Japan, September 4–October 24, 2010; Miyazaki Prefectural Art Museum, Japan, November 3–December 5, 2010; Hachinohe City Museum, Aomori, Japan, December 18, 2010–January 30, 2011; Takamatsu City Museum of Art, Japan, April 15–May 29, 2011. (Catalogue)

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Maine, July 11, 2009–February 21, 2010. (Catalogue)

The Figure and Dr. Freud, Haunch of Venison, New York, July 8–August 22, 2009.

Faces: Chuck Close and Contemporary Portraiture, Nevada Museum of Art, Reno, June 27–October 18, 2009.

40th Anniversary Show, Pace Prints, New York, June 1–30, 2009.

Visual Deception, Nagoya City Art Museum, Japan, April 11–June 7, 2009. Traveled to: The Bunkamura Museum of Art, Tokyo, June 13–August 16, 2009; Hyogo Prefectural Museum of Art, Kobe, Japan, August 25–November 3, 2009. (Catalogue)

Reflections/Refractions: Self-Portraiture in the Twentieth Century, National Portrait Gallery, Smithsonian Institution, Washington, D.C., April 10–August 16, 2009. (Catalogue)

Pop Up!, Ludwig Forum für Internationale Kunst, Aachen, Germany, April 5–August 23, 2009.

Contemporary Art from the Barron Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 4–July 5, 2009. (Catalogue)

Picturing America: Photorealism in the 1970s, Deutsche Guggenheim, Berlin, March 7–May 10, 2009. (Catalogue)

People Who Are People, Barbara Krakow Gallery, Boston, January 17–March 4, 2009.

2008

Shock of the Real: Photorealism Revisited, Boca Raton Museum of Art, December 16, 2008–March 11, 2009. (Catalogue)

Moving Horizons: The UBS Art Collection: 1960s to the Present Day, National Art Museum of China, Beijing, September 29–November 4, 2008. (Catalogue)

Nowhere Else But Here, Herter Art Gallery, University of Massachusetts, Amherst, September 15–October 31, 2008. (Catalogue)

Encounters, Pace Beijing, August 3–September 21, 2008.

Print Lovers at Thirty: Celebrating Three Decades of Giving, The Nelson-Atkins Museum of Art, Kansas City, Missouri, May 3–July 20, 2008. (Catalogue)

The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum, Gunma Museum of Art, Tatebayashi, Japan, April 19–June 15, 2008. (Catalogue)

Art is for the Spirit: Works from the UBS Art Collection, Mori Art Museum, Tokyo, February 2–April 6, 2008. (Catalogue)

Attention to Detail, FLAG Art Foundation, New York, January–July 31, 2008. (Catalogue; curated by Chuck Close)

2007

All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, December 6, 2007–March 2, 2008. (Catalogue)

Winter Selections, J. Johnson Gallery, Jacksonville Beach, Florida, November 10, 2007–January 11, 2008.

Contemporary, Cool and Collected, Mint Museum of Art, Charlotte, North Carolina, October 20–December 30, 2007. (Catalogue)

Pleasures of Collecting, Part III: Contemporary and Cutting Edge, Bruce Museum, Greenwich, Connecticut, September 29, 2007–January 6, 2008. (Catalogue)

All the More Real, The Parrish Art Museum, Southampton, New York, August 12–October 14, 2007.

An Incomplete World: Works from The UBS Art Collection, Art Gallery of New South Wales, Sydney, May 19–July 29, 2007.

Still Life and Kicking, Paula Cooper Gallery, New York, May 10–June 8, 2007.

An Adventure In The Arts: The Permanent Collection of the Guild Hall Museum (organized by Guild Hall Museum, Southampton, New York). Gulf Coast Museum of Art, Largo, Florida; February 9–April 30, 2007; Louisiana State University, Baton Rouge, March 1–May 31, 2008; Visual Arts Center, Panama City, Florida, June 15–October 1, 2008; South Bend Regional Museum of Art, Indiana, October 18–January 15, 2009; Turtle Bay Exploration Center, Redding, Pennsylvania, February 5–May 3, 2009; Sangre de Cristo Art Center, Pueblo, Colorado, May 21–August 2, 2009; Southeast Missouri Regional Museum, Southeast Missouri State University, Cape Girardeau, August 15–October 31, 2009; Lakeview Museum of Arts & Sciences, Peoria, Illinois, November 15, 2009–January 15, 2010; Mobile Museum of Art, Alabama, February 5–April 18, 2010; Museum of the Rockies, Montana State University, Bozeman, February 17–May 20, 2012; Norton Museum, Shreveport, Louisiana, February 5–March 31, 2013; Alexandria Museum of Art, Louisiana, April 12–June 15, 2013; Farmington Museum, New Mexico, July 15-September 22, 2013.

Chuck Close/Franz Gertsch, Max Lang and Galerie Haas & Fuchs, New York, February 23–March 27, 2007.

Not For Sale, P.S. 1 Contemporary Art Center, Long Island City, New York, February 11–April 16, 2007.

Mr. President, University Art Museum, Albany, New York, January 18–April 1, 2007.

2006

Winter group show, Barbara Krakow Gallery, Boston, December 2, 2006–January 24, 2007.

The Odyssey Continues: Masterworks from the New Orleans Museum of Art and from Private New Orleans Collection, Wildenstein & Co., New York, November 17, 2006–February 9, 2007.

LeWitt x 2: Structure and Line / Selections from the LeWitt Collection, Madison Museum of Contemporary Art, November 5, 2006–January 14, 2007. Traveled to: Miami Art Museum, February 9–June 3, 2007; Weatherspoon Art Museum, The University of North Carolina, Greensboro, September 9, 2007–January 18, 2008; Austin Museum of Art, May 24–August 17, 2008. (Catalogue)

Out of Darkness: The Contemporary Revival of Early Photography, University of Central Florida Art Gallery, Orlando, October 26–December 7, 2006.

Cities in Transition, Madison Square Park, New York, September 19–November 10, 2006.

Dieu Donné Papermill: The First 30 Years, C.G. Boerner, New York, September 7–October 6, 2006.

Self/Image: Portraiture from Copley to Close, Reynolda House Museum of American Art, Winston-Salem, North Carolina, August 30–December 31, 2006.

New Frontiers: American Art Since 1945, Allen Memorial Art Museum, Oberlin College, Ohio, August 29–December 23, 2006.

Tapestries, Sullivan-Goss, Santa Barbara, California, July 15–August 30, 2006. (Catalogue)

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue)

Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York, June 29–September 3, 2006.

Le Mouvement des Image, Centre Pompidou, Musée national d’art moderne-Centre de creation idustrielle, Paris, April 9, 2006–January 29, 2007. (Catalogue)

The Kirk Varnedoe Collection, Telfair Museum of Art, Savannah, Georgia, March 10–May 21, 2006.

Inventive Fashion Photography, Danziger Projects, New York, January 27–March 4, 2006.

2005

From Pollock to Pop: America’s Brush with Dalí, Salvador Dalí Museum, St. Petersburg, Florida, December 9, 2005–April 23 (extended through April 28), 2006. (Catalogue)

James Siena by Chuck Close and James Siena Prints, Pace Prints, 32 East 57th Street, New York, December 1, 2005–January 3, 2006.

Majestic Tapestries of Magnolia Editions: Woven Work by Contemporary Painters, Bedford Gallery, Walnut Creek, California, November 30, 2005–January 29, 2006.

Self Portrait: Renaissance to Contemporary, National Portrait Gallery, London, October 20, 2005–January 29, 2006. Traveled to: Art Gallery of New South Wales, Sydney, February 17–May 14, 2006. (Catalogue)

The 237th Royal Academy of Arts Summer Exhibition, Royal Academy of Arts, London, June 7–August 15, 2005.

Patterns and Grids, Pace Prints, New York, June 2–July 8, 2005.

Double Take: Photorealism from the 1960s and ‘70s, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, May 19–July 31, 2005. (Catalogue)

Chuck Close / Franz Gertsch, Galerie Haas & Fuchs, Berlin, May 6–June 30, 2005.

Logical Conclusions: 40 Years of Rule Based Art, PaceWildenstein, 534 West 25th Street, New York, February 18–March 26, 2005. (Catalogue)

Contemporary Voices: Works from the UBS Art Collection, The Museum of Modern Art, New York, February 4–April 25, 2005. Traveled to: The Fondation Beyeler, Basel, November 27, 2005–February 26, 2006. (Catalogue)

2004

White Christmas, White 8 Galerie Dagmar Aichholzer, Villach, Austria, November 5, 2004–January 8, 2005.

Contemporary Art: Floor to Ceiling, Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, October 31, 2004–April 24, 2005.

North Fork/South Fork: East End Art Now (Part 2), The Parrish Art Museum, Southampton, New York, July 25–September 12, 2004. (Catalogue)

A Celebration of the Guild Hall Academy of the Art, Guild Hall Museum, East Hampton, New York, June 12–August 1, 2004.

An American Odyssey 1945/1980, Circulo de Bellas Artes, Madrid, April 13–May 30, 2004. Traveled to: Domus Artium 2002 (DA2), Salamanca, June 10–July 31 2004; “Kiosco Alfonso,” A Coruna, September 2–October 2, 2004; Queensborough Community College, Queens, New York, October 24–January 15, 2005.

Sol LeWitt and Chuck Close, Pace Prints, 32 East 57th Street, New York, March 5–April 3, 2004.

Chuck Close and Kiki Smith, Pace Prints, 32 East 57th Street, New York, January 8–March 6, 2004.

2003

Supernova: Art of the 1990’s from the Logan Collection, San Francisco Museum of Modern Art, December 13, 2003–May 23, 2004.

Imagination-On Perception In Art, Landesmuseum Joanneum, Kunsthaus Graz, Austria, October 25, 2003–January 18, 2004. (Catalogue)

Chuck Close/Joel Shapiro, Clark Fine Art, Southampton, New York, August 15–September 8, 2003.

Hyperréalismes USA, 1965–1975, Musée d’art moderne et contemporain, Strasbourg, June 27–October 5, 2003. (Catalogue)

Pittura/Painting: From Rauschenberg to Murakami, 1964–2003, Museo Correr, Venice, June 15–November 2, 2003.

An International Legacy: Selections from Carnegie Museum of Art, Oklahoma City Museum of Art, May 15–August 10, 2003. Travels to: Nevada Museum of Art, Reno, January 9–April 4, 2004; Mobile Museum of Art, Alabama, January 7–April 3, 2005. (Catalogue)

2002

An American Legacy, A Gift to New York, Recent Acquisitions from the Board of Trustees. Whitney Museum of American Art, New York, October 24, 2002–January 26, 2003. (Catalogue)

Watercolor, New York Studio School, New York, October 15–November 16, 2002.

Art Downtown: New York Painting and Sculpture (organized by Wall Street Rising, New York), 60 Wall Street, 25 Broad Street and 1 New York Plaza, June 14–September 15, 2002.

Painting on the Move: After Reality—Realism and Current Painting, Kunsthalle Basel, May 26–September 8, 2002.

I Love New York Benefit, Seventh Regiment Armory, New York, February 22–25, 2002.

2001

Tele[visions], Kunstalle Wein, Vienna, October 18, 2001–January 6, 2002.

ABBILD: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria, October 6–December 16, 2001. (Catalogue)

Pop! Painting and Sculpture from the Collection, The Saint Louis Art Museum, June 29–September 16, 2001.

Digital: Printmaking Now, Brooklyn Museum of Art, June 22–September 2, 2001.

Self-Made Men, DC Moore Gallery, New York, April 4–May 5, 2001.

About Face: Selections from the Department of Prints and Illustrated Books, The Museum of Modern Art, New York, March 21–June 5, 2001.

Prints and Multiples, Senior & Shopmaker Gallery, New York, February 20–March 31, 2001.

Under Pressure: Prints from Two Palms (organized by Alexandra Muse, Seattle and Pamela Auchincloss/Arts Management, New York), Lyman Allyn Museum of Art at Connecticut College, New London, February 2–April 1, 2001. Traveled to: Schick Art Gallery, Skidmore College, Saratoga Springs, New York, July 12–September 16, 2001; Meadows Museum, Southern Methodist University, Dallas, October 22–December 8. 2001; University Gallery, University of Massachusetts, Amherst, February 2–March 16, 2002; Kent State University Art Gallery, Ohio, September 4–28, 2002; Arthur A. Houghton Jr. Gallery, Cooper Union, New York, January 21–February 21, 2003; Sonoma Museum of Visual Art, Santa Rosa, California, May 21–July 27, 2003. (Catalogue)

About Faces, C&M Arts, New York, January 18–March 10, 2001.

2000

Conceptual Realism, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, November 3–December 23, 2000.

About Face, Bernarducci Meisel Gallery, New York, September 23–October 28, 2000.

Prints, Senior & Shopmaker Gallery, New York, September 22–November 4, 2000.

The Figure: Another Side of Modernism, Newhouse Center for Contemporary, Snug Harbor Cultural Center, Staten Island, New York, June 4, 2000–January 14, 2001. (Catalogue)

Art at Work: Forty Years of the Chase Manhattan Collection, Queens Museum of Art, Flushing Meadows, New York, May 23–October 1, 2000.

Van Gogh Face to Face: The Portraits, The Detroit Institute of Arts, March 12–June 4, 2000. Traveled to: Museum of Fine Arts, Boston, July 2–September 24, 2000; Philadelphia Museum of Art, October 22, 2000–January 14, 2001. (Catalogue)

The Sight of Music, New York Historical Society, New York, January 16–June 17, 2000.

1999

Head to Toe: Impressing the Body, University Museum of Contemporary Art, University of Massachusetts, Amherst, November 6–December 17, 1999. (Catalogue)

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000. (Catalogue)

The Self, Absorbed, Bellevue Art Museum, Washington, September 4–November 7, 1999.

Face to Face to Cyberspace, Fondation Beyeler, Basel, May 30–September 12, 1999. (Catalogue)

Drawn From the Artists’ Collections, The Drawing Center, New York, April 24–June 12, 1999. Traveled to: Hammer Museum of Art, University of California, Los Angeles, July 13–September 26, 1999. (Catalogue)

Art at Work: Forty Years of The Chase Manhattan Collection, The Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston, March 3 –May 2, 1999. (Brochure)

1998

American Academy of Arts and Letters Centennial Portfolio, Pace Prints, New York, December 9–30, 1998.

Artists in Collaboration with Art Resources Transfer, New York, The Vedanta Gallery, Chicago, September 4–October 9, 1998.

Dreams for the Next Century, The Parrish Art Museum, Southampton, New York, July 11–August 6, 1998.

PAPER + works on Dieu Donné paper, The Gallery at Dieu Donné Papermill, New York, April 18–May 29, 1998.

Then and Now: Art Since 1945 at Yale, Yale University Art Gallery, New Haven, February 10–July 31, 1998. (Catalogue)

1997

Concept/Image/Object: Recent Gifts for the Lannan Foundation, Department of Prints and Drawings, Kovler Gallery, The Art Institute of Chicago, December 6, 1997–May 7, 1998.

From the Collection of Trustees and Friends of Roanoke College, Olin Gallery, Roanoke College, Salem, Virginia, October 26–November 21, 1997.

Thresholds: Limits of Perception, Curated by Denis Pelli and Ana Maria Torres, Eighth Floor Gallery, New York, October 14–25, 1997. (Included a day-long symposium, Theories of Vision, on October 17 at the New York University Cantor Film Center.)

Photorealists, Exhibit A Gallery, Savannah College of Art and Design, Georgia, October 2–November 25, 1997.

Allegory to the Portrait: Changing Faces, Nassau County Museum of Art, Roslyn Harbor, New York, September 21, 1997–January 4, 1998.

Project Painting, Basilico Fine Arts and Lehmann Maupin, New York, September 11–October 11, 1997. (Catalogue)

Views from Abroad: European Perspectives on American Art 3: American Realities, Whitney Museum of American Art, New York, July 10–October 5, 1997. (Catalogue)

Thirty-Five Years at Crown Point Press: Making Prints, Doing Art, National Gallery of Art, Washington, D.C., June 8–September 1, 1997. Traveled to: California Palace of the Legion of Honor, The Fine Arts Museum of San Francisco, October 4, 1997–January 4, 1998. (Catalogue)

The Hirshhorn Collects: Recent Acquisitions 1992-1996, Hirshhorn Museum and Sculpture Garden, Washington, D.C., June 4–September 7, 1997. (Catalogue)

In-Form, Bravin Post Lee Gallery, New York, June 4–July 19, 1997.

Seattle Collects Paintings, Seattle Art Museum, May 22–September 7, 1997.

Portrait im 20. Jahrhundert, Raab Galerie, Berlin, May 8–June 2, 1997.

The Age of Modernism: Art in the 20th Century (organized by the Zeitgeist-Gesellschaft), Martin–Gropius–Bau, Berlin, May 7–July 27, 1997. (Catalogue)

Chuck Close/Paul Cadmus: In Dialogue. Philadelphia Museum of Art, April 5–June 1, 1997. (Catalogue)

Birth of the Cool: American Painting from Georgia O’Keefe to Christopher Wool. Deichtorhallen, Hamburg, February 14–May 11, 1997. Traveled to: Kunsthaus, Zurich, June 18–September 7, 1997. (Catalogue)

Art Lab: One Collection, 13 Curators, Selections from the Rivendell Collection of Late 20th Century Art, Center for Curatorial Studies Bard College, Annadale-on-Hudson, New York, February 8–23, 1997.

1996

Painting into Photography / Photography into Painting, Museum of Contemporary Art, Miami, December 20, 1996–February 16, 1997.

Celmins, Close, Salle Works on Paper, Department of Visual and Environmental Studies, Harvard University, Cambridge, December 7–29, 1996.

Some Recent Acquisitions, The Museum of Modern Art, New York, November 15, 1996–January 2, 1997.

Portraits, James Graham & Sons, New York, November 7–December 21, 1996.

Collection Highlights: 1945 to the Present, Seattle Art Museum, October 1996–May 1997.

Hidden in Plain Sight: Illusion and the Real in Recent Art, Los Angeles County Museum of Art, October 27, 1996–January 12, 1997.

Chuck Close, Jim Dine, Louise Nevelson, Concordia College, Bronxville, New York, October 14–November 17, 1996.

Joe Wilfer Remembered, Chuck Close, Mary Heilmann, Alan Shields, Dieu Donne Papermill, New York, September 28–November 2, 1996.

A Decade of Giving: The Apollo Society, The Toledo Museum of Art, September 8–December 1, 1996.

Landfall Press: Twenty-five Years of Printmaking, Milwaukee Art Museum, September 13–November 10, 1996. Traveled to: Chicago Cultural Center, March 15–May 18, 1997; Davenport Museum of Art, Iowa, September 14–November 17, 1997; Springfield Museum of Art, Ohio, March 13–May 9, 1999. (Catalogue)

Thinking Print: Books to Billboards, 1980–1995, The Museum of Modern Art, New York, June 19–September 10, 1996. (Catalogue)

Annual Exhibition 1996, American Academy in Rome, May 24–July 14, 1996. (Catalogue)

Affinities: Chuck Close and Tom Friedman, The Art Institute of Chicago, April 27–July 28, 1996. (Catalogue)

Interstices: The A(a)rtist, A(a)rt and the A(a)udience, Duke University, Durham, North Carolina, April 12–May 25, 1996.

Fractured Fairy Tales, Art in the Age of Categorical Disintegration, SoHo at Duke, Duke University Museum of Art, Durham, North Carolina, April 12–May 25, 1996. (Catalogue)

New in the 90's, Katonah Museum of Art, New York, March 31–April 21, 1996.

Attention to Detail (Realism in All Forms), Louis K. Meisel Gallery, New York, March 2–23, 1996.

Master Printers and Master Pieces, Kaohsiung Museum of Fine Arts, Taiwan, February 16–June 2, 1996.

Narcissism: Artists Reflect Themselves, California Center for the Arts Museum, Escondido, February 4–May 26, 1996. (Catalogue)

1995

Made In America: Ten Centuries of American Art, Dayton Hudson Gallery, The Minneapolis Institute of Arts, February 5–April 30, 1995; The Nelson-Atkins Museum of Art, Kansas City, March 17–May 19, 1995; The Saint Louis Art Museum, 1995; The Toledo Museum of Art, 1995; The Carnegie Museum of Art, Pittsburgh, July 13–September 22, 1995 (Catalogue)

Matrix is 201 Birthday Bash!, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1995.

1995 Carnegie International, The Carnegie Museum of Art, Pittsburgh, November 5, 1995–February, 18, 1996. (Catalogue)

Facts and Figures: Selections from the Lannan Foundation Collection, Lannan Foundation, Los Angeles, October 22, 1995–February 26, 1996.

Printmaking in America: Collaborative Prints and Presses 1960–1990, Mary and Leigh Block Gallery, Northwestern University, Evanston, Illinois, September 22–December 3, 1995. Traveled to: The Jane Vorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, April 23–June 18, 1995; The Museum of Visual Arts, Houston, January 23–April 23, 1996; National Museum of American Art, Smithsonian Institution, Washington, D.C., May 10–August 4, 1996. (Catalogue)

Beyond the Borders: The First Kwangju International Biennale, International Exhibition of Contemporary Art, Kwangju, Korea, September 20–November 20, 1995. (Catalogue)

25 Americans: Painting in the 90’s, Milwaukee Art Museum, September 8–November 5, 1995. (Catalogue)

Face Value: American Portraits, The Parish Art Museum, Southampton, New York, July 22–September 3, 1995. Traveled to: Wexner Center for the Arts, The Ohio State University, Columbus, March 5–April 21, 1996; Tampa Museum of Art, July 14–September 8, 1996. (Catalogue)

Our Century, Museum Ludwig Cologne, July 8–October 8, 1995.

Art Works: The PaineWebber Collection of Contemporary Masters, Museum of Fine Arts, Houston, July 2–September 24, 1995. Traveled to: The Minneapolis Institute of Arts, June 30–September 15, 1996; Museum of Fine Arts, Boston, March 14–June 9, 1996, San Diego Museum of Art, October 13–January 5, 1997, Center for the Fine Arts, Miami, March 13–May 25, 1997. (Catalogue)

Large Bodies, Pace/MacGill Gallery, New York, June 29–September 1, 1995.

Summer Academy 2, PaceWildenstein, 32 East 57th Street, New York, June 28–September 23, 1995.

Identity and Alterity, Figures of the Body, 1895/1995: 46th International Art Exhibition, La Biennale di Venezia, Palazzo Grassi and Palazzo Ducale, Venice, June 10–October 15, 1995. (Catalogue)

One Vocabulary: Its Permutations and the Possibilities There From Part One: Daniel Buren, Chuck Close, Barbara Krakow Gallery, Boston, May 29–August 15, 1995.

Group exhibition, Retretti Art Center, Finland, May 23–August 27, 1995.

Touchstones from The Graphicstudio and Limestone Press/Hine Editions, The Boca Raton Museum of Art, April 28–May 30, 1995 .

Acquisitions 1990–1995, The Parrish Art Museum, Southampton, New York, April 22–May 28, 1995.

Me, Dru Arstark Gallery, New York, March 25–May 6, 1995.

Group exhibition, Daniel Weinberg Gallery, San Francisco, March 18–April 22, 1995.

Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, February 21–March 19, 1995.

Drawings The Pace Gallery, 32 East 57th Street, New York, January 27–March 18, 1995.

A.R.T. Press: Prints and Multiples, Betsy Senior Gallery, New York, January 12–February 4, 1995.

1994

Amerikanische Zeichnungen und Graphik : von Sol LeWitt bis Bruce Nauman : aus den Beständen der Graphischen Sammlung des Kunsthauses Zürich. Texts by Ursula Perucchi-Petri, Gerhard Mack, Ludmila Vachtova, Franz Meyer, and Christel Sauer (exhibition catalogue). Zurich and Ostfildern, Germany: Kunsthaus Zürich ; Cantz, 1994: 155, illustrated.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994–January 14, 1995. (Catalogue)

Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994.

Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24–November 13, 1994. (Catalogue)

Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9–October 19, 1994.

Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June–November 1994.

Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9–July 30, 1994.

A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9–July 30, 1994. (Curated by Chuck Close)

The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6–October 9, 1994.

From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29–November 27, 1994. (Catalogue)

Facing the Past: Nineteenth–Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27–June 24, 1994.

Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14–June 13, 1994.

30 YEARS––Art in the Present Tense: The Aldrich's Curatorial History 1964–1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15–September 17, 1994. (Catalogue)

Face-Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9–October 30, 1994. Traveled to: Joslyn Art Museum, Omaha, January 28–March 19, 1995; Weatherspoon Art Gallery, University of North Carolina, Greensboro, April 9–May 28, 1995. (Catalogue)

1993

30th Anniversary Exhibition of Drawings, Foundation for Contemporary Performance Arts, Inc, New York, 1993.

The Portrait Now, National Portrait Gallery, London, November 19, 1993–February 6, 1994. (Catalogue)

The Return of the Cadavre Exquis, The Drawing Center, New York, November 6–December 18, 1993. Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5–April 10, 1994; Santa Monica Museum of Art, July 7–September 5, 1994; Forum for Contemporary Art, St. Louis, September 30–November 12, 1994; America Center, Paris, December 1994–January 1995. (Catalogue)

Personal Imagery, Chicago/New York, Phyllis Kind Gallery, New York, September 18–October 30, 1993.

Art Works: The Education Project, International Center of Photography, New York, July 2–September 26, 1993. (Catalogue)

46th International Art Exhibition, La Biennale di Venezia, Venice, June 13–October 10, 1993.

Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6–June 12, 1993. (Catalogue)

First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April–November 1993.

Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30–July 31, 1993. (Catalogue)

Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2–June 3, 1993.

Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25–April 10, 1993.

Artists by Artists, Forum Gallery, New York, February 4–March 14, 1993.

The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4–March 6, 1993.

A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993.

Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January09–March 1, 1993. Traveled to: Museo Amparo, Pueblo Centro, 1993; Museo de Arte Contemporaneo de Monterrey, Mexico, 1993; Centro Cultural Consolidado, Caracas, 1994; MASP/Museo de Arte de São Paolo, 1994; Museo Nacional de Bellas Artes, Buenos Aires, 1994; Museo Bellas Artes, Santiago, 1994. (Catalogue; organized by Lisa Phillips in association with Manuel E. González)

American Color Woodcuts: Bounty from the Block, 1890s–1900s, Elehjem Museum of Art, University of Wisconsin, Madison, January 30–April 4, 1993. (Catalogue)

Autoportrait contemporains: Here's Looking at Me, Espace Lyonnais D'Art Contemporain, Lyon, January 29–April 30, 1993. (Catalogue)

Exploring Scale in Contemporary Art, Laguna Gloria Art Museum, Austin, January 23–March 4, 1993.

I Am The Enunciator, Thread Waxing Space, New York, January 9–February 27, 1993. (Catalogue)

1992

Portraits, Plots, and Places: The Permanent Collection Revisited, Walker Art Center, Minneapolis, 1992.

Le Portrait Dans l'Art Contemporain, Musée D'Art Moderne et D'Art Contemporain, Nice, July 3–September 27, 1992. (Catalogue)

Á Visage Découvert, Fondation Cartier pour l'art contemporain, Jouy-en-Josas, France, June 19–October 4, 1992. (Catalogue)

Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy and Institute of Arts and Letters, New York, May 20–June 14, 1992.

Passions & Cultures: Selected Works from the Rivendell Collection, 1967–1991, Richard and Marieluise Black Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, New York, April 4–December, 1992.

Psycho, New York Kunsthalle, New York, April 2–May 9, 1992. (Catalogue)

Persona, Museum of Photographic Arts, San Diego, February 12–April 12, 1992. (Catalogue)

A Nation’s Legacy: 150 Years of American Art from Ohio Collections, Columbus Museum of Art, Ohio, January 19–March 15, 1992. Traveled to: Japan, April 9–October 5, 1992. (Catalogue)

Arte Americana 1930–1970, Lingotto S.R.L., Turin, Italy, January 11–March 31, 1992. (Catalogue)

1991

Contemporary Woodblock Prints from Crown Point Press, Edison Community College, Fort Meyers, Florida, 1991. (Catalogue)

The Language of Flowers, Paul Kasmin Gallery, New York, December 12, 1991–January 16, 1992.

Past/Present: Photographs from the Collection of the Museum of Fine Arts, Houston, The Museum of Fine Arts, Houston, December 8, 1991–February 9, 1992.

Six Takes on Photo-Realism, Whitney Museum of American Art at Champion, Stamford, Connecticut, November 15, 1991–January 25, 1992. (Catalogue)

American Realism and Figurative Art: 1952–1990 (organized by Japan Association of Art Museums), The Miyagi Museum of Art Sendai, Miyagi, November 1–December 23, 1991. Traveled to: Sogo Museum of Art, Yokohama, January 29–February 16, 1992; Tokushima Modern Art Museum, Tokushima, February 22–March 29, 1992; The Museum of Modern Art, Shiga, April 4–May 17, 1992; Kochi Prefecture Museum of Folk Art, May 23–June 17, 1992. (Catalogue)

The Portrait Tradition: Master Printmakers, Pace Editions, New York, October 25–November 30, 1991.

Accent on Paper: 15 Years at Dieu Donné Papermill, Lintas: Worldwide, New York, October 2, 1991–January 10, 1992.

Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida, National Gallery of Art, Washington, D.C., September 15, 1991–January 5, 1992. (Catalogue)

Departures: Photography 1923–1990 (organized by Independent Curators Incorporated, New York), Iris & B. Gerald Cantor Art Gallery, College of Holy Cross, Worcester, Massachusetts, September 12–October 20, 1991. Traveled to: Denver Art Museum, January 25–March 22, 1992; Joslyn Art Museum, Omaha, April 9–March 31, 1992; Pittsburgh Center for the Arts, July 5–August 23, 1992; The Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, September 5–October 11, 1992; Telfair Academy of Arts and Sciences, Inc., Savannah, Georgia, January 5–February 21, 1993. (Catalogue)

Group exhibition, Paula Cooper Gallery, New York, September 7–28, 1991.

Portraits on Paper, Robert Miller Gallery, New York, June 25–August 2, 1991.

Portraits, Linda Cathcart Gallery, Santa Monica, May 1991.

Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15–June 9, 1991.

In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14–July 7, 1991. (Catalogue)

1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2–June 30, 1991. (Catalogue)

Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8–28, 1991.

Academy-Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4–30, 1991.

Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3–31, 1991. (Catalogue)

Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21–March 16, 1991. (Catalogue)

Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23–March 20, 1991.

Artist's Choice—Chuck Close: Head–On/The Modern Portrait, The Museum of Modern Art, New York, January 10–March 19, 1991. Traveled to: Lannan Foundation, Los Angeles, June 25–September 7, 1991. (Catalogue)

1990

Group exhibition, Althea Viafora Gallery, New York, 1990.

42nd Annual Academy–Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, November 12–December 9, 1990.

MONOCHROME/POLYCHROME: Contemporary Realist Drawings, Florida State University Gallery & Museum, Tallahassee, October 26–November 21, 1990. (Catalogue)

Homage to the Square, Nohra Haime Gallery, New York, September 5–29, 1990.

Heads, Blum Helman Gallery, New York, September 5–22, 1990.

Figuring the Body, The Museum of Fine Arts, Boston, July 28–October 28, 1990.

Selections 4: The International Polaroid Collection, North Dakota Museum of Art, Grand Forks, June–July 12, 1990.

Portrait of an American Gallery: The Pace Gallery, Galerie Isy Brachot, Brussels, April 19–June 23, 1990. (Catalogue)

Six Annual ICP Infinity Award Winners, International Center of Photography, New York, April 13–June 24, 1990.

The 20th Anniversary, Fuji Television Gallery, Tokyo, April 2–26, 1990. (Catalogue)

Signs of the Self: Changing Perceptions, Woodstock Artists Association, New York, March 17–April 15, 1990. (Catalogue)

Je Est un Autre, Galeria Comicos, Lisbon, February–March 1990.

Prints of the Eighties, Pratt Manhattan Gallery, New York, January 13–February 17, 1990. Traveled to: Guild Hall Museum, East Hampton, New York, June 17–July 29, 1990.

1989

Twentieth–Century Painting and Sculpture: Selections for the Tenth Anniversary of the East Building, National Gallery of Art, Washington, D.C., 1989. (Catalogue)

Image World: Art and Media Culture, Whitney Museum of American Art, New York, November 8, 1989–February 18, 1990. (Catalogue)

Contemporary Woodblock Prints, Jersey City Museum, New Jersey, December 6, 1989–March 3, 1990. (Catalogue)

Seattle: Before and After, Center for Contemporary Art, Seattle, October 5–November 27, 1989.

Artist of the South Fork, Baruch College Gallery, City University of New York, September–November 3, 1989.

Robert Bechtle, Chuck Close, Robert Cottingham, Malcolm Morley, Sigmar Polke, Pat Hearn Gallery, New York, September 16–October 7, 1989.

Personae: Contemporary Portraiture and Self–Portraiture, Islip Art Museum, East Islip, New York, September 10–November 5, 1989.

A Decade of American Drawings: 1980–89, Daniel Weinberg Gallery, Los Angeles, July 15–August 26, 1989.

Art in Place, Whitney Museum of American Art, New York, July 7–October 29, 1989.

Contemporary Art from the Chase Manhattan Bank Collection, The Yokohama Museum of Art, Japan, June 18–October 1, 1989 .

First Impressions, Walker Art Center, Minneapolis, June 4–September 10, 1989. Traveled to: Laguna Gloria Art Museum, Austin, December 2, 1989–January 21, 1990; Baltimore Museum of Art, February 25–April 2; Neuberger Museum, State University of New York, Purchase, June 27–September 23, 1990.

The Indomitable Spirit, Blum Hellman Gallery, Santa Monica, May 19–June 9, 1989.

Fantasies, Fables and Fabrications: Photo–Works from the 1980’s, Delaware Art Museum, Wilmington, May 12–July 2, 1989. Traveled to: Herter Gallery, Herter Hall, University of Massachusetts, Amherst, September 22–November 3, 1989; Boston University Art Gallery, February 28–March 31, 1991. (Catalogue)

On the Art of Fixing A Shadow: 150 Years of Photography, National Gallery of Art, Washington, D.C., May 7–July 30, 1989. Traveled to: The Art Institute of Chicago, September 16–November 26, 1989; Los Angeles County Museum of Art, December 21, 1989–February 25, 1990. (Catalogue)

Field and Frame: Meyer Shapiro's Semiotics of Painting, New York Studio School, April 7–May 13, 1989.

1988

Artschwager: His Peers and Persuasion 1963–1988, Daniel Weinberg Gallery, Los Angeles, 1988.

Made in the 60's: Painting and Sculpture From the Permanent Collection of the Whitney, Whitney Museum of American Art, Downtown Branch at Federal Reserve Plaza, New York, 1988.

Selections 4, Photokina ‘88, Cologne, 1988. Traveled to: Musée de l'Elysée, Lausanne;Victoria and Albert Museum, London; Hamburger Kunsthalle; Museo de Arte Contemporáneo de Caracas, Venezuela, 1988–1989.

Three Decades; The Oliver Hoffmann Collection, Museum of Contemporary Art, Chicago, December 17, 1988–February 5, 1989. (Catalogue)

Identity: Representations of the Self, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, December 14, 1988–February 10, 1989. (Catalogue)

The Face, Arkansas Arts Center, Little Rock, December 1, 1988–January 6, 1989. (Catalogue)

Gianfranco Gorgoni: Altered Images, The Penson Gallery, New York, November 15–December 10, 1988. (Catalogue)

Drawing on the East End: 1940–1988, The Parrish Art Museum, Southampton, New York, September 18–November 13, 1988. (Catalogue)

The Instant Likeness: Polaroid Portraits, National Portrait Gallery, Washington, D.C., August 27–December 4, 1988.

Aldo Crommelynck, Master Prints with American Artists, Whitney Museum of American Art at the Equitable Center, New York, August 3–November 7, 1988. (Catalogue)

Fifty-Second National Midyear Exhibition, The Butler Institute of American Art, Youngstown, Ohio, June 26–August 21, 1988. (Catalogue)

Life Like, Lorence Monk Gallery, New York, June 4–25, 1988.

1988, The World of Art Today, Milwaukee Art Museum, May 6–August 28, 1988. (Catalogue)

Self As Subject, Katonah Gallery, New York, January 24–March 6, 1988.

1987

American Drawings and Watercolors of the Twentieth Century, Selections from the Whitney Museum of American Art, Whitney Museum of American Art, New York, 1987.

American Traditions in Watercolor, The Worcester Art Museum, Massachusetts, 1987.

Contemporary Works on Paper, Vivian Horan Fine Art, New York, 1987.

The Monumental Image, Sonoma University, California, 1987. (Catalogue)

Post-war Paintings from Brandeis University, Rose Art Museum, Brandeis University, Waltham, Massachusetts, 1987.

Legacy of Light, International Center of Photography, New York, November 20, 1987–January 8, 1988. Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, May 28–July 31, 1988.

The Instant Image, An Exhibition of Works by the Major Artists in Photography, Rockland Center for the Arts, West Nyack, New York, November 15–December 13, 1987.

Large Scale Self-Portraits, Pace/MacGill Gallery, New York, October 15–November 28, 1987.

The Anderson Collection: Two Decades of American Graphics 1967–1987. Prints, Monotypes, Works on Paper, Stanford University, California, September 29, 1987–January 3, 1988. (Catalogue)

Assemblage/Collage: Work by 24 Artists & 4 Poets, Maris Art Gallery, Westfield State College, Massachusetts, September 25–October 31, 1987. Traveled to: The Lamont Gallery, Phillips Exeter Academy, New Hampshire, November 13–December 13, 1987; Berkshire Artisans Community Arts Center, Pittsfield, Massachusetts, April 4–30, 1988; Dongnang Gallery, Seoul Institute of the Arts, September 16–October 2, 1988; Nesto Gallery, Milton Academy, Massachusetts, December 8, 1988–January 20, 1989; Herter Art Gallery, University of Massachusetts, Amherst, February 6–27, 1989. (Catalogue)

Art Against AIDS, Dia Art Foundation, New York, September 16–October 4, 1987.

Portrayals, International Center of Photography, New York, June 12–July 18, 1987. Traveled to: Herron Gallery, Indianapolis Center for Contemporary Art, November 21–December 19, 1987. (Catalogue)

Photography and Art: Interactions Since 1946, Los Angeles County Museum of Art, June 4–August 30, 1987. Traveled to: Museum of Art, Fort Lauderdale, October 15, 1987–January 24, 1988; Queens Museum, Flushing, New York, February 13–April 3, 1988; Des Moines Art Center, May 6–June 26, 1988. (Catalogue)

Art Against AIDS, The Pace Gallery, 32 East 57th Street, New York, June 4–30, 1987. (Catalogue)

20th Century Drawings from the Whitney Museum of American Art, National Gallery of Art, Washington, D.C., May 21–September 7, 1987. Traveled to: The Cleveland Museum of Art, Ohio, September 30–November 8, 1987; Achenbach Foundation, California Palace of the Legion of Honor, San Francisco, March 5–June 5, 1988; Arkansas Art Center, Little Rock, June 30–August 28, 1988; Whitney Museum of American Art, Fairfield County Branch, Stamford, Connecticut, November 17, 1988–January 25, 1989. (Catalogue)

American Art Today: The Portrait, The Art Museum at Florida International University, Miami, May 8–June 3, 1987. (Catalogue)

Director’s Choice, Tampa Museum of Art, Florida, April 19–June 14, 1987.

Faces, Crown Point Press, San Francisco, March 19–May 9, 1987.

This Is Not A Photograph. Twenty Years of Large Scale Photography 1966–1986, The John and Mable Ringling Museum of Art, Sarasota, Florida, March 7–May 31, 1987. Traveled to: Akron Art Museum, Ohio, October 31, 1987–January 10, 1988; The Chrysler Museum, Norfolk, Virginia, February 26–May 1, 1988. (Catalogue)

1986

Structured Vision: Collage and Sequential Photography, Boise Gallery of Art, Idaho, November 25, 1986–January 4, 1987. Traveled to: Whatcom Museum of History and Art, Bellingham, Washington, March 27–May 15, 1987; Cheney Cowles Memorial Museum, Eastern Washington State Historical Society, Spokane, September 11 –October 11, 1987; University Gallery Sonoma State University, Rohnert Park, California, November 5–December 13, 1987. (Catalogue)

American Paintings from the Museum Collection, The Parrish Art Museum, Southampton, New York, October 26–November 30, 1986.

70's into 80's: Printmaking Now, Museum of Fine Arts, Boston, October 22, 1986–February 8, 1987. (Catalogue)

Contemporary Work from The Pace Gallery, University of Alabama, Moody Gallery of Art, Tuscaloosa, October 5–November 7, 1986.

Philadelphia Collects Art Since 1940, Philadelphia Museum of Art, September–November, 1986.

Drawings from the Collection of Dorothy and Herbert Vogel, The University of Arkansas, Little Rock, Arkansas, September 7–November 16, 1986. Traveled to: Moody Gallery of Art, The University of Alabama, February 2–27, 1987; Pennsylvania State University Museum of Art, March 15–May 10, 1987. (Catalogue)

50 Years Modern Color Photography, 1936–1986, Photokina, World's Fair of Imaging Systems, Cologne, September 3–9, 1986. (Catalogue)

The Changing Likeness: Twentieth Century Portrait Drawings, Whitney Museum of American Art at Phillip Morris, New York, June 27–September 4, 1986. (Catalogue)

Painting and Sculpture Today––1986, Indianapolis Museum of Art, Indianapolis, Indiana, June 24–August 24, 1986. (Catalogue)

Big and Small, Israel Museum, Jerusalem, May 1–June 1, 1986.

Group Portrait Show, Martina Hamilton Gallery, New York, April 21–June 3, 1986.

New Etchings, Pace Editions, New York, February 21–March 22, 1986.

Public and Private: American Prints Today, The 24th National Print Exhibition, Brooklyn Museum of Art, February 7–May 5, 1986. Traveled to: Flint Institute of Arts, Michigan, July 28–September 7, 1986; Rhode Island School of Design, Providence, September 29–November 9, 1986; Museum of Art, Carnegie Institute, Pittsburgh, December 1, 1986–January 11, 1987; Walker Art Center, Minneapolis, February 1–March 22, 1987. (Catalogue)

The Real Big Picture, The Queens Museum, New York, January 17–March 19, 1986. (Catalogue)

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, January 12–March 30, 1986. (Catalogue)

1985

Self-Portrait Today, The Museum of Modern Art, Saitama, Japan, 1985.

37th Annual Purchase Exhibition Hassam and Speicher Fund, American Academy and Institute of Arts and Letters, New York, 1985.

Nude, Naked, Stripped, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, December 13, 1985–February 2, 1986. ()

AIDS Benefit exhibition: A Selection of Works on Paper, Daniel Weinberg Gallery, Los Angeles, November 9–30, 1985.

American Realism: Twentieth Century Drawings and Watercolors, San Francisco Museum of Modern Art, November 7, 1985–January 12, 1986. Traveled to: deCordova Museum and Sculpture Park, Lincoln, Massachusetts, February 13–April 6; Archer M. Huntington Art Gallery, University of Texas, Austin, July 31–September 21; May and Leigh Block Gallery, Northwestern University, Evanston, Illinois, October 23–December 14; Williams College Museum of Art, Williamstown, Massachusetts, January 15–March 8; Akron Art Museum, Ohio, April 9–May 31; Madison Art Center, July 26–September 20, 1987. (Catalogue)

Self–Portrait: The Photographers' Persona, 1840–1985, The Museum of Modern Art, New York, November 7–January 7, 1986.

Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum and Art Center, Vermont, October 18–December 8, 1985. (Catalogue)

American Realism: The Precise Image, Isetan Museum of Art, Tokyo, July 25–August 19, 1985. Traveled to: Daimaru Museum, Osaka, October 9–28, 1985; Yokohama Takashimaya, Japan, November 7–December 12, 1985. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 28–August 30, 1985.

L'Autoportrait a l'age de la photographie, Musee Cantoral de Beaux–Arts, Lausanne, January 18–March 24, 1985. Traveled to: Wurttembergischer Kusntverein, Stuttgart, West Germany, April 11–June 9, 1985; Akademie der Kunst, Berlin, September 1–October 6, 1985; Sarah Campbell Blaffer Gallery, University of Texas, Houston, March 2–30, 1986; San Antonio Travel Park Plaza, (in connection with the Texas Sesquicentennial), April 12–27, 1986. (Catalogue)

1984

Viewpoint: the Artist as Photographer, Summit Art Center, New Jersey, November 4–December 30, 1984. (Catalogue)

Drawings by Contemporary American Figurative Artists, Meyerhoff Gallery, Maryland Institute College of Art, Baltimore, September 26–November 4, 1984.

Art of the States: Works from a Santa Barbara Collection, Santa Barbara Museum of Art, California, June 22–August 26, 1984. (Catalogue)

The Modern Art of the Print: Selections from the Collection of Lois and Michael Torf, Williams College Art Museum, Williamstown, Massachusetts, May 5–July 16, 1984. Traveled to: Museum of Fine Arts, Boston, August 1–October 4, 1984. (Catalogue)

The New Portrait, The Institute for Art and Urban Resources, Long Island City, New York, April 15–June 10, 1984.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, April 7–21, 1984.

Paper Transformed: A National Exhibition of Paper, Turman Gallery, Indiana State University, Terre Haute, March 19–April 15, 1984. (Catalogue)

Drawings 1974–1984, Hirshhorn Museum and Sculpture Garden, Washington, D.C., March 15–May 13, 1984. (Catalogue)

American Art Since 1970: Paintings, Sculpture and Drawings from the Collection of the Whitney Museum of American Art, La Jolla Museum of Contemporary Art, March 10–April 22, 1984. Traveled to: Museo Tamayo, Mexico City, May 17–July 29, 1984; North Carolina Museum of Art, Raleigh, September 29 November 25, 1984; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, January 12–March 3, 1985; Center for the Fine Arts, Miami, March 30–May 26, 1985. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, January 13–February 11, 1984.

1983

The First Show: Painting and Sculpture from Eight Collections, 1940–1980, Museum of Contemporary Art, Los Angeles, 1983. (Catalogue)

Subjective Vision: The Lucinda Bunnen Collection of Photographs, High Museum of Art, Atlanta, 1983. (Catalogue)

American Super–Realism from the Morton G. Neumann Family Collection, Terra Museum of American Art, Evanston, Illinois, November 4–December 7, 1983. (Catalogue)

Self-Portraits, Linda Farris Gallery, Seattle, August 4–September 11, 1983. Traveled to: Los Angeles Municipal Art Gallery, October 18–November 13, 1983. (Catalogue)

New Work, New York, Newcastle Polytechnic Gallery, Newcastle-upon-Tyne, United Kingdom, October 8–November 4, 1983. Traveled to: Harrowgate Gallery, United Kingdom, 1983. (Catalogue)

Photographic Visions by Martha Alf, Chuck Close, Robert Cumming, David Hockney, Robert Rauschenberg, Ed Ruscha, Los Angeles Center for Photographic Studies, September 10–October 16, 1983.

Group exhibition, The Pace Gallery, 32 Easy 57th Street, New York, June 27–August 31, 1983.

Faces Since the '50s: A Generation of American Portraiture, Center Gallery, Bucknell University, Lewisburg, Pennsylvania, March 11–April 17, 1983. (Catalogue)

1982

Black & White, Leo Castelli Gallery, New York, December 29, 1982–February 9, 1983.

New Portraits Behind Faces, Dayton Art Institute, Ohio, October 19, 1982–February 6, 1983. (Catalogue)

Late 20th Century Art, Worcester Art Museum, Massachusetts, September 10–October 31, 1982.

Homo Sapiens: The Many Images, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 1982. (Catalogue)

Making Paper, American Craft Museum, New York, May 20–September 26, 1982. Traveled to: Cleveland Institute of Art, December 10, 1982–January 7, 1983; One Sea Gate of Owens-Illinois, Toledo, January 17–March 15, 1983; Columbus Museum of Art, March 27–May 22, 1983; Tucson Museum of Art, June 25–August 9, 1983; Greenville County Museum of Art, South Carolina, September 11–November 13, 1983; Huntsville Museum of Art, Alabama, January 30–March 5, 1984; Southeast Arkansas Art Center, Pine Bluff, March 19–April 30, 1984; Colorado Springs Fine Arts Center, May 19–July 8, 1984; Wustum Museum of Fine Arts, Racine Wisconsin, August 5–September 30; Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin, October 31–December 9, 1983. (Catalogue)

Great Big Drawings, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, April 3–May 2, 1982.

New American Graphics 2: An Exhibition of Contemporary American Prints, Madison Art Center, University of Wisconsin, March 13–April 25, 1982. Traveled to: Crossman Gallery, University of Wisconsin, Whitewater, September 20–October 15, 1982; Alaska State Museum, Juneau, February 1–March 1, 1983; Visual Arts Center of Alaska, Anchorage, March 15–April 12, 1983; Alaska Association for the Arts, Fairbanks, April 26–May 31, 1983; El Paso Museum of Art, July 2–July 30, 1983; Visual Arts Gallery, Hayes, Kansas, September 15 –October 20, 1983; Amarillo Art Center, Texas, November 2–December 11, 1983; Colorado Gallery of the Arts, Littleton, January 13–February 17, 1984; Concord College, Athens, West Virginia, March 9–April 13, 1984; Art Center, Inc., South Bend, Indiana, May 20–June 17, 1984; Humboldt Cultural Center, Eureka, California, August 5–September 9, 1984. (Catalogue)

The Pace Gallery at Asher/Faure. Asher/Faure Gallery, Los Angeles, March 13–April 10, 1982.

Momentbild: Künstlerphotographie, Kestner-Gesellschaft, Hannover, March 5–April 18, 1982. (Catalogue)

The Human Figure in Contemporary American Art, Contemporary Arts Center, New Orleans, March 5–April 4, 1982. (Catalogue)

Surveying the Seventies: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County Branch, Stamford, Connecticut, February 12–March 31, 1982. (Catalogue)

Art of Our Time, High Museum of Art, Atlanta, January 23–March 7, 1982.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, January 15–February 13, 1982.

Photo-Realisme-dix-ans-apres, Galerie Isy Brachot, Paris, January 13–March 6, 1982. (Catalogue)

1981

Great Lakes Colleges Association artist sponsored exhibition, Great Lakes Colleges Association members, 1981–1983.

Late Twentieth Century Art from the Sydney and Frances Lewis Foundation, The Sydney and Frances Lewis Foundation, Richmond, Virginia, 1981. (Catalogue)

Instant Fotographie, Stedelijk Museum, Amsterdam, December 4, 1981–January 17, 1982. (Catalogue)

American Prints: Process and Proofs, The Whitney Museum of American Art, New York, November 25, 1981–January 24, 1982. (Catalogue)

Artists’ Photographs, SVC/Fine Arts Gallery, University of South Florida, Tampa, November 7, 1981–January 6, 1982

Seven Photorealists from New York Collections, Solomon R. Guggenheim Museum, New York, October 6–November 8, 1981.

The Tyler Offset Workshop: An Exhibition of Prints and Posters, Tyler School of Art, Temple University, Philadelphia. October 2–November 1, 1981. (Catalogue)

Contemporary American Realism Since 1960, Pennsylvania Academy of Fine Arts, Philadelphia, September 18–December 13, 1981. Traveled to: Virginia Museum of Fine Arts, Richmond, February 8–April 4, 1982; Oakland Museum, California, May 6–July 25, 1982; Gulbenkian Foundation, Lisbon, September 29–October 27, 1982; Salas de Exposiciones de Belles Artes, Madrid, November 17, 1982–January 8, 1983; Kunsthalle, Nuremberg, February 11–April 10, 1983. (Catalogue)

The Image in American Painting and Sculpture 1950–1980, Akron Art Museum, Ohio, September 12–November 8, 1981. (Catalogue)

Super Realism from the Morton G. Neumann Family Collection, Kalamazoo Institute of the Arts, Michigan, September 1–November 1, 1981. Traveled to: The Art Center, Inc., South Bend, Indiana, November 22, 1981–January 3, 1982; Springfield Art Museum, Missouri, January 16–February 28, 1982; Dartmouth College Museum and Galleries, Hanover, New Hampshire, March 19–May 2, 1982; deCordova Museum and Sculpture Park, Lincoln, Massachusetts, May 9–June 20, 1982; Des Moines Art Center, Des Moines, Iowa, July 6–August 15, 1982. (Catalogue)

Photographer as Printmaker: 140 Years of Photographic Printmaking (organized by The Arts Council of Great Britain), Ferens Art Gallery, Hull, August 5–30, 1981. Traveled to: Museum and Art Gallery, Leichester, September 16–October 18, 1981; Talbot Rice Centre, Edinburgh, October 28–November 28, 1982; The Cooper Gallery, Barnsley, December 19, 1981–January 17, 1982; Castle Museum, Nottingham, January 30–February 28, 1982; The Photographer's Gallery, London, March 11–April 11, 1982. (Catalogue)

Inside/Out: Self Beyond Likeness, Sullivan Gallery, Newport Harbor Art Museum, Newport Beach, California, May 22–July 12, 1981. Traveled to: Portland Art Museum, Portland, Oregon, September 8–October 18, 1981; Joslyn Art Museum, Omaha, February 13–April 4, 1982. (Catalogue)

Drawings from Georgia Collections: 19th and 20th Century, High Museum of Art, Atlanta, May 14–June 28, 1981. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, May 8–September 20, 1981.

20 Artists: Yale School of Art 1950–1970, Yale University Art Gallery, New Haven, Connecticut, January 29–March 29, 1981. (Catalogue)

1980

American Figure Painting 1950–1980, The Chrysler Museum, Norfolk, Virginia, October 17–November 30, 1980.

The Morton G. Neumann Family Collection, National Gallery of Art, Washington D.C., August 31–December 31, 1980. (Catalogue)

Portrait Real and Imagined, Guild Hall Museum, East Hampton, New York, August 23–September 21, 1980. (Catalogue)

The Figurative Tradition and the Whitney Museum of American Art: Paintings and Sculpture from the Permanent Collection, Whitney Museum of American Art, New York, June 25–September 28, 1980. (Catalogue)

Ten American Artists from Pace, Wildenstein and Co., London, June 18–July 18, 1980. (Catalogue)

Self-Portraits: An Exhibition of Art on View at the Seagram Building, New York, May 19–August 8, 1980.

Aspects of the 70s: Directions in Realism, Danforth Museum, Framingham, Massachusetts, May 17–August 24, 1980. (Catalogue)

American Portrait Drawings, National Portrait Gallery, Washington D.C., May 1–August 3, 1980. (Catalogue)

American Realism of the Twentieth Century, Morris Museum of Arts and Sciences, Morristown, New Jersey, April 14 –June 1, 1980. (Catalogue)

American Painting of the Sixties and Seventies, Montgomery Museum of Art, Alabama, April 4–May 25, 1980. Traveled to: Joslyn Art Museum, Omaha, 1980; Museum of Fine Arts, St. Petersburg, Florida, 1980; Columbus Museum of Art, 1981; Colorado Springs Fine Art Center, 1981; Sierra Nevada Museum of Art, Reno, 1981. (Catalogue)

Printed Art: A View of Two Decades, The Museum of Modern Art, New York, February 14–April 1, 1980. (Catalogue)

First Person Singular: Recent Self-Portraiture, Pratt Manhattan Gallery, New York, February 2–March 1. Traveled to: Pratt Institute Gallery, Brooklyn, New York, March 5–April 1, 1980.

1979

Black and White Are Colors: Paintings of the 1950's–1970's, Montgomery Art Center, Pomona College, Claremont, California and Lang Art Gallery, Scripps College, Claremont, California, January 28–March 7,1979. (Catalogue)

Documents, Drawings and Collages: Fifty American Works on Paper from the Collection of Mr. and Mrs. Stephen D. Paine, Williams College Art Museum, Williamstown, Massachusetts, 1979. Traveled to: Toledo Museum of Art, Ohio, 1979; John and Mable Ringling Museum of Art, Sarasota, Florida, 1979; Fogg Art Museum, Harvard University, Cambridge, Massachusetts, 1979. (Catalogue)

American Paintings of the Seventies, Krannert Art Museum, Champaign, Illinois, November 11, 1979–January 1, 1980.

Reflections of Realism, The Albuquerque Museum, New Mexico, November 4, 1979–January 27, 1980. (Catalogue)

Print Publishing in America (organized by the United States Information Agency), United States Embassies, October 1979–October 1980. (Catalogue)

Artists by Artists, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, October 25–November 28, 1979.

Realist Space, C.W. Post Art Gallery, School of the Arts, Greenvale, New York, October 19–December 14, 1979. (Catalogue)

20 x 24 / Light, Light Gallery, New York, October 4–27, 1979. (Catalogue)

As We See Ourselves: Artist's Self-Portraits, Heckscher Museum, Huntington, New York, June 22–August 5, 1979. (Catalogue)

The Decade in Review: Selections from the 1970's, Whitney Museum of American Art, New York, June 19–September 2, 1979. (Catalogue)

The Altered Photograph (24 Walls–24 Curators), P.S. 1, Long Island City, New York, April 22–June 10, 1979.

Copie Conforme?, Musée national d’art moderne, Centre Georges Pompidou, Paris, April 18–June 11, 1979. (Catalogue)

America Now: Young America, Painters of the '70s (organized by New Museum of the International Communication Agency), Eastern Europe; Budapest, Hungary; Spring 1979.

Late Twentieth-Century Art: From the Sydney and Frances Lewis Foundation, The Sydney and Frances Lewis Foundation, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 22–May 2, 1979. (Catalogue)

Imports. An Exhibition of Contemporary Art from Across the Country, Clara M. Eagle Gallery, Murray State University, Kentucky, March 20–April 10, 1979. (Catalogue)

1979 Biennial Exhibition, Whitney Museum of American Art, New York, February 14–April 1, 1979. (Catalogue)

Images of the Self, Hampshire College Art Gallery, Massachusetts, February 2–March 14, 1979. (Catalogue)

Faculty Choice, University at Albany, State University of New York, Albany, New York, January 20–February 18, 1979. (Catalogue)

Drawings About Drawings Today, The Ackland Art Museum, University of North Carolina, Chapel Hill, January 1–March 11, 1979. (Catalogue)

1978

The Mechanized Image: A Historical Perspective on 20th Century Prints (organized by Arts Council of Great Britain), City Museum and Art Gallery, Portsmouth, 1978; Graves Art Gallery, Sheffield; Camden Arts Centre, London, 1978; Hatton Art Gallery, Newcastle, 1978; Aberdeen Art Gallery and Museum, Aberdeen, 1978. (Catalogue)

Photo-realist Printmaking, Louis K. Meisel Gallery, New York, 1978. (Catalogue)

Grids: Format and Image in 20th Century Art, The Pace Gallery, 32 East 57th Street, New York, December 16, 1978–January 20, 1979. Traveled to: Akron Art Museum, Ohio, March 24–May 6, 1979. (Catalogue)

American Painting of the 1970s, Albright-Knox Gallery, Buffalo, New York, December 9, 1978–January 14, 1979. Traveled to: Newport Harbor Art Museum, California, February 3–March 18 1979; The Oakland Museum, California, April 10–May 20, 1979; Cincinnati Art Museum, July 6–August 26, 1979; Art Museum of South Texas, Corpus Christi, September 9–October 21, 1979; Krannert Museum, University of Illinois, Champaign, November 11, 1979–January 22, 1980. (Catalogue)

Late Twentieth Century Art: The Sydney and Frances Lewis Foundation, Anderson Gallery, Virginia Commonwealth University, Richmond, December 5, 1978–January 8, 1979. (Catalogue)

Point, Philadelphia College of Art, November 2–December 15, 1978. (Catalogue)

Aspects of Realism: Artists of the Region, Guild Hall Museum, East Hampton, New York, July 22–August 13, 1978. (Catalogue)

20th Century American Drawings: Five Years of Acquisitions, Whitney Museum of American Art, New York, July 20 –October 1, 1978. (Catalogue)

Eight Artists, Philadelphia Museum of Art, April 29–June 25, 1978. (Catalogue)

Collage 1978, Goddard Riverside Community Center, New York, April 21–May 3, 1978.

Group exhibition, The Pace Gallery, 57th Street, March 25–April 22, 1978.

Contemporary Drawing/New York, Art Museum at University of California, Santa Barbara, February 22–March 26, 1978. (Catalogue)

Old Friends and New Faces. The Permanent Collection Featuring Recent Acquisitions, The Johnson Gallery, Middlebury College, Vermont, February 11–March 11, 1978.

1977

Illusion and Reality, Australian National Gallery, Canberra, February 11–28, 1977. Traveled to: Western Australian Art Gallery, Perth; Queensland Art Gallery, Brisbane; Art Gallery of New South Wales, Sidney; Art Gallery of South Australia, Adelaide; National Gallery of Victoria, Melbourne; Tasmanian Museum and Art Gallery, Hobart, 1977–1978. (Catalogue)

Representations of America (organized by Metropolitan Museum of Art, New York), Ministry of Culture, Moscow; The Hermitage, Leningrad; Palace of Art, Minsk, 1977–1978.

Works on Paper II, Louis K. Meisel Gallery, New York, 1977.

New York Now, Amherst College, Massachusetts, Fall 1977.

Critics’ Choice, Lowe Art Gallery, Syracuse University, New York, November 12–December 11, 1977. Traveled to: Munson-Williams-Proctor Institute Museum of Art, Utica, New York, January 1–30, 1978. (Catalogue)

Works from the Collection of Dorothy and Herbert Vogel, University of Michigan Museum of Art, Ann Arbor, November 11, 1977–January 1, 1978. (Catalogue)

A View of the Decade, Museum of Contemporary Art, Chicago, September 10–November 10, 1977. (Catalogue)

American Drawings 1927–77, Minnesota Museum of Art, Saint Paul, September 6–October 29, 1977.(Catalogue)

Twentieth Century American Art from Friends' Collections, Whitney Museum of American Art, New York, July 27–September 27, 1977.(Brochure)

Kunst und Median: Materialien sur Documenta 6, Museum Fridericianum, Kassel, June 24–October 2, 1977. (Catalogue)

Paris–New York, Musée national d'art moderne, Centre Georges Pompidou, Paris, June 1–1977.

(Catalogue)

Works on Paper, Galerie de Gestlo, Hamburg, May 27–July 10, 1977.

New Realism: Modern Art Form, Boise Gallery of Art, Idaho, April 14–May 29, 1977. (Catalogue)

1977 Biennial Exhibition, Whitney Museum of American Art, New York, February 19–April 3, 1977. (Catalogue)

1976

Amerikanische kunst von 1945 neunzehnhundertfünfundvierzig bis heute, Nationalgalerie, Berlin and Kunsthalle zu Kiel, Cologne, 1976. (Catalogue)

Soho, Akademie der Kunst, West Berlin, 1976.

Modern Portraits: The Self and Others, Columbia University for Wildenstein, New York, October 20–November 28, 1976. (Catalogue)

Richard Artschwager, Chuck Close, Joe Zucker, Daniel Weinberg Gallery, San Francisco, September 14–October 22, 1976. Traveled to: La Jolla Museum of Contemporary Art, November 5–December 5, 1976, Memorial Union Art Gallery, University of California, Davis, January 5–28, 1977. (Catalogue)

American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present, Minneapolis Institute of Arts, September 2–October 24, 1976. Traveled to: Whitney Museum of American Art, New York, November 22, 1976–January 23, 1977; Palace of the Legion of Honor, Fine Arts Museums of San Francisco, February 19–April 17, 1977. (Catalogue)

Drawing Today in New York, Tulane University, New Orleans, September 2–23, 1976. Traveled to: Rice University, Houston, October 8–November 19, 1976, Southern Methodist University, Dallas, January 10–February 16, 1977; University of Texas, Austin, 1977; Oklahoma Arts Center, Oklahoma City, April 15–May 15, 1977; Dayton Art Institute, June 3–August 21, 1977.

American Artists: A New Decade, Fort Worth Art Museum, Texas, 1976. Traveled to: Detroit Institute of Arts, July 30–September 19, 1976. (Catalogue)

Three Decades of American Art Selected by the Whitney Museum of American Art, Seibu Museum of Art, Tokyo, June 18–July 20, 1976. (Catalogue)

Aspects of Realism/Aspects du Realisme, Gallery Stratford, Ontario, June 8–September 5, 1976. Traveled to: Vancouver Centennial Museum, September 16–October 17, 1976; Glenbow Alberta Institute, Calgary, October 28–November 28, 1976; Mendel Art Gallery, Saskatoon, Saskatchewan, December 10, 1976–January 9, 1977; Winnipeg Art Gallery, Manitoba, January 20–February 20, 1977; Edmonton Art Gallery, Alberta, March 1–April 1, 1977; Memorial University Art Gallery, St. John's Newfoundland, April 14–May 14, 1977;Confederation Art Gallery, Charlottetown, Prince Edward Island, May 26–June 26, 1977; Musée d'Art Contemporain de Montréal, July 7–August 7, 1977. (Catalogue)

Seventy-second American Exhibition, Art Institute of Chicago, March 13–May 9, 1976. (Catalogue)

The Photographer and the Artist, Sidney Janis Gallery, New York, February 7–March 6, 1976. (Catalogue)

Drawing Now, The Museum of Modern Art, New York, January 21–March 9, 1976. Traveled to: Edinburgh College of Art, 1976; Kunsthaus Zürich, October 10–November 16, 1976; Kunsthalle Baden-Baden, Germany, November 25, 1976–January 16, 1977; Graphische Sammlung Albertina Wien, Vienna, January 20–February 28, 1977; The Tel Aviv Museum, May–June, 1977. (Catalogue)

1975

Portrait Painting 1970-1975: A Survey of Informal Portraiture in the USA, Allan Frumkin Gallery, New York, 1975. (Catalogue)

Selections from the Collection of Herbert and Dorothy Vogel, Clocktower, New York, 1975.

Watercolors and Drawings—American Realists, Louis K. Meisel Gallery, New York, 1975. (Catalogue)

The Portrait/1975, School for the Arts, Boston University Art Gallery, December 2–21, 1975.

Recent American Etching, Davison Art Center, Wesleyan University Art Center, Middletown, Connecticut, October 10–November 23, 1975. Traveled to: National Collection of Fine Arts, Smithsonian Institution, Washington D.C., January 21–March 27, 1976. (Catalogue)

Painting, Drawing, and Sculpture of the 60's and 70's from the Collection of Dorothy and Herbert Vogel, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 7–November 18, 1975. Traveled to: The Contemporary Arts Center, Cincinnati, December 17, 1975–February 15, 1976. (Catalogue)

34th Biennial Exhibition of Contemporary Painting, Corcoran Gallery of Art, Washington D.C., February 22–April 6, 1975. (Catalogue)

1974

Group exhibition, Palazzo Reale, Milan, Italy, 1974.

New Portraits, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, 1974.

Selections of Realistic Painting from the Ludwig Collection, Groninger Museum voor Stad en Lande, Groningen, The Netherlands, 1974.

Kunst Bleibt Kunst: Projekt '74 (sponsored by The Kunsthalle, The Wallraf-Richartz Museum, and The Kölnischer Kunstverein), Kunsthalle, Cologne, July 6–September 8, 1974. (Catalogue)

Amerikaans Fotorealisme/Grafiek, Hedenaagse Kunst, Utrecht, The Netherlands, June 8–August 4. Traveled to: Palais van Schone Kunst, Brussels, September–October, 1974. (Catalogue)

Kijken naar de Werkelijkheid, Museum Boymans-van Beuningen, Rotterdam, June 1–August 18, 1974. (Catalogue)

11th Tokyo Biennale 1974, Tokyo Metropolitan Art Museum May 10–30, 1974. Traveled to: Kyoto Municipal Museum of Art, June 15–30, 1974. (Catalogue)

25 Years of Janis, Part 2, Sidney Janis Gallery, New York, March 13–April 13, 1974. (Catalogue)

Three Realists: Close, Estes, Raffael, Worcester Art Museum, Massachusetts, February 27–April 7, 1974. (Catalogue)

Ico Parisi: Ipotesi per una Casa Esistenziale, Galerie Germain, Paris, February 19–March 19, 1974. (Catalogue)

ARS '74, Ateneum, The Fine Arts Academy of Finland, Helsinki, February 15–March 31. Traveled to: Tampereen Nykytaiteen Musco, Tampere, April 10–May 12, 1974. (Catalogue)

Hyperréalistes américains, realists européens, Centre National d'Art Contemporain, Paris, February 15–March 25, 1974. (Catalogue)

1973

Aachen International 70–74, Edinburgh Festival, Royal Scottish Academy, 1973.

Art Conceptuel et Hyperrealiste, Ludwig Collection, Musée d'Art Moderne de la Ville de Paris, 1973.

Combattimento Per Un'immagine, Galleria Civica d'Arte Moderna, Turin, Italy, 1973. (Catalogue)

Ein grobes Jahrzehnt Amerikanischer Kunst, Ludwig Collection, Cologne/Aachen, West Germany, 1973.

Ekstrem Realisme, Louisiana Museum of Modern Art, Humlebæk, 1973.

Realism Now, Katonah Gallery, New York, 1973.

Hyperréalisme,Galerie Isy Brachot, Brussels, December 14, 1973–February 9, 1974. (Catalogue)

Kunst nach Wirklichkeit Ein neuer Realismus in Amerika und in Europa, Kunstverein Hannover, December 9, 1973–January 27, 1974. (Catalogue)

One Hundred Master Drawings from New England Private Collections, Hopkins Center Galleries, Dartmouth College Museum and Galleries, Hanover, New Hampshire, October 26–December 3, 1973; The Museum of Fine Arts, Boston, December 14, 1973–January 25, 1974. Traveled to: Wadsworth Atheneum Museum of Art, Hartford, Connecticut, September 5–October 14, 1974. (Catalogue)

Gray Is the Color: An Exhibition of Grisaille Painting XIIIth–XXth Centuries, Institute for the Arts, Rice University, Houston, October 19, 1973–January 19, 1974. (Catalogue)

The Super-Realist Vision, deCordova Museum and Sculpture Park, Lincoln, Massachusetts, October 7–December 9, 1973. (Catalogue)

American Art: Third Quarter Century, Seattle Art Museum, August 22–October 14, 1973. (Catalogue)

American Drawings 1963–73, Whitney Museum of American Art, New York, May 25–July 22, 1973. (Catalogue)

Grands maîtres hyperréalistes américains, Galerie des Quatre Mouvements, Paris, May 23–June 15, 1973. Traveled to: Salon International, Basel, June 20–25, 1973. (Catalogue)

Ruhr Festival Exhibition, Stadtische Kunsthalle, Recklinghausen, Germany, May 4–June 17, 1973.

The Emerging Real, Storm King Art Center, Mountainville, New York, April 7–July 15, 1973 and July 28–October 28, 1973. (Two-part exhibition)

Photo-Realism: Paintings, Sculpture and Prints from the Ludwig Collection, Serpentine Gallery, London, April 4–May 6, 1973. (Catalogue)

Young American Artists: Drawings and Graphics, Gentofte Rådhus, Charlottenlund, Denmark, January 24–February 11, 1973. Traveled to: Aarhus Kunst Museum, Denmark, 1973; Henie-Onstad Kunstsenter, Oslo, 1973; Hamburger Kunsthalle, Hamburg, 1973; Moderna Museet, Stockholm, 1973. (Catalogue)

Projects: Chuck Close/Lilliana Porter, The Museum of Modern Art, New York, January 11–February 25, 1973.

1972

Realism Now, New York Cultural Center, New York, December 6, 1972–January 7, 1973. (Catalogue)

Eighteenth National Print Exhibition, Brooklyn Museum of Art, November 22, 1972–February 4, 1973. Traveled to: California Palace of the Legion of Honor, San Francisco, March 24–June 17, 1973. (Catalogue)

Amerikanisher Fotorealismus: Württembergischer Kunstverein, Württembergischer Kunstverein, Stuttgart, November 16–December 26, 1972. Traveled to: Frankfurter Kunstverein, West Germany, January 6–February 18, 1973; Kunst und Museumverein Wuppertal, West Germany, February 25–April 8, 1973. (Catalogue)

1972

Eight New York Painters, Berkeley Museum, University of California, 1972.

19th and 20th Century Prints, Photographs, Drawings, Graphics International Ltd, Washington, D.C., October 1972. (Catalogue)

Hyperréalistes Américains, Galerie des Quatre Mouvements, Paris, October 25–November 25, 1972. (Catalogue)

Crown Point Press at the San Francisco Art Institute, Emmanuel Walker Gallery, San Francisco, California, September 1–October 1, 1972. (Catalogue)

Kunst um 1970–Art Around 1970, Neue Galerie, Aachen, West Germany, June 1972. (Catalogue)

Documenta 5: Befragung der Realitat, Bildwelten heute, Museum Fridericianum, Kassel, Germany, June 30–October 8, 1972. (Catalogue)

Painting and Sculpture Today, 1972, Indianapolis Museum of Art, April 26–June 4, 1972. (Catalogue)

Colossal Scale, Sidney Janis Gallery, New York, March 9–April 1, 1972. (Catalogue)

Annual Exhibition, Contemporary American Painting, Whitney Museum of American Art, New York, January 25–March 19, 1972. (Catalogue)

1971

Prospekt 71, Städtische Kunsthalle, Düsseldorf, 1971. (Catalogue)

Recent Vanguard Acquisitions, Art Gallery of Ontario, December 18, 1971–January 9, 1972. (Catalogue)

1970

Klischee und Antiklischee, Neue Galerie, Aachen, West Germany, 1970.

Three Young Americans, Allen Memorial Art Museum, Oberlin College, Ohio, April 17–May 12, 1970. (Catalogue)

22 Realists, Whitney Museum of American Art, New York, February, 1970. (Catalogue)

1969

1969 Annual Exhibition of Contemporary American Paintings, Whitney Museum of American Art, New York, December 16, 1969–February 1, 1970. (Catalogue)

Lynda Benglis, Chuck Close, David Paul, Richard Van Buren, Bykert Gallery, New York, May 20–June 20, 1969.

The Ackland Art Museum, University of North Carolina, Chapel Hill

Akron Art Museum, Ohio

Albright-Knox Art Gallery, Buffalo, New York

Allen Memorial Art Museum, Oberlin College, Ohio

American Medical Association Collection, Washington, D.C.

Art Gallery of Ontario, Toronto

The Art Institute of Chicago, Illinois

Princeton University Art Museum, New Jersey

Austin Museum of Art, Texas

Ball State University Museum of Art, Muncie, Indiana

Blanton Museum of Art, The University of Texas, Austin

The Broad Art Foundation, Santa Monica

The Butler Institute of American Art, Youngstown, Ohio

Carnegie Institute, Museum of Art, Pittsburgh

Centre Pompidou, Paris

Chase Manhattan Bank Collection, New York

The Cleveland Museum of Art, Ohio

Cornell Fine Arts Museum, Rollins College, Winter Park, Florida

Crystal Bridges Museum of American Art, Bentonville, Arkansas

Daum Museum of Contemporary Art, Sedalia, Missouri

Davidson College, North Carolina

Dayton Art Institute, Ohio

Denver Art Museum, Colorado

Des Moines Art Center, Iowa

The Equitable Life Assurance Society, New York

Essl Museum—Kunst der Gegenwart, Klosterneuburg, Austria

The Frances Lehman Loeb Art Center, Vassar Collee, Poughkeepsie, New York

The Foundation for Art and Preservation in Embassies (FAPE), The Lee Kimche McGrath Original Print Collection, Washington, D.C.

The Gelco Collection, Eden Prairie, Minnesota

George Eastman House, International Museum of Photography and Film, Rochester, New York

Georgia Museum of Art, University of Georgia, Athens

J. Paul Getty Museum, Los Angeles

Hedendaagse Kunst, Utrecht, The Netherlands

High Museum of Art, Atlanta

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Hiroshima City Museum of Contemporary Art, Japan

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan

Kresge Art Museum, Michigan State University, East Lansing

Kunsthaus, Zurich

Library of Congress, Washington, D.C.

Louisiana Museum of Modern Art, Humlebaek

Ludwig-Forum für Internationale Kunst, Aachen, Germany

Madison Art Center, Wisconsin

Media of Modern Art Contemporary, Fukuoka, Japan

The Metropolitan Museum of Art, New York

Milwaukee Art Museum, Wisconsin

The Minneapolis Institute of Arts, Minnesota

Modern Art Museum of Fort Worth, Texas

The Mount Holyoke College Art Museum, South Hadley, Massachusetts

Musée national d’art moderne, Centre Georges Pompidou, Paris

Museum Boymans-van Beuningen, Rotterdam

Museum moderner Kunst, Palais Liechtenstein, Vienna

Museum of Art, Inc., Fort Lauderdale

Museum of Contemporary Art, Ludwig Museum Budapest, Hungary

Museum of Fine Arts, Boston

The Museum of Modern Art, New York

The Museum of Modern Art, Wakayama, Japan

National Academy of Design, New York

National Gallery of Australia, Canberra

The National Gallery of Art, Washington, D.C.

The National Gallery of Canada, Ottawa

National Portrait Gallery, Washington, D.C.

National Portrait Gallery, London

Neue Galerie, Aachen, Germany

Ohara Museum of Art, Okayama, Japan

Osaka City Museum, Japan

PaineWeber Group, Inc., New York

Palmer Museum of Art, The Pennsylvania State University, University Park

The Parrish Art Museum, Southampton, New York

Philadelphia Museum of Art, Pennsylvania

PieperPower Companies, Inc., Milwaukee

Princeton University Art Museum, New Jersey

Reynolda House Museum of American Art, Winston-Salem, North Carolina

San Francisco Museum of Modern Art, California

Saint Louis Art Museum, Missouri

Seattle Art Museum, Washington

Smart Museum of Art, the University of Chicago, Illinois

Solomon R. Guggenheim Museum, New York

Staatliche Museen, Berlin

Sydney and Frances Lewis Foundation, Washington, D.C.

Tate Gallery, London

The Toledo Museum of Art, Ohio

The Tokushima Modern Art Museum, Japan

The University of Arizona Museum of Art, Tucson

Virginia Museum of Fine Arts, Richmond

Walker Art Center, Minneapolis

Wexner Center for the Visual Arts, Ohio State University, Columbus

Whitney Museum of American Art, New York

Williams College Museum of Art, Williamstown, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

2024

“Chuck Close – Red, Yellow and Blue: The Last Paintings – Pace Gallery New York” (exhibition review). Martin Cid Magazine, 13 February 2024. https://martincid.com/art/chuck-close-red-yellow-and-blue-the-last-paintings-pace-gallery-new-york/.

Close, Chuck. “Chuck Close with Cindy Sherman” (Pace Gallery exhibition review). Interview with Cindy Sherman. The Brooklyn Rail, 5 March 2024. https://brooklynrail.org/2024/03/art/Chuck-Close-with-Cindy-Sherman.

2022

Leland, John. “Was the Rolled-Up Painting in the Dog Walker’s Closet Worth Millions?” New York Times, 23 July 2023. https://www.nytimes.com/2023/07/23/nyregion/chuck-close-painting-sothebys.html

Simon, Clémence. “Mais Comment Font-Ils.” DADA, no. 269 (January 2023): 22−23.

Silverstein, Ali. “The Chuck Close I Knew and Loved.” The New York Times, 27 December 2021: SR-9. Web version: https://www.nytimes.com/2021/12/27/opinion/chuck-close-artist.html.

2021

Basciano, Oliver. “Chuck Close obituary.” The Guardian, 20 August 2021. https://www.theguardian.com/artanddesign/2021/aug/20/chuck-close-obituary

Bernstein, Fred A. “Chuck Close, celebrated creator of pixelated portraits, dies at 81.” The Washington Post, 19 August 2021. https://www.washingtonpost.com/local/obituaries/chuck-close-dead/2021/08/19/35295436-30aa-11ea-91fd-82d4e04a3fac_story.html

Bui, Phong. “Publisher’s Message.” The Brooklyn Rail (September 2021). https://brooklynrail.org/2021/09/publishersmessage/Dear-Friends-and-Readers-Sept-21

Davis-Marks, Isis. “Chuck Close, Artist Whose Photorealist Portraits Captivated America, Dies at 81.” Smithsonian Magazine, 23 August 2021. https://www.smithsonianmag.com/smart-news/hyperrealist-painter-chuck-close-has-died-age-81-180978491/

Greenberger, Alex. “Chuck Close, Photorealist with an Acute Eye for Detail, Is Dead at 81.” ArtNews, 19 August 2021. https://www.artnews.com/art-news/news/chuck-close-dead-1234602015/

Hajela, Deepti. “Chuck Close, Artist of Monumental Grid Paintings, Dies at 81.” Bloomberg, 19 August 2021. https://www.bloomberg.com/news/articles/2021-08-19/chuck-close-artist-of-monumental-grids-dies-at-81

Johnson, Ken and Robin Pogrebin. “Chuck Close, a Painter of Outsize Reality, Is Dead at 81.” The New York Times, 20 August 2021: A1. Web version: https://www.nytimes.com/2021/08/19/arts/design/chuck-close-artist-of-outsized-reality-dies-at-81.html

Jonze, Tim. “Chuck Close, painter of outsized photorealist portraits, dies aged 81.” The Guardian, 20 August 2021. https://www.theguardian.com/artanddesign/2021/aug/20/chuck-close-painter-of-outsized-photorealist-portraits-dies-aged-81

Kelly, Brian P. “Chuck Close (1940-2021): Painting Monumental Portraits, Chronicling the Art World.” Wall Street Journal, 20 August 2021. https://www.wsj.com/articles/chuck-close-portraits-photorealism-richard-serra-vija-celmins-roy-lichtenstein-cecily-brown-walker-art-center-11629481046

Kazanjian, Dodie. “Reckoning With the Monumental—and Damaged—Legacy of Chuck Close.” Vogue, 24 August 2021. https://www.vogue.com/article/chuck-close-artist-curator-legacy

Mayer, Petra. “Chuck Close, Creator Of Gigantic Portraits, Has Died At 81.” National Public Radio, 19 August 2021. https://www.npr.org/2021/08/19/1029495330/chuck-close-painter-gigantic-portraits-dead

Saltz, Jerry. “Chuck Close, Artist Mutineer.” New York Magazine, 20 August 2021. https://www.vulture.com/2021/08/remembering-chuck-close-the-artist-who-changed-portraiture.html

Searle, Adrian. “In your face: how Chuck Close built images and tore them apart.” The Guardian, 20 August 2021. https://www.theguardian.com/artanddesign/2021/aug/20/chuck-close-built-images-and-tore-them-apart

Smee, Sebastian. “Chuck Close’s reputation as an artist is hard to separate from the impediments he faced — and overcame.” The Washington Post, 20 August 2021. https://www.washingtonpost.com/entertainment/museums/chuck-close-death-face-paintings/2021/08/20/20e2af2c-01b9-11ec-ba7e-2cf966e88e93_story.html

Smith, Roberta. “Chuck Close’s Uneasy, Inevitable Legacy.” The New York Times, 20 August 2021: C1. Web version: https://www.nytimes.com/2021/08/20/arts/design/chuck-close-legacy-appraisal-dementia-behavior.html

Sultan, Terrie. “A Curatorial Collaboration.” Sag Harbor Express, 26 August 2021: B1, B6, illustrated. Web version: https://sagharborexpress.com/terrie-sultan-remembers-her-friendship-with-chuck-close

Tarmy, James. “At Art Basel, No Americans Is No Problem.” Bloomberg, 22 September 2021. https://www.bloomberg.com/news/articles/2021-09-22/at-art-basel-no-americans-is-no-problem-for-contemporary-sales?sref=BJIROHoF

“The week in art news – Chuck Close (1940–2021).” Apollo Magazine, 20 August 2021. https://www.apollo-magazine.com/chuck-close-1940-2021-art-news/

Woeller, Marcus. “Der Über-Realist.” Welt, 23 August 2021. https://www.welt.de/kultur/kunst/article233257463/Chuck-Close-Der-Ueber-Realist.html

2020

Novak, Shonda. "The Collector's Vision." USA Today, 13 February 2020.

2017

“Artist Chuck Close Gives Tour of his Subway Art.” AM New York, 20 September 2017. Online video, 2:50. http://www.amny.com/transit/artist-chuck-close-gives-tour-of-his-subway-art-1.14222575

Carter-Conneen, Mike. “National Portrait Gallery Adds Pres. Obama Portrait to America’s Presidents Exhibit.” WJLA.com, 24 March 2017. http://wjla.com/news/local/national-portrait-gallery-adds-pres-obama-portrait-to-americas-presidents-exhibit

“Chuck Close Portraits Heat Up The Pendleton Art Scene” (exhibition review). KUOW, 13 April 2017. http://kuow.org/post/chuck-close-portraits-heat-pendleton-art-scene

Close, Chuck. “Artist Famed for Portraits of Brad Pitt, Bill Clinton, Kate Moss has a Big Photo Show at PAFA.” Interview with A.D. Amorosi. The Inquirer, 5 October 2017. http://www.philly.com/philly/entertainment/arts/artist-famed-for-portraits-of-brad-pitt-bill-clinton-kate-moss-has-a-big-photo-show-at-pafa-20171005.html

Close, Chuck. “What Does Chuck Close Have Against Public Art?” Interview with David Foxley. Architectural Digest, 23 January 2017. http://www.architecturaldigest.com/story/what-does-chuck-close-have-against-public-art

Cochran, Sam. “People Watching.” Architectural Digest (March 2017): 146, illustrated.

Crimmins, Peter. “After Half-century, Chuck Close Photographs Make Philadelphia Debut” (exhibition review). WHYY, 6 October 2017. https://whyy.org/articles/half-century-chuck-close-photographs-make-philadelphia-debut/

Dickinson, Grace. “Pennsylvania Academy of the Fine Arts Debuts Major Chuck Close Photography Exhibition” (exhibition review). Uwishunu Philadelphia, 6 October 2017. http://www.uwishunu.com/2017/10/pennsylvania-academy-fine-arts-debuts-major-chuck-close-photography-exhibition/

Gardner, James. “Underground Art.” Weekly Standard, 27 February 2017. http://www.weeklystandard.com/underground-art/article/2006857

Lazare, Jack. “Of Individuals and Place: A Remarkable Photographic Donation from the Lazare Family.” Interview with Diane Charbonneau. The Magazine of the Montreal Museum of Fine Arts (September–December 2018): 20–21, illustrated.

Pogrebin, Robin. “Decision Time for Aging Artists.” The New York Times, 31 January 2017: C1, illustrated.

Rosen, Miss. “New York City’s Second Avenue Subway is An Underground Wonderland.” Crave, 1 January 2017. http://www.craveonline.com/art/1189601-new-york-citys-second-avenue-subway-underground-wonderland

Scott, Aaron. “Chuck Close Portraits Heat Up The Pendleton Art Scene” (exhibition review). OPB, 13 April 2017. Online Audio, 08:08.

Zubrycky, Stephen D. “The Upper East Side’s New Ride.” The Quadrangle, 27 January 2017. https://mcquad.org/2017/01/27/the-upper-east-sides-new-ride/

2016

Brown, Mark. “Sandy Nairne Portrait at NPG is by American Artist Chuck Close.” The Guardian, 14 December 2016. https://www.theguardian.com/artanddesign/2016/dec/14/sandy-nairne-portrait-at-npg-is-by-american-artist-chuck-close

Close, Chuck. “Chuck Close: Head Hunter.” Interview with Doris Krumpl and Maria Cristina Paoluzzi. Dorotheum myART MAGAZINE (March 2014): 28–31, illustrated, cover.

Close, Chuck. “Up Close & Personal.” Interview by Myrna Suárez. Elliman, (Winter 2016): 38–41, illustrated.

Exit 61 (2016): 58–61, illustrated.

Fiege, Gale. “World-class Artist Chuck Close Returns to His Roots with Show at the Schack” (exhibition review). Heraldnet.com, 6 May 2016. http://www.heraldnet.com/article/20160506/ENT/160509451

Hylton, Wil S. “Chuck Close’s Self-imposed Exile.” The New York Times Magazine, 17 July 2016. 34–43, 53, illustrated.

Keats, Jonathon. “Groundbreaking Museum Retrospective” (Henry Art Gallery exhibition review). Forbes, 18 November 2016. http://www.forbes.com/sites/jonathonkeats/2016/11/18/see-how-chuck-close-reinvented-photography-in-this-groundbreaking-museum-retrospective

Kennedy, Randy. “A Subway Splash.” The New York Times, 20 December 2016: C1&C2, illustrated.

Kennedy, Randy. “A Polaroid Behemoth in Twilight.” The New York Times, 21 June 2016: C1, illustrated.

Krisel, Brendan. “MTA to Install 12 Chuck Close Portraits in New 2nd Avenue Subway Station.” Patch.com, 7 July 2016. http://patch.com/new-york/upper-east-side-nyc/mta-install-12-chuck-close-portraits-new-2nd-avenue-subway-station

Upchurch, Michael. "'Chuck Close Photographs' Is About More Than Photography" (Henry Art Gallery exhibition review). The Seattle Times, 15 November 2016. http://www.seattletimes.com/entertainment/visual-arts/chuck-close-photographs-is-about-more-than-photography/

Upchurch, Michael. “5 Must-see Art Exhibitions for November in Seattle Area” (Henry Art Gallery exhibition review). The Seattle Times, 31 October 2016. http://www.seattletimes.com/entertainment/visual-arts/5-must-see-art-exhibitions-for-november-in-seattle-area/

Upchurch, Michael. “Chuck Close, Who Revolutionized Portraiture, Has Major Retrospective in Everett” (Schack Art Center exhibition review). Seattle Times, 18 May 2016. http://www.seattletimes.com/entertainment/visual-arts/face-value-chuck-close-who-revolutionized-portraiture-has-major-retrospective-in-everett/

2015

Close, Chuck. “The Columnists: Chuck Close.” The Wall Street Journal Magazine, no. 57 (March 2015): 34.

Epstein, Johanna Ruth. “Chuck Close, Pace” (exhibition review). Art News (November 2015): 92, illustrated.

Fiege, Gale. “Schack to Host Work of Famous Monroe-born Artist Chuck Close” (exhibition preview). Herald Net, 11 July 2015. http://www.heraldnet.com/article/20150711/NEWS01/150719806

Hawkins, Kathleen. “How Painting ‘Saved’ a Man with Paralysis.” BBC, 8 July 2015. http://www.bbc.com/news/blogs-ouch-30723575

Herriman, Kat and Gay Gassmann. “Match the Artists With Their Childhood Art: Round Four.” T: The New York Times Style Magazine, 8 October 2015. http://www.nytimes.com/interactive/2015/10/08/t-magazine/childhood-art-quiz-round-four.html

Holmes, Jessica. “Chuck Close Red Yellow Blue” (exhibition review). The Brooklyn Rail, 5 October 2015. http://www.brooklynrail.org/2015/10/artseen/chuck-close-red-yellow-blue

Kane, Nancy. “Chuck Close Bares It All.” The Southampton Press, 14 May 2015, Eastern edition: 1B, B4, illustrated.

Kazanjian, Dodie. “Chuck Close’s Primary Colors Are Alive at the Pace Gallery” (exhibition review). Vogue, 9 October 2015. http://www.vogue.com/13359360/chuck-close-red-yellow-blue/

Lavrador, Par Judicaël. “Du pixel à la nanosculpture.” Beaux Arts (June 2015): 52–55, illustrated.

Menu, Kathryn. “Parrish Announces Chuck Close Photographs Exhibit” (exhibition preview). The Sag Harbor Express, 17 February 2015. http://sagharboronline.com/sagharborexpress/arts/parrish-announces-chuck-close-photographs-exhibit-36076

“Selections from Chuck Close Photographs.” The Massachusetts Review 56, no.4 (Winter 2015): 569–76, illustrated, cover.

Singer, Fanny. “Chuck Close.” Printed Quarterly 32, no.2 (June 2015): 244–247, illustrated.

Valys, Phillip. “Out of Focus with Chuck Close” (NSU Art Museum Fort Lauderdale exhibition review). Southflorida.com, 25 March 2016. http://www.southflorida.com/theater-and-arts/sf-chuck-close-photographs-lauderdale-nsu-art-museum-20160317-story.html

Van Benthuysen, Daniel. “’River Crossings,’ a Contemporary Art Exhibition at 2 Historic Sites of the Hudson River School” (Thomas Cole National Historic Site and Olana State Historic Site exhibition review). The New York Times, 29 May 2015: C21, illustrated.

Yanagihara, Hanya. “They Made New York.” T: The New York Times Style Magazine. 13 September 2015: M2188.

2014

“A Contemporary History of the Nude Body, Courtesy of Chuck Close (NSFW)” (Pace Gallery exhibition preview). Huffington Post, 20 February 2014. http://www.huffingtonpost.com/2014/02/20/chuck-close-nudes_n_4810845.html

Bauer, Anna. “Who’s Who.” W Art, June/July 2014: 22, illustrated.

Becque, Elien Blue. “Chuck Close Nudes, Magazine Photography, the Whitney Biennial, and Sculptures You Cannot Touch” (Pace Gallery exhibition review). Vanity Fair, 7 March 2014. http://www.vanityfair.com/online/daily/2014/03/culture-list-chuck-close-nudes-whitney-biennial?mbid=social_twitter

Boot, William. “The Many Faces of ‘Chuck Close: Photographer’ (Photos).” The Daily Beast, 15 December 2014. http://www.thedailybeast.com/galleries/2014/12/15/the-many-faces-of-chuck-close-photographer-photos.html

Bui, Phong. “Chuck Close Nudes 1967–2014.” The Brooklyn Rail (April 2014): 68, illustrated.

Burmeister, Don. “Front and Back: Chuck Close Nudes 1967–2014” (Pace Gallery exhibition review). The New York Photo Review, 11 March 2014. http://www.nyphotoreview.com/NYPR_REVS/NYPR_REV3700.html

Che, Jenny. “Ed Ruscha, Chuck Close, Andy Warhol to be Featured on Billboards.” The Wall Street Journal, 29 July 2014. http://blogs.wsj.com/speakeasy/2014/07/29/ed-ruscha-chuck-close-andy-warhol-to-be-featured-on-billboards/

“Chuck Close at the MCA: The Mind Behind the Big Heads.” The Guardian, 28 November 2014. http://www.theguardian.com/discover-culture/2014/nov/28/chuck-close-at-the-mca-the-mind-behind-the-big-heads

Close, Chuck. “The 2014 Vanity Fair Hollywood Portfolio.” Vanity Fair, March 2014: 328–349, illustrated.

Close, Chuck. “An Artist Finds the Perfect Red.” The Wall Street Journal, 6 March 2014. http://on.wsj.com/1f3dGmz

Close, Chuck. “Close-up.” Interview with Tatijana Shoan. As If, no.4, 2014: 38–57, illustrated.

Close, Chuck. “Emma (detail).” Harper’s Magazine, June 2014: cover, illustrated.

Close, Chuck. “New York Artist Chuck Close Describes Painting Portaits ‘Face Blind.’” Interview with Sashka Koloff. ABC News, 28 November 2014. Online video, 5:25. http://www.abc.net.au/news/2014-11-28/new-york-artist-chuck-close-describes-painting-face-blind/5927236

Close, Chuck. “Q&A with Chuck Close.” Interview with Jason Edward Kaufman. Artphaire, 4 March 2014. http://www.artphaire.com/chuck-close/

Close, Chuck. “Wachtel on the Arts – Chuck Close.” Interview with Eleanor Wachtel. CBC, 4 March 2014. Online audio, 53: 59. http://www.cbc.ca/player/AudioMobile/Ideas/ID/2440168152/

“The Collections: Recent Acquisitions.” Hood Museum of Art Quarterly, Summer 2014: 12, illustrated.

Cooper, Ashton. “Pace Hosts Show to Benefit APJ.” Artinfo, 8 October 2014. http://blogs.artinfo.com/artintheair/2014/10/08/pace-hosts-show-to-benefit-ajp/

Frost, Andrew. “Chuck Close Review – Analogue Printmaking Explores a Digital Era” (Museum of Contemporary Art, Sydney exhibition review). The Guardian, 18 November 2014. http://www.theguardian.com/artanddesign/2014/nov/19/chuck-close-mca-review-analogue-printmaking-digital-era

Gantz, Jeffrey. “Meeting of Artistic Minds Draws Boston Ballet Close to Chuck.” Boston Globe, 15 February 2014. http://www.bostonglobe.com/arts/theater-art/2014/02/15/meeting-artistic-minds-draws-boston-ballet-close-chuck/N3YAp0fhHhBM7udDBBGEzI/story.html

Garisto, Julie. “Dream Team: Tampa Museum of Art’s Graphicstudio: Uncommon Practice at USF” (Tampa Museum of Art exhibition review). CL Tampa, 26 March 2014, illustrated. http://cltampa.com/artbreaker/archives/2014/03/26/dream-team-tampa-museum-of-arts-graphicstudio-uncommon-practice-at-usf#.UznctfldU9Z

Giridharadas, Anand. “Admit One: Museums See Virtue in Virtual Worlds.” The New York Times, 8 August 2014: C19, C26, illustrated.

Grishin, Sasha. “Chuck Close: Prints, Process and Collaboration is immensely complex” (Museum of Contemporary Art exhibition review). The Sydney Morning Herald, 12 December 2014. http://www.smh.com.au/entertainment/art-and-design/chuck-close-prints-process-and-collaboration-is-immensely-complex-20141212-11y4up.html

Grishin, Sasha. “Getting Up Close to the Work of Chuck Close at Sydney’s MCA” (exhibition review). The Conversation, 10 December 2014. http://theconversation.com/getting-up-close-to-the-work-of-chuck-close-at-sydneys-mca-35096

Grant, Daniel. “The Royalty Treatment.” Gallerist, 2 April 2014. http://galleristny.com/2014/04/the-royalty-treatment/

Hanley, Sarah Kirk. “It’s a MAD 3D-Printed World: The Future of Digitally Fabricated Art” (The Museum of Art and Design exhibition review). Art in Print, accessed 28 March 2014. http://artinprint.org/index.php/ink/article/its_a_mad_3d_printed_world_the_future_of_digitally_fabricated_art

Harris, Gareth. “Latter-day tapestries: 3. Chuck Close.” Art Newspaper 33, no. 255 (March 2014): illustrated.

Hartman, Kate. “Bridgeport Students Pair With Chuck Close for White House Talent Show.” Connecticutmag.com, 27 May 2014. http://www.connecticutmag.com/Blog/Education/May-2014/Bridgeport-Students-Pair-with-Artist-Chuck-Close-for-White-House-Talent-Show/

Lyon, Christopher. “20 x 20+.” Bookforum 21, no. 4 (December 2014/January 2015): 29–31, illustrated.

Orson, Diane. “Bridgeport Students Work with Legendary Artist Chuck Close.” WNPR News, 22 May 2014. http://wnpr.org/post/bridgeport-students-work-legendary-artist-chuck-close

Pease, Krystyna. “Walker Art Center Celebrates 75 Years with a Look at Its Iconic Works” (exhibition review). MPR News, 15 October 2014. http://www.mprnews.org/story/2014/10/15/walker-art-center

Pope, Nessia. “How the Grid Conquered Contemporary Art.” Artspace Magazine, 12 September 2014. http://www.artspace.com/magazine/art_101/how_the_grid_conquered_contemporary_art

Schüle, Christian. “Wie bin ich wirklich?” Zeit Wissen, no.4 (June/July 2014): 22–35, illustrated.

Schuster, Angela M.H. “New York’s Richest Artists: Cindy Sherman, Chuck Close and More.” New York Observer, 15 December 2014. http://observer.com/2014/12/new-yorks-richest-artists-cindy-sherman-chuck-close-and-more/

Smith, Krista. “Calling the Shots.” Vanity Fair, 5 February 2014. http://www.vanityfair.com/vf-hollywood/chuck-close-hollywood-portfolio-shoot

Sultan, Terrie. “Latest Ocula Conversation: Terrie Sultan.” Interview with Jane O’Sullivan. Ocula, 8 December 2014. http://ocula.com/magazine/conversations/terrie-sultan/

“Sydney’s Summer of Art: Discover Pop to Popism and Chuck Close” (Museum of Contemporary Art Australia exhibition preview). The Guardian, 4 August 2014. http://www.theguardian.com/discover-culture/sydney-international-art-series

Tony, Godfrey. "Chuck Close." RES, no. 11 (October 2014): 1–18.

2013

“’A Couple of Ways of Doing Something’ Exhibit on Display at Tarble Arts Center” (exhibition review). Journal Gazette & Times-Courier, 1 November 2013. http://jg-tc.com/entertainment/a-couple-of-ways-of-doing-something-exhibit-on-display/article_4df50c20-4354-11e3-ac4c-0019bb2963f4.html

Bath, Tristan. “Exhibition Review: Chuck Close – Process & Collaboration at White Cube.” The Upcoming, 8 March 2013. http://www.theupcoming.co.uk/2013/03/08/exhibition-review-chuck-close-process-collaboration

Boros, Phyllis A. S. “Bridgeport Youth Spend Day with Artist.” Ctpost.com, 14 May 2013. http://www.ctpost.com/local/article/Bridgeport-youth-spend-day-with-artist-4512743.php

Boros, Phyllis A. S. “Bruce Museum Takes a ‘Closer’ Look at Popular Artist” (exhibition review). Ctpost.com, 3 October 2013. http://www.ctpost.com/news/article/Bruce-Museum-takes-a-Closer-look-at-popular-4866196.php#photo-5246693

“Chuck Close Reveals His Magic in White Cube Print Show” (exhibition review). The Week, 11 March 2013. http://www.theweek.co.uk/

Close, Chuck. “Artists at Work: Chuck Close.” Interview with Hossein Amirsadeghi. FT Magazine, 1 November 2013. http://www.ft.com/intl/cms/s/2/8facbda4-41c2-11e3-b064-00144feabdc0.html#slide0

Close, Chuck. “At Close Range.” Interview with Ross Bleckner. Beach, August 2013: 54, 56, illustrated.

Close, Chuck. “Chuck Close in Conversation with Robert Storr at Guild Hall.” Guild Hall. MP4 video, 44:40. 12 August 2013. http://www.youtube.com/watch?v=ZhODOV5fEe8&feature=youtu.be

Close, Chuck. “Inside the Art Bars: Max’s Kansas City” Art in America 101, no. 11 (December 2013): 129.

“Close Encounters” (Eykyn Maclean exhibition preview). The Wall Street Journal, 16 April 2013: A19, illustrated.

Cochran, Samuel. “Face Value” (Guild Hall exhibition review). Architecture Digest 70, no. 8 (August 2013): 25, illustrated.

“Critics’ Picks: Chuck Close: Photo Maquettes.” Time Out New York, 25 April–1 May 2013: 44, illustrated.

“The Culture: Blurred Lines” (Guild Hall exhibition review). Time, 19 August 2013, illustrated.

Darwent, Charles. “Charles Darwent on Art: Chuck Close Prints Process and Collaboration” (White Cube exhibition review). The Independent, 9 March 2013. http://www.independent.co.uk/arts-entertainment/art/reviews/charles-darwent-on-art-chuck-close-prints-process-and-collaboration-8527779.html

“Exhibit Features Art Work by Roosevelt School Students” (The Housatonic Museum of Art exhibition review). The Bridgeport News, 23 October 2013. http://www.thebridgeportnews.com/6762/exhibit-features-art-work-by-roosevelt-school-students/

Feaver, William. “Chuck Close, White Cube” (exhibition review). Art News 112, no. 7 (Summer 2013): 121, illustrated.

Gates, Hailey. “Portfolio: Chuck Close, Nudes.” The Paris Review, no. 207 (Winter 2013): 92–117, illustrated.

Grant, Daniel. “A Good Yarn” (Guild Hall exhibition review). New York Observer, 26 August–2 September 2013: B1, B7, illustrated.

Grover, Hannah. “Original Artwork by Famous Artists Displayed at Farmington Museum” (exhibition review). The Daily Times Farmington, 13 July 2013, illustrated. http://www.daily-times.com/four_corners-news/ci_23656744/original-artwork-by-famous-artists-displayed-at-farmington

Güner, Fisun. “Chuck Close Prints: Process and Collaboration, White Cube Bermondsey.” Theartsdesk.com, 8 March 2013. http://www.theartsdesk.com/visual-arts/chuck-close-prints-process-and-collaboration-white-cubebermondsey

Halperin, Julia. “Chuck Close and Other Artists Go Back to Court in Battle Over Resale Royalty Law.” Artinfo, 29 March 2013. http://www.blouinartinfo.com/news/story/884810/chuck-close-and-other-artists-go-back-to-court-in-battle-over

Halperin, Julia. “Click, whirr… before instant went digital” (Norton Museum of Art exhibition review). Art Newspaper, no. 252 (December 2013): 30, illustrated.

Harris, Gareth. “Ties that bind: artists’ tapestries.” The Art Newspaper, 22, no. 243 (February 2013): 6, illustrated.

Hay, R. Couri. “Social Studies: Up Close” (Guild Hall exhibition review). Hamptons-Magazine.com, 24 May 2013: 124–126, illustrated.

Keats, Jonathan. “The Polaroid Was Instantaneous. See How Artists Made It Eternal At The Vassar Art Museum (exhibition review). Forbes, 9 May 2013. http://www.forbes.com/sites/jonathonkeats/2013/05/09/the-polaroid-was-instantaneous-see-how-artists-made-it-eternal-at-the-vassar-art-museum/

Kelly, Brian. “Interface: American Master Chuck Close.” Lipulse.com, October 2013: 58–60, illustrated.

Loos, Ted. “On The Loos: Chuck Close Revisits Some Familiar Faces” (Guild Hall exhibition review). Sotheby’s, 26 August 2013. http://www.sothebys.com/en/news-video/blogs/all-blogs/on-the-

loos/2013/08/chuck-close-recycles.html

Loos, Ted. “Late Summer’s Must-see Art Shows on Long Island’s East End” (Guild Hall exhibition review). Vogue, 14 August 2013.

Lubow, Arthur. “That’s A Wrap.” W Magazine, December 2013: 74, 76, illustrated.

Luke, Ben. “Chuck Close Prints: Process and Collaboration, White Cube - Exhibition Review” (exhibition review). London Evening Standard, 7 March 2013. http://www.standard.co.uk/

Marriage, Madison. “Boardroom Legacies Company Art Collections are going Under the Hammer to Raise Case, Often on an Anonymous Basis.” FT Wealth (Autumn 2013): 26–28, illustrated.

Michael, Glover. “Chuck Close Prints: Process and Collaboration, White Cube Bermondsey, London” (exhibition review). The Independent, 7 March 2013. http://www.independent.co.uk/

Morris, Bob. “How to Charm: Remember Their Names.” New York Times, 15 August 2013: E7, illustrated.

Moss, Rebecca. “Beauty in the Breakdown: The Artistic Process of Chuck Close” (Eykyn Maclean Gallery exhibition review). ELLE, 16 April 2013, illustrated.

“The Painstaking Process of Chuck Close” (White Cube exhibition review). Cassone-art.com, 11 March 2013. http://www.cassone-art.com/

Peterson, Oliver. “Who’s Here” (Guild Hall exhibition review). Dan’s Papers, 27 September 2013: 35, illustrated.

“Photo Realist Chuck Close Touring Exhibition Opens at White Cube Bermondsey” (exhibition review). Artlyst.com, 5 March 2013. http://www.artlyst.com/

Pill, Steve. “Artist Chuck Close Conjures up Portrait Magic at London's White Cube Gallery” (exhibition review). Metro, 7 March 2013. http://metro.co.uk/

Salsbury, Britany. “Chuck Close: Eykyn MacLean, New York” (exhibition review). Artforum.com, 14 May 20013. http://www.artforum.com/picks/section=nyc#picks40774

Schwendener, Martha. “Works in Conversation With Photography” (Guild Hall exhibition review). The New York Times, 29 September 2013: 9, illustrated.

“See It Up Close: Chuck Close Tapestries and Prints” (Blue Sky Gallery exhibition review). OPB, 15 October 2013. http://www.opb.org/artsandlife/article/see-it-up-close-chuck-closes-tapestries-prints/

Sheets, Hilarie M. “Artists Take Up Digital Tools” (Museum of Art s and Design exhibition review). The New York Times, 27 October 2013: 2, illustrated.

Spence, Rachel. “Fibre Optics.” Financial Times, 28 June 2013: 4, illustrated. http://www.ft.com/intl/cms/s/2/0d24ee26-da7d-11e2-8062-00144feab7de.html#axzz2YZPoGLln

Sposato, Bree. “Art Talk: Instant Gratification.” Art News 112, no. 4 (April 2013): 26–27, illustrated.

Stone, Ellen Elizabeth. “Chuck Close: Prints, Process and Collaboration at White Cube Bermondsey” (White Cube exhibition review). One Stop Arts, 8 March 2013. http://onestoparts.com/

Taylor, Trey. “LIL CLOSE? White Cube Shows 150+ of Chuck Close's Finest Portraits” (exhibition review). Herozine.com, 7 March 2013. http://www.hero-zine.com/

Woodward, Richard B. “The SX-70 as Sexy Tech: The Polaroid Years: Instant photography and Experimentation, The Frances Lehman Loeb Art Center at Vassar College” (exhibition review). The Wall Street Journal, 6 May 2013. http://online.wsj.com/article/SB10001424127887324874204578439012328282372.html

Yablonsky, Linda. “The Collections of Artists.” T: The New York Times Style Magazine, 8 December 2013: 52, 160–161, 166–167, illustrated.

2012

Close, Chuck. “Chuck Close: NY Profile.” Vogue.it, 16 October 2012. http://www.vogue.it/en/people-are-talking-about/from-new-york/2012/10/chuck-close

Cohen, Patricia. “Arts as Antidote for Academic Ills.” The New York Times, 19 December 2012: C1, C5, intstallation view.

Jacobson, Aileen. “A New Home for Art on the East End: Parris Art Museum Moves to Water Mill.” Long Island Pulse Magazine, 28 October 2012. http://www.lipulse.com/art-music/article/a-new-home-for-art-on-the-east-end/#When:13:51:19Z

Lipsky-Karasz, Elisa. “Chuck Close on Women.” Harper’s Bazaar, accessed 18 October 2012. http://www.harpersbazaar.com/magazine/feature-articles/artist-chuck-close-on-women-1112?src=rss#slide-1

Schwendener, Martha. “Let There Be Light, in Three Dimensions” (New Museum exhibition review). The New York Times, 24 August 2012: C26.

Sheets, Hilarie M. “Looms with a View.” Art News 111, no. 8 (September 2012): 88–95, illustrated.

Singer, Reid. “Obama Recruits Chuck Close and Yo-Yo Ma for Arts Education Initiative Aimed at Struggling Schools.” Artinfo.com, 26 April 2012. http://www.artinfo.com/news/story/801379/obama-recruits-chuck-close-and-yo-yo-ma-for-arts-education-initiative-aimed-at-struggling-schools

Tomkins, Calvin. “Posterity Dept.: Barack.” The New Yorker, 17 September 2012: 30–31.

Viveros-Fauné, Christian. “Deskilled Art is Getting Us Nowhere, Says a Critic (and a Painter Agrees).” Art Review, no. 61 (September 2012): 50, illustrated.

Viveros-Fauné, Christian. “Face Time: A visit with art-world hero Chuck Close as he gears up for his new fall show.” The Village Voice, 18–24 July 2012: cover, 17–19, illustrated.

Vogel, Carol. “Inside Art: Second Avenue Subway Art.” The New York Times, 11 May 2012: C24.

Voit, Kirsten Claudia. “Face As Interface.” Kunstforum (July–August 2012): 45–59, illustrated.

Watson, Dawn. Room To Grow (Parish Art Museum reopening review). The Southhampton Press, 15 November 2012: 1B, 4B, illustrated.

Wei, Lilly. “The Body in Winter.” Art News 111, no. 5 (May 2005): cover, 90–95, illustrated.

Weiss, Judith Elisabeth. “Gesicht im Porträt/Porträt ohne Gesicht.” Kunstforum (July–August 2012): 30–31, illustrated.

Yuan, Jada. “Close Encounters.” The Telegraph Magazine, 9 December 2012.

2011

“American Portraits: Treasures from the Parish Art Museum.” Parish Art Museum: News (Fall 2011): 6–7, illustrated.

Cerca, Demasiado. “Chuck Close: Too Close.” Allimite Contemporary Art Magazine, ed. 51 (November/December 2011): 20–29, illustrated.

Cohen, Patricia. “Artists File Lawsuits, Seeking Royalties.” The New York Times, 2 November 2011: C1, C5, illustrated.

Farley, Todd. “Larger Than Life: Dyslexia, paralysis, face blindness—nothing comes between legendary artist Chuck Close and his canvas, except a brush.” Neurology Now 7, no. 4 (August/September 2011): 14–16, 18–19.

Landes, Jennifer. “Portrait Paintings at the Parrish” (exhibition review). Easthapton Star, 17 November 2011: C1, C2, illustrated.

Nick, Stacy. “Photographer Chuck Close gives good face in Loveland exhibit” (exhibition review). Coloradoan.com, 2 November 2011. http://www.coloradoan.com/article/20111103/ENTERTAINMENT01/111030303/Photographer-Chuck-Close-gives-good-face-Loveland-exhibit

“Profiles: Chuck Close.” Art Economist, no. 1 (January 2011): 26, illustrated.

Wilson, Anamaria. “DVF Up Close.” Harper’s Bazaar, 31 March 2011. http://www.harpersbazaar.com/magazine/feature-articles/dvf-chuck-close.

2010

Heyman, Marshall. “Heard & Scene: AOL Marks 25th Anniversary with Close-Up Portraits by Close.” The Wall Street Journal, 25 May 2010: A26.

Knight, Christopher. “‘Calder to Warhol: Introducing the Fisher Collection’ @ SFMOMA” (exhibition review). Los Angeles Times, 15 July 2010: illustrated. http://latimesblogs.latimes.com/culturemonster/2010/07.

Millar, Iain. “Documentary: Zooming in on Chuck Close.” The Art Newspaper 19, no. 216 (September 2010): 42, illustrated.

Miller, Sanda. “Books: Painting saved his life; A biography of Chuck Close.” The Art Newspaper 20, no. 217 (October 2010): 56, illustrated.

Nilsen, Richard. “Face It: Chuck Close Show is More Demo than Exhibit” (Scottsdale Museum of Contemporary Art exhibition review). The Arizona Republic, 23 February 2010.

2009

Bui, Phong. “Chuck Close: Selected Paintings and Tapestries (2005–2009)” (PaceWildenstein exhibition review). The Brooklyn Rail (June 2009): illustrated.

Close, Chuck. “Inspiration is for Beginners.” Interview by Claudia Bodin. Art: Das Kunstmagazin, no. 3 (March 2009): 52+, illustrated.

Close, Chuck. “An American Trilogy—Part Three: Realism, Chuck Close.” Interview by Morgan Falconer. Art World, no. 11 (June/July 2009): 40–45, illustrated.

Falconer, Morgan. “An American Trilogy—Part Three: Realism, Chuck Close.” Art World (June/July 2009): cover, 26, 40–45, illustrated.

Mason, Brook S. “Interview: Chuck Close—How grandma’s crochet inspired my artistic vision.” Art Newspaper, no. 201 (April 2009): 44, illustrated.

May, Stephen. “Maine Art Stream.” Art News 108, no. 2 (February 2009): 40–41, illustrated.

Nepil, Hannah. “Guide: Arts Around the World—Austin: Chuck Close” (Austin Museum of Art exhibition review). Financial Times, 17 August 2009: 11, illustrated.

Pasquarella, Sheri. “Zhang Huan Stopped by Chuck Close’s New York Studio.” Tar, no. 2 (Spring 2009): 80–84, illustrated.

“Photorealism in the 1970s: An Album.” Deutsche Guggenheim Magazine, no. 6 (Spring 2009): 6–7, illustrated.

Shinn, Susan. “Wonderful Paradox—Reynolda House Displays ‘Chuck Close: The Keith Series’” (exhibition review). Salisbury Post, 22 January 2009: 6D, 1D, illustrated.

Stoodley, Shelia Gibson. “Polaroid’s Last Shot.” Arts & Antiques (April 2009): cover, 62–71, illustrated.

“They Were Really Nice Guys.” Deutsche Guggenheim Magazine, no. 6 (Spring 2009): 14–19, illustrated.

“Waking Up to New York: Chuck Close.” New York Magazine, 20 April 2009: illustrated.

Vogel, Carol. “Inside Art: Find Work Online.” The New York Times, 2 January 2009: C30.

Wolff, Rachel. “Art Talk: Getting Close to Clinton.” Art News (Summer 2009): 33, illustrated.

2008

Buck, Joan Juliet. “Art Meets Fashion, Fashion Eats Art.” Whitewall, no. 11 (Fall 2008): 74–75, illustrated.

Chinnery, Colin. “Beijing.” Artforum 47, no. 4 (December 2008): 240–241, illustrated.

Close, Chuck. “Close Encounters.” Interview by Ilka Scobie. Artnet.com, 6 August 2008: http://www.artnet.com/magazineus/features/scobie/scobie8-5-08.asp

Close, Chuck. “In conversation: Chuck Close with Phong Bui.” Interview by Phong Bui. The Brooklyn Rail (June 2008): 30–33, illustrated.

Close, Chuck. “The Conversation: Close Encounter.” Interview by Dodie Kazanjian. The Metropolitan Opera Playbill (March 2008): 84–85, illustrated.

Ebony, David. “Close Ready for His Close-up.” Art in America, no. 3 (March 2008): 35, illustrated.

“Front Page: Art Camp at the Presidio?” Art in America, no. 2 (February 2008): 29.

Grezzi, Nicola. “Cecily Brown: The Aura of an Expanded Painter.” Flash Art 41, no. 263 (November/December 2008): 62, illustrated.

Hirsch, Faye. “Greenwold’s Confessions.” Art in America, no. 2 (February 2008): 112–115, 164.

Kinsella, Eileen. “$24 Billion and Counting.” Art News 107, no. 5 (May 2008): 122–131.

Leinwand, Öl auf. “Zu Gast im eigenen Gesicht.” Meisterwerke der Kunst, no. 56 (2008): 10, illustrated on folio 7.

Mason, Brook. “Looming Large: The Return of the Tapestry.” The Art Newspaper, Art Basel/ Miami Beach Edition, 5 December 2008: 4, illustrated.

“What’s On––Chuck Close: Seven Portraits” (State Hermitage Museum, St. Petersburg exhibition review). The Art Newspaper 27, no. 190 (April 2008): 69.

2007

Birnbaum, Molly. “Art Talk: Portrait of the Diva as Druid Priestess.” Art News 106 (May 2007): 44, illustrated.

Brunner, Jessie. “Revealing Artist’s Secrets” (Orange County Museum of Art exhibition review). Newport Beach and Costa Mesa Daily Pilot, 27 January 2007. http://www.dailypilot.com.

Cash, Stephanie. “Report from Colorado: The Hills Are Alive” (Denver Art Museum exhibtion review). Art in America (February 2007): 56–65.

Chang, Richard. “Chuck Close Looking Behind the Scenes” (Orange County Museum of Art exhibition review). The Orange County Register, 30 January 2007. http://www.ocregister.com.

Comita, Jenny. “Portrait of the Artist.” W (November 2007): 194–196, illustrated.

De La Fuente, Manuel. “Chuck Close — Pintor” (Museo Nacional Centro de Arte Reina Sofîa exhibition review). ABC (February 2007): 83, illustrated.

Dixon, Jenny. “Famous in 2112?” Art News 106 (November 2007): 202, discussed.

Hartman, Darrell. “Documentary Depicts A Master.” The New York Sun, 20 December 2007: 1, 17, illustrated.

Jones, Kellie. “Famous in 2112?” Art News 106 (November 2007): 205, discussed.

MacCaulay, Alastair. “An Ephemeral Portrait of an Artist in a Hall of Mirrors.” The New York Times, 29 October 2007: E1, E7, illustrated

McCormick, Carlo. “Chuck Close & Personal.” Whitewall (Summer 2007): 88–103, illustrated.

Milzoff, Rebecca. “No Boundaries.” New York Sun, 22 October 2007: 13, 15, illustrated.

Mora, Vivian-Sofia. “Come Inside for a Close Look.” Excalibur, 30 May 2007: illustrated.

Rubio, Carlos. “Anticipa Close arte digital” (Museo Nacional Centro de Arte Reina Sofîa exhibition review). Reforma (Mexico), 7 February 2007: Cultura, 10, illustrated.

“Self-Reflection.” New York Sun, 13–15 April 2007: 12, illustrated.

Van Gelder, Lawrence. “Arts, Briefly: Where Artists and Filmmakes Intersect.” The New York Times, 17 April 2007: E2.

2006

“Around Town: Close Encounter.” Time Out New York, 14–20 September 2006: 104, illustrated.

Allen, Kathleen. “Speaker Series Begins Today at CCP.” Arizona Daily Star, 22 September 2006.

Arden, Patrick. “A Close Look at What It Is to Be a The New Yorker.” Metro, 20 September 2006: 3, illustrated.

Ayers, Robert. “Portrait of a Portrait Painter” (book review). Art News (October 2006): 132, illustrated.

Calendar: A New High for Atlanta. April–May 2006. Atlanta: High Museum of Art, 2006: cover, illustrated.

Close, Chuck. “Visual Arts: The Great Illusionist.” Financial Times, 26 September 2006: 14, illustrated.

Close, Chuck. “Kijken met het oog van een kunstenaar: Chuck Close over Erasmus van Rotterdam (1523).” Kunst & Antiek Journaal Collect (December 2006): 67–69, illustrated.

Feaver, William. “Reviews, International-Self-Portrait: Renaissance to Contemporary” (exhibition review). Art News (March 2006): 148, discussed.

“Flashback Photography: Modern Eyes, Vintage Ways” (University of Central Florida Art Gallery exhibition review). Orlando.com, 6 November 2006.

Jones, Charisse. “Public Art Project Documents Urban Change.” USA Today, 13 September 2006: 7A, illustrated.

Lukas, Alex. “Chuck Close: Portraitist, Photorealist, & Traditionalist.” Swindle (November 2006): 74–75, illustrated.

Montefinise, Angela. “Artbreaking: Painter Sues Over Sunlight”Blocker.’” The New York Post, 27 August 2006: 5, illustrated.

O’hern, John. “Art Encounters On the Road.” American Art Collector (October 2006): 50–56, illustrated.

“On the Town: Calendar” (Aperture Foundation exhibition preview). The New York Sun, 9 November 2006: 10, illustrated.

“100 Eye-Opening New Painters.” Courierlife.net, 29 November 2006. http://www.courierlife.net/site/.

Perkin, Allison. “Self/Image: Portraiture from Copley to Close.” Calendar (September–December 2006): illustrated.

Ribas, João. “Arts: Another Record Week?” The New York Sun, 13 November 2006: illustrated.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (exhibition review). Art in America (November 2006): 88–89.

Vogel, Carol. “Inside Art: Urban Evolution.” The New York Times, 22 September 2006: E26, discussed.

2005

Ayers, Robert. “Contemporary Voices, Museum of Modern Art” (exhibition review). Art News 104 (May 2005): 142.

Baker, Kenneth. “Giant Self-Portrait Should Be Revealing, yet Chuck Close Still Paints Puzzles” (exhibition review). San Francisco Chronicle, 19 November 2005: E1 ;E3, illustrated.

Cembalest, Robin. “Art Talk: Close Encounters.” Art News 104 (Summer 2005): 45, illustrated.

“Chuck Close” (Walker Art Center exhibition review). Tema Celeste (November 2005): 104, illustrated.

Cohen, David. “Gallery Going: Chuck Close at PaceWildenstein.” New York Sun, 19 May 2005: 15, illustrated.

Danto, Arthur C. “35 Who Made a Difference: Chuck Close.” Smithsonian (November 2005): 106–108, illustrated.

Ewing, John. “New York–Chuck Close: Recent Paintings” (exhibition review). Modern Painters (September 2005): 108, illustrated.

Gomez, Edward M. “Today’s Masters: Painting Up Close.” Art and Antiques (March 2005): 87–90, illustrated.

Kozinn, Allan. “A Pianist Turns the Tables On a Portrait Painter.” The New York Times, 27 April 2005: E5.

MacAdam. Barbara A. “Reviews: New York–Logical Conclusions, PaceWildenstein” (exhibition review). Art News 104 (June 2005): 119.

McGrath, Charles. “A Portraitist Whose Canvas Is a Piano.” The New York Times, 22 April 2005, Weekend Arts: E1, E20, illustrated.

Morgan, Robert C. “Reviews: Logical Conclusions, PaceWildenstein, New York” (exhibition review). Tema Celeste 110 (July–August 2005): 69.

“Navigating the Self.” Interview by Siri Engberg. Walker Magazine (July/August 2005): illustrated. http://www.walkerart.org/magazine/2005/navigating-the-self

Pasquariello, Lisa. “Preview: Chuck Close, Walker Art Center.” Artforum (May 2005): 113, illustrated.

Saltz, Jerry. “Inky Depths.” The Village Voice, 4–10 January 2006: C75.

Stevens, Isabel. “Ready for a Close-up?” Art Review (May 2005): 25, illustrated.

Sultan, Terrie. “Curating Now (Part II): An Ongoing, Informal Report.” Art Papers (November/December 2005): 38, illustrated.

“This Week: Close Encounter.” Time Out New York, 27 October–2 November 2005: 57, illustrated.

Wullschlager, Jackie. “Arts and Ideas: Faces That Were Chosen for Eternity” (exhibition review). Financial Times, 19 October 2005: 12+, discussed.

2004

Close, Chuck. “A Little Help From His Friends.” Interview by Clare Henry. Financial Times, 21 January 2004: 10, illustrated.

Harrison, Helen A. “Following the Light, and Making Faces.” The New York Times (Long Island Edition), 22 February 2004: Section 14, 1, 6, illustrated.

Hirsch, Faye. “Prints: Close & Company.” Art in America (March 2004): 44–50, illustrated.

Johnson, Ken. “The Hamptons, A Playground for Creativity” (Parrish Art Museum exhibition review). The New York Times, 6 August 2004: Weekend, E29, illustrated.

Kimmelman, Michael. “Savoring Chuck Close By Savoring The Process” (Metropolitan Museum of Art exhibition review). The New York Times, 16 January 2004: Weekend, E33, E41, illustrated.

Ruiz, Cristina. “Chuck Close: ‘The Best Thin Is Never to Sell to Saatchi in the First Place.’” The Art Newspaper 14 (January 2004): 35.

Scott, Andrea K. “Proof Positive: A revelatory Chuck Close show at the Met unveils the hidden process in his prints” (The Metropolitan Museum of Art exhibition review). Time Out New York, 12–19 February 2004: 63, illustrated.

Villani, John. “Inaugral Exhibition: Bentley Projects” (exhibition review). Art News (June 2004): 123.

Vogel, Carol. “At Auction, Snapshots of a Market: Spring sales emphasize newer art.” The New York Times, 28 April 2004: The Arts Section: E1, E7.

2003

“Art Guide. Galleries: Chelsea: Chuck Close.” The New York Times, 3 January 2003: E44, illustrated.

Bayliss, Sarah. “Living in Art. Walking on Lucas Samaras.” Art News (December 2003): 98–101, illustrated.

Buck, Louisa. “Chuck Close: New Paintings. White Cube” (exhibition review). The Art Newspaper (February 2003): 14, illustrated.

“A Modern Eye.” Cleveland Museum of Art Members Magazine (October 2003): 4–5, illustrated.

Close, Chuck. “Here and Abroad.” Interview. Departures (March/April 2003): 54.

Close, Chuck. “OK! The Kate Moss Portfolio.” W (September 2003): 414–21, illustrated.

“Fotografia: Chuck Close.” Arte (September 2003): cover, 177, illustrated

“Galleries-Chelsea: Chuck Close.” The The New Yorker, 6 January 2003: 18.

Horyn, Cathy. “Critic’s Notebook: Fashion and Art Embrace, if Not Passionately.” The New York Times, 5 August 2003.

Hughes, Rober J. “The Museum Season.” The Wall Street Journal, 3 October 2003: W2, illustrated.

Keats, Jonathan. “Through The Lens of History.” Art + Auction (March 2003): 74–85, illustrated.

Morgan, Robert C. “Profiles: Chuck Close.” Tema Celeste, no. 96 (2003): 86–87, illustrated.

Mullins, Charlotte. “Up Close and personal.” Financial Times, 8–9 February 2003, Weekend edition: VII, illustrated.

Nakamura, Marie-Pierre. “Chuck Close.” Le visage d’une personne, est comme la carte de sa vie” (PaceWildenstein and Pace/MacGill exhibition review). Art Actuel (January 2003): 82–85, illustrated.

Rexer, Lyle. “Chuck Close at PaceWildenstein” (exhibition review). Art in America (May 2003): 150–151, illustrated.

Tansini, Laura. “Signore e signori: A Coloquio con Chuck Close nel Suo Studio di Manhattan.” Arte In (Bologna) 14, no. 82 (January 2003): 56–60, illustrated.

Van Gelder, Lawrence. “Houston: Chuck Close Prints” (Blaffer Gallery exhibition review). The New York Times, 11 September 2003: E2.

2002

Alva, Marilyn. “Color This Painter Determined. Face Down Adversity: Chuck Close battled disability to make his mark in art world.” Investor’s Business Daily, 18 August 2002.

Bohlen, Celestine. “An Exhibition Celebrates 10 Years of Free Studio Space for Artists.” The New York Times, 30 May 2002: E3

Close, Chuck. “What I’ve Learned.” Interview by Andy Ward. Esquire (January 2002): 94–95.

Cotter, Holland. “Art Review: A Gift to the Whitney, for The New Yorkers to Open.” The New York Times, 25 October 2002: E38.

Diamonstein, Barbaralee. “Chuck Close: “I’m Some Kind Of Slow-Motion Cornball.” Art News (November 2002): 226.

“Galleries-Chelsea: Chuck Close” (PaceWildenstein exhibition review). The The New Yorker, 23–30 December 2002: 38.

Glueck, Grace. “For Wall Street’s Sake: Art to Lure Visitors Downtown.” The New York Times, 14 June 2002: E37.

Kino, Carol. “Hired Hands.” Art + Auction (February 2002): 102–111.

Landi, Ann. “The Real Thing?” Art News (June 2002): 88–91.

“Parrish Council Exclusive: Artists of the East End.” Parrish Art Museum News (Autumn 2002).

Pisarra, Drew. “Chuck Close: New Paintings” and “Chuck Close: Daguerreotypes” (PaceWildenstein and Pace/MacGill exhibition review). New York.Citysearch.com, 9 December 2002.

Schmerler, Sarah. “Art Listings: Close encounters” (exhibition review). Time Out New York, 21–28 December 2002: 93.

Smith, Roberta. “Chuck Close: Recent Works.” The New York Times, 27 December 2002: E46.

Vogel, Carol. “The Modern Gets a Trove From Corporate Collection.” The New York Times, 11 April 2002: E1, E3.

2001

“Chuck Close Ritratti in pixel.” Firma (Italy) (October 2001): 49–57.

Eberle, Todd. “Broad Strokes.” W (September 2001): 549–560.

Glueck, Grace. “Art in Review: Self-Made Men.” The New York Times, 27 April 2001.

Korotkin, Joyce. “Self-Made Men at DC Moore Gallery.” NewYorkArtWorld.com (May 2001).

Maber, Marie. “Blurring the line.” Digital Fine Art Magazine (Summer 2001): 32–37.

Mason, Brooke S. “New York: Il signor Pace.” Il Giornale Dell’Arte (Turin) 205 (2001): 4–7.

“Self-Made Men” (DC Moore Gallery exhibition review). Metro (April/May 2001).

2000

Anderson, Maxwell L. “Preserving the Perishable Art of the Digital Age.” The New York Times, 24 September 2000: AR 33

Berkovitch, Ellen. “Art Matters.” Santa Fe New Mexican Pasatiempo, 26 May–1 June 2000: 10, 15.

“Chuck Close.” Santa Fean (May 2000): 77.

“Chuck Close Will Receive Honorary Degree from LIU.” Southampton Press, 18 May 2000: 5, Sec.3.

“Chuck Close Honored.” East Hampton Star, 18 May 2000.

Clemmer, David. “Critical Reflections: Chuck Close.” THE Magazine (June 2000): 43.

“Close and Personal.” Art News (May 2000): 45.

“Close Together.” The New York Observer, 3 April 2000: illustrated.

Close, Chuck, “About Face. Chuck Close in Conversation with Bice Curiger.” Parkett 60 (2000): 56–66.

Close, Chuck, “About Face. Chuck Close in Conversation with Elizabeth Peyton.” Parkett 60 (2000): 28–34.

Collins, Tom. “Eye Dazzling Of the Hightest Order.” Albuquerque Journal North, 12 May 2000: 6.

Dannatt, Adrian. “NY Diary: Closer than ever.” The Art Newspaper (March 2000): 77.

Feeney, Mark. “Chuck Close’s work is well placed in Worcester.” Boston Globe, 29 December 2000.

Fletcher, Nina. “Close Encounters: The Mosaic Face of Chuck.” Worcester Magazine, 20 December 2000.

Greben, Deidre Stein. “Chuck Close and Franz Gertsch” (exhibition review). Art News (February 1991): 159.

Horton, Anne. “Color Specs.” Art + Auction (October 2000): 124–129.

Johnson, Ken. “Objects of Desire: 125 Views of the Human Figure.” The New York Times, 1 September 2000.

Magiera, Frank. “Chuck Close Turns The Abstract Into The Concrete.” Telegram & Gazette, 7 December 2000: C1, C12.

Nigrosh, Leon. “Close-ups: Chuck Close’s “heads” visit WAM.” Boston Worcester Phoenix, 29 December 2000: 12.

Prose, Francine. “Distances and Faces of the Moon.” Parkett 60 (2000): 18–22.

Protzman, Ferdinand. “Chuck Close, Bigger Than Ever.” Washington Post, 5 October 2000: C5.

Rexer, Lyle. “Chuck Close Rediscovers the Art in an Old Method.” The New York Times, 12 March 2000: 25–26.

Romancito, Rick. “‘Inspiration is for Amateurs.’ Harwood Museum hosts first New Mexico exhibition of works by Chuck Close.” Tempo: The Arts and Entertainment Magazine of The Taos News, 4 May 2000: 14, 16.

Shiff, Richard. “Raster + Vector = Animation Squared.” Parkett 60 (2000): 28–36.

“Sculptor, painter among National Medal of Arts Winner.” Cnn.com (December 2000).

“Skin Close.” Time Out New York, 16–23 March 2000: 84, illustrated.

Smith, Roberta. “Art in Review: Chuck Close” (PaceWildenstein exhibition review). The New York Times, 7 April 2000: 40.

Van Gelder, Lawrence. “Grid Master.” The New York Times, 7 December 2000: E1.

Weil, Rex. “Chuck Close.” Art News (December 2000): 164.

1999

Burton, Jane. “Face, the Final Frontier.” The Independent, 22 July 1999: 10.

Cork, Richard. “Off the Wall and Into Your Face.” The Times, 21 July 1999: 43.

Derrington, Andrew. “How Art Puts the Brain Into a Fresh Perspective.” Financial Times, 6 August 1999: 12.

Evenson, Brad. “Don’t Stand So Close to Me.” Ontario National Post, 6 August 1999: B11.

Farr, Sheila. “Coming to Life’ is Mostly Lifeless.” Seattle Times, 16 March 1999: E6.

Gayford, Martin. “Max Headroom: Specialising in”Superreal’ Portraits of Giant Heads, American Painter Chuck Close is Set to Stun Viewers This Summer With His Fanatical Exactitude of Detail.” Harpers & Queen (August 1999): 46.

Hawkes, Nigel. “‘Hidden’ Portraits Reveal How People See.” The Times, 6 August 1999.

Harris, Lyle Ashton. “Chuck Close Master Portraitist: Lyle Ashton Harris at Chuck Close’s Studio in Soho.” Iké Udé aRude, 12 November 1999: 74–77.

Hessman, Tina. “The Art of Perception: Painters Help Color Scientists’ Ideas of How Brain Sees Images.” Dallas Morning News, 20 September 1999: 7D–8D.

“Hillary, Herself.” The New York Times Magazine. 30 May 1999: cover.

Kent, Sara. “Preview: Close to the Edge.” Time Out (London), 4–11 August 1999: 51.

MacRitchie, Lynn. “Squared Up to Friends.” Financial Times (1999): 9.

Murphy, Dominic. “Heads I Win.” Guardian Weekend, 3 July 1999: 24–25, 27, 30.

Nochlin, Linda, Richard Kalina, Lynne Tillman, and Jerry Saltz, “Four Close-Ups (and One Nude).” Art in America (February 1999): 66–73, 127.

O’Rorke, Imogen. “Chuck Close: Head Lines.” Tate The Art Magazine (Summer 1999): 6–7

Pelli, Denis. “Close Encounters: An Artist Shows that Size Affects Shape.” Science Magazine 284, no. 5429, 6 August 1999: 844–846.

Pelli, Denis. “An Artist’s Work Blurs Lines Between Art and Science.” The New York Times, 10 August 1999: F5.

Sarver, Patrick. “The Adamson Connection.” Digital Fine Art (Winter 1999): 22–31.

Schrader, Christopher. “Der Kunst auf der Spur: Sie lüften das Geheimnis der Fantasie und Erklären Åsthetik: Wissenschaftler bezeichnen Kunst als Instrument der Hirnforschung.” Facts Das SchweizerNachrichtenmagazin, 26 August 1999: 114–118.

Shiff, Richard. “Chuck Close: La réalité dévisagée.” Beaux Arts Magazine (August 1999): 36–41.

Sultan, Terrie. “Contemporary Portraiture’s Split Reference.” Art On Paper (March–April 1999): 38–42.

Westerbeck, Colin, “Modern and Contemporary Art: The Lannan Collection at The Art Institute of Chicago: Chuck Close.” Edited by Jeremy Strick. Museum Studies 25, no. 1 (1999): 74–77.

1998

“98 People to Watch in”98.” Time Out New York, 29 January–5 February 1998: 6: 10.

Adams, Brooke. “Close Encountered: Brooke Adams Talks with Chuck Close and Robert Storr.” Artforum (April 1998): 90–98, 135.

Adato, Allison. “Chuck Close, The Magic of Art: A Master Painter Shows How He Does It.” Life (February 1998): 48–53.

Allen, Jane and Derek Guthrie. “Rewind: Chuck Close.” Chicago Tribune, 28 June 1998: 4.

Aloff, Mindy. “Chuck Close: Painting as Performing Art.” Graphis, no. 313 (1998): 32–41.

Anfam, David. “New York and Chicago: Chuck Close.” Burlington Magazine (August 1998): 583–584.

Anzelowitz-Tanner, Lois. “Close Encounters.” Where New York (April 1998): 28–29.

“Artbeat: Chuck Close.” Travel and Leisure (March 1998).

Artner, Alan G. Chicago Tribune, 5 July 1998: 5.

Athineos, Doris. “The Directors’ Cuts.” Wine Spectator, 30 April 1998: 353.

Belcove, Julie L. “Close Up: A new MoMA retrospective celebrates 30 years of Chuck Close.” W (February 1998): 204–208.

Bock, Paula. “Art in Your Face: Chuck Close’s Astonishing Portraits are a Touchstone of Contemporary American Art.” Seattle Times Magazine, 6 December 1988.

Brody, Jacqueline. “Chuck Close: Innovation Through Process.” On Paper (March–April 1998): 18–26.

Budick, Ariella. “About Faces: Contradictions Abound in MoMA Exhibit of Chuck Close’s Colossal Mug Shots.” New York Newsday, 4 March 1998: B3.

“Chuck Close at MoMA.” Flash Art (January/February 1998): 45.

“Close Readings.” Museums New York (Winter 1998): 14.

Conroy, Sarah Booth. “For Friends of Art, a Welcome Home.” Washington Post, 1 June 1998: 2.

Costello, Daniel. “Chuck Close’s Recommendations.” The Wall Street Journal, 24 April 1998: W2.

Drew, Karin. “Sketchbook: Show Not To Miss.” Art & Antiques (March 1998): 24.

Drolet, Owen. “Chuck Close at MoMA.” Flash Art (January–February 1998): 45.

Ebony, David. “Ganz Sale Dominates Fall Auctions.” Art in America (January 1998): 31.

“For the Arts and Good Causes.” Photographs by Bill Cunningham. The New York Times, 1 March 1998.

Gardner, James. “Up Close and Impersonal.” National Review, 18 May 1998: 58–59.

Glatt, Cara. “A Closer Look at a Legendary Artist.” Hyde Park Herald (Chicago), 7 July 1998.

Glaubinger, Jane. “Chuck Close.” The Cleveland Museum of Art Members Magazine (January 1998): 8–9.

Goodrich, John. “Up Close and Personal.” Review, 1 May 1998: 1, 5–6.

Gregg, Gail. “The Making of a Retrospective.” Art News (April 1998): cover, 142–147.

Guimaraes, Marcelo Lima. “Chuck Close ganha mostra em Chicago.” Folha de Sao Paulo, 3 July 1998: 5

Hanson, Doug. “Weinstein’s Close Show a Standout.” Minneapolis Star Tribune, 27 March 1998: E4.

Hill, Olga. “CE Calendar, Spring”98.” WE Magazine (March 1998).

Hoban, Phoebe. “See the Art and Read the Book.” The New York Times, 1 March 1998: 6, 9.

Hogrefe, Jeffrey. “Chuck Close Up: A Portrait of the Artist.” New York Observer, 9 March 1998: Art Diary: 20.

Holg, Garrett. “Closeup on Chuck Close.” Chicago Sun Times, 14 June 1998:

Huebner, Jeff. “Talking Head: A Conversation with Chuck Close.” Chicago Tribune, 5 July 1998: 1, 5.

Hughes, Robert. “Close Encounters.” Time, 13 April 1998: 209–210.

Kaminker, Laura. “Chuck Close and the Salvation of Work.” New Mobility (December 1998): 30–39.

Kamps, Louisa. “Facing Up to Chuck Close: A Retrospective for a Master Portraitist.” Mirabella (January/February 1998): 26.

Kean, Amy. “Calendar: Museum Pick.” New York Post, 13 March 1998.

Kennedy, Kerrie. “Face to Face.” Windy City Times, 20 August 1998.

Kimmelman, Michael. “Playful Portraits Conveying Enigmatic Messages.” The New York Times, 27 February 1998: E33, E35.

Klawans, Stuart. “Critics’ Choice: Museums.” Daily News, 28 February 1998.

“Kleinkarierte Bilder mit Uberraschungseffekt.” Spektrum der Wissenschaft, 10 October 1999: 25.

Kramer, Hilton. “Chuck Close’s MoMA Show? You Could Do a Lot Worse.” New York Observer 12, no. 9 (9 March 1998): 1, 26.

Kuspit, “Heroic Isolation or Delusion of Grandeur?” Chuck Close’s Portraits of Artists.” Art New England (June/July 1998): 11.

Levin, Kim. “Voice Choices: Chuck Close.” The Village Voice, 3 March 1998: 69–70.

Lewis, Jim. “Chuck Close in Close-Up.” Harper’s Bazaar (February 1998): 184–189.

Longmire, Stephen. “What’s in a Face?” Chicago Reader, 4 September 1998: 34, 36–37.

Lustig, Jessica. “TakeOut: A Sampling of the Best Things to See and Do this Week.” Time Out New York, February 1998: 183–89.

Lynch, Kevin. “Show Intrigues in New Museum Gracing Chicago.” Capitol Times, 12 August 1998: 4.

Meijas, Jordan with photographs by Timothy Greenfield-Sanders. “Das Fremde Gesicht: Chuck Close Malt Robert Rauschenberg.” Frankfuter Allgemeine Magazin, 13 March 1998: 30–33.

Naves, Mario. “An Ongoing Viability.” New Criterion (May 1998): 40–42.

Newhall, Edith. “Retrospective: Talking Pictures.” New York Magazine, 2 March 1998: 78.

Newman, Howard. “‘The Gallery’ 98: Head and Shoulders Above the Rest.” River North News (Chicago): 16.

O’Sullivan Michael. “Chuck Close’s Many Faces.” Washington Post, 4 December 1998: 70.

Packer, William. “An artist down to his fingertips: William Packer on the career of the American painter, Chuck Close.” Financial Times, 7 April 1998.

Perl, Jed. “Jed Perl on Art, Death and Realism.” New Republic, 20 April 1998: 25–30.

“Picks: Chuck Close.” The New York Press, 25 February–3 March 1998.

Prose, Francine. “The Gallery: Up Close to Close.” The Wall Street Journal, 4 March 1998: A16.

Riddle, Mason. “Up Close and Personal.” Saint Paul Pioneer Press, 16 March 199: 8D.

Rimanelli, David. “Preview Winter/Spring ’98: Chuck Close.” Artforum (January 1998): 29.

Rockmore, Dan. “Mathematical Metaphors Abound in Art and Fiction.” The New York Times, 1 September 1998: F4.

Roob, Rona. “From the Archives: Chuck Close and MoMA.” MoMA: The Magazine of The Museum of Modern Art (March/April 1998): 34.

Rosoff, Patricia. “Close to Reality.” Hartford Advocate, 12 February 1998.

Schama, Simon. “Head Honcho.” The New Yorker, 23 March 1998: 91–93.

Schipprack, Annette. “Fine art painting is not just a fun game.” Focus (Germany), 21 February 1998: 120–121.

Scott, Whitney. “Close Encounter.” New York Post, 7 March 1998.

Sheets, Hilarie M. “UP NOW: Chuck Close.” Art News (May 1998): 169.

Shiff, Richard. “All over You: The Art of Chuck Close.” Artforum (April 1998): 92–98, 135, 138.

Solomon, Deborah. “The Persistence of the Portraitist.” The New York Times Magazine, 1 February 1998: 24–30, 52, 60, 66, 70–73.

Sozanski, Edward J. “Artist Chuck Close gets a lot of face time.” Philadelphia Inquirer, 22 March 1998: F14.

Span, Paula. “Chuck Close, The Big Picture: The Artist’s New Perspective After the ‘Event’ of a Lifetime.” Washington Post, 22 February 1998: G1, G8–

Stevens, Mark. “Machine Dreams.” New York Magazine, 9 March 1998: 54–56.

Sunward, Justin. “You Won’t Believe Your Eyes.” Gay Chicago Magazine, 30 July 1998: 42.

Valeo, Tom. “Close: New Approach Coloring His Artwork.” Arlington Heights Daily Herald (Chicago), 6 July 1998: 1, 6.

Vincent, Steven. “Portrait of the Artist: Chuck Close.” Art + Auction (February 1998): 60.

Vincent, Steven. “What’s the Hurry.” Art + Auction (November 1998): 44–49.

Weiner, Dorothy. “Up Close and Very Personal.” LN (Missouri), 30 January 1998: 20–30.

Williams, Kevin M. “Portrait Artist Gets Intimate.” Chicago Sun-Times, 19 June 1998: 41.

Worth, Alexi. “The Close Web.” Art News (May 1998): 100.

Woulfe, Molly. “Mr. Big, Chuck Close: A Painter Whose Life is Bigger Than Art.” Herald News, 5 July 1998: B1, B4.

Yablonsky, Linda. “Close as Can Be.” Time Out New York, 12–19 March 1998: 59.

Zitelli, C. “Up Close on Chuck Close.” At Your Leisure, 6–12 March 1998.

1997

Artner, Alan. “2 Chicago Museums Hit Art Jackpot.” Chicago Tribune, 26 February 1997: C1, 18.

“Assignment: Times Square/A Special Photography Issue, REAL: Chuck Close, Never out of Character.” The New York Times Magazine, 18 May 1997: 81–85.

Decker, Andrew. “Conjuring Consensus.” Art News 96, no. 1 (January 1997): 58–59, 64.

Farr, Sheila. “A Portrait of the Portraitist. Art: Chuck Close overcomes problems and creates them.” Seattle Weekly 22, no. 25, 18 June 1997: 36.

Gardner, Paul. “Who Will Be Remembered in the Year 2022?” Art News (November 1997): 200–203.

Hackett, Regina. “A stroke has not diminished his stroke.” Seattle Post-Intelligencer, 18 June 1997: C1, C3.

Hogrefe, Jeffrey. “Sticking Close to Chuck...” New York Observer (1991): 27.

Kimmelman, Michael. “At The Met with Chuck Close: Sought or Imposed, Limits Can Take Flight.” The New York Times, 25 July 1997: C1, 23.

Kimmelman, Michael. “Hypnotized by Mug Shots That Stare Back: Are They Windows or Mirrors?” The New York Times, 27 August 1997: C9, 12.

Landi, Ann. “The 50 Most Powerful People in the Art World.” Art News 96, no.1 (January 1997): 90–97.

Lovelace, Carey. “Bartman, A.R.T. Man.” Art News 96, no. 10 (November 1997): 52.

MacAdam, Barbara A. “Vasari Diary: Close to Bill.” Art News 9 (January 1997): 29.

McTaggart, Tom. “Dot Dot Dot.” Stranger (Seattle) 6, no. 40, 26 June–2 July 1997: 23.

Marmor, Jon. “Close Call: The UW Alumnus Summa Laude Dignatus Was a Pioneer in Photorealism and Survived a Spinal Blood Clot to Paint Again.” Columns: The University of Washington Alumni Magazine 17, no. 2 (1997): cover, 18–23.

Murdock, Robert M. “Project Painting.” Review 3, no. 2 (October 1997): 20–21.

“The New Season: Our Guide to What's Happening This Fall, Plus a Look at Things Coming Up Next Year.” Art News 96, no. 8 (September 1997): 113.

Riley II, Ph.D, Charles A. “Chuck Close: Is He America's Greatest Artist?” WE (June 1997): 58–64.

Smith, Roberta. “On the History of Cool, A Show Is Hip to America.” The New York Times, 17 August 1997: 35.

Smith, Roberta. “Project Painting.” The New York Times, 26 September 1997: E37.

Sozanski, Edward F. “Close/Cadmus: A tiny show that does a great deal.” Philadelphia Inquirer, 4 May 1997: F11.

Timberlake FA’83, James. “Touring Italy with Trustee Chuck Close RV’95.” SOF News :The Society of Fellows of the American Academy in Rome (Fall/Winter 1997): 12–14.

Vogel, Carol. “A Night of Records for 8 Contemporary Artists.” The New York Times, 20 November 1997: B12.

Weber, Ben. “Acclaimed American Artist Chuck Close Talks to Ben Weber.” Enable Magazine (August 1997): 80–84.

1996

Adams, Brooks. “Domestic Globalism at the Carnegie.” Art in America (February 1996): 32–37.

Aletti, Vince. “Voice Choices: Photo Short List.” The Village Voice, 19 November 1996: 11.

Angell, Roger. “Life Work.” The New Yorker 71, no. 44, 15 January 1996: 48–49, illustrated.

Artner, Alan G. “‘Affinities’ at Art Institute.” Chicago Tribune, 21 April 1996: Section 7: 4.

Artner, Alan G., “Work Ethic: Linking Chuck Close and Tom Friedman on the basis of effort.” Chicago Tribune, 3 May 1996: Section 7: 58.

Atamian, Christopher. “Project Painting.” Review 3, no. 2 (October 1996): 19–20.

Benezra, Neal. “Carnegie International.” Atelier, no. 825 (March 1996): 13–17.

Blair, Dike. “Chuck Close at PaceWildenstein” (exhibition review). Flash Art, no. 187 (March/April 1996): 111, illustrated.

Bloom, Amy. “A Face in the Crowd.” Vogue (December 1996): 293–297.

Brunskill, Joan. “Artist Chuck Close is in top form.” Mobile Register, 7 April 1996.

Brunskill, Joan. “Painter Close Tests Limits of his Medium.” Houston Chronicle, 10 March 1996: 47A.

Brunskill, Joan. “Painting outside the lines: Handicapped artist refuses to let accident get in the way of his work.” Rutland (Vermont) Herald and The Sunday Times Argus, 10 March 1996: E1 & E4.

Bryant, Eric. “Chuck Close: Life and Work, 1988–1995.” Library Journal, 15 February 1996.

Canton, Katia. “Revelacao norte-americana vira a Bienal.” Folha de S. Paulo, 22 June 1996: 3.

Carrier, David. “Reviews, Carnegie International.” Artforum 34, no. 5 (January 1996): 89–90.

Cotter, Holland. “A Personal Portrait, Works and Papers.” The New York Times, 1 November 1996: C32.

Crisafulli, Anthony and Paul Johnson. “Chuck Close: His Portraits Set the Pace.” Cover (1996): 16–19.

Decker, Andrew. “Conjuring Consensus: The art-world buzz is a critical factor in whether an artist gets noticed, shown, or even bought. But how is it formed? And by whom?” Art News (October 1996): 60.

Fujio, Yasuhide. “Carnegie International Curator, Richard Armstrong” Atelier, no. 825 (March 1996): 2–11.

Gardner, Paul. “Pleasure, Pain & Protocol: Studio Visits.” Art News 95, no. 3 (March 1996): 106–109.

Grabner, Michelle. “Chuck Close and Tom Friedman.” Frieze (1996): 76–77.

Gruen, John. “Long Island Books: Chuck Close.” East Hampton Star, 18 January 1996: 1–3.

Grynsztein, Madeleine. “Affinities: Chuck Close and Tom Friedman.” Art Institute of Chicago Members’ Magazine (March–April 1996): 13–14.

Hall, Jacqueline. “Portraits Delve into Psyche.” Columbus Dispatch, 3 March 1996.

Halle, Howard. “Chuck Close. Large-Scale Photographs’.” Time Out New York, 14–21 November 1996: 46.

Holg, Garrett. “Two of a Kind?” Chicago Sun-Times, 2 June 1996: 8.

Katz, Vincent. “Review of”Chuck Close: Life and Work, 1988–1995 by John Guare.” Print Collectors’ Newsletter (May–June 1996): 71.

Kaufman, Jason Edward. “Bountiful Harvest for U.S. Museums.” Art Newsletter 21, no. 10, 9 January 1996: 1–2.

Kimmelmann, Michael. “In Los Angeles, The Makings of a Better Mood.” The New York Times, 14 January 1996: H37.

Kino, Carol. “Realism: The New Hip?” Art News 96, no. 2 (1996): 96–99.

Kissick, John. “You’re Looking at Me. I Know You’re Looking At Me. The 1995 Carnegie International Looks Back.” New Art Examiner 23, no. 5 (January 1996): 16–21.

Kuczynski, Alex. “The Eight-Day Week.” New York Observer, 8 January 1996.

Leddy, Kim. “Real Folk.” Columbus Alive, 3 March 1996: 26.

MacAdam, Barbara A. “Vasari diary: Urban Dreamers.” Art News 95, no. 4 (April 1996): 39–40.

“Magnificent Obsessions.” Chicago Magazine (April 1996).

Moos, Davis. “Architecture of the Mind, Machine Intelligence and Abstract Painting.” Art & Design 11 (May–June 1996): 54–63.

Muchnic, Suzanne. “Chuck Close at PaceWildenstein, Beverly Hills” (exhibition review). Art News 95, no. 1 (January 1996): 130–131, illustrated.

O’Hara, Delia. “Unique Artists Find Common Ground.” Chicago Sun-Times, 26 April 1996: 9.

Pacheco, Patrick. “America’s Best, Corporate Art Collections.” Art & Antiques 29, no. 1 (January 1996): 32–41.

“Portrat mit Pickel.” Spiegel, no. 12 (1996): 10.

Schjeldahl, Peter. “At Close Quarters” (PaceWildenstein exhibition review). The Village Voice, 9 January 1996: 67, illustrated.

Schwartzman, Allan. “Beverly Hills-And Beyond.” Art + Auction 18, no. 7 (February 1996): 86–89, 112–113.

Schwartzman, Allan. “Clueless.” Art + Auction 18 (November 1996): 116–119, 152–153.

Shiff, Richard. “Realism of Low Resolution.” Apollo (London) 144 (November 1996): 3–8.

Simpson, Rebecca. “Flirting With Reality.” Sun Post, 26 November 1996: 19.

Span, Paula. “To Be a New York Art World Player, You Have to Know the Rules.” Washington Post, 18 February 1996: G6.

Tully, Judd. “To MoMA from Met.” Art + Auction 18, no. 8 (March 1996): 25–26.

Tully, Judd. “Around the Block. New York. Close Encounters.” Art + Auction 18, no. 7 (1996): 18–20.

Turner, Elisa. “MoCA Exhibit Blurs Line Between Real, Reproduction.” Miami Herald, 22 December 1996.

Vogel, Carol. “Chuck Close to Get a Show at the Modern.” The New York Times, 31 January 1996: C11.

Wallis, Stephen. “Close to Home.” Art & Antiques 19, no. 1 (January 1996): 80–81.

Weiss, Marion Wolberg. “Review: Chuck Close by John Guare.” Dan’s Papers, 9 February 1996.

Wilk, Deborah. “Chuck Close, Tom Friedman.” New Art Examiner 24 (September 1996): 37–38.

1995

“Academicians Give Out Prizes.” The Art Newspaper (June 1995): 2.

Albertini, Rosanna and Gary Simmons. “Lannan Foundation.” Art Press, no. 208 (January 1995): 76.

Aletti, Vince. “Photo.” The Village Voice, 25 July 1995: 10.

Anderton, Frances. “Letter from Los Angeles.” The Art Newspaper (November 1995): 13.

Auer, James. “Art Museum Exhibit Embraces Pluralism.” Milwaukee Journal Sentinel, 10 September 1995: 1, 12.

Baker, Kenneth. “Chuck Close: The Crisis That Changed His Art.” San Francisco Examiner & Chronicle, 10 December 1995.

“Buzz Bets, New Kid in Town.” Buzz (September 1995): 24.

Christy, George. “The Great Life.” Hollywood Reporter, 5 October 1995: 23.

“Chuck Close: Working with Portraits.” Scholastic Art 25, no. 4 (February 1995): 1–9.

Close, Chuck. “Critical Reflections, Adam Gopnik.” Artforum (April 1995): 76.

Close, Chuck. “Returned to Sender, Remembering Ray Johnson, Golf War.” Artforum 33, no. 8 (April 1995): 73 and 111.

“Chuck Close: Working with Portraits.” Scholastic Art (February 1995).

Dellinger, Jade R. “Chuck Close.” Printmaking Today 4 (Spring 1995): 13–14.

Donohue, Marlena. “Los Angeles Gallery Dynamic Changes with Bicoastal Art Merger.” Christian Science Monitor, 15 November 1995: 13.

Fellman, Bruce. “The Arts Amid Academe.” Yale Alumni Magazine (February 1995): 46–49.

“Forecasts: Chuck Close Life and Work 1988–1995.” Publishers Weekly, 20 November 1995: 64.

Gebroe, Erin. “PaceWildenstein’s New Canvas.” Beverly Hills News, 28 September 1995.

Goodwin, Betty. “Gallery Party Leaves ‘Em All Out on the Streets.” Los Angeles Times, 2 October 1995.

Greene, David A. “Chuck Close at PaceWildenstein” (exhibition review). Art Issues (November–December 1995): 43, illustrated.

Guare, John. “Close Encounters of an Incredible Kind.” Interview (November 1995): 80–83.

Guequierre, Nathan. “Slavishly Hip, Strangely satisfying, Painting in the ‘90s stresses content over form.” Shepherd Express, 12 October 1995.

Haden-Guest, Anthony. “Of Dealers and Players.” The New Yorker, 2 October 1995: 36–37.

Hagen, Charles. “Art in Review: 'Large Bodies'.” The New York Times, 28 July 1995: C21.

Halle, Howard. “Close to You” (PaceWildenstein exhibition review). Time Out New York, 13–20 December 1995: 22, illustrated.

Halpert, Peter Hay. “Stealing a March on New York in LA.” The Art Newspaper (October 1995): 36.

Hamann, Brad. “Bridled Passions.” Barron’s, 24 April 1995: 27–31.

Isikoff, Michael. “To Be or Not to Be.” Newsweek, 23 January 1995: 64–67.

Karmel, Pepe. “Art in Review:”Me’” The New York Times, 28 April 1995: C34.

Kaufman, Jason Edward. “‘Furniture’ and Architecture Invade the Art.” The Art Newspaper, no. 53 (November 1995): 12.

Keiser, Ellen. “‘Face Value’: Parrish Show Asks What is a Portrait?” Southampton Press, 20 July 1995: B1, 9.

Kimmelman, Michael. “Art in Review: Chuck Close’s Big Change” (PaceWildenstein exhibition review). The New York Times, 8 December 1995: C28, illustrated.

Knight, Christopher. “A Blue-Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53 and 56.

“Korea Launches New Biennale.” Art in America (September 1995): 31.

Kramer, Hilton. “Abolish the Carnegie, That Warhol Hellhole.” New York Observer, 20 November 1995: 1, 25.

Landi, Ann. “The 50 Most Powerful People in the Art World.” Art News (July 1995): 52–62.

Lawrence, Thomas. “Chuck Close: Recent Paintings at PaceWildenstein.” Manhattan Arts (Winter 1995): 6–7.

Levin, Kim. “Art Short List: Chuck Close.” The Village Voice, 12 December 1995.

Liebmann, Lisa. “Book Forum, Insider Editions.” Artforum 34, no. 3 (November 1995): 9, 31, 34.

McGee, Celia. “Portraiture Is Back, But, My, It’s Changed.” The New York Times, 1 January 1995: section 2: 1, 35.

Muchnic, Suzanne. “Freeway Frenzy.” Art News (November 1995): 69–70.

Muchnic, Suzanne. “New Galleries to Brighten Los Angeles Scene.” Art Newsletter 21, no. 1 (5 September 1995).

Napack, Jonathan. “A Carnegie Catastrophe.” New York Observer, 11 December 1995: 43.

Newhall, Edith. “A Question of Taste.” Art News (September 1995): 30.

Pagel, David. “Chuck Close at PaceWildenstein” (exhibition review). Art + Auction (September 1995): 64, 66, illustrated.

“Portraits of the Artists.” New York, 11 December 1995: 107.

Raabe, Nancy. “Is Painting Dead?” Milwaukee Magazine (November 1995): 96.

“Redefining Portraiture.” Sag Harbor Express, 13 July 1995: 10.

Rimanelli, David. “Art Previews: New Ventures.” Bazaar (September 1995): 31.

Sansegundo, Sheridan. “A Focus on Faces.” East Hampton Star, 20 July 1995: 3–6.

Schloske, Werner. “Chuck Close malt Phil Glass.” Dabei (Stuttgart) 26, no. 1/2 (1995): 63–65.

Schultz, Helmut G. “Zum Bei spiel: Chuck Close.” Kunst & Unterricht, no. 190 (March 1995): 10–11.

Schwartzman, Allan; interview of Richard Armstrong. “All-Star Casts.” Artforum 34, no. 3 (November 1995): 23–24.

Slonim, Jeffrey. “In With The Out Crowd.” Artforum (March 1995): 12–14.

Solomon, Deborah. “Christmas Books: On Art and Everything Else.” The Wall Street Journal, 7 December 1995: A12.

Vogel, Carol. “Inside Art: More Contemporary Art.” The New York Times, 23 June 1995: C26.

Vogel, Carol. “Art in the Hamptons: More is Clearly More.” The New York Times, 8 August 1995: C13, C 15.

Vogel, Carol. “Inside Art: Wrong Galleries.” The New York Times, 1 December 1995: C28.

Waxman, Sharon. “Big Galleries Give Los Angeles a Higher Profile.” International Herald Tribune, 14 December 1995: 24.

Wilson, William. “A New Dealer Bets On the Blue Chips.” Los Angeles Times, 3 October 1995: F1, F8.

Yuskavage, Lisa. “Chuck Close.” Bomb, no. 52 (Summer 1995): 30–35.

1994

Bode, Peter. “Im Gesicht die Wahrheit Suchen.” Abendzeitung, 13 July 1994: 9.

Breyer, Heinrich. “Folgenreiche Kleinodien, Mittelalterliche Buchmalerei aus dem Kloster Seeon.” Feuilleton, no. 160 (14 July 1994): 12.

“‘Chuck Close’ Retrospektive.” Karlsruhe (April 1994).

Close, Chuck. “Lucas woodcut (1992–93).” Art News 93 (December 94): cover.

Close, Chuck. Interview with Kiki Smith. Bomb (Fall 1994): 38–45.

Donovan, Molly. “Minimal to Conceptual: The Dorothy and Herbert Vogel Collection.” American Art Review 6, no. 5 (October–November 1994): 150–155.

Erdman, Ziegler, Ulf. “Modell in Arbeit. Chuck Close im Kunstbau des Lenbachhauses.” die tageszeitung, 27 July 1994: 12–13.

“Exporama.” Art Press, no. 187 (January 1994): 72.

Gardner, Paul. “Deep Dishing.” Art News (November 1994): 103.

Gardner, Paul. “Light, Canvas, Action! When Artists Go to the Movies.” Art News 93, no. 10 (December 1994): cover, 124–129.

Gardner, Paul. “Who Are the Most Underrated and Overrated Artists?” Art News (February 1994): 110–115.

Gassert, Siegmar. “Triumph Der Malerei.” Ausstellungen, 13 May 1994: 14.

Gookin, Kirby. “Reviews: Chuck Close” (The Pace Gallery exhibition review). Artforum 32, no. 7 (March 1994): 84–85, illustrated.

Grant, Daniel. “Art on the Walls or Underfoot.” Art & Antiques 26, no. 4 (April 1994): 20.

“Großer Akt der Freheit. Chuck Close Retrospektive.” Badische Heneste Hachrichten (Germany), 11 April 1994.

Haendle, Rainer. “Transport von kunstschatzen aus Amerika kostet ein Vermogen.” Badische Neueste Nachrichten (Germany), 7 May 1994.

Heybrock, Christel. “Zersprengte Giesichter, Malerei mit Giefuhl...” Mannheimer Morgen (Germany), 16 April 1994.

“Hin zum inneren Gesicht der Malerei.” Badisches Tagblatt (Germany), 11 April 1994.

Holert, Tom. “Die Portratmaschine. Vom Fotorealismus zu leuchtenden Farbfeldeon: Chuck Close.” Vogue (Germany) (April 1994).

Lacher, Irene. “New York’s Pacific Rim Shot.” Los Angeles Times, 27 November 1994: 3, 86, 88, 90.

Lingeman, Susanne. “Chuck Close: Porträits sind seine Romane.” Arte das Kunstmagazin (Germany), no. 4 (April 1994): 54–63.

“The Marie Walsh Sharpe Foundation.” American Artist 58 (June 1994): 41.

McGee, Celia. “The Resurgence of Portraiture.” International Herald Tribune, 31 December 1994: 6.

Meier-Grolman, Burkhard. “Zahnburste im Raum, eine Eule, Giesichter zum Spazierengehem...” Kulturspiegel, 12 April 1994.

Meinhardt, Johannes. “Chuck Close.” Kunstforum International (Germany) 127 (July–September 1994): 328–329.

Muller, Hans-Joachim. “Die Lackhaut und der Pickel...” Die Zeit (Germany), no. 16 (15 April 1994).

“News: Two New Museums Open.” Flash Art (October 1994): 33.

Padon, Thomas. “Reviews in Brief: Chuck Close” (The Pace Gallery exhibition review). New York Review of Art (February 1994): 15.

Pagel, David. “Facts and Figures: When Metaphors Replace Objectivity.” Los Angeles Times, 29 December 1994: F14.

Parisch, Susanna. “Die Reproduktion einer Reproduktion.zur Chuck Close–Retrospektive in Munchen.” Neue Zurcher Zeitung (Germany), 30 July 1994.

“Portrait Kolorist Chuck Close.” Kunstmarkt (Germany) (May 1994): 9.

Rainer, Wolfgang. “Wie die Lupe Higen Kahn...” Stuttgarter Zeitung (Germany), 16 April 1994.

“Retrospective Chuck Close.” Artis (April/May 1994): 60.

Rosenblatt, Roger. “A Painter in a Wheelchair.” Men's Journal 3, no. 2 (March 1994): 23–24.

Saltz, Jerry. “A Year in the Life: Tropic of Painting.” Art in America 82, no. 10 (October 1994): 90–101.

Sewera, Katharina. “Chuck Close: Die Nahe des rechtigen Moments.” Kleine Zeitlung (Austria) (July 1994).

Smith, Roberta. “Art in Review: 'A Floor in a Building in Brooklyn'.” The New York Times, 22 July 1994: C24.

Sonna, Birgit. “Chuck Close: Oszillation des Realen.” Kritik, no. 3 (March 1994): 42–47.

Stein, Deidre. “Chuck Close: 'It's Always Nice to Have Resistance'.” Art News 93, no. 1 (January 1994): 95–96.

Stein, Deidre. “Reviews: Chuck Close-Pace” (exhibition review). Art News 93 (February 1994): 135–136, illustrated.

Tully, Judd. “Les Vieux Artistes sont-ils Bons à Jeter?” Beaux Arts (May 1994): 98–104.

“Two New Museums Open.” Flash Art (October 1994): 33.

Valentin, Beate. “Amerikanische Postionen.” Handelsblatt, 29–30 April 1994.

Vogele, Christoph. “Giesichter-hautnah und schonungslos...” Schaffhauser Nachrichten (Germany), 12 April 1994: 9.

Voigt, Kirsten. “Vibration und Standpunktsuche.” Badisches Tagblatt (Germany), 9 April 1994.

Von Kageneck, Christian. “Vorn Finger-bis zum Seelenabatuck...” Hessiche/Niedersachsische Allegemeine (Germany), no. 87, 15 April 1994: 12.

“Zeitgenossicscher Maler in Baden-Baden.” Pharmazeutische Zeitung (Germany), 10 March 1994.

Zerbst, Rainer. “Punktuelles Malen.” Eblinger Zeitung (Germany), 25 April 1994.

1993

Auping, Michael. “Face to Face: Portraits from the Collection of the Metropolitan Museum of Art.” Artforum 32 (October 1993): 66, 71.

Bandler, Michael. “Chuck Close.” Trends (Japan) (January/February 1993): 36–40.

Barringer, Felicity. “Matisse: 'He's Kind of Cast a Spell on Me'.” Art News 92, no. 4 (April 1993): 150.

Birke, Judy. “Famous Graduates Paper Walls with Talent in Yale Collects Yale.” New Haven Register, 23 May 1993: D1, 4.

“Charting New Worlds, Camera in Hand.” The New York Times, 11 July 1993: 29.

Close, Chuck. “He Called Me Chuck.” Artforum 32, no. 1 (September 1993): 122–123.

Close, Chuck and Michael Auping. “Face to Face: Portraits from the Collection of the Metropolitan Museum of Art.” Artforum 32, no. 2 (October 1993): 66–71.

Danto, Arthur C. “Close Quarters.” Elle Decor 4, no. 1 (February/ March 1993): 98–107.

De Ferrari, Gabriella. “Close Encountered.” Mirabella, no. 54 (November 1993): 78–80.

Findsen, Owen. “Artist Provides a Close-Up of His Work.” Cincinnati Enquirer, 19 September 1993: D3.

Gardner, Paul. “Picasso: 'You Can Never Write The End'.” Art News 92, no. 4 (April 1993): 116–119.

Glueck, Grace. “Habit-Forming Close-ups; Playpen-Style Post-structuralism.” The New York Observer, 22 November 1993: 24.

“Goings On About Town: Art.” The New Yorker, 31 May 1993: 18.

“Goings On About Town: Art.” The New Yorker, 20 September 1993: 22.

Greeven, Cristina. “Chuck Close Up.” Hamptons, 31 May 1993: 74–75.

“Hanging Offence, David Sylvester at the Royal Academy.” London Review of Books, 21 October 1993: 10–11.

Herndon, David. “Shooting One-on-One.” New York Newsday, 24 March 1993: 47, 50–51.

Joyner, Will. “Is It Art? Just Ask Any Child.” The New York Times, 12 November 1993: C1, 3.

Kimmelman, Michael. “Art in Review: Chuck Close” (The Pace Gallery exhibition review). The New York Times, 5 November 1993: C31.

Kohen, Helen. “Photo Show Entices and Amazes.” Miami Herald, 17 January 1993: 1, 4.

Laberge, Fred. “The Art of the Blues.” Yale Alumni Magazine 56, no. 7 (May 1993): 36–43.

Laberge, Fred. “University Collectors Come Close To Creative Brilliance in Show at Yale Art Gallery.” New Haven Register, 2 May 1993: D1, 4.

MacAdam, Barbara. “The Strength of a Lion.” Art News 92, no. 3 (March 1993): 19.

MacAdam, Barbara. “The Mind and the Fingertips.” Art News 92, no. 5 (May 1993): 28.

Malcolm, Daniel R. “Pring Project by Chuck Close.” The Print Collector’s Newsletter 23 (November 1993–December 1994): 178.

Newhall, Edith. “Close to the Edge.” Creativity Magazine (1993): 38–41.

Noda, Masaaki. “Artist of Wheelchair.” Chugoku Shinbun (Japan), 9 November 1993: 12.

Peers, Alexandra. “Unlikely Alliance Creates Largest Art Dealership.” The Wall Street Journal, 28 October 1993: C1, 24.

Perl, Jed. “Code name: painting.” New Criterion (December 1993): 46–51.

Rosen, Steven. “First Sightings and Second Takes.” The Denver Post, 4 April 1993: E1, 11.

Saltz, Jerry. “Let Us Now Praise Artist’s Artists.” Art + Auction 15, no. 9 (April 1993): 74–79, 115.

Schwartzman, Allan. “Can I Interest You in a Schnabel, Mr. Ovitz?” The New York Times Magazine, 3 October 1993: 30–33, 42, 44, 50.

Slonim, Jeffrey. “A Thousand Words.” Artforum 31, no. 4 (December 1993): 7–8.

Smith, Roberta. “A Remembrance of Whitney Biennials Past.” The New York Times, 28 February 1993: section 2: 1, 31.

Tallmer, Jerry. “Going Places with Faces.” New York Post, 13 August 1993: 32.

Tanaka, Hiroko. “Chuck Close: An Artist of Wonder.” Asahi Shimbun Weekly AERA (Japan), 20 December 1993: 46.

Van Wyck, Bronson. “Interview: Chuck Close.” The Yale Literary Magazine 5, no. 2 & 3 (Autumn & Spring 1993–1994): 44–49.

Vogel, Carol. “Finding the Specialists Upstairs in SoHo.” The New York Times, 16 April 1993: C1, C26.

Wallach, Amei. “Close Builds to a Dazzling Solution.” New York Newsday, 29 October 1993: part 2, page 87.

Zimmer, William. “Yale Celebrates Its Artists and Its Collectors Since 1950.” The New York Times, 27 June 1993: 14.

1992

“A Century of Changes in Photography Explored in Exhibition at the Museum of Fine Art, Houston.” Photique Magazine, Camera Shopper, no. 25 (February 1992): 37.

Abraham, Bryin. “The Making of Men: Persona at the Museum of Photographic Arts.” Artweek, 26 March 1992: 12–13.

Ament, Deloris Tarzan. “He Lost his Hands, but not his Art.” Seattle Times/Seattle Post-Intelligencer, 4 October 1992: L8.

Armstrong, Richard. “American Life in American Art, 1950–1990.” Atelier (March 1992): 43–55.

Auping, Michael. “Chuck Close: The Ironies of Janet.” Albright-Knox Art Gallery Calendar (December 1992): 1, 3.

Barcott, Bruce. “Close to Home.” Seattle Weekly, 14 October 1992: 29.

Brozan, Nadine. “Chronicle: Of the Many Called to Arts and Letters, a Few are Chosen.” The New York Times, 3 April 1992.

Brozan, Nadine. “Chronicle.” The New York Times, 26 October 1992: B9.

Close, Chuck. “Janet.” American Art 6 (Spring 1992): 58–59.

Close, Chuck. “Chuck Close.” Aperture, no. 129 (Fall 1992): 24–25.

Decter, Joshua. “New York in Review.” Arts Magazine 66, no. 6 (February 1992): 78–80.

Gardner, Paul. “'Making the Impossible Possible'.” Art News 91, no. 5 (May 1992): 94–99.

Gopnik, Adam. “The Art World, Close-Up.” The The New Yorker, 24 February 1992: 76–78.

Gopnik, Adam. “The Art World, What Comes Naturally.” The The New Yorker, 20 July 1992: 66–68.

Graham-Dixon, Andrew. “Facial disfigurement.” Independent, 21 July 1992: 14.

Kaufman, Jason Edward. “Radical New Curatorial Studies Program Christened at Bard College.” Atelier (July 1992).

Kiraly, Philippa. “Home is Where the Art Is.” Eastside Week, 10 June 1992: 27.

Morgan, Robert C. “Psycho.” Tema Celeste (Summer 1992): 79.

Neal, Bill. “Chuck Close.” Q: A Journal of Art (Cornell University) (May 1992): 4–6.

Princenthal, Nancy. “Chuck Close at Pace” (exhibition review). Art in America 80, no. 3 (March 1992): 114–115, illustrated.

Raynor, Vivien. “Differences Can Outweigh Similarities in Photo-Realism.” The New York Times, 5 January 1992.

Sacharow, Anya. “Spectrum.” Art News 91, no. 6 (Summer 1992): 27.

Saltz, Jerry. “The Ten Commandments of Taste.” Art + Auction 25, no. 4 (November 1992): 104–109.

Sansegundo, Sheridan. “At The Galleries.” East Hampton Star, 9 April 1992: section II: 7.

Schjeldahl, Peter. “On View: Chuck Close” (The Pace Gallery exhibition review). Flash Art, no. 162 (January/February 1992): 164, illustrated.

Schwartzman, Allan. “Don't Turn Back: Chuck Close.” Interview 22, no. 1 (January 1992): 56–57.

Seward, Keith. “Psycho.” Artforum (September 1992): 97.

Smallwood, Lynn. “Goings On: Close Encounter.” Seattle Weekly, 7 October 1992: 41.

Tully, Judd. “The 'M' Word.” Art + Auction 14, no. 10 (May 1992): 108–113, 152–153.

Walls, Jeannette. “Intelligencer.” New York, 14 September 1992: 25.

Yazaki, Yukiko. “New York Life Style.” Oggi (Japan), no. 3 (March 1992): 52–53.

1991

“A Close Look at Portraits.” MoMA Members Quarterly (Spring 1991): 26.

“Access for Artists with Disabilities: Interview with Chuck Close.” FYI 7, no. 1 (Spring 1991): 1.

Anderson, Susan Heller. “Chronicle.” The New York Times, 11 March 1991: B11.

Bard, Ellin A. “Fischl and Close at Guild Hall.” Dan's Papers (East Hampton, New York), 28 June 1991: 49.

Braff, Phyllis. “Fischl and Close’s Highly Potent Images.” The New York Times (Long Island Edition), 23 June 1991: 19.

Chadwick, Susan. “MFA Show Contrasts Photographic Works of the Past, Present.” Houston, 13 December 1991: E1, E5.

Cummings, Mary. “Close, Fischl Attract Flock.” Southampton Press, 20 June 1991: B1, B6.

Decter, Joshua. “Reviews.” Arts Magazine (April 1991): 102.

Duggan, Laura. “Face it; this is Chuck’s Choice.” Daily News, 8 March 1991: 40.

Flam, Jack. “Pluralistic and Perky.” The Wall Street Journal, 22 May 1991: A12.

Gardner, Paul. “What Artists Like About the Art They Like When They Don't Know Why.” Art News 90, no. 8 (October 1991): 116–121.

Glueck, Grace. “In the Art World, As in Baseball, Free Agents Abound.” The New York Times, 14 January 1991: C11, C15.

“Goings On About Town” (The Pace Gallery exhibition review). The New Yorker, 2 December 1991: 20.

Grundberg, Andy. “The Modern's Blending of Mediums Is a Mixed Bag.” The New York Times, 31 March 1991: 29, 31.

Gubernick, Lisa. “Art Tutor for the Stars.” Forbes, 9 December 1991: 322–325.

Harrison, Helen A. “Focusing In on Super-Realism.” The New York Times, 28 April 1991.

Hayt-Atkins, Elizabeth. “Telegrams: USA.” Galeries Magazine (February/March 1991): 23.

Hayt-Atkins, Elizabeth. “Telegrams: USA.” Galeries Magazine (April/May 1991): 23.

Heartney, Eleanor. “Whitney Biennial.” Art News 90, no. 6 (Summer 1991): 143–144.

Hess, Elizabeth. “Upstairs, Downstairs.” The Village Voice, 30 April 1991: 93–94.

Hoban, Phoebe. “Artists on the Beach.” New York Magazine, 1–8 July 1991: 38–42, 44.

Honan, William H. “In Brooklyn, Congress Hears from Artists.” The New York Times, 29 October 1991: C18.

Honan, William H. “Through Loophole in Tax Law, Art Gifts Pour Into Museums.” The New York Times, 12 December 1991: C15, 19.

Hugo, Joan. “'Head-On/The Modern Portrait'.” Art Issues, no. 19 (September/October 1991).

Johnson, Ken. “Chuck Close at MOMA.” Art in America 79, no. 5 (May 1991): 167–168.

Johnson, Ken. “The Whitney’s Generational Saga.” Art in America 79, no. 6 (June 1991): 44–49, 51.

Kagan, Ellen. “I Ritratti di Chuck Close.” Aste & Mercati (October 1991).

Levin, Kim. “Choices: Art.” The Village Voice, 12 February 1991: 96.

Kimmelman, Michael. “Chuck Close Browses and Assembles an Exhibition.” The New York Times, 18 January 1991: C32.

Kimmelman, Michael. “An Antidote to the Blockbluster Syndrome.” The New York Times, 10 March 1991: 33.

Kimmelman, Michael. “At the Whitney, a Biennial That's Eager to Please.” The New York Times, 19 April 1991.

Kimmelman, Michael. “The Year in the Arts: Art & Photography/1991.” The New York Times, 29 December 1991: H31.

Knight, Christopher. “Face to Face With Faces in 'Head-On'.” Los Angeles Times, 26 June 1991: F1, 5.

Larson, Kay. “Spectator Sport.” New York Magazine 24, no. 29, 29 July 1991: 50.

Larson, Kay. “Whitney Biennial.” Galleries Magazine (July 1991): 68–71.

Larson, Kay. “Close Encounter” (The Pace Gallery exhibition review). New York 24, no. 47, 2 December 1991: 148, illustrated.

Leigh, Christian. “The 1991 Whitney Biennial.” Flash Art (September 1991): 161.

Levin, Kim. “Voice Choices: Art.” The Village Voice 36, no. 48, 26 November 1991.

Lipson, Karin. “It's Not Real, It's Super-Realism!” New York Newsday, 26 April 1991.

Long, Robert. “Perspectives: Eric Fischl's Provocative Images Lack Substance.” Southampton Press, 18 July 1991: B6.

McEvilley, Thomas. “Two Big Shows: Post-Modernism and Its Discontents/New York: The Whitney Biennial.” Artforum 29 no. 10 (Summer 1991): 98–101.

McQuaid, Cate. “Near and Dear? An Artist Who Truly Gets Up Close and Personal.” Boston Phoenix, 15 November 1991.

Muchnic, Suzanne. “A Portrait of the Artist as Curator.” Los Angeles Times, 26 June 1991: F1, 4.

Nathan, Jean. “Le jour où les premiers missiles ont atteint Israël.” Voir, no. 79 (May 1991): 31–33.

Newhall, Edith. “Close to the Edge.” New York 24, no. 15, 15 April 1991: 38–46.

Niesyn, Karin. “Super-Real.” Fairfield County Advocate, 19–25 December 1991: 8.

Pacheo, Patrick. “Point Counterpoint.” Art & Antiques 8 (October 1991): 71–75.

Parks, Steve. “The Grand Museum Tour.” New York Newsday, 3 May 1991: 84–85, 100.

Ratcliff, Carter. “Collapsing Hierarchies: Photography and Contemporary Art.” Aperture, no. 125 (Fall 1991): 36–41.

Robinson, Walter and Anastasia Wilkes. “Art World: Awards.” Art in America 79, no. 3 (March 1991): 166–168.

Rosenthal, Lynne. “Monumental Photos.” Southampton Press, 13 June 1991: B1.

Ross, Carolee. “Painting a controversy.” The Advocate and Greenwich Time, 15 December 1991: D1, D4.

Schjeldahl, Peter. “Past Perfect.” The Village Voice, 22 January 1991.

Schjeldahl, Peter. “Those Eyes...” The Village Voice, 5 February 1991: 85.

Slivka, Rose C.S. “From The Studio.” East Hampton Star, 27 June 1991: II–9.

Smith, Roberta. “In Portraits on a Grand Scale, Chuck Close Moves On” (The Pace Gallery exhibition review). The New York Times, 8 November 1991: C24, illustrated.

Tallman, Susan. “Whose Art Is It, Anyway?” Art in America (June 1991): 59, 61, 63.

Wallach, Amei. “A Reflection of the”Me’ and”We’ Decades.” New York Newsday, 19 April 1991: 86, 89.

Wallach, Amei. “The Will To Paint.” New York Newsday, 21 April 1991: 4–5, 18.

Wallach, Amei. “How Can You Tell A Franz Gertsch From A Chuck Close?” Parkett, no. 28 (June 1991): 44–46.

Ward, Frazer. “Chuck Close and Clint Eastwood’s Mona Lisa Smile.” Binocular (1991): 47–56.

Watson, Simon. “A Conversation between Simon Watson, Dennis Kardon, and Chuck Close.” Balcon (1991): 156–160.

Williams, Gilda, ed. “Post-High and Low: New Exhibitions at the MOMA.” Flash Art (March/April 1991): 154.

Wise, Kelly. “Vibrant Selection of Close’s Work.” Boston Globe, 4 December 1991.

Woodward, Richard B. “Snapping Up Photos.” Art News (March 1991): 26.

1990

Aziz, Anthony. “Reality Interrogated, Chuck Close Polaroids at Adams Center.” Artweek 21, no. 1 (11 January 1990): 13.

Close, Chuck. “Transcending Prejudice; An Inside Look at Peer Review.” Vantage Point (Spring 1990): 14–15.

Decker, Andrew. “What’s He Done?” The Village Voice, 16 October 1990: 41–42.

Deitcher, David. “When Worlds Collide.” Art in America 78, no. 2 (February 1990): 120–127, 189, 191.

Ledbetter, James. “Media Blitz: Spin Art.” The Village Voice, 29 May 1990: 9.

“Pace Prints.” The Journal of Art (December 1990).

Speiser, Irene. “Gesprach mit Chuck Close: Eine Welt intimer Einzelheiten.” Photographie, no. 9 (September 1990): 50–52.

Taranfino, Michael. “The Machine and the Wheels.” Bulletin, 24 May 1990.

“The Media Landscape, Image World: Art and Media Culture.” Lapiz (February 1990): 76–83.

Twardy, Chuck. “An Eye for Art.” Orlando Sentinel, 25 February 1990: F1, F12.

1989

Armstrong, Elizabeth. “First Impressions.” The Print Collector’s Newsletter 20 (May–June 1989): 41–46.

“Close Gets Frantic About Nudes, Flowers.” Chicago Magazine (February 1989): 24.

Daxland, John. “Art Against the Deal.” Daily News, 2 December 1989: 13.

Finch, Christopher. “Color Close-Ups.” Art in America 77, no. 3 (March 1989): cover, 112–119, 161.

Finch, Christopher. “Portfolio of Color Close Ups.” Trends, no. 12 (1989): 16–25.

Fishman, Ted. C. “Up Close and Impersonal.” New City News, 16 February 1989: 14.

Foerstner, Abigail. “Photography: Three Exhibits Transform Flowers, Nudes, and the Human Face.” Chicago Tribune, 3 February 1989: 14.

Glueck, Grace. “Border Skirmist: Art and Politics.” The New York Times, 19 November 1989: C1, C25.

Goldring, Nancy. “Identity; Representations of the Self.” Arts Magazine (March 1989): 85.

Hixson, Kathryn. “Chicago in Review.” Arts Magazine 63 (May 1989): 115.

Lerner, Ralph and Judith Bresler. “Obscenity: What the Supreme Court Says.” Art News (October 1989): 144–145.

Nesbitt, Lois. “Chuck Close at Pace Gallery and Pace Prints.” Artforum 27 (January 1989): 110.

Schjeldahl, Peter. “Tomorrowland.” 7 Days 2, no. 46 (29 November 1989): 63.

Tully, Judd. “A Cavalcade of Corporate Art.” Art + Auction (October 1989): 226–230.

Westfall, Stephen. “Chuck Close.” Flash Art, no. 144 (January/February 1989): 119.

Woodward, Richard B. “Documenting an Outbreak of Self–Presentation.” The New York Times, 22 January 1989: H31.

1988

“Assemblage-Collage Exhibition by 28 US Artists Presented.” Korea Times, 15 September 1988: 8.

“Chuck Close.” Bijutsu Techo 40, no. 600 (October 1988): 199, illustrated.

Coleman, A.D. “‘Altered Images’: Collaboration Celebrating Status.” The New York Observer, 5 December 1988: 12.

Daxland, John. “Up Close and Personal.” Daily News, 1 October 1988: 15.

Delatiner, Barbara. “The Spotlight Shines on Drawings.” The New York Times, 11 September 1988.

Flam, Jack. “Who's News in the Early Fall Art Season.” The Wall Street Journal, 28 September 1988: 22.

Gardner, Colin. “Reviews, Los Angeles, ‘Artschwager: His Peers and Persuasion, 1963–1988’.” Artforum (September 1988): 150.

Grundberg, Andy. “Blurring the Lines-Dots? Between Camera and Brush.” The New York Times, 16 October 1988: 35, 43.

Hackett, Regina. “We Knew Them When...Expatriates’ Art Returns Home for COCA Show.” Seattle Weekly, 5 October 1988: C1, C3.

Kimmelman, Michael. “Chuck Close at Pace Gallery.” The New York Times, 7 October 1988: C30.

Lewis, Jo Ann. “Chuck Close’s True Grid.” Washington Post, 5 November 1988: C2.

Lyon, Christopher. “Chuck Close at Pace and Pace/MacGill.” Art News 87, no. 10 (December 1988): 143, 145.

Newhall, Edith. “The Art of the Dealer: Keeping Pace with Arne Glimcher.” New York Magazine, 10 October 1988: 56–62.

“POP to NEO GEO and beyond.” Bijutsu Techo (Japan) 40, no. 600 (October 1988): 198–199.

Raynor, Vivien. “‘Self as Subject’ Examined in Several Mediums in Katonah.” The New York Times, 7 February 1988: 36.

Rose, Matthew. “Portraits of the Artists.” New York, 21 November 1988: 32.

Yarrow, Andrew. “The Whitney Returns to Downtown.” The New York Times, 16 April 1988: 12.

1987

Close, Chuck. “Calamita per talenti di tutto il mondo.” Il Giornale dell’Arte (April 1987).

Close, Chuck. “New York Studio Events.” Independent Curators Incorporated Newsletter 2, no. 3 (Fall 1987): 2.

Close, Chuck. “Leslie.” Art in America 75 (February 1987): 55.

Cunningham, Anne. “‘Portrayals’ Seeks Measure of Truth by Revealing Little Lies.” The Indianapolis Star, 6 December 1987: E12.

Grundberg, Andy. “Where Blurred Focus Makes Sharp Statements.” The New York Times, 20 December 1987: 39, 42.

Johnson, Ken. “Photographs by Chuck Close.” Arts Magazine 61, no. 9 (May 1987): 20–23.

Kohen, Helen L. “FIU Exhibition Comes Face to Face with the Portrait.” The Miami Herald, 10 May 1987: 4K.

McGill, Douglas C. “Art People: A Life Saving Métier.” The New York Times, 23 October 1987: C40.

Pradel, Jean-Louis. “Jean-Olivier Hucleux, Chuck Close, les réalités improbables.” Art Press, no. 120 (December 1987): 34–37.

Smecchia, Muni de. “artisti nel loro studio: Chuck Close.” Vogue Italia, no. 446 (April 1987): 144–147, 201, 204.

Squiers, Carol. “The Monopoly of Appearances.” Flash Art (February/March 1987): 98–100.

Steiner, Wendy. “Postmodernist Portraits.” Art Journal 46, no. 3 (Fall 1987): 173–177.

Varnedoe, Kirk. “An interview with Chuck Close.” World Art, no.1 (1987): 32–37.

1986

Box, Michiel. “Hayden Gallery Exhibition Provocative.” The Tech, 29 January 1986: 11, 14.

Close, Chuck. “New York in the Eighties: A Symposium.” New Criterion 4 (Summer 1986): 12–14.

Davis, Douglas. “The Return of the Nude.” Newsweek, 1 September 1986: 78–79.

Fischl, Eric. “Sketchbook with Voices.” Vanity Fair (August 1986): 24.

Grundberg, Andy. “A Big Show That's About Something Larger Than Size.” The New York Times, 23 February 1986: 35.

Poirier, Maurice. “Chuck Close at Pace.” Art News 85, no. 5 (May 1986): 127.

Raynor, Vivien. “Chuck Close at Pace.” The New York Times, 28 February 1986: C21.

Taylor, Robert. “Unclothed Figures Stripped of Meaning.” Boston Globe, 12 January 1986: B2.

1985

Bonetti, David. “Nude dissenting...” Boston Phoenix, 24 December 1985, section 3.

Everingham, Carol. J. “Chuck, up Close.” The Houston Post, 1 March 1985: 3E.

Gibson, Eric. “Thinking About the Seventies.” New Criterion 3, no. 9 (May 1985): 45, 48.

Grundberg, Andy. “Chuck Close at Pace/MacGill.” Art in America 73, no. 5 (May 1985): 174–175.

Hagen, Charles. “Chuck Close/Pace/Macgill.” Artforum 23, no. 8 (April 1985): 96–7.

Hartman, Rose. “Close Encounters.” American Photographer 14, no. 4 (April 1985): 8.

Johnson, Patricia C. “Artist’s Imagery of Dots is Message in Itself.” Houston Chronicle, 8 March 1985.

Jordan, Jim. “A Question of Scale.” Artweek 16, no. 25 (13 July 1985): 10.

Matsumura, Toshio. “New Type of Portrait with Great Versatility of Technique: The Chuck Close Exhibition.” Sankei Shimbun, 22 March 1985.

“NY Contemporary Drawing.” Studio Voice 114 (May 1985): 45, illustrated.

Obigane, Shoro. “Chuck Close.” Pia (Japan), 8 March 1985.

Tanaka, Kojin. “The Correct Chuck Close Exhibition: Mysterious Powerful Portrait out of Pains-taking System.” Mainichi Shimbun, 15 March 1985.

Trebay, Guy. “An Opinionated Survey of the Weeks Events.” The Village Voice, 29 January 1985: 63–64.

1984

Close, Chuck, Amy Baker Sandback and Ingrid Sischy. “A Progression by Chuck Close: Who’s Afraid of Photography.” Artforum 22, no. 9 (May 1984): 50–55.

Forgey, Benjamin. “The Hirshhorn’s Big Draw.” Washington Post, 15 March 1984: D1, D13.

Kelly, Jeff. “American Art Since 1970: A Shaky Transition.” Artweek 15, no. 14 (7 April 1984): 1.

Levin, Kim. “We Remember MOMA.” The Village Voice, 22 May 1984: 88–89.

McDarrah, Timothy. “East Hampton Painter, Chuck Close.” Hamptons Newspaper/Magazine, 16 August 1984: 8–9.

Sager, Peter. “Mehr Als Die Augen Sehen.” Zeit Magazin, no. 5, 27 January 1984: 62–64, 66.

Steele, Mike. “Exhibit opens new facilities at Walker.” Minneapolis Star and Tribune, 23 September 1984: 1G, 6GX.

Thurler, Peg. “Viewpoint: Artist as Photographer.” Summit Herald, 15 December 1984: 5.

Wallach, Amei. “Black-tie Welcome for the Expanded MoMA.” New York Newsday, 9 May 1984: 49.

1983

Baker, Kenneth. “Leaving His Fingerprints.” Christian Science Monitor, 12 August 1983: 20.

Close, Chuck. “An Interview with Chuck Close.” Interview by Jane Cottingham. American Artist 47, no. 490 (May 1983): 62–67, 102–105.

Danoff, I. Michael. “Chuck Close's Linda.” Arts Magazine 57, no. 5 (January1983): 110–111.

Larson, Kay. “Chuck Close at Pace.” New York 16, no. 12, 21 March 1983: 59–60.

Moritz, Charles, ed. “Chuck Close.” Current Biography 44, no. 7 (July 1983): 9–12.

Peters, Lisa. “Reviews: Chuck Close at Pace.” Arts Magazine 57, no. 9 (May 1983): 52.

Raynor, Vivien. “Art: Chuck Close With Friends as Models.” The New York Times, 4 March 1983.

“Self Portraits.” New York 16, no. 21 (23 May 1983): 30–35.

Tully, Judd. “Old Masters, New Masters.” Horizon 26, no. 6 (September 1983): 54–63.

Tully, Judd. “Paper Chase.” Portfolio 5, no. 3 (May/June 1983): 78–85.

1982

Ackerman, Jennifer. “Agressive image, painterly gestures: Looking at some Close-ups.” Yale Alumni Magazine (June 1982): 42, 44–45.

Allen, Jane Addams. “25 Artists: A Show of Quality by 20th Century Masters.” Washington Times, 31 December 1982: 1B, 2B.

Baker, Kenneth. “Drawing Conclusions.” Boston Phoenix, 20 April 1982: section 3: 10–11.

Baldwin, Roger. “Close Up.” New Haven Advocate, 3 February 1982: 13–15, cover.

Carr, Genie. “He Takes Art to New Heights: Artist Extends Himself with 9-Foot High Works.” Sentinel (Winston-Salem, North Carolina), 7 May 1982: 28.

Cebulski, Frank. “Close to Photography.” Artweek 13, no. 15, 17 April 1982: 11.

Cohen, Ronny. “New Editions: Chuck Close.” Art News 81, no. 4 (April 1982): 102.

Daulte, Francois. “La Pace Gallery et l'Art vivant aux U.S.A.” L'Oeil, no. 326 (September 1982): 48–55.

DeLoach, Douglass. “UP CLOSE: An Interview with Chuck Close.” Art Papers 6, no. 2 (March–April 1982): 2–3.

Fox, Catherine. “Artist Finds 9-Foot Portraits Can Cause Trauma For Subject.” Atlanta Constiution, 25 January 1982: B1, B3.

Jensen, Nina, ed. “Children, Teenagers and Adults in Museums: A Developmental Perspective.” Museum News 60, no. 5 (May/June 1982): 25–30.

Lewallen, Constance. “Close Up Close.” University Museum Berkeley Bulletin (February 1982): 11.

Lewallen, Constance. “Billboard-Scale Photos by Close.” University Art Museum Berkeley Bulletin (March 1982): 2.

Lewis, Jo Ann. “Portraits of the Artist.” Washington Post, 16 December 1982.

Morch, Al. “Polaroid’s”Transfiguration.’” San Francisco Examiner, 22 March 1982: E5.

Muchnic, Suzanne. “Chuck Close Keeps his Distance.” Los Angeles Times, 15 June 1982.

“Paper Turns into Art in Itself at Cleveland Institute.” YoungstownVindicator (Ohio), 23 December 1982.

Perreault, John. “Paperworks.” American Craft 42, no. 4 (August/September 1982): 2–7.

Perreault, John. “The Year in Pictures (Among Other Things).” Soho Weekly News, 12 January 1982: 42.

Perreault, John. “Realisms.” Art Xpress 2, no. 2 (March/April 1982): 34–38.

Ratcliff, Carter. “New York Letter.” Art International 25, no. 1–2 (January 1982): 114–121.

Shinn, Doroth. “A Close Look At Linda.” Akron Beacon Journal, 8 August 1982: 8–10.

Shinn, Dorothy. “Akron Aquired Major Artwork.” Akron Beacon Journal, 6 August 1982: A1.

Taylor, Robert. “Great Big Drawings: ‘Sometimes they work’.” Boston Globe, 18 April 1982.

Temko, Allan. “Transfiguration of a Masterpiece.” Review, 28 March 1982: 13–14.

1981

Appelo, Tim. “Too Close for Comfort.” Seattle Times: Pacific Northwest Magazine 15, no. 9 (December 1981): 32–34.

Artner, Alan. “Close Encounters at the MCA: No Longer Radical or Realistic.” Chicago Tribune, 15 February 1981: 13.

Bass, Ruth. “Close Portraits (The Whitney Museum of American Art).” Art News 80, no. 9 (November 1981): 189.

Bourdon, David. “Art, Chuck Close: Portraits.” Vogue (January 1981): 27, 30.

Canaday, John. “Painters Who Put the World into Sharp Focus.” Smithsonian 12, no. 7 (October 1981): 68–77.

Casademont, Joan. “‘Close Portraits’ Whitney Museum of American Art.” Artforum 20, no. 2 (October 1981): 74.

“Close up Close (St. Louis Art Museum).” Connaisance des Arts, no. 347 (January 1981): 12.

Diamonstein, Barbaralee and Thomas B. Hess. “Latent Images: For the Love of Debased Art.” American Photographer 5, no. 2 (February 1981): 33.

Elliott, David. “Chuck Close Moves Beyond Photo-Perfect.” Sun-Times, 15 February 1981: 22–23.

Farnon, Patrick. “The Man Who Measures Fame.” Vision (June 1981): 41–44.

Gardner, Paul. “Confessions of a Plaintain Chip Eater or Artists Are Just Like the Rest of Us.” Art News 80, no. 1 (January 1981): 136–138.

Glueck, Grace. “Artist Chuck Close: I Wanted to Make Images That Knock Your Socks Off!’” The New York Times, 10 June 1981: C26.

Goodyear, Jr., Frank H. “American Realism Since 1960: Beyond the 'Perfect Green Pea’.” Portfolio 3, no. 6 (November/December 1981): 72–81.

Hoelterhoff, Manuela. “Close-Ups By Close.” The Wall Street Journal, 17 April 1981: 21.

Hughes, Robert. “Close, Closer, Closest.” Time 117, no. 17, 27 April 1981: 60.

Kramer, Hilton. “Chuck Close's Break with Photography.” The New York Times, 19 April 1981: D29, D32.

Kramer, Hilton. “Portraiture: The Living Art.” Bazaar, no. 3232 (March 1981): 14, 26, 28.

Larson, Kay. “Dead End Realism.” New York 14, no. 42, 26 October 1981: 94–95.

Larson, Kay. “Art: Chuck Close.” New York 14, no. 19, 11 May 1981: 74–75.

Levin, Kim and McDarrah. “Close-Ups.” The Village Voice, 22–28 April 1981: 64–65.

Levine, Joan. “Reality, Abstract Converge: Close Art Begs a Closer Look.” The San Diego Union, 18 June 1981: C1, C4.

“Long Island Where New York’s”Reigning Artists’ Live.” ART: Das Kunstmagazin (January 1981): 20–37.

Mann, Maybelle. “On Art: Whitney Has Variety.” Times Herald Record, 23 May 1981: 34.

Marzorait, Gerald. “Art Picks.” The Soho News, 22 April 1981.

McClain, Matthew. “Realist Blockbuster Stirs Controversy: Interview with Curator Frank Goodyear.” New Art Examiner 9, no. 3 (December 1981): 7–27.

Perreault, John. “Encounters of the Close Kind.” Soho Weekly News, 20 April 1981: 45

Perreault, John. “Photorealing in the Years.” Soho Weekly News, 20 October 1981: 64.

Russell, John. “Art: New Gallery for Old Masters.” The New York Times, 9 October 1981: C23.

Schjeldahl, Peter. “Realism on the Comeback Trail.” The Village Voice, 11–17 November 1981: 77.

Shaman, Sanford Sivitz. “An Interview with Philip Pearlstein.” Art in America 69, no. 7 (September 1981): 120–126.

Turner, Richard A. “Instant Masterpieces: Raphael, Polaroid, and the Holy Ghost.” Art Journal 41, no. 4 (Winter 1981): 367–370.

Wallach, Amei. “Looking Closer at Chuck Close.” New York Newsday, 19 April 1981: 17–18.

Wilson, William. “The Chilly Charms of Close.” Los Angeles Times, 8 June 1981: 1, 5.

Wolff, Theodore F. “Huge, Photographically Exact Paintings of Faces That? Signify What?” Christian Science Monitor, 29 April 1981.

1980

Anderson, Alexandra, Carrie Rickey and Guy Trebay. “Up Against Wall Street: An Investor’s Guide to Galleries.” The Village Voice, 15–21 October 1980: 67–69, 76.

Andreae, Christopher. “Taking a Look.” Christian Science Monitor, 19 March 1980: 20.

Blau, Douglas. “Artists by Artists.” Arts Magazine 54, no. 6 (February 1980): 12.

Bourdon, David. “Chuck Close: Portraits.” Vogue (January 1980): 27.

Bredahl, Noel. “A Close First at the Walker.” St. Paul Dispatch, Extra/Entertainment, 25 September 1980: C1, C18.

Cavaliere, Barbara. “Art Reviews: Chuck Close.” Arts Magazine 54, no. 6 (February 1980): 33.

Diamonstein, Barbaralee. “Chuck Close: ‘I'm Some Kind of a Slow Motion Cornball.’” Art News 79, no. 6 (Summer 1980): cover, 112–116.

Donker, Peter P. “School of Realism Runs to (Top) Class at the Danforth.” Sunday Telegram (Worcester), 25 May 1980: 20A, 22A.

Forgey, Benjamin. “Why Artist Persist in Self-Portraits.” Washington Star (1980): D1, D4.

Glueck, Grace. “How Picasso’s Vision Affects American Artists.” The New York Times, 22 June 1980, section 2: 1, 25.

Grundberg, Andy. “20 x 24 at Light.” Art in America 68, no. 2 (February 1980): 134–135.

Hegeman, William. “Huge Faces are the Heady Trademark of ‘Slow-Motion Cornball’ Chuck Close.” Minneapolis Tribune Picture, 26 October 1980: 10–18.

Kertess, Klaus. “Figuring It Out.” Artforum 19, no. 3 (November 1980): 30–35.

King, Mary. “Intimate and Cool Too.” St. Louis Post-Dispatch, 14 December 1980: 5C.

Kramer, Hilton. “Today's Avant-Garde Artists Have Lost the Power to Shock.” The New York Times, 16 November 1980: 1, 27.

Meisel, Louis K. “Fifteen Years of Photo-Realism.” Horizon 23, no. 11 (November 1980): 52–59.

Raddatz, Fritz J. “Amerika auf der Suche nach seinen Wurzeln.” Die Zeit, 26 December 1980: 29.

Salgado, Robert J. “Polaroid Big Shots.” Bulletin, 2 May 1980: A37.

Schwartz, Ellen. “New York Reviews: Chuck Close at Pace.” Art News 79, no. 1 (January 1980): 157.

Shepherd, Michael. “Corkers and Pace-setters.” What's On In London, 27 June 1980: 48.

Shepherd, Michael. “I've Got A Little List.” Sunday Telegraph, 29 June 1980.

Simon, Joan. “Close Encounters.” Art in America 68, no. 2 (February 1980): 81–83.

Spalding, Frances. “Ten American Artists.” Arts Review, 4 July 1980.

Taylor, John Russell. “The Arts: Ten Americans from Pace.” Times, 24 June 1980.

Vaizey, Marina. “The Name of the Game.” Sunday Times, 29 June 1980

Vaizey, Marina. “The Name of the Game.” Daily Telegraph, 28 June 1980.

Wierzbicki, James. “Artist’s Hand Rivals Camera’s Eye in His Portraits of Friends.” St. Louis Globe-Democrat, 12 December 1980: B1, B3.

1979

Arthur, John. “Kinds of Realism.” Allan Frumkin Gallery Newsletter, no. 7 (Winter 1979): 3.

Carr, Carolyn. “Grids: Format and Image in 20th Century Art.” Dialogue (Akron Art Institute), (March/April 1979): 4–5.

Close, Chuck. “Phil: Six Images.” The Paris Review 21, no. 75 (Spring 1979): 107–114.

DeKay, Ormonde Jr. “Portraits: The Hard Way’ Shikler, Grausman, Close.” Art/World 4, no. 2, 20 October–17 November 1979: 4.

Gliewe, Gert. “Münchner Kunstsommer ist besser als sein Ruf.” TZ, 7 July 1979: 6.

Glueck, Grace. “Art Dealers Revel in Boom From Amulets to Photographs.” The New York Times, 6 December 1979: 17.

Harshman, Barbara. “Grids.” Arts Magazine 53, no. 6 (February 1979): 4.

Harshman, Barbara. “Photo-realist Printmaking.” Arts Magazine 53, no. 6 (February 1979): 17.

Jadwin, Diane Levine. “Painting From the Photograph: A Modern American Realism.” The Barat Review, A Journal of Literature and the Arts 7, no. 1 (Spring 1979): 39–45.

Joaido, Phillip and Gilles Neret. “Les Americains: toujours le plus forts?” Connaissance des Arts, no. 333 (November 1979): 102–109.

Kramer, Hilton. “Chuck Close–In Flight from the Realist Impulse” (The Pace Gallery exhibition review). The New York Times, 4 November 1979: 33, 36.

Kramer, Hilton. “Back to Beaubourg: A Modern Exposition Palace.” The New York Times, 1 July 1979: 1, 25.

Le Brun, Fred. “‘Faculty Choice: A Top Art Show.” Times Union (Albany), 28 January 1979: E1–2.

Paine, Stephen D. “Interview: Stephan D. Paine Talks with Paul Cummings.” Drawing 1, no. 2 (July–August 1979): 32–36.

Paris, Jeanne. “Art Review Exhibits for Everyone.” New York Newsday (Nassau), 2 November 1979: 17.

Perreault, John. “Post-Photorealism.” Soho Weekly News, 22 November 1979: 19.

Preston, Malcolm. “Art Review:”Realist Space’ at C.W. Post.” New York Newsday, 12 December 1979.

Rice, Shelley. “Image Making.” Soho Weekly News, 24 May 1979: 50.

Shirley, David. “Looking Back at the Future.” The New York Times, 11 November 1979: 25.

Stevens, Nancy. “In Camera: Artists KO Camera Color.” American Photographer 2, no. 5 (May 1979): 8.

Tallmer, Jerry. “All Equal on the Grid.” The New York Post, 27 October 1979: 15.

Thornton, Gene. “A Curator’s Curiosity.” The New York Times, 3 June 1979: 27, 30.

Whelan, Richard. “Discerning Trends at the Whitney.” Art News 78, no. 4 (April 1979): 84, 86–87.

Zimmer, William. “Barefoot Cheek.” Soho Weekly News, 1 February 1979: 51.

Zimmer, William. “Everything You Always Wanted to Know About Grids.” Soho Weekly News, 28 December 1979.

1978

Braff, Phyllis. “From the Studio.” East Hampton Star, 3 August 1978: 9.

Cahill, Janet. “It’s Art’s New Face.” The Sun (Melbourne), 21 July 1978: 15.

Harshman, Barbara. “An Interview with Chuck Close.” Arts Magazine 52, no. 10 (June 1978): 142–145 and cover.

Heinrichs, Paul. “Genesis of a Great Ambition.” The Age (Melbourne), 19 July 1978: 2.

Kline, Katy. “‘Painting of 70’s Exhibit Has Variety.” Courier-Express, 9 December 1978.

Kramer, Hilton. “A Brave Attempt to Encapsulate a Decade.” The New York Times, 17 December 1978: 39, 55.

Levin, Kim. “Chuck Close: Decoding the Image.” Arts Magazine 52, no. 10 (June 1978): 146–149 and cover.

Lifson, Ben. “Approaching Avedon.” The Village Voice, 16 October 1978: 127.

Mackie, Alwynne. “New Realism and The Photographic Look.” American Art Review 4, no. 6 (November 1978): 72–79, 132–134.

O’Conor, Mary. “Eight Artists.” East Hampton Star, 17 July 1978: 14.

Perreault, John. “Photo-Realist Principles.” American Art Review 4, no. 6 (November 1978): 108–111, 141.

Ratcliff, Carter. “Making it in the Art World: A Climber's Guide.” New York Magazine 2, no. 48 (27 November 1978): 61–67.

Shapiro, Michael. “Changing Variables: Chuck Close & His Prints.” The Print Collector’s Newsletter 9, no. 3 (July–August 1978): 69–73.

Shirley, David L. “More Real Than Real.” The New York Times (Long Island Edition), 6 August 1978: 14.

Wilson, Bruce. “Memo Mr. Mollison.” The Sun (Melbourne), 22 July 1978: 34–35.

1977

Bourdon, David. “Time Means Nothing to a Realist.” The Village Voice 21, no. 3, 16 May 1977: C19.

Bourdon, David. “Redrawing the Lines of Drawing.” The Village Voice 21, no. 3, 17 January 1977: 77.

Cavaliere, Barbara. “Arts Reviews: Chuck Close.” Arts Magazine 52, no. 1 (September 1977): 22.

“Chuck Close (M & D).” Flash Art, no. 76/77 (July/August 1977): 25.

French-Frazier, Nina. “New York Reviews: Chuck Close.” Art News 76, no. 8 (October 1977): 130.

Glueck, Grace. “The 20th Century Artists Most Admired By Other Artists.” Art News 76, no. 9 (November 1977): 78–103.

Goldenthal, Jolene. “Close’s Purged Portraits.” Hartford Courant, 20 November 1977: 2G.

Hanson, Bernard. “Chuck Close: The Artist for People Who Are Tired of Everything Else.” West Hartford News, 29 December 1977: 7.

Hess, Thomas B. “Americans in Paris.” New York, 18 July 1977: 50–52.

Hess, Thomas B. “Up Close with Richard and Philip and Nancy and Klaus.” New York 10, no. 22, 30 May 1977: 95–97.

Hughes, Robert. “Blowing Up the Closeup.” Time, 23 May 1977: 92.

Hughes, Robert. “The Botch of an Epic Theme.” Time, 11 July 1977: 74–75.

Makin, Jeffrey. “Realism from the Squad.” Sun (Melbourne), 19 October 1977: 43.

Perreault, John. “Abstract Heads.” Soho Weekly News, 19 May 1977: 18.

Ratcliff, Carter. “New York Letter.” Art International 21, no. 4 (July/August 1977): 78–79.

Richard, Paul. “Big Name Artists and”New Etchers.’” Washington Post, 2 February 1977: C9.

Russell, John. “Big Heads by Chuck Close.” The New York Times, 6 May 1977: C19.

Sondheim, Alan. “Dots, Brackets, Salt and Other Questions.” Hartford Advocate, 14 December 1977: 50–51.

Steinbach, Alice. “A Clean, Well-Lighted Space.” Cultural Post, no. 12 (July–August 1977): 6–7.

Stevens, Mark. “Close Up Close.” Newsweek, 23 May 1977: 68.

Wilson, William. “Documenta 6: More Moving Than Good.” Los Angeles Times, 3 July 1977: 1, 72.

1976

Adrian, Dennis. “Art Imitating Life in a Great Big Way.” Chicago Daily News, 16–17 October 1976.

Alloway, Lawrence. “Art.” The Nation 222, no. 17 (May 1976).

Artner, Alan. “Mirroring the Merits of a Showing of Photorealism.” Chicago Tribune, 24 October 1976.

Beamguard, Bud. “Close, Zucker, Artschwager.” Artweek 7, no. 33, 2 October 1976: 1, 23–24.

Chase, Linda. “Photo-Realism; Post-Modernist Illusionism.” Art International 20, no. 3–4 (March/April 1976): 14–27.

Close, Chuck. “The Art of Portraiture in the Words of Four New York Artists.” The New York Times, 31 October 1976: 29.

Gold, Barbara. “Art Notes: New Technique Enough?” Baltimore Sun, 11 April 1976.

Gorney, J. “Reviews: Drawing Today in New York.” Art Journal 36, no. 2 (Winter 1976–1977): 143.

Greenwood, Michael. “Towards a Definition of Realism: Reflections on the Rothmans Show.” Artscanada 33, no. 4 (December 1976–January 1977): 6–22.

Hoelterhoff, Manuela. “Strawberry Tarts 3 Feet High.” The Wall Street Journal, 21 April 1976.

Johnson, F. H. “American Art of 20th Century: Allen Memorial Art Museum.” Apollo 103, no. 168 (February 1976): 135.

Johnson, Lincoln F. “Artist is Surrogate for the Machine.” Baltimore Sun, 15 April 1976: B1, B14.

Kramer, Hilton. “Art: the Fascination of Portraits.” The New York Times, 22 October 1976: C15.

Kutner, Janet. “The Visceral Aesthetic of a New Decade's Art.” Arts Magazine 51, no. 4 (December 1976): 100–103.

Miotke, Anne E. “Close Dot Drawings.” Mid-West Art 3, no. 1 (March 1976): 11, 20.

Patton, Phil. “Superrealism: The Critical Anthology.” Artforum 24, no. 5 (January 1976): 52–54.

Russell, John. “Gallery View: The Artist Before the Camera.” The New York Times, 15 February 1976.

Seldis, Henry J. “Appearance and Beyond.” Los Angeles Times, 12 January 1976: 1, 9.

Smith, Roberta. “Drawing Now (and Then).” Artforum 24, no. 8 (April 1976): 52–59.

1975

Bourdon, David. “Beuys will be Beuys, Beckmann is Beckmann.” The Village Voice, 28 April 1975: 98–99, 102.

Bourdon, David. “American Painting Regains Its Vital Signs.” The Village Voice 20, no. 11 (17 March 1975): 88.

Bourdon, David. “Tetrahedrons in the Sky.” The Village Voice, 27 January 1975: 98–102.

Crossley, Mimi. “Art: The Face of Reality.” Houston Post, 14 August 1975: 8B.

Derfner, Phyllis. “New York: Chuck Close.” Art International: The Art Spectrum 19, no. 6, 15 June 1975: 67.

Ellenzwieg, Allan. “Portrait Painting 1970–75.” Arts Magazine 49, no. 7 (March 1975): 13–14.

Fagan, Beth. “Dot Clusters Add Up to ‘Real’ Experience for The New Yorker.” Sunday Oregonian, 5 October 1975: 14.

Forgey, Benjamin. “Corcoran Show is Mostly Big.” Washington Star, 21 February 1975: B1, B2.

Henry, Gerrit. “Artist and the Face; A Modern American Sampling.” Art in America 63, no. 1 (January/February 1975): 34–41.

Hudson, Andrew. “Washington Letter.” Art International: The Art Spectrum, 15 June 1975: 92–99.

Johnson, Lincoln. “Corcoran Biennial is Spare, Cerebral and Flamboyant.” Baltimore Sun, 13 March 1975: B1–B2.

Kramer, Hilton. “Reviews: Chuck Close.” The New York Times, 26 April 1975: 20.

Lascault, Gilbert. “Auteurs de quelques portraits.” XXeme Siécle 44, no. 44 (June 1975): 123–131.

Lucie-Smith, Edward. “The Neutral Style.” Art and Artists 10, no. 5 (August 1975): 6–15.

Moser, Charlotte. “Bigger Art has Never Meant Better Art.” Houston Chronicle, 3 August 1975: 12–13.

“Photographic Realism.” Art-Rite/Painting, no. 9 (Spring 1975): 14–15.

“Realismus Konkrete Kunst und der IntermediÑre Aktonismus: Chuck Close.” Der Lîwe, no. 5, 31 July 1975: 2–6.

Richard, Paul. “Whatever you call it, Super Realism Comes on with a Flash.” Washington Post, 25 November 1975: B1.

Robbins, Daniel. “Daniel Robbins on Art.” The New Republic (May 1975).

Russell, John. “Art: Portraiture by 31 Painters.” The New York Times, 25 January 1975.

Smith, Roberta. “Reviews: 34th Biennial of Contemporary American Painting.” Artforum 13, no. 9 (May 1975): 70–73.

Sutinen, Paul. “A Close Look at Painting.” Williamette Week, 13 October 1975: 14.

Wallach, Amei. “Portrait Painting is Alive and Well.” New York Newsday, 26 January 1975: 16–17.

Walsh, Mike E. “Chuck Close: Realist or Minimalist?” Artweek 6, no. 35, 18 October 1975: 13.

Witt, Linda. “The Lemons of Landfall Press: They’ll Sacrifice Anything for Art but their Family.” People 4, no. 17, 27 October 1975: 66–69.

Zimmer, William. “Art Reviews: Chuck Close.” Arts Magazine 49, no. 10 (June 1975): 8–9.

1974

Berkman, Florence. “‘Three Realists’: A Cold, Plastic World.” Hartford Times, 10 March 1974: 51, 53.

Berkman, Florence. “‘Big City’ art jurors took Hartford too lightly.” Hartford Times, 17 June 1973: 15A.

Chase, Linda. “The Connotation of Denotation.” Arts Magazine 48, no. 5 (February 1974): 38–41.

Coleman, A. D. “From Today Painting is Dead.” Camera 35 (July 1974): 34, 36–37, 78.

Dyckes, William. “The Photo as Subject: The Paintings and Drawings of Chuck Close.” Arts Magazine 48, no. 5 (February 1974): 28–33.

Feaver, William. “ARS '74/Helsinki.” Art International The Lugano Riview 18, no. 5 (May 1974): 38–39.

Gassiot-Talabor, Gerald. “Le choc des ‘Réalismes’.” XX Siäcle, no. 42 (June 1974): 29.

Hill, Richard. “The Technologies of Vision.” Art Magazine 6, no. 19 (Fall 1974): 10.

Hughes, Robert. “An Omnivorous and Literal Dependence.” Arts Magazine 48, no. 9 (June 1974): 24–29.

Hughes, Robert. “Last Salon: Biannual Exhibition at New York's Whitney Museum.” Arts (June 1974): 25–29.

Kelley, Mary Lou. “Pop-Art Inspired Objective Realism.” Christian Science Monitor, 1 April 1974.

Loring, John. “Photographic Illusionist Prints.” Arts Magazine (February 1974): 42–43.

Peppiatt, Michael. “Photographic Illusionist Prints.” Art International The Lugano Review, 20 April 1974: 52, 74–75.

“Realist Painting Exhibition to Open on Wednesday.” Evening News (Southbridge, Massachusetts), 25 April 1974.

Russell, John. “Portrait Show at Whitney Downtown.” The New York Times, 30 November 1974.

Schneckenburger, Martin. “Kunstbleibt Kunst.” Projekt ‘74, Series 1–4 (1973): 162–165.

Spear, Marilyn W. “Three Realists Showing at Museum.” Worcester Telegram, 27 February 1974: 12.

Spear, Marilyn W. “An Art Show that is for Real.” Worcester Telegram, 24 February 1974: 1E, 4E.

Spector, Stephen. “The Super Realists.” Architectural Digest 31, no. 3 (November/December 1974): 84–89.

Teyssedre, Bernard. “Plus vrai que Nature.” Le Nouvel Observateur, 25 February–3 March 1974: 59.

“Three Realists: Close, Estes, Raffael.” Connoisseur 186 (June 1974): 142–143.

“Worcester Art Museum Hosts Major Painting Exhibition.” Enterprise-Sun (Marlboro, Massachusetts), 20 February 1974.

1973

Baldwin, Carl. “Le penchant des peintres americains pour le realisme.” Connaissance des Arts (Paris), no. 254 (April 1973): 120.

Baldwin, Carl. “Realism: The American Mainstream.” Realites, no. 276 (November 1973): 42–51.

Berkman, Florence. “‘Big City’ art jurors took Hartford too lightly.” Hartford Times, 17 June 1973: 15A.

Borden, Lizzie. “Reviews.” Artforum 12, no. 2 (October 1973).

Brunelle, Al. “Reviews: Chuck Close.” Art News 72, no. 4 (April 1973): 73.

“Building a Collection: Specialize and Buy the Best.” Business Week, 27 October 1973: 107–108.

“Bykert Gallery, New York exhibit.” Arts Magazine 48 (December 1973): 60.

Canaday, John. “Art: Miro's Joy and Verve/Chuck Close.” The New York Times, 27 October 1973: 27.

Chase, Linda and Ted McBurnett. “Fiches: Chuck Close.” Opus International, no. 44–45 (June 1973): 40–41.

Chase, Linda. “Recycling Reality.” Art Gallery Magazine 17, no. 1 (October 1973): 75–82.

Davis, Douglas. “Art Without Limits.” Newsweek 82, no. 26, 24 December 1973: 68–74.

Dyckes, William. “A One-Print Show by Chuck Close at MoMA.” Arts Magazine 47, no. 3 (December 1972/January 1973): 73.

“Foto-Realismus.” IWZ Illustrierte Wochenzeitung, no. 14, 2–8 June 1973: 8–10.

Gilmour, Pat. “Photo-Realism.” Arts Review 25, 21 April 1973: 249.

Guercio, Antonio del. “Iperrealismo tra”pop’ e informale.” Rinascita (Rome), no. 8, 23 February 1973: 34.

Henry, Gerrit. “A Realist Twin Bill.” Art News 72, no. 1 (January 1973): 26–28.

Hughes, Robert. “Last Salon: Biannual Exhibition at New York's Whitney Museum.” Time, 12 February 1973: 46.

Kipphoff, Petra. “Recovering from Documenta.” Art News 72, no. 4 (April 1973): 43–44.

Levin, Kim. “The Newest Realism: A Synthetic Slice of Life.” Opus International, no. 44–45 (June 1973): 28–37.

“Maîtres de Hyperréalisme.” Pariscop, no. 265, 24–30 May 1973: 79.

Mellow, James. R. “‘Largest’ Mezzotint by Close Shown.” The New York Times, 13 January 1973: 25.

Melville, Robert. “The Photograph as Subject.” Architectural Review 153, no. 915 (May 1973): 329–333.

Michel, Jacques. “Le”Super-Réalisme’ ou la Peinture d’aprés Photographie.” Le Monde (Paris), 6 February 1973: 23.

“Minnesota, A State that Works.” Time, 13 August 1973: 28.

Moulin, Raoul-Jean. “Hyperréalistes Américains.” L’Humanité (Paris), 16 January 1973.

Nemser, Cindy. “Fotografiet som Sandhed.” Louisiana Revy (Humlebæk) 13, no. 3 (February 1973): 30–33.

Nochlin, Linda. “The Realist Criminal and the Abstract Law.” Art in America 61 (September/October 1973): 54–61.

“Painting Realistic Images.” Professional Photographer 100, no. 1939 (December 1973): 56.

Perreault, John. “A New Turn of the Screw: Drawings by Chuck Close.” The Village Voice 17, no. 44, 1 November 1973: 34.

Restany, Pierre. “Sharp Focus: La Continuité realiste d’une vision Américaine.” Domus, no. 525 (August 1973): 9–13.

Rose, Barbara. “Two Women: Real and More Real.” Vogue (May 1973): 82, 94.

1972

Amman, Jean-Christophe. “Realismus.” Flash Art, no. 32–33–34 (May–July 1972): 50–52.

Baker, Ken. “New York Commentary.” Studio International 183, no. 944 (May 1972): 225–228.

Beaucame, Edward. “Wie realistisch sind die Realisten.” Frankfurter Allgemeine Zeitung 22, no. 178, 4 August 1972: 22.

Borden, Lizzie. “Cosmologies.” Artforum 11, no. 2 (October 1972): 45–50.

Interview by Chase, Linda and Ted McBurnett. “Photorealists: 12 Interviews.” Art in America 60, no. 6 (November–December 1972): 76–77.

“Kunst: Asket mit Pistole.” Der Spiegel, no. 50, 4 December 1972: 162–163.

Collins, Nancy. “Eye View.” Women's Wear Daily, 22 September 1972.

Davis, Douglas. “Art is Unnecessary, Or Is It?” Newsweek 80, no. 3, 17 July 1972: 68–69.

Davis, Douglas. “Nosing Out Reality.” Newsweek 80, no. 7, 14 August 1972: 58.

Defner, Phyllis. “Reviews and Previews.” Art News 70, no. 9 (January 1972): 12.

“Die Kasseler She-Schule: Ein Warenhaus fur Wirklichkeit mit Selbstbedienung.” Der Stern, no. 36, 30 August 1972: 20–33.

Dönhoff, Marion Gräfin. “Die Nabelschau von Kassel.” Zeit, no. 31, 8 August 1972: 9.

Elderfeld, John. “Whitney Annual.” Art in America 60, no. 4 (May 1972): 29.

“Flashback su Kassel.” Flash Art, no. 35–36 (September–October 1972): 16.

Gassiot-Talabot, Gerald. “Documenta V: Une imposture sur l'image?” XX Siäcle 34, no. 39 (December 1972): 125–129.

Glauber, Robert. “Museum of Contemporary Art Exhibit: Too Much of A Good Thing.” Skyline, 1 March 1972: 4.

Haydon, Harold. “An Exhibit of Realism and Its Amazing Forms.” Chicago Sun Times, 13 February 1972.

Henry, Gerrit. “The Real Thing.” Art International 16, no. 6–7 (Summer 1972): 86–91, 144.

Hughes, Robert. “The Realist as Corn God.” Time 99, no. 5, 31 January 1972: 50–55.

Jappe, Georg. “Documenta 5.” Frankfurter Allgemeine Zeitung, no. 155, 8 July 1972.

Kipphoff, Petra. “Die 100-Tage-Sehschule in Kassel.” Zeit Magazin, no. 31/4 (August 1972): 2, 10–11.

Kurtz, Bruce. “Documenta 5: A Critical Preview.” Arts Magazine 46, no. 8 (Summer 1972): 30–43.

“La nouvelle coqueluche: l’hyperréalisme.” L’Express (Paris), 30 October 1972.

“L’ l’hyperréalisme ou le retour aux origines.” Nouvelles Litteraires (Paris), 6 October 1972.

“Les malheurs de L’Amerique. Nouvel Observateur (Paris), 6 November 1972.

Lista, Giovanni. “Ipperrealisti americani.” NAC (Milan), no. 12 (December 1972): 24–25.

Marvel, Bill. “Saggy Nudes? Giant Heads? Make Way for ‘Superrealism’.” The National Observer, 29 January 1972: 22.

Naimer, Lucille. “The Whitney Annual.” Arts Magaxine 46, no. 5 (March 1972): 54.

Nakov, Andrei B. “Sharp Focus Realism: Le retour de l’image.” XX Siäcle 37, no. 38 (June 1972): 166–168.

Nemser, Cindy. “The Close Up Vision-Representational Art-Part II.” Arts Magazine 46, no. 7 (May 1972): 44–48.

“Now!” Chicago Today, 13 February 1972: 61.

Perreault, John. “The Hand Was Collossal But Small.” The Village Voice, 23 March 1972: 72.

Perreault, John. “A Lollapallozza of a Mishmash.” The Village Voice, 10 February 1972: 23.

Perreault, John. “Realistically speaking...” The Village Voice, 14 December 1972: 36.

Perreault, John. “Reports, Forecasts, Surprises and Prizes.” The Village Voice, 6 January 1972: 21, 24.

Pozzi, Lucio. “I Super Realisti USA.” Bolaffiarte 3, no. 18 (March 1972): 54–61.

Ratcliff, Carter. “New York Letter.” Art International 16, no. 2 (February 1972): 54–55.

Rose, Barbara. “Real, Realer, Realist.” New York, 31 January 1972: 50.

Rosenberg, Harold. “Inquiry '72: On the Edge, Documenta 5.” The New Yorker, 9 September 1972: 75.

Schulze, Franz. “It’s Big and It’s Superreal.” Chicago Daily News, 12–13 February 1972: 6.

Seitz, William C. “The Real and the Artificial: Painting of the New Environment.” Art in America 60, no. 6 (November/December 1972): 58–72.

Wasmuth, Ernst. “La révolte des réalistes.” Connaissance des Arts (Paris), no. 244 (June 1972): 118–123.

Wolmer, Denise. “In the Galleries.” Arts Magazine 46, no. 4 (February 1972): 58.

1971

Davis, Douglas. “Nosing Out Reality.” Newsweek, 14 August 1971: 58.

Genauer, Emily. “Art '72: the Picture is Brighter.” New York Post, 31 December 1971.

Karp, Ivan. “Rent is the Only Reality or the Hotel Instead of the Hymn.” Arts Magazine 46, no. 3 (December 1971–January 1972): 47–51.

Kramer, Hilton. “Art Season: A New Realism Emerges.” The New York Times, 21 December 1971.

Kramer, Hilton. “Stealing the Modernist Fire.” The New York Times, 26 December 1971: D25.

Marandel, J. Patrice. “The Deductive Images: Notes on Some Figurative Painters.” Art International 15, no. 7, 20 September 1971: 60–61.

Sager, Peter. “Neue Formen des Realismus.” Magazin Kunst, no. 44–4 (1971): 2507–2519.

Seldis, Henry J. “Art Review: Chuck Close Work Shown.” Los Angeles Times, 4 October 1971.

Szeeman, Harold. “Documenta 5.” L'Art vivant, no. 25 (November 1971): 4–7.

1970

Becker, Wolfgang. “Bilder und Berechte.” Die Neue Galerie, 1970: 3.

Berenson, Ruth. “Plight of Realism Today: Exhibition at the Whitney Museum.” National Review, 5 May 1970: 474–475.

Bremer, Nina. “The New York Art Scene: Realism Today.” Revista de Arte/The Art Review (September 1970): 3–6.

Davis, Douglas. “Return of the Real.” Newsweek, 23 February 1970: 105.

Glueck, Grace. “Drawing Show All–Star Cast.” The New York Times, 23 March 1970: 50.

Gruen, John. “Museums and Galleries: It's Done with Mirrors.” New York 3, no. 12, 23 March 1970: 50.

“In the Museums.” Arts 44, no. 4 (February 1970): 54–55.

Lord, B. “Whitney Museum’s 22 Realists Exhibition.” Artscanada 27 (June 1970): 11.

Marandel, J. Patrice. “Expositions à la Bykert Gallery.” Art International, 14 May 1970: 86.

Nemser, Cindy. “An Interview with Chuck Close.” Artforum, 8 January 1970: 51–55.

Nemser, Cindy. “Presenting Charles Close.” Art in America 58, no. 1 (January–February 1970): 98–101.

Perreault, John. “Dining In.” The Village Voice 15, no. 11, 12 February 1970: 16, 18.

Perreault, John. “Get Back.” The Village Voice 15, no. 8, 19 February 1970: 14–15, 17.

Perreault, John. “Chuck Close.” The Village Voice, 12 March 1970.

Ratcliff, Carter. “22 Realists Exhibit at the Whitney.” Art International 14, no. 4 (April 1970): 67.

Ratcliff, Carter. “Reviews and Previews.” Art News 69, no. 2 (April 1970): 16.

Perreault, John. “Return of the Real.” The Village Voice, 23 February 1970.

Richter, Wolfgang. “Bildformen der Gegenwart.” Chic (May 1970).

Spear, Athena. “Reflections on the Work of Charles Close, Ron Cooper and Neil Jenny and Other Contemporary Artists: Three Young Americans at Oberlin.” Arts 44, no. 7 (May 1970): 44–47.

Steele, Mike. “Realism is Simply Super.” The Minneapolis Tribune, 1 February 1970.

1969

Kurtz, Stephan A. “Reviews and Previews.” Art News 68, no. 4 (Summer 1969): 12.

Nemser, Cindy. “Reviews in the Galleries.” Arts 43, no. 8 (Summer 1969): 58.

“Two Contemporary acquisitions for Minneapolis.” Minneapolis Institute Bulletin 58 (1969): 82–83.

Wasserman, Emily. “Group Show/Bykert Gallery.” Artforum 8, no. 1 (September 1969): 69.

2024

Chuck Close: Red, Yellow, and Blue, The Last Paintings (exhibition catalogue). Texts by Phong H. Bui, Carter Ratcliff and Barbara Knappmeyer. Interview with the artist by Cindy Sherman. New York: Pace Gallery, 2024.

Pooth, Alexia. Exhibition Politics: Die documenta und die DDR. Berlin: Kerber, 2024: 120, illustrated.

2023

Kramer, Sarah, ed. The Art Museum. New York: Phaidon, 2023: 381, illustrated.

Marmor, Michael F., and James G. Ravin. The Artistic Eye. Amsterdam: Kugler Publications, 2023: 129−131, illustrated.

Morley, Simon. World of Art: Modern Painting. New York: Thames & Hudson, 2023: 195, illustrated.

Torlen, Michael. Studio Seeing: A Practical Guide to Drawing, Painting, and Perception. Bristol, Untied Kingdom: Intellect, 2023: 182, illustrated.

2022

Art: Explained: 100 Masterpieces and What They Mean. London: Laurence King Publishing, 2022: 180−181, illustrated.

Bill Morrison: Cycles & Loops (exhibition catalogue). Austin, Texas: Visual Arts Center, The University of of Texas at Austin, 2022.: 41–42, illustrated.

Gerstner, Annette, ed. Creative Arts Today: Grade 9 Learner’s Book. Cape Town, South Africa: Pearson South Africa Ltd, 2022: 73, illustrated.

Hello! Super Collection 99 Untold Stories (exhibition catalogue). Osaka, Japan: Nakanoshima Museum of Art, 2022: 161, illustrated.

Into the New: Being Human from Pollock to Bourgeois (exhibition catalogue). Frankfurt: Städel Museum, 2022: 102–103, illustrated.

Ottino, Julio Mario. The Nexus: The Convergence of Art, Technology, and Science. Cambridge, Massachusetts: The MIT Press, 2022: 328, illustrated.

Walker, Julia A. Performance and Modernity: Enacting Change on the Globalizing Stage. Cambridge, United Kingdom: Cambridge University Press, 2022: 268, illustrated.

Western Arts in the 20th Century Through Printmaking: The Challenge of Artists (exhibition catalogue). Takamatsu: Takamatsu Art Museum, 2023: 28, illustrated.

Wilcox, Alanna. Color Alchemy: from Digital to Dye. North Mankato, Minnesota: Alanna Wilcox LLC, 2022: 17–20, illustrated.

Zeil, Wieteke Van. SIEH MEHR! Wie Kunst Unser Denken Bereichert. Leipzig, Germany: E.A. Seeman Verlag, 2022: 67, 69, illustrated.

2021

Akiyama, Akira, and Masayuki Tanaka, eds. Western Art History. Tokyo: Bijutsu Shuppan Co., 2021: 347, illustrated.

Crist, Steve, Oskar Smolokowski, and John Reuter. Polaroid Now: The History and Future of Polaroid Photography. Los Angeles, California: Chronicle Chroma, 2021: 10–11, illustrated.

Barbara Lane Interiors. [S.I.]: Pointed Leaf Press, 2020: 76–77, illustrated.

Barry, Susan R. Coming to Our Senses: A Boy Who Learned to See, a Girl Who Learned to Hear, and How We All Discover the World. New York: Basic Books, 2021: 67, illustrated.

Luard, Honey, and Elaine Tam, ed. White Cube Companion. London, White Cube, 2021: 195, illustrated.

Julian Opie: Collected Works/Works Collected (exhibition catalogue). Petworth, United Kingdom: Newlands House Gallery: 2021: 142, illustrated.

Miura, Akinori, and Tamahito Yoshikawa. Expression of Painting. Japan: Musashino Art University Press, 2021: 134, illustrated.

Pohlhausen, Philine. Das Original in der Fotografie im Lichte des Urheberrechts. Baden-Baden, Germany: NOMOS Verlagsgesellschaft, 2021: 63, illustrated.

2020

Act of Sight: The Tsiaras Family Photography Collection (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2020: 170, illustrated.

Bauer, Christian, and Herbet Giese, ed. Der Welt (m)eine Ordnung geben. Die Sammlung Ernst Ploil - Eine Auswahl. Wien, Austria: Wien Verlag für moderne Kunst, 2020: 34, illustrated.

Gnyp, Marta. The Shift: Art and the Rise to Power of Contemporary Collectors. Milan: Skira Editions, 2020: 202–203, 205, illustrated.

Heine, Florian. The Art of Illusion. London; Munich; New York: Prestel Verlag, 2020: 126–127, illustrated.

2019

Andy Warhol to Cindy Sherman: American art from the Albertina Museum (exhibition catalogue). Vienna: Albertina Museum, 2019: 190–191, 193, illustrated.

Burns, Nancy Kathryn. Photo Revolution: Andy Warhol to Cindy Sherman (exhibition catalogue). Worcester, Massachusetts: Worcester Art Museum, 2019: no.2, p.83, illustrated.

Looking at Art with Alex Katz. London: Laurence King Publishing, 2019: 36–37, illustrated.

Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center (exhibition catalogue). Poughkeepsie, New York: The Frances Lehman Loeb Art Center, 2019: 109, illustrated.

Shnayerson, Michael. Boom: Mad Money, Mega Dealers, and the Rise of Contemporary Art. New York: Public Affairs, 2019.

2018

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 23, 208–209, illustrated.

Called: Plnu Vocational Reader. San Diego: Point Loma Nazarene University, 2018: 219–220, illustrated.

Dada Portraits No. 221. Paris: Édition Arola, 2018: 21, illustrated.

Kandell, Eric R. The Disordered Mind: What Unusual Brains Tell Us About Ourselves. New York: Farrar, Straus and Giroux, 2018: 132–135, illustrated.

Lew, Henry R. Imaging the World. Melbourne: Hybrid Publishers, 2018: 225–233, illustrated.

Maynes, Erin Sullivan. Art Cash: Money in Print. San Diego, California: University Galleries, 2018: 5, illustrated.

Outliers and American Vanguard Art (exhibition catalogue). Washington, D. C. and Chicago: National Gallery of Art; The University of Chicago Press, 2018: 364, illustrated.

Paper: Material, Medium and Magic. Edited by Neil Holt, Nicola von Velsen and Stephanie Jacobs. New York, London and Munich: Prestel, 2018: 129–130, illustrated.

Walden, Joshua S. Musical Portraits: The Composition of Identity in Contemporary and Experimental Music. New York: Oxford University Press, 2018: 70, 73, illustrated.

Ward, David C. America’s Presidents. Washington, D.C.: Smithonian Books and National Portrait Gallery, 2018: 158–159, 162–163, illustrated.

2017

The Art Museum. London: Phaidon, 2017: 380, illustrated.

The Collection: Highlights from the Minneapolis Institute of Art. Minneapolis, MN: Minneapolis Institute of Art, 2017: 351, illustrated.

Close, Chuck. “Chuck Close.” In Robert Storr. Interviews on Art. Text by Francesca Pietropaolo. London: Heni Publishing, 2017: 146–169, illustrated.

Coppel, Stephen, Catherine Daunt and Susan Tallman. The American Dream: Pop to the Present (exhibition catalogue). London: British Museum and Thames & Hudson, 2017: 192–195, illustrated.

Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 114, p.179, illustrated.

Fiero, Gloria K. Landmarks in Humanities. 4th edition. New York: McGraw-Hill Education, 2017: 453, illustrated.

From Selfie to Self-Expression (exhibition catalogue). London: Saatchi Gallery, 2017: 15, illustrated.

Lauf, Cornelia. Wall to Wall: Carpets by Artists (exhibition catalogue). Cleveland and Kőln: Museum of Contemporary Art Cleveland; Verlag der Buchhandlung Walther Kőnig, 2017: 70, illustrated.

Monochrome: Painting in Black and White (exhibition catalogue). London: National Gallery Company Limited, 2017: 178–179, illustrated.

Nippe, Christine and Christiane Wedemann. 50 Modern Artists You Should Know. Munich, London and New York: Prestel, 2017: 138–141, illustrated.

Pleins feux! La Collection d'art de la Ville de Lausanne. Lausanne: Université de Lausanne, 2017: 34.

.

Rosa, Joseph, ed. Victors for Art: Michigan’s Alumni Collectors (exhibition catalogue). Text by Kathryn A. Huss. Michigan: The Regents of the University of Michigan, 2017: 54, illustrated.

Shannon, Joshua. The Recording Machine: Art and Fact During the Cold War. New Haven and London: Yale University Press, 2017: 108, illustrated.

UBS Art Collection: To Art Its Freedom. Text by Mary Rozell. Berlin: Hatje Cantz Verlag CmbH, 2016: 65, illustrated.

2016

Alex Katz: Quick Light (exhibition catalogue). London: Serpentine Gallery, 2016: 27, illustrated.

Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016: 57, illustrated.

Bertoletti, Andréa and De Camargo, Patricia. Gravura: história, tėcnicas e contemporaneidada. Curitiba, Brazil: Editora Intersaberes, 2016: 255–259, illustrated.

Chuck Close: Fingerprint Paintings and Drawings, 1978–86 (exhibition catalogue). Interview with Martin Friedman. New York: Craig F. Starr Gallery, 2016.

Davis, Jeff. Foundations of Design. Tempe, Arizona: Tempe Digital LLC, 2016: 53, illustrated.

Drawing Then: Innovation and Influence in American Drawings of the Sixties (exhibition catalogue). New York: Dominique Lévy, 2016: 150–1, illustrated.

Face to Face to Face (exhibition catalogue). Zurich: Thomas Ammann Fine Art AG, 2016: 1–2, illustrated.

The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016: 116–9, illustrated.

There Was a Whole Collection Made: Photography from Lester and Betty Guttman (exhibition catalogue). Chicago: Smart Museum of Art, the University of Chicago, 2016: 217, illustrated.

Gifts for the San Francisco Museum of Modern Art: The Campaign for Art. San Francisco: San Francisco Museum of Modern Art, 2016: 236–7, illustrated.

Out of Hand: Materialising the Digital. New South Wales, Australia: Museum of Applied Arts and Sciences Media, 2016: 150–1, illustrated.

San Francisco Museum of Modern Art 360°: Views on the Collection. Edited by Judy Bloch and Suzanne Stein. San Francisco: San Francisco Museum of Modern Art, 2016: 38–39, illustrated.

Saunders, Richard H. American Faces: A Cultural History of Portraiture and Identity. Lebanon, New Hampshire: University Press of New England, 2016: 121, illustrated.

Sayre, Henry M. A World of Art. 8th edition. Boston, New York and other cities: Pearson, 2016: 108–109, illustrated.

2015

American Icons: Master Works from the SFMoMA and the Fisher Collection (exhibition catalogue). Text by Rachel Jans. Paris: Galeries nationales du Grand Palais, 2015: 40–47, illustrated.

Chuck Close: Recent Work (exhibition catalogue). Text by Nancy Princenthal. New York: Pace Gallery, 2015.

DeWitte, Debra J., Ralph M. Larmann and M. Kathryn Shields. Gateways to Art. 2nd edition. New York: Thames & Hudson, 2015: 170, 621, illustrated.

Digital Objects: A Retrospective of Chuck Close (exhibition catalogue). Text by Nick Stone. Las Palmas, Spain: The Centro Atlántico de Arte Moderno-CAAM, 2015.

Falconer, Morgan. Painting Beyond Pollock. London: Phaidon Press Limited, 2015: 238, 242, 243; 239, 240–241, illustrated.

Fortenberry, Diane and Rebecca Morrill ed. Body of Art. New York: Phaidon, 2015: 70–71, illustrated.

Heyler, Joanne, Ed Schad and Chelsea Beck, ed. The Broad Collection. Munich, London, New York: Prestel Verlag, 2015: 226–229, illustrated.

Jack Smith: Portraits and Selected Works. Taos, New Mexico: Bosque del Sud Press, 2015: 30, illustrated.

Maine Collects (exhibition catalogue). Rockland, Maine: Farnsworth Art Museum, 2015: 94, illustrated.

The Memory of Time: Contemporary Photographs at the National Gallery of Art Acquired with the Alfred H. Moses and Fern M. Schad Fund (exhibition catalogue). London: Thames & Hudson, 2015: 18–19, illustrated.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 97, illustrated.

Naples Collects. Edited by Frank Verpoorten and Gisela Carbonell. Naples, Florida: Artis—Naples, The Baker Museum, 2015: 58–9, illustrated.

Picasso and the 20th Century Art: Masterpieces from the Museum of Modern Art, Toyama (exhibition catalogue). Tokyo: Tokyo Station Gallery, 2015: 128–9, illustrated.

River Crossings: Contemporary Art Comes Home (exhibition catalogue). New York: The Artist Book Foundation, 2015: 86–87, illustrated.

2014

Ritratto di Donne (exhibition catalogue). Milan: Silvana Editoriale, 2014: 40, illustrated.

Brubach, Holly, and Veerle Windels. Diane Von Furstenberg 40: Journey of a Dress. New York: Rizzoli, 2014: 197, illustrated.

Chuck Close: Nudes 1967–2014 (exhibition catalogue). Text by Colin Westerbeck. New York: Pace Gallery, 2014.

Dellinger, Jade. Graphicstudio: Uncommon Practice at USF (exhibition catalogue). London: Giles, 2014.

From Picasso to Jasper Johns. Aldo Crommelynck’s Workshop (exhibition catalogue). Paris: Bibliothèque Nationale de France, 2014: 40, 58, illustrated.

Farr, Sheila. Richard C. Elliott Primal Op (exhibition catalogue). Salem, OR: The Hallie Ford Museum of Art at Willamette University: 19, 57, illustrated.

Fortune, Brandon Brame, Wendy Wick Reaves and David C. Ward. Face Value: Portraiture in the Age of Abstraction (exhibition catalogue). Washington, D.C.: Smithsonian Institution, 2014: 48, 126–127, illustrated.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014.

100 Views on Contemporary Art. Santiago de Chile: Arte Al Límite, 2014: 14–17, illustrated; cover.

Ormiston, Rosalind. 50 Art Movements You Should Know. New York: Prestel Publishing, 2014: 123, illustrated.

Photography & Vision: The Influence of Joyce and Ted Strauss (exhibition catalogue). Denver: The Denver Art Museum, 2014: 9, illustrated.

Salkeld, Richard. Reading Photographs: An Introduction to the Theory and Meaning of Images. Bloomsbury Publishing, 2014: 40–43, illustrated.

Sultan, Terrie Chuck Close Prints: Process and Collaboration (exhibition catalogue). 2nd edition. Text by Richard Shiff. New York: Prestel Publishing, 2014.

Visual deception II: Into the Future (exhibition catalogue). Tokyo: The Chunichi Shimbun, 2014: 48, illustrated.

Westerbeck, Colin. Chuck Close: Photographer. Interview by Terrie Sultan and Colin Westerbeck. New York, Munich and London: Prestel Verlag, 2014.

2013

Albrecht Dürer to Claes Oldenburg: Collecting at the Cornell, 1990–2010 (exhibition catalogue). Text by Patricia C. Pongracz. Winter Park, Florida: Cornell Fine Arts Museum, Rollins College, 2013: 12, illustrated.

Art for Baby: Faces. Surrey: Templar Publishing, 2013: illustrated.

Blanton Museum of Art: 110 Favorites from the Collection. Austin: Blanton Museum of Art, The University of Texas, 2013: 98, illustrated.

Bullock, Margaret E.and Rock Hushka. Best of the Northwest: Selected Works from Tacoma Art Museum. Tacoma, Washington: Tacoma Art Museum, 2013: 120–121, illustrated.

Chuck Close (exhibition brochure). Text by Robert Storr. East Hampton, New York: Guild Hall Museum, 2013.

Chuck, Close. “Chuck Close.” Interview with Hossein Amirsadeghi. In Art Studio America: Contemporary Artist Spaces. New York: Thames & Hudson, Inc. 2013: 64–69, illustrated.

Close, Chuck. “Chuck Close on Nancy Graves. Interview with Annette Lagler. In Nancy Graves: Project & Special Guests (exhibition catalogue). Edited by Brigitte Franzen and Annette Lagler. Ostfildern: Hatje Cantz, 2013: 52–63, illustrated.

Closer: The Graphic Art of Chuck Close (exhibition catalogue). Greenwich: Bruce Museum, 2013.

Chuck Close: Photo Maquettes (exhibition catalogue). New York: Eykyn Maclean, 2013.

The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013: 204, illustrated.

Dellinger, Jade. Graphicstudiko: Uncommon Practice and the Art of the Impossible. London: D. Giles Ltd., 2013.

Eye to I... 3,000 Years of Portraits (exhibition catalogue). Text by Eric R. Kandel. Katonah, New York: Katonah Museum of Art, 2013: 72, illustrated.

Holzwarth, Hans Werner, ed. Art Now Vol 4. Köln: Taschen, 2013: 98–101, illustrated.

Kansai Collections (exhibition catalogue). Osaka: The Asahi Shimbun, 2013: 142–3, illustrated.

Knuckles, Dawud. The Art Album: Exploring the Connection Between Hip-hop Music and Visual Art. Interviews by Danny Simmons and Russell Simmons. New York: Art On Dekz, 2013: illustrated.

Labaco, Ronald T. Out of Hand: Materializing the Postdigital (exhibition catalogue). Texts by David Revere McFadden, Christiane Paul and Greg Lynn. London: Black Dog Publishing, 2013: 228–229, illustrated.

Ledbury, Mark, ed. Fictions of Art History. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2013: 30, illustrated.

Letze, Otto, ed. Photorealism: 50 Years of Hyperrealistic Painting. Texts by Linda Hase, Nina S. Knoll, Louis K. Meisel, Uwe M. Schneede, Daniel J. Schreiber, and Guillermo Solana. Ostfildern, Germany: Hatje Cantz Verlag, 2013.

Mullis, Charlotte. Painting People: The State of the Art (Chinese edition). London: Thames and Hudson, 2013: cover, 22–23, illustrated.

The Polaroid Years: Instant Photography and Experimentation (exhibition catalogue). Poughkeepsie, New York: Frances Lehman Loeb Art Center, Vassar College, 2013.

Pfeifer, Kristell. Arte Al Límite: 10 Year of Trayectory. Santiago, Chile: Arte Al Límite, 2013: 31–37, illustrated.

Princeton University Art Museum: Handbook of the Collections. Princeton, New Jersey: The Princeton University Art Museum, 2013: 399, illustrated

Robinson, Joyce Henri, ed. A Gift from the Heart: American Art from the Collection of James and Barbara Palmer. University Park: The Pennsylvania State University Press, 2013: illustrated.

Rosoff, Patricia. Innocent Eye. North Adams, Massachusetts: Tupelo Press, 2013: illustrated.

Sturken, Marita and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Translated by Chen Pinxiu and Wu Lijun. Taipei: Faces Publications, 2013: 238, illustrated.

Stomberg, John R. and Rachel G. Beaupré, ed. Engage: The Mount Holyoke College Art Museum. South Hadley, Massachusetts: The Mount Holyoke College Art Museum, 2013: 192–3, illustrated.

Uidhir, Christy Mag. Art and Art Attempts. Oxford: Oxford University Press, 2013: 63, illustrated.

Walden, Joshua S. Representation in Western Music. Cambridge: Cambridge University Press, 2013: 129–134, illustrated.

Yes, No, Maybe: Artists Working at Crown Point Press (exhibition catalogue). Texts by Judith Brodie and Adam Greenhalgh. Washington, D.C.: Board of Trustees, National Gallery of Art, Washington, D.C.: illustrated.

Your Museum Transformed. Saint Louis, Missouri: Saint Louis Art Museum, 2013: 36, illustrated.

2012

Baron, Fabrien, ed. Kate Moss. New York: Rizzoli, 2012: illustrated.

Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 122, illustrated.

Bonanos, Christopher. Instant: The Story of Polaroid. New York: Princeton Architectural Press, 2012: 78, illustrated.

Chuck Close: Facebook. New York: Abrams Books for Young Readers, 2012.

Chuck Close. Edited by Carina Evangelista. [New York]: Artifex Press, 2012. http://artifexpress.com/catalogues/chuck-close

Chuck Close (exhibition brochure). Munich: Galerie Thomas Modern, 2012.

Chuck Close (exhibition catalogue). Text by Robert Storr. New York: Pace Gallery, 2012.

Davidson Collects: 100 Writers Respond to Art. Texts by Brad Thomas, Jessica A. Cooley et al. Davidson, North Carolina: Davidson College, 2012: 74–75, illustrated.

Delavaux, Céline. Musée des Illusions. Paris: Olo Éditions, 2012: 136–139, illustrated.

Finger, Brad. Modern Art: The Groundbreaking Moments. Munich: Prestel, 2012: 176, illustrated.

Fotorealismus: 50 Jahre Hyperrealistiche Malerei (exhibition catalogue). Texts by Otto Letze et al. Ostfildern, Germany: Hatje Cantz, 2013: 65, illustrated.

Garoian, Charles R. The Prosthetic Pedagogy of Art: Embodied Research and Practice. Albany, New York: State University Press of New York, 2012: 142, 144, illustrated.

Grant, Simon, ed. In My View: Personal Reflections on Art by Today’s Leading Artists. London: Thames & Hudson, 2012: 54–55.

Groos, Ulrike and Simone Schimpf. Tracing the Grid: The Grid in Art after 1945 (exhibition catalogue). Köln: Wienand Verlag, 2012: illustrated.

Holm, Michael Juul, ed. Self-Portrait (exhibition catalogue). Texts by Helle Crenzien, Eleanor Nairne, Finn Skarderud, Liz Rideal and Marco Pierini. Humlebæk: Louisiana Museum of Modern Art, 2012: 80–83, illustrated.

Klein, Jacky and Suzy. What Is Contemporary Art? A Children’s Guide. London: Thames & Hudson, 2012: 17, illustrated.

Lifelike (exhibition catalogue). Texts by Siri Engberg, Michael Lobel, Josiah McElheny and Rochelle Steiner. Minneapolis: Walker Art Center, 2012: 25, 33, illustrated.

Lucian Freud: Portraits (exhibition catalogue). London: National Portrait Gallery, 2012: 44, illustrated.

Muir, Prescott. It By Bit. Novato, California: ORO Editions, 2012: 104, illustrated.

Pogue, Dwight W. Printmaking Revolution: New Advancements in Technology, Safety, and Sustainability. New York: Watson-Guptill Publications, 2012: 188, illustrated.

Regarding Warhol: Sixty Artists, Fifty Years (exhibition catalogue). New York: The Metropolitan Museum of Art, 2012: illustrated.

Retratos: Obras Maestras Centre Pompidou (exhibition catalogue). Madrid: Fundación MAPFRE, 2012: illustrated.

Saehrendt, Christian. KASSEL Documenta-Geschichten, Märchen und Mythen. Köln: DuMont Buchverlag, 2012: 157, illustrated.

Strand, Claudia. Schau Mich An! Porträts in der Kunst. Munich: Prestel Verlag, 2012: 79, illustrated.

2011

Abu Dhabi: Tomorrow…Here and Now! Paris: Galerie Enrico Navarra, 2011: 85. illustrated.

Albright-Knox Art Gallery: Highlights of the Collection. Texts by Louis Grachos, Douglas Dreishpoon, Mariann W. Smith et al. London: Scala Publishers, 2011: 96, illustrated.

Allen Memorial Art Museum: Highlights from the Collection. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 2011: 249, illustrated.

Blume, Peter F. The Ball State University Museum of Art at 75: The Museum and a History of Its Collection. Muncie, Indiana: Ball State University Museum of Art, 2011: 159, illustrated.

Carr, Carolyn Kinder and Ellen G. Miles, eds. Capital Portraits (exhibition catalogue). Washington, D.C.: Smithsonian Institution Scholarly Press, 2011: 140, 158, illustrated.

Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of American Art. Bentonville, Arkansas: Crystal Bridges Museum of American Art, 2011: 12, illustrated.

Chikako, Takaoka. The Complete Catalogue of Ohara Museum of Art (I): Foreign Artists. Okayama, Japan: Ohara Museum of Art, 2011: 18, illustrated.

Chuck Close (exhibition catalogue). Montreal: Galerie de Bellefeuille, 2011.

Closer than Fiction: American Visual Worlds around 1970 (exhibition catalogue). Aachen, Germany: Ludwig Forum Aachen, 2011: 50–53, illustrated.

Esteban Vicente in America: Collage, Color and Somewhere in Between (exhibition catalogue). Text by Nicole Atzbach. Dallas: Meadows Museum, Southern Methodist University, 2011: 52, illustrated.

Farrell, Jennifer, ed. Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. Texts by Thomas Crow, Serge Guilbaut, Jan Howard, Robert Storr and Judith Tannenbaum. New Haven, Connecticut: Yale University Art Gallery, 2011: 332–333, illustrated.

Holzwarth, Hans Werner and Laszlo Taschen, eds. Modern Art: 1870–2000, Impressionism to Today. Köln: Taschen, 2011: 509, illustrated.

Johnson, Ken. Are You Experienced? How Psychedelic Consciousness Transformed Modern Art. Munich: Prestel Verlag, 2011: 132, illustrated.

Lehmbeck, Leah, ed. Proof: The Rise of Printmaking in Southern California (exhibition catalogue). California: Getty Publications in association with Norton Simon Museum, 2011: 161, illustrated.

Nathanson, Carol A., ed. Tracing Vision: Modern Drawings from the Georgia Museum of Art. Athens, Georgia: University of Georgia, 2011: 62–63, illustrated.

Neue Realitäten: FotoGrafilk von Warhol bis Havekost (exhibition catalogue). Köln: Wienand Verlag, 2011: 42, illustrated.

The Passionate Collector: Robert B. Mayer’s Adventures in Art. Chicago: Beatrice Cummings Mayer, 2011: 146, illustrated.

Robert Wilson: From Within. Paris: The Arts Arena, 2011: 108, illustrated.

“Vija Celmins and Chuck Close: In Conversation.” In Painting. London: Whitechapel Ventures Limited, 2011: 85–86.

Seattle as Collector (exhibition catalogue). Seattle: Seattle Office of Arts & Cultural Affairs, 2011.

Theis, Pia M. Die Sammlung der Österreichhischen Ludwig-Stuftung 1981–2011. Petersberg: Michael Imhof Verlag, 2011: 121, 122, illustrated.

Tricks & Humor (exhibition catalogue). Japan: Yokosuka Museum of Art, 2011: 113, illustrated.

2010

Best 100 (exhibition catalogue). Japan: The Tokushima Modern Art Museum, 2010: 64, illustrated.

Calder to Warhol: Introducing the Fischer Collection (exhibition catalogue). Text by Neal Benezra, Doris Fisher, and Garry Garrels. San Francisco: San Francisco Museum of Modern Art, 2010.

Chuck Close: Drawings of the 1970s (exhibition catalogue). Interview by Joe Zucker. New York: Craig F. Starr Gallery, 2010.

Coldwell, Paul. Printmaking: A Contemporary Perspective. London: Black Dog Publishing, 2010: 78–79, illustrated,

Doswald, Chrisoph. Press Art: Die Sammlung Annette und Peter Nobel. Bern, Switzerland: Stampfli Verlag, 2010: 218, illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Finch, Christopher. Chuck Close: Life. Munich: Prestel Verlag, 2010.

Finch, Christopher. Chuck Close: Work. Revised edition. Munich: Prestel Verlag, 2010.

Furlong, William. Speaking of Art: Four Decades of Art in Conversation. New York and London: Phaidon Press Limited, 2010: 193–197.

The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum (exhibition catalogue). Japan: Hekinan City Tatsukichi Fujii Museum of Contemporary Art, 2010: 45, illustrated.

Kennedy, Christina, ed. Post-War American Art: The Novak/O’ Doherty Collection (exhibition catalogue). Dublin: Irish Museum of Modern Art, 2010: 60, illustrated.

Masterworks from the Butler Institute of American Art. Youngstown, Ohio: The Butler Institute of American Art, 2010: 97, illustrated.

Philip Glass: First Classics, 1968–1969. London: Chester Music Limited, 2010: cover, illustrated.

The Power to Transform: Gifts of Art for the New MFA. Boston: Museum of Fine Arts, 2010: 104, illustrated.

Realism - The Adventure of Reality (exhibition catalogue). Germany: Kunsthalle Emden, 2010: 251, illustrated.

Salvador Dalí: The Late Work (exhibition catalogue). Atlanta: High Museum of Art, 2010: 41, illustrated.

Saraste, Leena. Valokuva: Muisto, Miesti, Taide. Helsinki: Musta Taide, 2010: 137, illustrated.

Size DOES Matter (exhibition catalogue). New York: Flag Art Foundation, 2010: illustrated.

2009

Adventures in Modern Art: The Charles K. Williams II Collection (exhibition catalogue). Pennsylvania: Philadelphia Museum of Art, 2009: 23, illustrated.

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2009: 326–7, illustrated.

Arte Internacional: Coleccíon del Banco de la República de Colombia. Texts by Beatriz González and Benjamín Villegas. Bogotá: Villegas Editores, 2009: 27, 81, illustrated.

Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book. London: Goodman, 2009: 52, illustrated.

Chuck Close: Selected Paintings and Tapestries 2005–2009 (exhibition catalogue). Text by Lilly Wei. New York: PaceWildenstein, 2009.

The Collection of the Ludwig Museum Budapest. Hungary: Ludwig Museum Budapest – Museum of Contemporary Art, 2009: illustrated.

Contemporary Art from the Barron Collection (exhibition catalogue). Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2009: illustrated.

Cross, Susan and Denise Markonish, eds. Sol LeWitt: 100 Views (exhibition catalogue). North Adams, Massachusetts: MASS MoCA, 2009: 32.

Cumming, Laura. A Face to the World. London: Harper Press, 2009: 244, illustrated.

Godfrey, Tony. Painting Today. London: Phaidon Press Limited, 2009: illustrated.

Humphrey, David. Blind Handshake: David Humphrey Art Writing + Art 1990–2008. Cornwall, United Kingdom: Periscope Publishing, 2009: 137, illustrated.

Jeff Koons: Hulk, Elvis. Text by Scott Rothkopf. London: Gagosian Gallery, 2009: 20, fig. 3.

Look at Me: Faces and Gazes in Art 1969–2009 (exhibition catalogue). Italy: Silvana Editoriale, 2009.

The Magnolia Tapestry Project. Text by Nick Stone. Oakland, California: Magnolia Editions, 2009: 12, 30–46, illustrated.

Marmor, Michael F. and James G. Ravin. The Artist’s Eyes: Vision and the History of Art. New York: Abrams, 2009: illustrated.

Masterworks from The Butler Institute of American Art. Youngstown, Ohio: The Butler Institute of American Art, 2009: illustrated.

Matrix/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California, Berkeley Art Museum and Pacific Film Archive, 2009: 102.

Picturing America: Photorealism in the 1970s (exhibition catalogue). Texts by Linda Chase, David M. Lubin and Valerie L. Hillings. Berlin: Deutsche Guggenheim, 2009: 116-119, 144, 149, 157, illustrated..

Rattemeyer, Christian, ed. The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné. New York: The Museum of Modern Art, 2009: 106, illustrated.

Reflections/Refractions: Self-Portraiture in the Twentieth Century (exhibition catalogue). Texts by Wendy Wick Reaves and Anne Collins Goodyear. Washington, D.C.: Smithsonian Institution Scholarly Press, 2009: illustrated.

Riley II, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collections. Hoboken, New Jersey: John Wiley & Sons, Inc., 2009: illustrated.

Smith, Paul. Seurat Re-Viewed. University Park, Pennsylvania: The Pennsylvania State University Press, 2009: 182, 185–187, illustrated.

Trick Art (exhibition catalogue). Japan: Japan Association of Art Museums, 2009: 68, illustrated.

200 Artworks 25 Years, Artist’s Editions for Parkett. Text by Susan Tallman and Deborah Wye. Zurich: Parkett Publishers, 2009: 120–121, illustrated.

Visual Deception (exhibition catalogue). Japan: The Chunichi Shimbun, 2009: 158, illustrated.

2008

Acton, Mary. Guardare l’arte contemporaea. Torino, Italy: Piccola Biblioteca Einaudi, 2008, illustrated.

Art is for the Spirit: Works from The UBS Art Collection (exhibition catalogue). Tokyo: Mori Art Museum, 2008: 27, 82–84, illustrated.

Attention to Detail: Curated by Chuck Close (exhibition catalogue). New York: FLAG Art Foundation, 2008: illustrated.

Barkley L. Hendricks: Birth of the Cool (exhibition catalogue). North Carolina: Nasher Museum of Art, Duke University Press, 2008.

Chuck Close: The Magnolia Tapestry Project. Text by Nick Stone. Oakland, California: Magnolia Editions, 2008.

Chuck Close: Philip Glass, 40 Years (exhibition brochure). New York: The Arnold and Marie Schwartz Gallery Met, 2008.

Chuck Close: Seven Portraits (exhibition catalogue). Texts by Mikhail Piotrovsky, Dimitri Ozerkov and Diarmuid Costello. Interview by Ingrid Sischy. St. Petersburg, Russia: State Hermitage Museum, 2008.

The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum (exhibition catalogue). Translated by Stanley N. Anderson. Tatebayashi, Japan: Gunma Museum of Art, 2008.

Index: Fotografie – Catalog of the Works “DZ BANK Collection in the Städel Museum, Frankfurt”. Text by Hubert Beck and Günter Engelhard. Ostfildern: Hatje Cantz Verlag, 2008: 56–57, illustrated.

Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon, Charlotte Eyerman, Mark Godfrey, Caroline A. Jones, Norman L. Kleeblatt and Irving Sandler. New York and New Haven: The Jewish Museum and Yale University Press, 2008: 132.

Kohl, MaryAnn. Great American Artists for Kids: Hands-On Art in the Styles of Great American Masters. Washington: Bright Ring Publishing, Inc., 2008.

Moving Horizons: The UBS Art Collection: 1960s to the Present Day (exhibition catalogue). Text by Joan Bernstein. Beijing: National Art Museum of China, 2008: 82–85, illustrated.

Museo Nacional Centro de Arte Reina Sofía: 2007 Adquisiciones. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2008.

New York Cool: Painting and Sculpture from the NYU Art Collection (exhibition catalogue). Text by Pepe Karmel. New York: Grey Art Gallery, New York University, 2008; 140, illustrated.

Nowhere Else But Here (exhibition catalogue). Amherst, Massachusetts: Herter Art Gallery, University of Massachusetts, 2008.

Piras, Sebastian. A Pocketful of Contemporary Artists. Victoria, Australia: Peleus Press, 2008: 60–61, illustrated.

Print Lovers at Thirty: Celebrating Three Decades of Giving (exhibition catalogue). Kansas City, Missouri: The Nelson-Atkins Museum of Art, 2008. 20–21, illustrated.

Shock of the Real: Photorealism Revisited (exhibition catalogue). Text by Valerie Ann Leeds. Boca Raton, Florida: Boca Raton Museum of Art, 2008: pp. 37–39, nos. 16–18, illustrated.

Speaking of Art: Selections from the Archives of American Art Oral History Collection, 1958–2008. Washington, D.C. and Falls Village, Connecticut: Archives of American Art, Smithsonian Institution; Winterhouse Editions, 2008: 134–141, illustrated.

Whitney Museum of American Art at Altria. Foreword by Adam D. Weinberg. Introduction by Shamim M. Momin. New York: Whitney Museum of American Art, 2008.

2007

All for Art! Great Private Collections Among Us (exhibition catalogue). Canada: Museé des beaux-arts de Montréal, 2007.

Boswell, Peter. LeWitt x 2 (exhibition brochure). Miami: Miami Art Museum, 2007.

Brommer, Gerald F. Discovering Art History. 4th ed. Worcester, Massachusetts: Davis Publications, Inc., 2007: 570–571, illustrated.

Chalumeau, Jean-Luc. Peinture et Photographie. Paris: Éditions du Chêne­­_Hachette Livre, 2007: 124–129, illustrated.

Chuck Close: Family and Others (exhibition catalogue). Interview by Ingrid Sischy. Text by Diarmuid Costello. London: White Cube, 2007.

Chuck Close: Self-Portrait/Scribble/Etching Portfolio, 2000 (exhibition catalogue). Interview with Chuck Close by Paul J. Schupf, Rebecca S. Chippy and Elizabeth E. Barker. Hamilton, New York: Picker Art Gallery, Colgate University, 2007.

Chuck Close: Paintings 1968/2006 (exhibition catalogue). Texts by Robert Storr, Klaus Kertess, and Richard Shiff. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2007.

Contemporary, Cool and Collected (exhibition catalogue). Text by Robert Hobbs. North Carolina: Mint Museum of Art, 2007: 36–37, illustrated.

Finch, Christopher. Chuck Close: Work. Munich: Prestel Verlag, 2007.

Hauptman, Jodi. Georges Seurat: The Drawings (exhibition catalogue). New York: The Museum of Modern Art, 2007: 28–29.

Kent, Rachel. Tim Hawkinson: Mapping the Marvelous (exhibition catalogue). Australia: Museum of Contemporary Art, Sydney, 2007.

Milwaukee Art Museum: Friends of Art Celebrating 50 Years. Milwaukee: Petullo Publishing, 2007: 50, illustrated.

Minneapolis Museum of Art: Handbook of the Collection. Minneapolis: Minneapolis Institute of Art, 2007: 319, illustrated.

Neff, Terry Ann R. The Fisher Collection: A–K. Text by Mark Rosenthal. San Francisco: Doris and Donald Fisher, 2007: 134–153, 366–367, illustrated.

Pleasures of Collecting, Part III: Contemporary and Cutting Edge (exhibition catalogue). Text by Nancy Hall-Duncan and Peter C. Sutton. Greenwich: Bruce Museum, 2007: 36–37, illustrated.

Princeton University Art Museum Handbook of the Collections. Princeton, New Jersey: Princeton University Art Museum, 2007: 344, illustrated.

Ravenal, John B. Modern & Contemporary Art at the Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 2007: 78, 204, illustrated.

Sprague, Tiffany, ed. Art for Yale: Collecting for a New Century (exhibition catalogue). New Haven: Connecticut: Yale University Art Gallery, 2007: 326–331, plates 312–316, illustrated.

Techno Sublime (exhibition catalogue). Text by Lisa Tamiris Becker and Richard Shiff. Boulder: CU Art Museum, University of Colorado, 2007: 36, 37, 39, illustrated.

The UBS Art Collection: Drawings. Germany: Hatje Cantz, 2007: 66-69.

2006

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 176–177, 402–403, illustrated.

Chuck Close: A Couple of Ways of Doing Something (exhibition catalogue). New York: Aperture Gallery, 2006.

Dantzic, Cynthia Maris. 100 New York Painters. Atglen, Pennsylvania: Schiffer Publishing, 2006: 8, 66–67, illustrated.

Lewis, Michael J. American Art and Architecture. London: Thames and Hudson Ltd., 2006: 302.

LeWitt x 2 (exhibition catalogue). Texts by Dean Swanson and Martin Friedman. Madison, Wisconsin: Madison Museum of Contemporary Art, 2006: 55, illustrated.

Lindemann, Adam. Collecting Contemporary. Cologne: Taschen GmbH, 2006: 83, illustrated.

Le Mouvement des Image (exhibition catalogue). Paris: Centre Pompidou, Musée national d’art moderne-Centre de creation idustrielle, 2006.

Ocvirk, Otto G. et al. Art Fundamentals: Theory and Practice. 10th ed. New York: Mcgraw-Hill, 2006: 36, illustrated; 37, 62, 63, 317.

Richer, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Arts Publishers, Inc., 2006: 88, illustrated

Tapestries (exhibition catalogue). Text by Jeremy Tessmer. Santa Barbara, California: Sullivan-Goss, 2006: illustrated.

2005

Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis, Minnesota: Walker Art Center, 2005: 25, 161–163.

Chuck Close: A Flipbook. Berkley, California: Fliptomania, Inc., 2005.

Chuck Close / Franz Gertsch (exhibition catalogue). Berlin: Galerie Haas & Fuchs, 2005.

Contemporary Voices: Works from the UBS Art Collection (exhibition catalogue). New York: The Museum of Modern Art, 2005: 146–149, illustrated.

Chuck Close: Recent Paintings (exhibition catalogue). Text by Robert Rosenblum. New York: PaceWildenstein, 2005.

Chuck Close: Self-Portraits 1967–2005 (exhibition catalogue). Texts by Madeleine Grynsztejn, Siri Engberg, and Douglas R. Nickel. San Francisco and Minneapolis: San Francisco Museum of Art; Walker Art Center, 2005.

Fine Art Works and Japanese Waka Poems. Tokushima, Japan: The Tokushima Modern Art Museum, 2005: 29, illustrated.

Friedman, Martin L. Close Reading: Chuck Close and the Art of the Self-portrait. New York: Harry N. Abrams, 2005.

From Pollock to Pop: America’s Brush with Dalí (exhibition catalogue). Text by Hank Hine and William Jeffett. St. Petersburg, Florida: Salvador Dalí Museum, 2006: 75, illustrated.

High Museum of Art: Selected Works from the Collection. Atlanta: High Museum of Art, 2005: 149, illustrated; 166, illustrated.

Molinard, Stephanie. Double Take: Photorealism from the 1960s and’70s (exhibition catalogue). Waltham, Massachusetts: Brandeis University, 2005: 19, illustrated.

Rose, Bernice, ed. Logical Conclusions: 40 Years of Rule Based Art (exhibition catalogue). Text by Marc Glimcher. New York: PaceWildenstein New York, 2005: illustrated.

Sajet, Kim. In Private Hands: 200 Years of American Painting. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005: 225, 90, illustrated.

Self Portrait: Renaissance to Contemporary (exhibition catalogue). London: National Portrait Gallery Publications, 2005: 202–207, illustrated.

2004

Cempellin, Leda. L’Iperrealismo “Fotografico” Americano in Pittura: RisonanzeStoriche Nella East e Nella West Coast. Padua, Italy: CLEUP Ed., 2004: 206–207,illustrated.

North Fork/South Fork: East End Art Now (exhibition catalogue). Southampton, New York: Parrish Art Museum, 2004: 33, illustrated.

Pervin, Lawrence and Dan Cervone. Personality: Theory and Research. Hoboken, New Jersey: John Wiley and Sons, 2004: illustrated.

Schama, Simon. Hang-Ups: Essays on Painting (Mostly). London: BBC Books, 2004: picture section 2, no. 19.

2003

An International Legacy: Selections from Carnegie Museum of Art (exhibition catalogue). Text by Sheryl Conkelton. New York: American Federation of Arts, 2003: illustrated.

Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge, Massachusetts: MIT Press, 2003.

Carter, Foster E. Drawing Modern. Works from the Agnes Gund Collection (exhibition catalogue). Cleveland: The Cleveland Museum of Art, 2003.

Chuck Close: Recent Works (exhibition catalogue). Text by Kirk Varnedoe. London:

White Cube, [2003].

Hyperréalismes USA, 1965–1975 (exhibition catalogue). Text by Jean-Claude Lebensztejn. Strasbourg: Musée d’art moderne et contemporain, 2003: illustrated.

Pakesch, Peter, ed. Imagination: Perception in Art (exhibition catalogue). Cologne: Walther König, 2003: 74–77, illustrated.

Sultan, Terrie Chuck Close Prints: Process and Collaboration (exhibition catalogue). Text by Richard Shiff. Princeton, New Jersey: Princeton University Press, 2003: illustrated.

2002

An American Legacy, A Gift to New York. Recent Acquisitions from the Board of Trustees (exhibition catalogue). New York: Whitney Museum of American Art, 2002.

Chuck Close: Recent Works (exhibition catalogue). Text by Kirk Varnedoe. New York: PaceWildenstein, 2002.

Paparoni, Demetrio, ed. Chuck Close: Daguerreotypes (exhibition catalogue). Milan: Alberico Cetti Serbelloni editore, 2002.

2001

ABBILD recent portraiture and depiction (exhibition catalogue). Texts by Peter Pakesch, Alexander Marzahn, Anne Krauter, Ingo Niermann, Sissi Tax, Georg Simmel, Antonin Artaud, Samuel Beckett, Benjamin H.D. Buchloh, Alex Pentland and Matthew Turk. Vienna: Springer-Verlag, 2001.

Gift To The Nation (exhibition catalogue). Washington, D.C.: Friends of Art and Preservation in Embassies, 2001.

Giorgio Morandi (exhibition catalogue). Texts by Donna de Salvo, Matthew Gale, et al. London: Tate Gallery Publishing, Ltd., 2001.

Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace. Text by Arnold Glimcher. Milan: Leonardo International, 2001: illustrated.

Under Pressure: Prints from Two Palms (exhibition catalogue). Text by Barry Schwabsky. New London, Connecticut: Lyman Allyn Museum of Art, Connecticut College, 2001.

2000

Celebrating Modern Art: Highlights of the Anderson Collection (exhibition catalogue). San Francisco: San Francisco Museum of Modern Art, 2000.

Chuck Close: The Photographic Works (exhibition catalogue). Youngstown, Ohio: The Butler Institute of American Art, 2000.

Chuck Close: Recent Paintings (exhibition catalogue). Text by Richard Shiff. New York: PaceWildenstein, 2000: illustrated.

Chuck Close: Daguerreotypien (exhibition catalogue). Munich: Galerie Daniel Blau, 2000.

Dorn, Roland, et al. Van Gough Face to Face: The Portraits (exhibition catalogue). Detroit: Detroit Institute of Arts, 2000.

The Figure: Another Side of Modernism (exhibition catalogue). Staten Island: Snug Harbor Cultural Center, 2000: 53, illustrated.

Hunter, Sam, John Jacobus and Daniel Wheeler. Modern Art: Painting, Sculpture, Architecture, 3rd revised edition. New York: Harry N. Abrams, Inc., 2000: 377, illustrated.

1999

Art at Work: Forty Years of The Chase Manhattan Collection (exhibition brochure). Text by Robert Rosenblum. Houston: The Museum of Fine Arts, Houston and Contemporary Arts Museum, 1999.

Corzo, Miguel Angel, ed. Mortality Immortality?: The Legacy of 20th-Century Art. Los Angeles: The Getty Conservation Institute, 1999.

Face to Face to Cyberspace (exhibition catalogue). Basel: Fondation Beyeler, 1999: 105, no. 20, illustrated.

Green, Pauline, ed. Developing the Collection: Acquisitions 1997–1999 (exhibition catalogue). Canberra, ACT: National Gallery of Australia, 1999: illustrated.

Head to Toe: Impressing the Body (exhibition catalogue). Amherst: University Gallery, University of Massachusetts, 1999.

Kosinski, Dorothy M. The Artist and the Camera: Degas to Picasso. New Haven, Connecticut: Yale University Press, 1999: illustrated.

Philbin, Ann, and Jack Shear. Drawn From the Artists’ Collections (exhibition catalogue). New York: The Drawing Center, 1999: illustrated.

Phillips, Lisa. The American Century: Art & Culture 1950–2000 (exhibition catalogue). New York: Whitney Museum of American Art, 1999.

Spaulding, Karen Lee. Masterworks at the Albright-Knox Art Gallery. Enlarged and revised edition of: 125 Masterpieces from the Collection of the Albright-Knox Art Gallery. New York: Rizzoli, 1987; New York: Hudson Hills Press in association with Buffalo: Albright-Knox Art Gallery, 1999: 280–281, illustrated.

1998

“Chuck Close.” In Kimmelman, Michael. Portraits: Talking with Artists at the Met, The Modern, The Louvre and Elsewhere. New York: Random House, 1998: 232–246, illustrated.

Greenberg, Jan and Sandra Jordan. Chuck Close: Up Close. New York: DK Publishing, Inc., 1998.

Storr, Robert. Chuck Close (exhibition catalogue). Texts by Kirk Varnedoe and Deborah Wye. New York: The Museum of Modern Art, 1998.

Then and Now: Art Since 1945 at Yale (exhibition catalogue). Text by Joachim Pissaro. New Haven, Connecticut: Yale University Press, 1998.

1997

Breuer, Karin, Ruth E. Fine and Steven A. Nash. Thirty-Five Years at Crown Point Press: Making Prints, Doing Art (exhibition catalogue). Berkeley and Los Angeles: The University of California Press, Fine Arts Museum of San Francisco, 1997.

Chuck Close/Paul Cadmus: In Dialogue (exhibition catalogue). Philadelphia: Philadelphia Museum of Art, 1997.

Curiger, Bice. ed. Birth of the Cool: American Painting from Georgia O'Keefe to Christopher Wool (exhibition catalogue). Zurich: Kunsthaus Zurich and Hamburg: Deichtorhallen Hamburg, 1997: illustrated.

The Hirshhorn Collects: Recent Acquisitions 1992–1996 (exhibition catalogue). Text by Jane McAllister and Nancy Eickel. Washington, D.C.: The Hirshhorn Museum and Sculpture Garden, 1997.

Joachimides, Christos M. and Norman Rosenthal, eds. The Age of Modernism: Art in the 20th Century (exhibition catalogue). Berlin: Zeitgeist-Gesellschaft e.V., 1997.

Kesten, Joanne, ed. The Portraits Speak: Chuck Close in Conversation With 27 of His Subjects. New York: A.R.T. Press, 1997.

Literature Works: A Collection of Readings. Needham, Massachusetts: Silver Burdett Ginn, 1997: illustrated.

Ruzicka, Joseph. Landfall Press: Twenty-five Years of Printmaking (exhibition catalogue). Contributions by Jack Lemon, Vernon Fisher, Mark Pascale. Milwaukee: Milwaukee Art Museum, 1997: illustrated.

Schaffner, Ingrid. Project Painting (exhibition catalogue). New York: Basilico Fine Arts and Lehman Maupin, 1997: illustrated.

Serota, Nicholas, Sandy Nairne and Adam Weinberg. American Realities: Views from Abroad, Europen Perspectives on American Art 3 (volume 3) (exhibition catalogue). Text by Andrew Brighton and Peter Wollen. New York: Whitney Museum of American Art, 1997: illustrated.

Sussler, Betsy. Speak Art! The Best of Bomb Magazine’s Interviews with Artists. Amsterdam, Netherlands: G&B Arts International, 1997.

1996

Annual Exhibition 1996 (exhibition catalogue). Rome: American Academy in Rome, 1996.

Artists Exposed. Text by David Ross. Italy: Ilisso, Nuoro, 1996.

Barnes, Rachel, et al. The 20th Century Art Book (exhibition catalogue). London: Phaidon Press Limited, 1996: 94.

Between Artists: Twelve Contemporary American Artists Interview Twelve Contemporary American Artists. Chuck Close interviews Vija Celmins. Los Angeles: A.R.T. Press, Inc., 1996: illustrated.

Bijutsu Shupan-Sha, Ltd., ed. New Materials Guide. Tokyo: BBS Ltd., 1996.

Brown, Kathan. Ink, Paper, Metal, Wood. Painters and Sculptors at Crown Point Press. San Francisco: Chronicle Books, 1996: illustrated.

Courville, Marianne. Collection in Context: Selected Contemporary Photographs of Hands from the Collection of Henry Mendelssohn Buhl (exhibition catalogue). New York: SoHo Partnership, 1996: illustrated.

Hirshhorn Museum and Sculpture Garden 150 Works of Art. Washington, D.C.: Hirshhorn Museum and Sculpture Garden in association with New York: Harry N. Abrams, Inc., 1996: illustrated.

Grausman, Jennifer, Andrew Lohr and Lisa Pasquariello. Fractured Fairy Tales: Art in the Age of Categorical Disintegration (exhibition catalogue). Text by Jennifer Grausman and interview with Chuck Close. Durham, North Carolina: Duke University Museum of Art, 1996.

Greenfield-Sanders, Timothy. Selected Portraits, 1985–1995 (exhibition catalogue). Text by Peter Halley. Cologne: Kunst-Station Sankt Peter Koln, 1996: illustrated.

Grynsztejn, Madeleine. Affinities: Chuck Close and Tom Friedman (exhibition catalogue). Chicago: The Art Institute of Chicago, 1996.

Narcissism, Artists Reflect Themselves (exhibition catalogue). Text by Reesy Shaw. Escondido, California: California Center for the Arts Museum, 1996: illustrated.

Seidner, David. The Face of Contemporary Art. Munich: Gina Kehayoff Verlag, 1996.

Stiles, Kristine and Peter Selz, eds. Theories and Documents of Contemporary Art. A Sourcebook of Artist's Writings. Berkeley, California: University of California Press, 1996: illustrated.

Sweetkind, Irene S., ed. Master Paintings from the Butler Institute of American Art. New York: Harry N. Abrams, Inc. in association with Youngstown, Ohio: The Butler Institute of America, 1996.

Tansey, Richard G. and Fred S. Kleiner, eds. Gardiner's Art Through the Ages. New York: Harcourt Brace College Publishers, Inc., 1996.

Weintraub, Linda with Arthur Danto and Thomas McEvilley. Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society, 1970s–1990s. Litchfield, Connecticut: Art Insights, Inc., 1996: illustrated.

Wye, Deborah. Thinking Print: Books to Billboards, 1980–95 (exhibition catalogue). New York: The Museum of Modern Art, 1996.

1995

Armstrong, Richard. Carnegie International 1995 (exhibition catalogue). Pittsburgh: The Carnegie Museum of Art, 1995.

Beyond the Borders: The First International Kwangju Biennale: International Exhibition of Contemporary Art (exhibition catalogue). Seoul: Kwangju Biennale Foundation Publisher/Life and Dream Publishing, Co., 1995: illustrated.

Babbitt, Sherry, ed. Philadelphia Museum of Art: Handbook of the Collections (exhibition catalogue). Text by Ann Temkin. Philadelphia: Philadelphia Museum of Art, 1995.

Chuck Close: Life and Work 1988-1995. Text by John Guare. New York: Thames and Hudson, 1995.

Clair, Jean and Manlio Brusatin, eds. La Biennale di Venezia, 46 esposizione internationale d’arte Identity and Alterity, Figures of the Body 1895/1995 (exhibition catalogue). Venice: Marsilio Editori s.p.a., 1995.

De Salvo, Donna. Face Value: American Portraits (exhibition catalogue). Texts by Kenneth E. Selver, Max Kozloff, Michele Wallace and Maurice Berger. Southampton, New York: The Parrish Art Museum and Paris: Flammarion, 1995: illustrated.

Flam, Jack, Monique Beudert, and Jennifer Wells. The PaineWebber Collection (exhibition catalogue). New York: Rizzoli International Publications and PaineWebber, Inc., 1995: illustrated.

Hanson, Trudy N., David Mickenberg, Joann Moser, and Barry Walker. Printmaking in America: Collaborative Prints and Presses, 1960-1990 (exhibition catalogue). Evanston, Illinois: Mary and Leigh Block Gallery, Northwestern University in association with New York: Harry N. Abrams Inc., 1995: illustrated.

Humanism and Technology. The Human Figure in Industrial Society (exhibition catalogue). Seoul: Seoul International Art Festival, National Museum of Contemporary Art, 1995.

Johnson, Kathryn C., ed. Made in America: Ten Centuries of American Art (exhibition catalogue). New York: Hudson Hills Press, 1995: illustrated.

Lauer, David and Stephen Pentak. Design Basics. Florida: Harcourt Brace & Company, 1995.

Le Thorel, Edward. Dictionary of Contemporary Artists. France: Bordas, 1995.

Lucie-Smith, Edward. ARTODAY. New York: Phaidon Press, 1995: illustrated.

National Museum of American Art, Smithsonian Institution (exhibition catalogue). Text by Elizabeth Broun and William Kloss. Washington, D.C.: National Museum of American Art with Bulfinch Press-Little, Brown and Company, 1995.

Sobel, Dean. 25 Americans: Painting in the 90’s (exhibition catalogue). Milwaukee, Wisconsin: Milwaukee Art Museum, 1995.

Walther, Ingo, ed. Malerei Der Welt. 2 vols. Koln: Benedikttaschen Verlag, 1995.

Wilson, Janet. National Museum of American Art. Washington, D.C.: Smithsonian Institution, 1995.

Yates, Sam. Pace Prints. Knoxville, Tennessee: University of Tennessee, 1995.

Yau, John. Chuck Close: Recent Paintings (exhibition catalogue). New York: PaceWildenstein, 1995: illustrated.

1994

Chuck Close: 8 peinture recentes (exhibition catalogue). Paris: Fondation Cartier pour l’art contemporain, 1994.

Craven, Wayne. American Art: History and Culture. Madison, Wisconsin: WCB Brown & Benchmark Publishers, 1994: illustrated.

Democratic Vistas: 150 Years of American Art from Regional Collections (exhibition catalogue). Text by Ken Johnson. Albany: University Art Museum, University of Albany, State University of New York, 1994.

Diamonstein, Barbaralee. Inside the Art World: Conversations with Barbaralee Diamonstein. New York: Barbaralee Diamonstein and Rizzoli International Publications, 1994: illustrated.

Ewing, William E. The Body: Photographs of the Human Form. San Francisco: Chronicle Books, 1994.

Feldman, Melissa E. Face-Off: The Portrait in Recent Art (exhibition catalogue). Text by Benjamin H. D. Buchloh. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1994.

From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (exhibition catalogue). Text by Ruth E. Fine and John T. Paoletti. Washington, D.C.: National Gallery of Art, 1994.

Lucie-Smith, Edward. American Realism. London: Thames and Hudson, Ltd., 1994.

Poetter, Jochen and Helmut Friedel, eds. Chuck Close: Retrospektive (exhibition catalogue). Texts by Robert Storr and Margrit Franziska Brehm. Baden-Baden: Staatliche Kunsthalle and Stuttgart: Edition Cantz, 1994.

Rose, Ted. Discovering Drawing. Worcester, Massachusetts: Davis Publications, Inc., 1994.

Schneider Adams, Laurie. A History of Western Art. New York: Harry N. Abrams, Inc., 1994.

30 YEARS––Art in the Present Tense: The Aldrich's Curatorial History 1964–1994 (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1994: illustrated.

Westerbeck, Colin. Lessons in Life: Photographic Works from the Boardroom Collection (exhibition catalogue). Chicago: The Art Institute of Chicago, 1994.

1993

Brunon, Bernard. Autoportraits Contemporains: Here’s Looking at Me (exhibition catalogue). Lyon, France: ELAC, 1993: illustrated.

Danto, Arthur C. Chuck Close: Recent Paintings (exhibition catalogue). New York: The Pace Gallery, 1993.

Feldman, Andrea. A Print Project by Chuck Close (exhibition catalogue). New York: Museum of Modern Art, 1993.

Ganz, Kate. Heads and Portraits: Drawings from Piero di Cosino to Jasper Johns (exhibition catalogue). New York: Jason McCoy, Inc., 1993.

Gibson, Robin. The Portrait Now (exhibition catalogue). London: National Portrait Gallery Publications, 1993.

Halle, David. Inside Culture: Art and Class in the American Home. Chicago: University of Chicago Press, 1993: illustrated.

I Am The Enunciator (exhibition catalogue). New York: Thread Waxing Space, 1993.

Jeffri, Joan, ed. The Painter Speaks: Artists Discuss Their Experiences and Careers. New York: Columbia University and Westport, Connecticut: Greenwood Press, 1993.

Kennedy-Smith, Jean and George Plimpton. Chronicles of Courage, Very Special Artists. New York: Random House, 1993.

Meisel, Louis K. Photorealism Since 1980. New York: Harry N. Abrams, 1993: illustrated.

Mendelowitz, Daniel M. A Guide to Drawing. 5th ed. Orlando, Florida: Harcourt Brace Jovanovich College Publishers, 1993.

Newman, Sasha M. and Lesley R. Baies, eds. Yale Collects Yale (exhibition catalogue). Text by Nicholas Fox Weber. New Haven: Yale University Art Gallery, 1993: illustrated.

Philbrick, Jane, ed. The Return of the Cadavre Exquis (exhibition catalogue). Text by Ann Philbin. New York: The Drawing Center, 1993: illustrated.

Phillips, Lisa. Photoplay: Works from the Chase Manhattan Collection (exhibition catalogue). New York: The Chase Manhattan Corporation, 1993: illustrated.

Rollins, Tim. Art Works: The Education Project (exhibition catalogue). New York: Art Works/The Education Project, 1993.

Smith, Ray. The DK School: An Introduction to Acrylics. London: Dorling Kindersley, 1993.

Watrous, James and Andrew Stevens. American Color Woodcuts: Bounty from the Block, 1890s–1990’s (exhibition catalogue). Madison: Elevehjem Museum of Art, University of Wisconsin, 1993: illustrated.

Whipple, Enez. Guild Hall of East Hampton: An Adventure in the Arts, the First 60 Years. New York: Harry N. Abrams, 1993: illustrated.

1992

Arte Americana 1930–1970 (exhibition catalogue). Milan: Fabbri Editori, 1992: illustrated.

Arthur, John. American Realism & Figurative Art: 1950–1990 (exhibition catalogue). Japan Association of Art Museums, 1992.

de Loisy, Jean. À visage découvert (exhibition catalogue). Paris: La Fondation Cartier pour l’art Contemporain, 1992: illustrated.

Dietz, Steve. American Art (exhibition catalogue). Washington, D.C.: National Museum of American Art, Smithsonian Institution and New York: Rizzoli International, Inc., 1992.

Gotz, Stephan. American Artists in their New York Studios. Stuttgart: Daco-Verlag Gunter Blase, 1992: illustrated.

Le Portrait Dans l'Art Contemporain (exhibition catalogue). Nice: Musée D'Art Moderne et D'Art Contemporain, 1992.

Leigh, Christian. Psysho (exhibition catalogue). Text by Octavio Zaya, Donald Kuspit, and Adrian Dannatt. New York: Kunsthalle, 1992.

Lloyd, Michael and Michael Desmond. European and American Paintings and Sculpture 1870-1970 in the Australian National Gallery. Canberra: The Australian National Gallery, 1992.

Persona (exhibition catalogue). Text by Arthur Ollman. San Diego: Museum of Photographic Arts, 1992: illustrated.

Roberts, Norma, ed. A Nation’s Legacy: 150 Years of American Art from Ohio Collections (exhibition catalogue) Columbus, Ohio: Columbus Museum of Art, 1992

Seitz, William. Art in the Age of Aquarius 1955-1970. Washington and London: Smithsonian Institution Press, 1992: illustrated.

Strickland, Carol. The Annotated Mona Lisa. A Crash Course from Prehistoric to Post-Modern. Kansas City: Universal Press Syndicate Co., 1992.

1991

Armstrong, Richard, Lisa Phillips and John G.Hamberdt. 1991 Biennial Exhibition (exhibition catalogue). Text by David A. Ross and Richard Marshall. New York: Whitney Museum of American Art, 1991.

Close, Chuck and Kirk Varnedoe. Artist's Choice—Chuck Close: Head–On/The Modern Portrait. New York: The Museum of Modern Art, 1991.

Fine, Ruth E. and Mary Lee Corlett. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida (exhibition catalogue). Washington, D.C.: National Gallery of Art, 1991: illustrated.

Hoffman, Katherine. Explorations: The Visual Arts Since 1945. New York: Harper Collins, 1991.

Jensen, Knud W., ed. Louisiana: The New Graphics Wing (exhibition catalogue). Humlebaek, Denmark: Louisiana Museum, 1991.

Large Scale Works on Paper (exhibition catalogue). San Francisco: John Berggruen Gallery, 1991.

Schjeldahl, Peter. Chuck Close: Recent Paintings (exhibition catalogue). New York: The Pace Gallery, 1991: illustrated.

Schwartz, Constance. In Sharp Focus: Super-Realism (exhibition catalogue). Roslyn Harbor, New York: Nassau County Museum of Art, 1991.

Six Takes on Photo-Realism (exhibition catalogue). Text by Helen Ferrulli. New York: Whitney Museum of American Art, 1991: illustrated.

Tallman, Susan. Contemporary Woodblock Prints from Crown Point Press (exhibition catalogue). Fort Meyers, Florida: Edison Community College, 1991.

Westerbeck, Colin and Joy L. Gordon. Chuck Close: Up Close (exhibition catalogue). East Hampton, New York: Guild Hall of East Hampton, 1991: illustrated.

Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. New York: The Vendome Press, 1991: illustrated.

Yankov, Edmund and Andy Grundberg. Departures: Photography 1923–1990 (exhibition catalogue). New York: Independent Curators Incorporated, 1991: illustrated.

Yenawine, Philip. How to Look at Modern Art. New York: Harry N. Abrams Inc., 1991: illustrated.

1990

Contemporary Woodblock Prints (exhibition catalogue). Text by Susan Tallman. Jersey City, New Jersey: Jersey City Museum, 1990: illustrated.

Cooper, Emmanuel. Fully Exposed: The Male Nude in Photography. London: Unwin Hyman, 1990: illustrated.

Goddard, Donald. American Painting. New York: Hugh Lauter Levin Associates, 1990: illustrated.

Leval, Susanna Torruella. Signs of the Self: Changing Perceptions (exhibition catalogue). Woodstock, New York: Woodstock Artists Association, 1990.

Portrait of an American Gallery: The Pace Gallery (exhibition catalogue). Text by Arnold Glimcher. Brussels: Galerie Isy Brachot, 1990.

Schwartz, Sanford. Artists and Writers. New York: Yarrow Press, 1990.

Stern, Jerome and Allys Palladino-Craig. MONOCHROME/POLYCHROME: Contemporary Realist Drawings (exhibition catalogue). Tallahassee, Florida: Florida State University Gallery and Museum, 1990.

The 20th Anniversary: Fuji Television Gallery 1970–1990 (exhibition catalogue). Tokyo: Fuji Television Gallery, 1990.

Walker Art Center: Paintings and Sculpture from the Collection. Text by Martin Friedman. New York: Rizzoli International Inc., in conjunction with the Walker Art Center, Minneapolis, 1990.

Wax, Carol. The Mezzotint: History and Technique. New York: Harry N. Abrams, Inc., 1990.

1989

Bishop, Margaret. Young Artists: Visual Arts Activities for Young Artists at Home and at School. Annandale, Australia: Piper Press, 1989.

Fantasies, Fables and Fabrications: Photo–Works from the 1980’s (exhibition catalogue). Text by Michael E. Coblyn. Amherst, Massachusetts: Herter Gallery, Herter Hall, University of Massachusetts at Amherst, 1989: illustrated.

Greenough, Sarah, Joel Snyder, David Travis, and Colin Westerbeck. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography (exhibition catalogue). Washington, D.C.: National Gallery of Art, 1989.

Heiferman, Marvin and Lisa Phillips with John G. Hanhardt. Image World: Art and Media Culture (exhibition catalogue). New York: Whitney Museum of American Art, 1989: illustrated.

Landau, Terry. About Faces. New York: Anchor Books Doubleday, 1989.

Pernotto, Jim. Chuck Close Editions: A Catalogue Raisonné and Exhibition (exhibition catalogue). Text by Louis A. Zona. Youngstown, Ohio: The Butler Institute of American Art, 1989.

Strick, Jeremy. Twentieth-Century Painting and Sculpture: Selections for the Tenth Anniversary of the East Building (exhibition catalogue). Washington, D.C.: National Gallery of Art, 1989: illustrated.

Ward, John L. American Realist Painting 1945-1980. Ann Arbor, Michigan: UMI Research Press, 1989: illustrated.

Westerbeck, Colin. Chuck Close (exhibition catalogue). Chicago: The Art Institute of Chicago in collaboration with San Francisco: The Friends of Photography, 1989: illustrated.

1988

Bowman, Russell. 1988 The World of Art Today (exhibition catalogue). Milwaukee: Milwaukee Art Museum, 1988: illustrated.

Drawing on the East End, 1940-1988 (exhibition catalogue). Text by Klaus Kertess and Turdy C. Kramer. Southampton, New York: The Parrish Art Museum, 1988.

The Face (exhibition catalogue). Little Rock: The Arkansas Arts Center, 1988: 81, 82, illustrated.

Fifty-Second National Midyear Exhibition (exhibition catalogue). Youngstown, Ohio: The Butler Institute of American Art, 1988.

Finch, Christopher. Twentieth Century Watercolors. New York: Abbeville Press, 1988: illustrated.

Gianfranco Gorgoni: Altered Images (exhibition catalogue). New York: The Penson Gallery, 1988:10–11, illustrated.

Harvey, Steven, Michael Krondl, Tennyson Schad and Paul Villinski. SmithKline & French Research and Development Art Collection. Upper Merion, Connecticut: SmithKline & French Laboratories, Inc., 1988.

Identity: Representations of the Self (exhibition catalogue). New York: Whitney Museum of American Art, 1988: illustrated.

Kertess, Klaus. Chuck Close, New Paintings (exhibition catalogue). New York: The Pace Gallery, 1988: illustrated.

Legg, Alicia, with Mary Beth Smalley, ed. Painting and Sculpture in the Museum of Modern Art. New York: The Museum of Modern Art, 1988.

Levin, Kim. Beyond Modernism, Essays on the Art from the 70's and 80's. New York: Harper & Row Publishers, Inc., 1988.

Sandler, Irving. American Art of the 1960's. New York: Harper & Row Publishers, Inc., 1988: illustrated.

Three Decades: The Oliver-Hoffman Collection (exhibition catalogue). Text by Bruce Guenther. Chicago: The Museum of Contemporary Art, 1988.

Weinberg, Adam D. Aldo Crommelynck Master Prints with American Artists (exhibition catalogue). New York: Whitney Museum of American Art at Equitable Center, 1988: illustrated.

1987

Art Against Aids (exhibition catalogue). Text by Robert Rosenblum. New York: American Foundation for AIDS Research, 1987: 182, illustrated.

Chuck Close: Drawings 1974–1986 (exhibition catalogue). New York: Pace Gallery, 1987.

Crane, Diane. The Transformation of the Avant-Garde, The New York Art World 1945-1985. Chicago: The University of Chicago Press, 1987.

Cummings, Paul. 20th Century Drawings from The Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art in association with New York: W.W. Norton & Co., 1987: illustrated.

Davis, Sandra. The Monumental Image (exhibition catalogue). Text by Judith Dunbau. Rolmert Park, California: University Art Gallery, Sonoma State University, 1987.

Faulkner, Ray with Edwin Ziegfeld and Howard Smagula. Art Today. 6th ed. New York: Holt Reinhardt and Winston, 1987.

Fryberger, Betsy G. The Anderson Collection: Two Decades of American Graphics 1967-1987. Prints, Multiples, Monotypes, Works on Paper (exhibition catalogue). Stanford, California: Board of Trustees of the Leland Stanford Junior University, 1987: illustrated.

Grundberg, Andy and Kathleen McCarthy Gauss. Photography and Art: Interactive Since 1946 (exhibition catalogue). Fort Lauderdale: Museum of Art; Los Angeles County Museum of Art; and New York: Abbeville Press, Publishers, 1987.

Hendricks, James. Assemblage/Collage: Work by 24 Artists & 4 Poets (exhibition catalogue). Westfield, Massachusetts: Westfield State College Gallery, 1987.

Hoy, Ann H. Fabrications: Staged, Altered and Appropriated Photographs. New York: Abbeville Press, 1987: illustrated.

Jacobs, Joseph and Marvin Heiferman. This Is Not a Photograph: Twenty Years of Large-Scale Photography 1966-1986 (exhibition catalogue). Text by Dr. Lawrence J. Ruggiero, Gordon Lewis, and Joseph Jacobs. Sarasota, Florida: The John and Mable Ringling Museum of Art, 1987: illustrated.

Lyons, Lisa and Robert Storr. Chuck Close. New York: Rizzoli International Publications, 1987.

Morgan, Dahlia. American Art Today: The Portrait (exhibition catalogue). Miami: The Art Museum at Florida International University, 1987: illustrated.

Portrayals (exhibition catalogue). Text by Carol Squiers. New York: International Center of Photography, Midtown, 1987.

Sullivan, Constance, ed. Legacy of Light. New York: Alfred A. Knopf, Inc., 1987: illustrated.

1986

Ackley, Clifford S. and David P. Becker and Barbara Stern Shapiro. 70’s into 80’s: Printmaking Now (exhibition catalogue). Boston: Museum of Fine Arts, 1986: illustrated.

Arnason, H.H. History of Modern Art: Painting, Sculpture, Architecture. 3rd ed. New York: Harry N. Abrams, Inc., 1986: illustrated.

Chuck Close: Recent Work (exhibition catalogue). Interview by Arnold Glimcher. New York: The Pace Gallery, 1986.

Cummings, Paul. The Changing Likeness: Twentieth Century Portrait Drawings (exhibition catalogue). New York: Whitney Museum of American Art at Phillip Morris, 1986.

Day, Holliday T. Painting and Sculpture Today—1986 (exhibition catalogue). Indianapolis: Indianapolis Museum of Art, 1986.

Drawings from the Collection of Dorothy and Herbert Vogel (exhibition catalogue). Little Rick, Arkansas: The University of Arkansas at Little Rock, Department of Art Galleries, 1986.

Finch, Christopher. American Watercolors. New York: Abbeville Press, 1986: illustrated.

Fischl, Eric and Jerry Saltz, eds. Sketchbook with Voices. New York: Alfred Van der Marck Editions, 1986.

Heiferman, Marvin. The Real Big Picture (exhibition catalogue). Flushing, New York: The Queens Museum of New York, 1986.

Heiting, Manfred, Gert Koshofer and Hans Staubach. 50 Years of Modern Color Photography (exhibition catalogue). Cologne: Photokina, 1986.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

Marshall, Richard and Robert Mapplethorpe. 50 New York Artists. San Francisco: Chronicle Books, 1986.

Martin, Alvin. American Realism: Twentieth Century Drawings and Watercolors (exhibition catalogue). Text by Henry T. Hompkins. San Francisco: San Francisco Museum of Modern Art and New York: Harry N. Abrams, Inc., 1986: illustrated.

Milwaukee Art Museum Guide to the Permanent Collection. Text by Cynthia Holly. Milwaukee: Milwaukee Art Museum, 1986.

Piper, David. The Illustrated Library of Art. 4 vols. New York: Portland House, 1986.

Rose, Barbara. American Painting: The Twentieth Century. New York: Rizzoli International Publishers, 1986.

Stein, Harvey. Artists Observed. Text by Elaine King. New York: Harry N. Abrams, Inc., 1986: illustrated.

Structured Vision: Collage and Sequential Photography (exhibition catalogue). Boise, Idaho: Boise Gallery of Art, 1986.

Walker, Barry. Public and Private: American Prints Today. The 24th National Print Exhibition at The Brooklyn Museum (exhibition catalogue). Brooklyn, New York: The Brooklyn Museum, 1986: illustrated.

1985

Adrian, Dennis. Sight Out of Mind: Essays and Criticism on Art. Ann Arbor: UMI Research Press, 1985.

Arthur, John. American Realism: The Precise Image (exhibition catalogue). Tokyo: Isetan Museum of Art, 1985: illustrated.

Billeter, Erika, ed. Dae Selbstportrait im Zeitafter der Photographie/L’autoportrait a l’age de la photographie (exhibition catalogue). English version: Self Portrait in the Age of Photography, translated by Birgit Remmel and Catherine Schelbert. Lausanne: Musee Cantonal des Beaux-Arts, 1985.

Feldman, Edmund Burke. Thinking About Art. Englewood Cliffs, New Jersey: Prentice Hall, 1985: illustrated.

Friis-Hansen, Dana. Nude, Naked, Stripped (exhibition catalogue). Cambridge, Massachusetts: MIT Committee on The Visual Arts, 1985: illustrated.

Gorgoni, Gianfranco. Beyond the Canvas: Artists of the Seventies and Eighties. New York: Rizzoli International Publications, 1985: illustrated.

Hertz, Richard, ed. Theories of Contemporary Art. Englewood Cliffs, New Jersey: Prentice Hall, 1985: illustrated.

Hunter, Sam, and John Jacobus. Modern Art: Painting, Sculpture, Architecture, 2nd ed. New York: Harry N. Abrams, Inc., 1985: illustrated.

Kramer, Hilton. The Revenge of the Philistines: Art and Culture, 1972-1984. New York: The Free Press, 1985.

Krantz, Les. American Art Galleries: The Illustrated Guide to Their Art and Artists. New York: Facts on File Publishers, 1985: illustrated.

Lyons, Lisa. Chuck Close (exhibition catalogue). Tokyo: Fuji Television Gallery, 1985. Reprint of Close Portraits. Minneapolis: Walker Art Center, 1980.

Pelfrey, Robert, and Mary Hall-Pelfrey. Art and Mass Media. New York: Harper and Row, 1985: illustrated.

Pillsbury, Edmund P. Chuck Close: Works on Paper (exhibition catalogue). Houston: Contemporary Arts Museum, 1985.

Simms, Patterson. The Whitney Museum of American Art: Selected Works from the Permanent Collection. New York: W. W. Norton & Co., in association with New York: Whitney Museum of American Art, 1985: illustrated.

Taylor, Susan. Workshop Experiments: Clay, Paper, Fabric, Glass (exhibition catalogue). Text by Alison Devine. Brattleboro, Vermont: Brattleboro Museum and Art Center, 1985.

1984

Arneson, Robert, et al. Paper Transformed: A National Exhibition of Paper Art (exhibition catalogue). Terre Haute, Indiana: Turman Gallery, Indiana State University, 1984: illustrated.

Art of Our Time, The Saatchi Collection, Vol. 4. Text by Peter Schjeldahl. New York: Rizzoli International Publishers, 1984.

Baigell, Matthew. A Concise History of American Painting and Sculpture. New York: Harper and Row, 1984.

Gettings, Frank. Drawings 1974–1984. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, 1984: 61–69, illustrated.

Lee, Marshall, ed. Art at Work: The Chase Manhattan Collection. New York: E.P. Dutton, Inc., 1984: illustrated.

Lucie-Smith, Edward. Movements in Art Since 1945. Rev. ed. New York: Thames and Hudson, 1984: illustrated.

Markowski, Eugene, D. Image and Illusion. Englewood Cliffs, New Jersey: Prentice Hall, 1984.

Marshall, Richard. American Art Since 1970: Paintings, Sculpture, and Drawings from the Collection of the Whitney Museum of American Art, New York (exhibition catalogue). New York: Whitney Museum of American Art, 1984: illustrated.

McDonald, Robert. Art of the States: Works From a Santa Barbara Collection (exhibition catalogue). Text by Robert Fitzpatrick. Santa Barbara, California: The Santa Barbara Museum of Art, 1984: illustrated.

The Modern Art of The Print: Selections from the Collection of Lois and Michael Torf (exhibition catalogue). Text by Clifford S. Ackley, Thomas Krens, and Deborah Menaker. Williamstown, Massachusetts: Williams College Museum of Art in collaboration with the Boston: Museum of Fine Arts, 1984.

The Museum of Modern Art: The History of the Collection. Text by Richard E. Oldenburg and Sam Hunter. New York: Harry N. Abrams, Inc., 1984.

Piper, David, ed. Looking at Art. New York: Random House, 1984: illustrated.

Robins, Corinne. The Pluralist Era: American Arts, 1968-1981. New York: Harper & Row, 1984.

Rosenblum, Naomi. A World History of Photography. New York: Abbeville Press, 1984: illustrated.

Russell, Stella Pandell. Art in the World. 2nd ed. New York: CBS College Publishing, 1984.

Viewpoint: The Artist as Photographer (exhibition catalogue). Text by Pat Kettering and Ann Kent. Summit, New Jersey: Summit Art Center, 1984: illustrated.

Vitz, Paul and Arnold Glimcher. Modern Art and Modern Science: The Parallel Analysis of Vision. New York: Praeger Publishers, 1984: illustrated.

Watrous, James. A Century of American Printmaking 1880-1980. Madison, Wisconsin: The University of Wisconsin Press, 1984: illustrated.

1983

American Super–Realism from the Morton G. Neumann Family Collection (exhibition catalogue). Evanston, Illinois: Terra Museum of American Art, 1983: illustrated.

Arthur, John. Realists at Work. New York: Watson-Guptill Publications, 1983: illustrated.

Brown, Julia and Bridget Johnson, eds. The First Show: Painting and Sculpture from Eight Collections, 1940-1980 (exhibition catalogue). Text by Pontus Hulten, Susan C. Larsen, et al. Los Angeles: The Museum of Contemporary Art, in association with New York: Arts Publisher Inc., 1983.

Chuck Close: Recent Work (exhibition catalogue). Text by John Perreault. New York: The Pace Gallery, 1983: illustrated.

Emanuel, Muriel, et al, eds. Contemporary Artists. 2nd ed. New York: St. Martin's Press, 1983: illustrated.

Frank, Peter. Self-Portraits (exhibition catalogue). Seattle: Linda Farris Gallery and Los Angeles Municipal Art Gallery, 1983.

Jacobs, Joseph. Faces Since the 50's: A Generation of American Portraiture (exhibition catalogue). Lewisburg, Pennslyvania: Center Gallery, Bucknell University, 1983: illustrated.

Kaplan, Ellen. Prints: A Collector's Guide. New York: Coward-McCann, Inc., 1983.

Naef, Weston. New Trends from the Gallery of World Photography Series. Japan: Shueisha Publishing Co., 1983.

Subjective Vision. The Lucinda Bunnen Collection of Photographs (exhibition catalogue). Atlanta: High Museum of Art, 1983.

The Tate Gallery Illustrated Biennial Report, 1980–82 (exhibition catalogue). Uxbridge, Middlesex, England: The Hillingdon Press, 1983.

Varely, William. New Work, New York (exhibition catalogue). Newcastle-upon-Tyne, England: Newcastle Polytechnic Gallery, 1983.

1982

Armstrong, Tom. Amerikanische Malerei 1930–1980 (exhibition catalogue). Munich: Haus der Kunst and Prestel-Verlag, 1982: illustrated.

Bujese, Arlene, ed. Twenty-five Artists. Text by Thomas M. Messer. Frederich, Maryland: University Publications of America, Inc., 1982.

Daval, Jean-Luc, ed. Photography: History of an Art. New York: Rizzoli International Publications, 1982: illustrated.

Garver, Thomas H., Warrinton Colescott, and Gordon Scott. New American Graphics 2 (exhibition catalogue). Madison, Wisconsin: Madison Art Center, 1982.

Goldstein, Nathan. One Hundred American and European Drawings: A Portfolio. Englewood Cliffs, New Jersey: Prentice Hall, 1982.

Haenlein, Carl. Momentbuild: Künstlerphotographie (exhibition catalogue). Text by Els Barents. Hannover: Kestner-Gesellschaft, 1982.

Herrmanns, Ralf. Varfor New York ? Stockholm, Sweden: Forlags AB Wilken, 1982.

Homo Sapiens: The Many Images (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1982: 15, illustrated.

Houk, Pamela. New Portraits: Behind Faces (exhibition catalogue). Dayton, Ohio: The Dayton Art Institute, 1982.

Johnson, Ellen H., ed. American Artists on Art from 1940 to 1980. New York: Harper & Row, 1982: illustrated.

Lewallen, Constance. Chuck Close. Matrix/Berkeley 50 (exhibition catalogue). Berkeley, California: University Art Museum, University of California, 1982: illustrated.

Mendelowitz, Daniel. Mendelowitz's Guide to Drawing. 3rd ed. Revised by Duane A. Wakeham. New York: CBS College Publishing / Holt, Rinehart and Winston, 1982: illustrated.

Mollison, James, and Laura Murray, eds. Australian National Gallery: An Introduction. Text by Margaret Steven. Canberra: Australian National Gallery, 1982: illustrated.

Monett, Alexandra. The Human Figure in Contemporary American Art (exhibition catalogue). New Orleans: The Contemporary Arts Center, 1982.

Phillips, Lisa. Surveying the Seventies: Selections from the Permanent Collection of the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1982.

Photo-Realisme. Dix ans après (exhibition catalogue). Paris: Galerie Isy Brachot, 1982.

Ronte, Dieter. Museum moderner kunst Wien. Braunshweig, Germany: Georg Westermann Verlag, 1982.

Smith, Paul A. Making Paper (exhibition catalogue). Text by Lillian A. Bell, David Kimball, Donald Farnesworth and Timothy Barrett. New York: American Craft Museum, 1982: illustrated.

Vaizey, Marina. The Artist as Photographer. New York: Holt, Rinehart and Winston, 1982.

1981

Armstrong, Tom. Amerikanische Malerei 1930-1980. Munich: Prestel-Verlag, 1981: illustrated.

Badger, Gerry. Photographer as Printmaker: 140 Years of Photographic Printmaking (exhibition catalogue). Northampton: Belmont Press and London: Arts Council of Great Britain, 1981: illustrated.

Barents, Els. Instant Fotographie (exhibition catalogue). Amsterdam: Stedelijk Museum, 1981.

Berreth, David. A Seventies Selection: An Exhibition of Works from the Collection of The Whitney Museum of American Art (exhibition catalogue). Oxford, Ohio: Miami University Art Museum, 1981: illustrated.

Brandt, Frederick P. and Susan L. Butler. Late Twentieth Century Art From the Sydney and Frances Lewis Foundation (exhibition catalogue). Richmond, Virginia: The Sydney and Frances Lewis Foundation, 1981: illustrated.

Brommer, Gerald F. Discovering Art History. Worcester, Massachusetts: Davis Publications, Inc., 1981

Chase, Linda. Super Realism from the Morton G. Neumann Family Collection (exhibition catalogue). Kalamazoo, Michigan: Kalamazoo Institute of Arts, 1981.

Close, Charles. Excellence: The Pursuit, The Commitment, The Achievement. Washington, D.C.: The LTV Corporation, 1981.

Cummings, Paul. Twentieth-Century Drawings: Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1981: illustrated.

Danoff, Michael I. The Image in American Painting and Sculpture, 1950–1980 (exhibition catalogue). Akron, Ohio: Akron Art Museum, 1981.

Elsen, Albert E. Purposes of Art. 4th ed. New York: CBS College Publishers, 1981: illustrated.

Gabay, Neil. Modern Painters: An Art Appreciation. Akron, Ohio: Nina Books, 1981.

Gamwell, Lynn and Victoria Kogan. Inside/Out: Self Beyond Likeness (exhibition catalogue). Newport Beach, California: Newport Harbor Art Museum, 1981: illustrated.

Goldman, Judith. American Prints: Process and Proofs (exhibition catalogue). New York: Harper & Row and Whitney Museum of American Art, 1981.

Goodyear, Frank H., Jr. Contemporary American Realism Since 1960 (exhibition catalogue). New York: New York Graphic Society, 1981: illustrated.

Huyghe, Rene, ed. Larousse Encyclopedia of Modern Art from 1880 to the Present Day. New York: Excalibur Books, 1981: illustrated.

Infield, Warren. The Tyler Offset Workshop: An Exhibition of Prints and Posters (exhibition catalogue). Philadelphia: Tyler School of Art, 1981.

Melot, Michael, Antony Griffiths, and Richard S. Field. Prints: History of an Art. New York: Skira/ Rizzoli International Publications, 1981: illustrated.

Morrin, Peter and Eric Zafran. Drawings from Georgia Collections: 19th and 20th Centuries (exhibition catalogue). Atlanta: High Museum of Art, 1981: illustrated.

Namuth, Hans. Artists 1950–81: A Personal View. New York: Pace Gallery Publications, 1981: portrait.

Piper, David, ed. The Random House Library of Paintings and Sculpture, Vol .I. New York: Random House, 1981.

Sachs, Samuel. Favorite Paintings from the Minneapolis Institute of Arts. New York: Abbeville Press, 1981.

Selz, Peter. Art in Our Times: A Pictorial History 1890–1980. New York: Harry N. Abrams, Inc., 1981: illustrated.

20 Artists: Yale School of Art 1950-1970 (exhibition catalogue). Text by Irving Sandler. New Haven, Connecticut: Yale University Art Gallery, 1981: illustrated.

Vogt, Paul. Contemporary Painting. New York: Harry N. Abrams, Inc. 1981: illustrated.

Wise, Kelly, ed. Portrait: Theory. New York: Lustrum Press, 1981: illustrated.

1980

Arthur, John. Realist Drawings and Watercolors: Contemporary Works on Paper.Boston: New York Graphic Arts Society/Little, Brown and Co., 1980.

Aspects of the 70's: Directions in Realism (exhibition catalogue). Text by John Perreault. Framingham, Massachusetts: Danforth Museum, 1980: illustrated.

Betti, Claudia and Teel Sale. Drawing: A Contemporary Approach. New York: Holt, Rinehart and Winston, with Capital City Press, Vermont, 1980: illustrated.

Butler, Christopher. After the Wake, An Essay on the Contemporary Avant-Garde. Oxford: Clarendon Press, 1980: illustrated.

Canaday, John. What is Art? An Introduction to Painting, Sculpture, and Architecture. New York: Alfred A. Knopf, 1980: illustrated.

Carmean, E. A., Trinkett Clark and Eliza E. Rathbone. The Morton G. Neumann Family Collection (exhibition catalogue). 2 Vols. Washington, D.C.: National Gallery of Art, 1980.

Castleman, Riva. Printed Art: A View of Two Decades (exhibition catalogue). New York: The Museum of Modern Art, 1980: illustrated.

Close Portraits (exhibition catalogue). Texts by Lisa Lyons and Martin Friedman. Minneapolis: Walker Art Center, 1980.

Daval, Jean-Luc, ed. Art Actuel/Skira Annuel 80/ Skira Annuel No. 6. Geneva: Skira, 1980.

Gelburd, Gail. American Realism of the Twentieth Century (exhibition catalogue). Morristown, New Jersey: Morris Museum of the Arts and Sciences, 1980.

Goodrum, Charles A. Treasures of the Library of Congress. New York: Harry N. Abrams, Inc., 1980: illustrated.

Hills, Patricia and Roberta K. Tarbell. The Figurative Tradition and the Whitney Museum of American Art: Paintings and Sculpture from the Permanent Collection (exhibition catalogue). New York: Whitney Museum of American Art, 1980: illustrated.

Hobbs, Jack A. Art in Context. 2nd ed. New York: Harcourt Brace Jovanovich, 1980.

Johnson, Una E. American Prints and Printmakers. New York: Doubleday and Co., 1980.

Kalan, Mitchell D. American Painting of the Sixties and Seventies (exhibition catalogue). Montgomery, Alabama: Montgomery Museum of Fine Arts, 1980: illustrated.

Lindey, Christine. Superrealist Painting and Sculpture. New York: William Morrow and Co., 1980: illustrated.

Lucie-Smith, Edward. Art in the Seventies. Ithaca, New York: Cornell University Press, 1980: illustrated.

Meisel, Louis K. Photorealism. New York: Harry N. Abrams, Inc., 1980.

Metz, Gary. Box 24 (exhibition catalogue). Philadelphia: Light Gallery, The Philadelphia College of Art and Polaroid Corporation, 1980.

Sadik, Marvin and Harold Francis Phister. American Portrait Drawings (exhibition catalogue). Washington, D.C.: Smithsonian Institution Press for the National Portrait Gallery, 1980.

Spaeth, Eloise. Portraits, Real and Imagined (exhibition catalogue). East Hampton, New York: Guild Hall Museum, 1980.

Ten American Artists From Pace (exhibition catalogue). London: Wildenstein & Co. and New York: Pace Gallery, 1980: illustrated.

1979

Alexander, Carolyn and Judith Goldman. Print Publishing in America (exhibition catalogue). Washington, D.C.: United States International Communication Agency, 1979: illustrated.

Armstrong, Tom. 1979 Biennial Exhibition (exhibition catalogue). New York: Whitney Museum of American Art, 1979: illustrated.

Baigell, Mathew. Dictionary of American Art. New York: Harper and Row, 1979.

Brown, Milton W., et al. American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography. New York: Harry N. Abrams, Inc., 1979.

Brutler, Hiram Carruthers, et al. Documents, Drawings and Collages: Fifty American Works on Paper from the Collection of Mr. and Mrs. Stephen D. Paine (exhibition catalogue). Williamstown, Massachusetts: Williams College Museum of Art, 1979.

Callner, Richard. Faculty Choice (exhibition catalogue). Albany: State University of New York at Albany, 1979.

Castleman, Riva. Prints of the 20th Century: A History. New York: Holt, Rinehart and Winston, 1979.

Chaet, Bernard. An Artists' Notebook, Techniques and Materials. New York: Holt, Reinhart and Winston, 1979.

Chuck Close: Recent Work (exhibition catalogue). Text by Kim Levin. New York: The Pace Gallery, 1979: illustrated.

Close, Chuck. Keith/Six Drawings/1979/Chuck Close. New York: Lapp Princess Press, Ltd. 1979: illustrated.

Copie Conforme? (exhibition catalogue). Text by Kim Levin, et al. Portait by Pontus Hulten. Paris: Centre Georges Pompidou, Musée nationale d'art moderne, 1979.

Diamonstein, Barbaralee. Inside New York's Art World. New York: Rizzoli International Publications, 1979.

Everson Museum of Art Bulletin (exhibition catalogue). Syracuse, New York: Everson Museum of Art, 1979.

Imports: An Exhibition of Contemporary Art from across the Country (exhibition catalogue). Text by R. Abrahams and others. Murray, Kentucky: Clara M. Eagle Gallery and Murray State University, 1979: illustrated.

Kern, Hermann. Chuck Close (exhibition catalogue). Munich: Kunstraum, 1979: illustrated.

Lucie-Smith, Edward. SuperRealism. Oxford, England: Phaidon Press Ltd, 1979: illustrated.

Landis, Ellen. Reflections of Realism (exhibition catalogue). Albuquerque, New Mexico: Albuquerque Museum, 1979.

Late Twentieth-Century Art: From the Sydney and Frances Lewis Foundation. Text by Susan L. Butler. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1979: illustrated.

Lochridge, Katherine. As We See Ourselves; Artists' Self Portraits (exhibition catalogue). Huntington, New York: Heckscher Museum, 1979: illustrated.

MacGill, Peter. 20 x 24/Light (exhibition catalogue). Text by Garry Metz. New York: Light Gallery, 1979: illustrated.

Miller, Wayne. Realist Space (exhibition catalogue). Greenvale, New York: C.W. Post Art Gallery, School of the AAS, 1979.

Rubin, David S. Black and White Are Colors: Paintings of the 1950's–1970's (exhibition catalogue). Claremont, California: Trustees of Pomona College, 1979: illustrated.

Shoemaker, Innis H. Drawings About Drawing Today (exhibition catalogue). Chapel Hill, North Carolina: The Ackland Art Museum, 1979: illustrated.

Simms, Patterson. The Decade in Review: Selections from the 1970's (exhibition catalogue). New York: Whitney Museum of American Art, 1979.

Thorson, Victoria, ed. Great Drawings of All Time: The Twentieth Century. 2 Vols. New York: Created by Shorewood Fine Art Books; Redding, Connecticut: Talisman Books, 1979: illustrated.

Warner, Malcolm. Portrait Painting. New York: Phaidon Press Ltd., 1979.

Yard, Sally. Images of the Self (exhibition catalogue). Text by Irving Sandler. Hampshire, Massachusetts: Hampshire College, 1979: illustrated.

1978

Aspects of Realism: Artist of the Region (exhibition catalogue). Text by Mahonri Sharp Young. East Hampton, New York: Guild Hall Museum, 1978.

Cathcart, Linda L. American Painting of the 1970s (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 1978: 18, illustrated.

Contemporary Drawing/New York (exhibition catalogue). Santa Barbara: University of California at Santa Barbara Art Museum, 1978: illustrated.

Cummings, Paul. 20th Century American Drawings: Five Years of Acquisitions (exhibition catalogue). New York: Whitney Museum of American Art, 1978.

d'Harnoncourt, Anne. Eight Artists (exhibition catalogue). Philadelphia: Philadelphia Museum of Art, 1978.

Distel, Herbert. The Museum of Drawers. Zurich: Kunsthaus Zürich, 1978.

Gilmour, Pat. The Mechanized Image: An Historical Perspective on 20th Century Prints (exhibition catalogue). London: Arts Council of Great Britain, 1978.

Grids. Format and Image in 20th Century Art (exhibition catalogue). Text by Rosalind Krauss. New York: The Pace Gallery, 1978: illustrated.

Mathey, Francois. American Realism. Geneva: Editions d'Art Albert Skira, 1978.

Meisel, Susan Pear. Photo-Realist Printmaking (exhibition catalogue). New York: Louis K. Meisel Gallery, 1978.

Point (exhibition catalogue). Philadelphia: Philadelphia College of Art, 1978: illustrated.

Saff, Donald and Deli Sacilotto. Printmaking: History and Process. New York: Holt, Rinehart and Winston, 1978: illustrated.

Vyverberg, Henry. The Living Tradition: Art, Music and Ideas in the Modern Western World. New York: Harcourt, Brace and Jovanovich, 1978.

1977

Arnason, H.H. History of Modern Art. Rev. ed. New York: Harry N. Abrams, Inc., 1977: illustrated.

Art for the Museum Since 1945, 2nd ed., vol. 2. Aachen, West Germany: The Neue Gallery, 1977.

Becker, Wolfgang. Der ausgestellte Kunstler/Museumskunst seit 45/The ArtistExhibited/Art for the Museum since ‘45/L’artiste expose/L’art de Musee depuis ’45 (exhibition catalogue). 2 Vols. Aachen, Germany: Neue Galerie-Sammlung Ludwig, 1977.

Belsito, Peter. Space. (A Guide to the Student Union Art Gallery University of Massachusetts Fall 1977) (exhibition catalogue). Amherst: The Student Union Gallery, University of Massachusetts, 1977.

Bevlin, Marjorie E. Design through Discovery: The Elements and Principles. 3rd ed. New York: Holt, Reinhart and Winston, 1977: illustrated.

Billeter, Erika. Malerei und Photographie im Dialog von 1840 bis Heute. Bern: Benteli Verlag, 1977: illustrated.

Brommer, Gerald F. and George Horn. Art in Your World. Worcester, Massachusetts: Publications Inc., 1977.

Chuck Close/Matrix 35 (exhibition catalogue). Hartford, Connecticut: Wadsworth Athenaeum, 1977.

Chuck Close: Recent Work (exhibition catalogue). New York: The Pace Gallery, 1977: illustrated.

Cummings. Paul. American Drawing 1927-1977 (exhibition catalogue). St. Paul, Minnesota: Minnesota Museum of Art, 1977: illustrated.

Cummings, Paul. Dictionary of Contemporary American Artists. 3rd ed. New York: St. Martin's Press, 1977: illustrated.

Daval, Jean-Luc. Skira Annuel No.4/ Art Actuel '78. Geneva: Editions d'Albert Skira S.A. 1977.

Donson, Theodore B. Prints and the Print Market. New York: Thomas Crowell, 1977.

Hess, Thomas B. and Gene Baro, Hayden Herrara, and Carter Ratcliff. Critics' Choice (exhibition catalogue). Syracuse, New York: Lowe Art Gallery, Syracuse University, 1977.

Karp, Ivan. New Realism: Modern Art Form (exhibition catalogue). Boise, Idaho: Boise Gallery of Art, 1977.

Kirschner, Judith Russi. Land Fall Press (exhibition catalogue). Chicago: Museum of Contemporary Art, 1977.

Late Twentieth Century Art: The Sydney and Frances Lewis Foundation (exhibition catalogue). Richmond: Anderson Gallery, Virginia Commonwealth University, 1979: 7, illustrated.

Lucie-Smith, Edward. Art Now: From Abstract Expressionism to Superrealism. New York: William Morrow and Co., 1977: illustrated.

Naylor, Colin, and Genesis P. Orridge. Contemporary Artists. New York: St. Martin's Press, 1977: illustrated.

Paris–New York (exhibition catalogue). Text by Hélène Seckel, Daniel Abadie, and Alfred Pacquement. Paris: Musée national d'art moderne, Centre Georges Pompidou, 1977: illustrated.

Rattemeyer, Volker. Kunst und Median: Materialien sur Documenta 6 (exhibition catalogue). Kassel, West Germany: Stadtzeitung Verlag, 1977.

Rose, Barbara, and Jules D. Prown. American Painting. New York: Skira, Rizzoli, 1977.

Selleck, Jack. Looking at Faces. Worcester, Massachusetts: Davis Publications, 1977.

Sims, Patterson and Marcia Tucker. 1977 Biennial Exhibition (exhibition catalogue). New York: Whitney Museum of American Art, 1977.

Stringer, John. Illusion and Reality (exhibition catalogue). North Sidney, Australia: Australian Gallery Directors Council, 1977: illustrated.

Thomas, Karin and Gerd de Vries. DuMont's Hunstler Lexikon: Von 1945 bis zur Gegenwart. Cologne: DuMont Buchverlag, 1977.

Twentieth Century American Art from Friends' Collections (exhibition brochure). New York: Whitney Museum of American Art, 1977.

A View of a Decade (exhibition catalogue). Text by Martin Friedman, Robert Pincus-Witken, and Peter Gay. Chicago: Museum of Contemporary Art, 1977: illustrated.

Waller, Bret A. Works from The Collection of Dorothy and Herbert Vogel (exhibition catalogue). Ann Arbor, Michigan: The University of Michigan Museum of Art, 1977.

1976

Amerikanische Kunst von 1945 bis heute: Kunst der USA in europäischen Sammlungen. Edited by Dieter Honisch and Jens Christian Jensen. Koln: DuMont Buchverlag Köln, 1976: illustrated.

Armstrong, Thomas N., III. Three Decades of American Art Selected by the Whitney Museum of American Art (exhibition catalogue). Tokyo: Seibu Museum of Art, 1976: illustrated.

Aspects of Realisme/Aspects du Realisme (exhibition catalogue). Stratford, Ontario: Rothmans of Pall Mall Canada, Ltd., 1976: illustrated.

Castleman, Riva. Prints of the 20th Century: A History. New York: Museum of Modern Art; London: Thames and Hudson, 1976.

Haskell, Barbara and Jay Belloli. American Artists: A New Decade (exhibition catalogue). Fort Worth: Fort Worth Art Museum and Detroit: Detroit Institute of Arts, 1976.

Honisch, Dieter and Jens Christian Jensen. Amerikanische kunst von 1945 bis heute (exhibition catalogue). Berlin: Nationalgalerie Berlin and Cologne: Kunsthalle Zukiel, 1976.

Hunter, Sam and John Jacobus. Modern Art: From Post-Impressionism to the Present--Painting, Sculpture and Architecture. New York: Harry N. Abrams, Inc., in association with Alexis Gregory, 1976: illustrated.

Janis, Sydney. The Photographer and the Artist (exhibition catalogue). New York: Sidney Janis Gallery, 1976.

Johnson, Ellen. Modern Art and the Object: A Century of Changing Attitudes. London: Thames and Hudson, 1976: illustrated.

Kulterman, Udo. The New Painting. Rev. ed. (translated from the German by Wesley V. Blomster). Colorado: Westview Press, 1976.

Lipman, Jean and Helen M. Franc. Bright Stars: American Painting and Sculpture Since 1776. New York: E.P. Dutton & Co., Inc., 1976; illustrated.

Marioni, Tom, ed. Vision #3 (exhibition catalogue). New York: Crown Point Press, 1976.

Richard Artschwager, Chuck Close, Joe Zucker (exhibition catalogue). Text by Catherine Kord. San Francisco: Daniel Weinberg Gallery, 1976: illustrated.

Rose, Bernice. Drawing Now (exhibition catalogue). New York: The Museum of Modern Art, 1976. German translation: Zeichnung Haute. Zurich: Kunsthaus Zurich, 1976: illustrated.

Rorimer, Anne. Seventy-second American Exhibition (exhibition catalogue). Chicago: The Art Institute of Chicago, 1976.

Stebbins, Theodore E., Jr. American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present, New York: Harper and Row in association with the New York: Drawing Society, 1976: illustrated.

Varnedoe, Kirk R. ed. Modern Portraits: The Self and Others (exhibition catalogue). New York: Columbia University, 1976.

Walthard, Dr. Frederic P. Art 7 /76 (exhibition catalogue). Basel, 1976: illustrated.

Wilmerding, John. American Art (Pelican History of Art). New York: Penguin Books, 1976: illustrated.

1975

Barette, G.W. and Allan Frumkin. Portrait Painting 1970-1975: A Survey of InformalPortraiture in the USA (exhibition catalogue). New York: Allan Frumkin Gallery, 1975.

Battcock, Gregory, ed. Super Realism: A Critical Anthology. New York: E.P. Dutton,1975: illustrated.

Daval, Jean-Luc, ed. Art Actuel/Skira Annuel 75: Skira Annuel No. 1. Geneva: Skira, 1975.

Delahanty, Suzanne. Painting, Drawing and Sculpture of the 60s and 70s from the Dorothy and Herbert Vogel Collection (exhibition catalogue). Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1975.

Field, Richard S. Recent American Etching (exhibition catalogue). Middletown, Connecticut: Wesleyan University, 1975: illustrated.

Finch, Christopher. Chuck Close: Dot Drawings 1973 to 1975 (exhibition catalogue). Austin, Texas: Laguna Gloria Art Museum, 1975: illustrated.

Hobbs, Jack A. Art in Context. New York: Harcourt Brace Javanovich, 1975: illustrated.

Meisel, Susan Pear. Watercolors and Drawings-American Realists (exhibition catalogue). New York: Louis K. Meisel Gallery, 1975.

Popper, Frank. Art-Action and Participation. New York: New York University Press, 1975: illustrated.

Rose, Barbara. American Art Since 1900. New York: Praeger Publishers, 1975: illustrated.

Rose, Barbara. ed. Readings in American Art: 1900-1975. Rev. ed. New York: Praeger Publishers, 1975.

Slade, Roy. 34th Biennial of Contemporary American Painting (exhibition catalogue). Washington, D.C.: The Corcoran Gallery of Art, 1975: illustrated.

Walker, John A. Art Since Pop. London: Thames and Hudson, 1975: illustrated.

1974

Abadie, Daniel. Kijken naar de Werkelijkheid (exhibition catalogue). Rotterdam: Museum Boymans-van-Beuningen, 1974: illustrated.

Calamandrei, Mauro, with photographs by Gianfranco Gorgoni. ART USA: Arte e Vita dell'America d'Oggi. Milan: Fratelli Fabbri Editori, 1974: illustrated.

Carucci, Beniamino, ed. Ico Parisi: Ipotesi per una Casa Esistenziale “Spazio Dedicato a Charles Close” (exhibition catalogue). Rome: Biblioteca d’arte contemporanea, 1974.

Chase, Linda. Tokyo Biennale ’74 (exhibition catalogue). Tokyo: Mainichi Newspapers, 1974.

Clair, Jean, Daniel Abadie, Wolfgang Becker, and Pierre Restany. Hyperréalistes américains, réalistes européens (exhibition catalogue). Paris: Centre National d'Art Contemporain, 1974: illustrated.

Cotler, Sheldon, ed. Photography Year/1974 Edition. New York: Time-Life Books, 1974.

de Menil, Dominique. Gray Is The Color: An Exhibition of Grisaille Painting XIIIth–XXth Centuries (exhibition catalogue). Houston: Institute for the Arts, Rice University, 1974: illustrated.

Holtmann, Heinz. Amerikaans Fotorealisme/Grafiek (exhibition catalogue). Utrecht: Hedenaaglse Kunst, 1974: illustrated.

Mussa, Italo. L'Iperrealismo: Il Vero Piu Vero Del Vero. Rome: Romana Libri Alfabeto, 1974.

Read, Herbert. A Concise History of Modern Painting. New York: Praeger Publishers, 1974.

Ronte, Dieter et al. Kunst Bleibt Kunst Projekt '74 (exhibition catalogue). Cologne: The Kunsthalle, 1974: illustrated.

Sarajas-Korte, Salme. ARS ’74 (exhibition catalogue). Helsinki: The Ateneum, Fine Arts Academy of Finland, 1974: illustrated.

Shulman, Leon. Three Realists: Close, Estes, Raffael (exhibition catalogue). Worcester, Massachusetts: Worcester Museum, 1974: illustrated.

25 Years of Janis, Part 2 (exhibition catalogue). New York: Sidney Janis Gallery, 1974: illustrated.

1973

Alloway, Lawrence. Photo-Realism: Paintings, Sculpture and Prints from The Ludwig Collection and Others (exhibition catalogue). London: Serpentine Gallery, 1973.

Becker, Wolfgang. Kunst nach Wirklichkeit. Ein neuer Realismus in Amerika und in Europa (exhibition catalogue). Hannover: Kunstverein Hannover, 1973.

Brachot, Isy, ed. Hyperréalisme (exhibition catalogue). Brussels: Imprimeries F. Van Buggenhoudt, 1973.

Chase, Linda. Les Hyperréalistes américains. Paris: Filipacchi, 1973: illustrated.

Combattimento Per Un`imagine (exhibition catalogue). Turin: Galleria Civica d'Arte Moderna, 1973.

Grand Maitres Hyperrealistes Americains (exhibition catalogue). Text by Salvador Dali. Paris: Galerie des Quatre Mouvements, 1973: illustrated.

Grochowiak, Thomas. Mit Kamera, Pinsel und Spritzpistole, Realistische Kunst in Unsever Zeit (exhibition catalogue). Recklinghausen, Germany: Städtische Kunsthalle Recklinghausen, 1973.

Robinson, Franklin W. One Hundred Master Drawings from New England Private Collections (exhibition catalogue). Hanover, New Hampshire: The University Press of New England, 1973: illustrated.

Sager, Peter. Neue Formen des Realismus. Cologne: Verlag M. DuMont Schauberg, 1973: illustrated.

Solomon, Elke M. American Drawings 1963–1973 (exhibition catalogue). New York: Whitney Museum of American Art, 1973: illustrated.

The Super-Realist Vision (exhibition catalogue). Text by Carlo Lamagna. Lincoln, Massachusetts: De Cordova Museum, 1973.

van der Marck, Jan. American Art Third Quarter Century (exhibition catalogue). Text by Thomas N. Maythan and Robert B. Dootson. Seattle: Seattle Art Museum, 1973: illustrated.

Young American Artists: Drawings and Graphics (exhibition catalogue). Text by Steingrim Laursen. Charlottenlund, Denmark: Gentofterådhus, 1973: illustrated.

1972

Abadie, Daniel. Hyperréalistes Américains (exhibition catalogue). Paris: Galerie desQuatre Mouvements, 1972: illustrated.

Amaya, Mario. Realism Now (exhibition catalogue). New York: New York Cultural Center, 1972: illustrated.

Ammann, Jean Christophe. Documenta 5 (exhibition catalogue). Kassel, West Germany: Neue Galerie; Museum Fridericianum, 1972.

Bauer, John I. H. 1972 Annual Exhibition of Contemporary American Painting (exhibition catalogue). New York: Whitney Museum of American Art, 1972: illustrated.

Becker, Wolfgang. Kunst um 1970—Art Around 1970 (exhibition catalogue). Aachen, West Germany: Neue Galerie, 1972: illustrated.

Chuck Close (exhibition catalogue). Text by Dennis Adrian. Chicago: Museum of Contemporary Art, 1972.

Coke, Van Deren. The Painter and the Photograph: From Delacroix to Warhol. Albuquerque: University of New Mexico Press, 1972: illustrated.

Colossal Scale (exhibition catalogue). New York: Sidney Janis Gallery, 1972.

Crown Point Press (exhibition catalogue). Text by Kathan Brown. San Francisco: San Francisco Art Institute, 1972.

Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, Inc., 1972: illustrated.

Kulterman, Udo. New Realism. New York: New York Graphic Society, 1972: illustrated.

Lunn, Jr., Harry J. 19th and 20th Century Prints, Photographs, Drawings (cat. 2) (exhibition catalogue). Washington, D.C.: Graphics International Ltd., 1972.

Miller, Jo. Eighteenth National Print Exhibition (exhibition catalogue). Brooklyn: The Brooklyn Museum, 1972: illustrated.

Schneede, Uwe. Amerikanisher Fotorealismus: Württembergischer Kunstverein, (exhibition catalogue). Stuttgart: Württembergischer Kunstverein, 1972: illustrated.

Warrum, Richard L. Painting and Sculpture Today, 1972 (exhibition catalogue). Indianapolis: Indianapolis Museum of Art, 1972: illustrated.

Young, Dennis. Recent Vanguard Acquisitions (exhibition catalogue). Ontario: Art Gallery of Ontario, 1972.

1971

Fischer, Konrad, Jurgen Harten, and Han Strelow. “Projection.” In Prospect 71 (exhibition catalogue). Düsseldorf: Städtische Kunsthalle and Art-Press Verlag, 1971: illustrated.

Scott, Gail R. Chuck Close: Recent Work (exhibition catalogue). Los Angeles: Los Angeles County Museum of Art, 1971.

Thomas, Karin. Bis Heute: Stilgeschichte der bildenen Kunste im 20 Jahrhundert. Cologne: Verlag M. DuMont Schauberg, 1971: illustrated.

1970

Monte, James. 22 Realists (exhibition catalogue). New York: Whitney Museum of American Art, 1970: illustrated.

Three Young Americans (exhibition catalogue). Oberlin: Allen Memorial Art Museum, Oberlin College, 1970.

1969

1969 Annual Exhibition Contemporary American Painting (exhibition catalogue). Text by John H. Bauer. New York: Whitney Museum of American Art, 1969: illustrated.