Mark Rothko

Details:

b. 1903, Dvinsk, Russia
d. 1970, New York

Pace Publications:

Mark Rothko, a pioneer of the New York School, is one of the most significant and influential artists of the twentieth century, predominantly recognized for his mesmerizing Color-field paintings of immense scale.

Among Rothko’s artistic philosophies, he held that painting was a deeply psychological and spiritual experience through which basic human emotions could be communicated.

By the end of the 1920s, Rothko had participated in his first group exhibition at Opportunity Galleries, New York (1928), and began weekly drawing sessions with Milton Avery and Adolph Gottlieb. Rothko supported his practice during this time by teaching children at the Center Academy of the Brooklyn Jewish Center, a part-time position that he held from 1929 to 1952. Although Avery’s artistic influence was indelible, Rothko’s interaction with children also proved significant to his practice and further inspired him to simplify his mode of expression. He included a selection of his students’ work in his first one-person exhibition, held at the Museum of Art in Portland, Oregon (1933). In 1935 Rothko co-founded the independent art group "The Ten," which included Gottlieb, Louis Harris, and Ilya Bolotowsky among its members.

The decade of the 1940s represented a sea change in Rothko’s artistic style. Deriving inspiration from the European Surrealists and Jungian theory of the collective unconscious, Rothko pivoted from figuration to biomorphic and totemic imagery in myth-based works. These paintings, which occupy a position between Surrealism, abstraction, and automatism, were revealed in a seminal solo exhibition at Peggy Guggenheim’s gallery, Art of This Century (1945). Delving further into abstraction, his paintings flourished throughout the remainder of 1940s, leading to innovations that set the stage for his ensuing Color-field paintings (1949–70), devoting the remainder of his practice to this method.

Rothko’s first major retrospective, covering works from 1945 to 1960, opened at The Museum of Modern Art, New York, and traveled to London, Amsterdam, Brussels, Basel, and Rome, before closing in Paris (1961–63). The Spirit of Myth, Early Paintings From the 1930s and 1940s traveled to twenty-five locations across the United States, opening at the Cedar Rapids Museum of Art, Iowa, and closing at the Arkansas Art Center, Little Rock (1990–98).

At the height of his career, Rothko received his most prominent commission from John and Dominique de Menil in 1964. Asked to produce murals for a non-denominational chapel in Houston, Texas, Rothko created a suite of fourteen dark palette paintings for the site, which, in their meditative quality, enact a total environment. Known as the Rothko Chapel, the building was posthumously dedicated to the artist upon its inauguration in 1971.

Rothko’s stylistic explorations resulted in a proliferation of works on paper and canvas, with layered transparencies of vibrant pigments and earth tones culminating in luminous and ethereal soft-edged compositions. His approach to painting emphasized an experimental engagement with process in order to fully articulate a universal expression.

Mark Rothko, *Untitled {Multiform}*, 1948, oil on canvas, 88-7/8 x 65" (225.7 x 165.1 cm) © 2019 Kate Rothko Prizel and Christopher Rothko / Artists Rights Society (ARS), New York

Mark Rothko, *Untitled*, 1969, acrylic on canvas, 81" x 93" (205.7 cm x 236.2 cm) © 2019 Kate Rothko Prizel and Christopher Rothko / Artists Rights Society (ARS), New York

Exhibitions

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Mark Rothko
One-Artist Exhibitions

Mark Rothko One-Artist Exhibitions

Dates

Died 1970, New York, New York

Born 1903, Dvinsk, Russia

Education

1924, Art Students League, New York, New York

1921–1923, Yale University, New Haven, Connecticut

2023

Mark Rothko, Fondation Louis Vuitton, Paris, October 18, 2023–April 2, 2024.

2021

Mark Rothko: 1968: Clearing Away, Pace Gallery, London, October 8–November 13, 2021. (Catalogue)

2019

Rothko & Me, Stedelijk Museum, Schiedam, Netherlands, March 16, 2019–January 5, 2020.

Mark Rothko, Kunsthistorisches Museum Wien, Vienna, March 12–June 30, 2019.

2017

Mark Rothko: Reflection, Museum of Fine Arts, Boston, September 24, 2017–July 1, 2018.

2016

Rothko: Dark Palette, Pace Gallery, 510 West 25th Street, New York, November 4, 2016–January 7, 2017. (Catalogue)

2015

Mark Rothko: A Retrospective, Museum of Fine Arts, Houston, September 29, 2015–January 24, 2016. (Catalogue)

Mark Rothko Exhibition, Seoul Arts Center, Hangaram Art Museum, March 19–June 28, 2015.

2014

Mark Rothko’s Harvard Murals, Harvard Art Museum, Cambridge, November 16, 2014–July 26, 2015.

Mark Rothko, Gemeentemuseum Den Haag, The Netherlands, September 20, 2014–March 1, 2015. (Catalogue)

Tragic and Timeless: The Art of Mark Rothko, Saint Louis Art Museum, May 24–September 14, 2014.

Mark Rothko: The Watercolors 1941–1947, Pace Gallery, 32 East 57th Street, New York, May 2–June 21, 2014. (Catalogue)

2012

Mark Rothko: The Decisive Decade, 1940–1950, Columbia Museum of Art, South Carolina, September 14, 2012–January 6, 1913. Travels to: Columbus Museum of Art, Ohio, February 1–May 26, 2013; as Figure to Field: Mark Rothko in the 1940s, Denver Art Museum, June 23–September 29, 2013; as Mark Rothko in the 1940s: The Decisive Decade, Arkansas Arts Center, Little Rock, October 25, 2012–February 9, 2014. (Catalogue)

Mark Rothko, Portland Art Museum, Oregon, February 18–May 27, 2012.

Mark Rothko: Selections from the National Gallery of Art, Academy Art Museum, Easton Maryland, February 4–April 22, 2012.

2011

Mark Rothko: Seagram Murals, The National Gallery of Art, Washington, D.C., December 6, 2011–August 15, 2012.

Mark Rothko: Perceptions of Being, Chrysler Museum of Art, Norfolk, Virginia, September 28, 2011–January 15, 2012.

Rothko in Britain, Whitechapel Gallery, London, September 9, 2011–February 26, 2012.

2010

Mark Rothko, Into an Unknown World: 1949–1969, Garage Centre for Contemporary Culture, Moscow, April 23–August 14, 2010. (Catalogue; texts by Andrei Tolstoy and Irving Sandler)

In the Tower: Mark Rothko, National Gallery of Art, Washington, D.C., February 21, 2010–January 2, 2011. (Brochure; text by Harry Cooper)

2008

Rothko: The Late Series, Tate Modern, London, September 26, 2008–February 1, 2009. Traveled to: Kawamura Memorial Museum of Art, Sakura, Japan, February 21–June 14, 2009. (Catalogues)

2007

Mark Rothko, Palazzo delle Esposizioni, Rome, October 6, 2007–January 6, 2008. Traveled to: Kunsthalle der Hypo Kulturstiftung, Munich, February 8–April 27, 2008; Hamburger Kunsthalle, Galerie der Gegenwart, May 16–September 13, 2008. (Catalogue)

Mark Rothko, Tel Aviv Museum, Israel, March 29–June 30, 2007. (Catalogue)

2006

Museum of Contemporary Art’s Mark Rothkos, Museum of Contemporary Art, Los Angeles, November 5, 2006–January 21, 2007.

The Art of Mark Rothko: Selections from the National Gallery of Art, Washington, Samsung Museum of Art, Seoul, Korea, June 22–September 10, 2006. (Catalogue)

2005

El Arte de Mark Rothko: Selección de la Galeria Nacional de Arte de Washington, Museo de Arte Moderno de Mexico, Sal Jose Juan Tablada, October 20, 2005–January 8, 2006. (Catalogue)

Mark Rothko: Works on Paper 1930–1969. Galerie Beyeler, Basel, June 7–August 20, 2005. (Catalogue)

2004

Mark Rothko: Parades de Luz / Walls of Light, Guggenheim Bilbao, June 8–October 24, 2004. (Catalogue)

Mark Rothko: A Painter’s Progress, The Year 1949, PaceWildenstein, New York, January 23–February 23, 2004. (Catalogue)

2003

Mark Rothko: 100th Anniversary Since His Birth; Paintings and Works on Paper, The State Hermitage Museum, St. Petersburg, December 16, 2003–March 8, 2004. (Catalogue)

Mark Rothko: The Mural Projects, National Gallery of Art, Washington, D.C., October 12, 2003, installed indefinitely.

Mark Rothko: A Centennial Celebration, Fondation Beyeler, Basel, September 25, 2003–April 12, 2004. (Catalogue)

2002

Mark Rothko: A Wall of Light, Fondation Beyeler, Basel, September 16, 2002–September 2003.

2001

Mark Rothko Rooms, Fondation Beyeler, Basel, November 24, 2001–September 15, 2002.

Mark Rothko: The Realist Years: Selected Works, PaceWildenstein, New York, October 31, 2001–January 5, 2002. (Catalogue)

Mark Rothko: The Edith Sachar Collection: Paintings and Works on Paper, Joan T. Washburn Gallery, New York, October 25–December 1, 2001. (Catalogue)

Mark Rothko: A Consummated Experience between Picture and Onlooker, Fondation Beyeler, Basel, February 18–April 29, 2001. (Catalogue)

2000

Mark Rothko and the Lure of the Figure: Paintings 1933–1946, University of Michigan Museum of Art, Ann Arbor, December 16, 2000–February 25, 2001. (Catalogue)

Mark Rothko, Fundació Joan Miró, Barcelona, November 25, 2000–January 28, 2001. (Catalogue)

1998

Mark Rothko, National Gallery of Art, Washington, D.C., May 3–August 16, 1998. Traveled to: Whitney Museum of American Art, New York, September 17–November 29, 1998; Musée d’Art Moderne de la Ville de Paris, January 8–April 18, 1999. (Catalogue)

1996

Mark Rothko: The Chapel Commission, The Menil Collection, Houston, December 13, 1996–March 29, 1997. (Catalogue)

Mark Rothko in Cornwall, Tate Gallery, St. Ives, England, May 4–November 3, 1996. (Catalogue)

1995

Mark Rothko Retrospective, Kawamura Memorial Museum of Art, Sakura, Japan, September 23–November 5, 1995, Marugame Genichiro–Inokuma Museum of Art, Marugame, November 11–December 24, 1995. Traveled to: Nagoya City Art Museum of Contemporary Art, Nagoya, January 4–February 12, 1996; New Tokyo Metropolitan Art Museum, Tokyo, February 17–March 24, 1996. (Catalogue)

Mark Rothko, Galeria Elvira González, Madrid, January 31–March 11, 1995. (Catalogue)

1994

Paintings by Mark Rothko 1945–1969, University of Michigan Museum of Art, Ann Arbor, March 5–May 8, 1994.

Mark Rothko: The Last Paintings, The Pace Gallery, 32 East 57th Street, New York, February 18–March 19, 1994. (Catalogue)

Rothko’s Early Works, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, February 2–March 19, 1993.

1993

Mark Rothko: 'Multiforms,' Bilder von 1947–1949, Galerie Daniel Blau, Munich, November 17–25, 1993. (Catalogue)

1990

Mark Rothko, Galerie Beyeler, Basel, November 1990–January 1991. (Catalogue)

Mark Rothko: The Spirit of Myth, Early Paintings From the 1930s and 1940s, Cedar Rapids Museum of Art, Iowa, September 1, 1990–February 10, 1991. Traveled to: Diggs Gallery, Winston Salem State University, North Carolina, March 22–June 30, 1991; Nassau County Art Museum, Roslyn, New York, August 3–November 3, 1991; Telfair Academy of Arts and Sciences, Savannah, Georgia, October 20–December 13, 1992; Payne Gallery, Moravian University, Bethlehem, Pennsylvania, January 29–February 28, 1992; Art Museum of South Texas, Corpus Christi, Texas, March 12–May 9, 1993; saline Art Center, Kansas, August 22–October 24, 1993; Wallach Art Gallery, Columbia University, New York, February 1–March 8; 1994; Ball State University Museum of Art, Muncie, Indiana, April 8–May 15, 1994; West Bend Gallery of Fine Arts, Wisconsin, June 6–July 19, 1994; Marsh Gallery, University of Richmond, Virginia, August 12–September 4, 1994; Huntington Museum of Art, West Virginia, September 25–December 5, 1994; University of Arizona, Tucson, Arizona, January 5–February 26, 1995; San Diego Museum of Art, California, March 18–May 28, 1995; Norton Gallery of Art, West Palm Beach, Florida, October 21–December 17, 1995; Smart Museum of Art, University of Chicago, Illinois, January 18–March 17, 1996; St. John’s Museum of Art, Wilmington, North Carolina, June 20–August 18, 1996; Susquehanna University Gallery, Selinsgrove, Pennsylvania, September 7–October 13 1996; Palm Springs Desert Museum, California, November 9, 1996–January 1997; Hearst Art Gallery, Moraga, California, January 18–March 2, 1997; Sheldon Memorial Art Gallery, Lincoln, Nebraska, April 1–June 8, 1997; Laguna Beach Art Museum, California, June 28–September 7, 1997; Midland Arts Center, Missouri, October 4–November 30, 1997; Tulane University Art Gallery, New Orleans, Louisiana, December 19, 1997–February 20, 1998 (as The Mythmakers: Mark Rothko & Adolph Gottlieb); and Arkansas Art Center, Little Rock, Arkansas, March 19–May 3, 1998. (Brochure)

Mark Rothko: Multiforms, The Pace Gallery, New York, January 12–February 10, 1990. (Catalogue)

1989

Paintings by Mark Rothko, Yale University Art Gallery, New Haven, Connecticut, December 2–31, 1989. (Brochure)

Mark Rothko: Kaaba in New York, Kunsthalle Basel, February 19–May 7, 1989. (Catalogue)

1988

Mark Rothko: The Seagram Mural Project, Tate Gallery, Liverpool, May 28, 1988–February 12, 1989. (Catalogue)

Mark Rothko 1903–1970: Retrospective der Gemälde, Museum Ludwig, Cologne, January 3–March 27, 1988. (Catalogue)

1987

Mark Rothko 1903–1970, Tate Gallery, London, June 17–September 1, 1987. Traveled to: Fundación Juan March, Madrid, September 23, 1987–January 3, 1988; Museum Ludwig, Cologne, January 30–March 27, 1988. (Catalogue)

1985

Mark Rothko: The Dark Paintings, 1969–70, The Pace Gallery, New York, March 29–April 27, 1985. (Catalogue)

1984

Mark Rothko: Works on Paper 1925–1970, National Gallery of Art, Washington, D.C., May 6–August 5, 1984. Traveling exhibition organized by the American Federation of Arts and the Mark Rothko Foundation, May 1984–September 1986. (Catalogue)

1983

Mark Rothko: Subjects, High Museum of Art, Atlanta, October 15, 1983–February 26, 1984. (Catalogue)

Mark Rothko: Paintings 1948–1969, The Pace Gallery, 32 East 57th Street, New York, April 1–30, 1983. (Catalogue)

Mark Rothko 1949, A Year In Transition/ Selections from the Mark Rothko Foundation, San Francisco Museum of Modern Art, March 18, 1983–September 16, 1984. (Catalogue)

Mark Rothko: Seven Paintings from the 1960s, Walker Art Center Minneapolis, February 6–March27 1983. (Catalogue)

1981

Mark Rothko, The Surrealist Years, The Pace Gallery, 32 East 57th Street, New York, April 24–May 30, 1981. (Catalogue)

1978

Mark Rothko: The 1958–1959 Murals, The Pace Gallery, New York, October 28–November 25, 1978. (Catalogue)

Mark Rothko 1903–1970: A Retrospective, Solomon R. Guggenheim Museum, New York, October 27, 1978–January 14, 1979. Traveled to: Museum of Fine Arts, Houston, February 2–April 1, 1979; Walker Art Center, Minneapolis, April 21–June 10, 1979; Los Angeles County Museum of Art, July 3–September 26, 1979. (Catalogue)

1977

A New Acquisition by Mark Rothko, The David and Alfred Smart Gallery, University of Chicago, 1977. (Catalogue)

Mark Rothko: Monstra Didattica, Galleria Civica d’Arte Moderna, Palazzo Te, Mantua, December 1977. (Catalogue)

1975

An Artist Collects: Ulfert Wilke, Selections from Five Continents, University of Iowa Museum of Art, Iowa City. (Catalogue)

1974

10 Major Works: Mark Rothko, Newport Harbor Art Museum, California, January 30–March 10, 1974. (Catalogue)

1971

Salute to Mark Rothko, Yale University Art Gallery, New Haven, Connecticut, May 6–June 20, 1971. (Brochure)

Mark Rothko, Kunsthaus Zürich, March 21–May 9, 1971. Traveled to: Staatliche Museen Preussischer Kulturbesitz, Neuw Nationalgalerie, Berlin, May 26–July 19, 1971: Städtische Kunsthalle Düsseldorf, August 24–October 3, 1971; Museums Boymans van Beuningen, Rotterdam, November 20, 1971–January 2, 1972. Traveled in part to: Hayward Gallery, London, February 2–March 12, 1972; Musée National d’Art Moderne, Paris, March 23–May 8, 1972. (Catalogues)

Mark Rothko, Galleria Martano, Turin, March 17–April 20, 1971.

Mark Rothko, Galleria Lorenzelli, Bergamo, Italy, March 1971. (Catalogue)

Mark Rothko, Marlborough Galleria d’Arte, Rome, February 1971. (Catalogue)

1970

Mark Rothko, Galleria Internazionale d’Arte Moderna di Ca'Pesaro, Venice, June 21–October 15, 1970. Traveled to: Marlborough Gallery, New York as Mark Rothko Paintings 1947–1970, November 13–December 5, 1970. (Catalogue)

Mark Rothko 1903–1970, The Museum of Modern Art, New York, March 26–May 31, 1970.

1965

Mark Rothko, Winter 1965–66, Marlborough New London Gallery, London.

Mark Rothko, Galleria Nazionale d’Arte Moderna, Rome, 1965.

1964

Mark Rothko, Marlborough New London Gallery, London, February–March 1964. (Catalogue)

1963

Five Mural Panels Executed for Harvard, Solomon R. Guggenheim Museum, New York, April 9–June 2, 1963.

1961

Mark Rothko: A Retrospective Exhibition, Paintings 1945–1960, The Museum of Modern Art, New York, January 18–March 12, 1961. Traveled to: Whitechapel Art Gallery, London, October10–November 12, 1961; Stedelijk Museum, Amsterdam, November 24–December 27, 1961; Palais des Beaux-Arts de Bruxelles, January 6–29, 1962; Kunsthalle Basel, March 3–April 8, 1962, Galleria Nazionale d’Arte Moderna, Rome, April 27–May 20, 1962, Musée d’Art Moderne de la Ville de Paris, December 5, 1962–January 13, 1963. (Catalogue)

1960

Paintings by Mark Rothko, The Phillips Collection, Washington D.C., May 4–31, 1960.

1958

New Paintings by Rothko, Sidney Janis Gallery, New York, January 27–February 22, 1958.

1957

Mark Rothko, Contemporary Arts Museum, Houston, September 5–October 6, 1957. (Catalogue)

1955

Mark Rothko, Sidney Janis Gallery, New York, April 11–May 14, 1955.

1954

Recent Paintings by Mark Rothko, The Art Institute of Chicago, October 18–December 31, 1954. Traveled to: Museum of Art, Rhode Island School of Design, Providence as Paintings by Mark Rothko, January 19–February 13, 1955.

1951

Mark Rothko, Betty Parsons Gallery, New York, April 2–21, 1951.

1950

Mark Rothko, Betty Parsons Gallery, New York, January 3–21, 1950.

1949

Mark Rothko: Recent Paintings, Betty Parsons Gallery, New York, March 28–April 16, 1949.

1948

Mark Rothko: Recent Paintings, Betty Parsons Gallery, New York, March 8–27, 1948.

1947

Mark Rothko: Recent Paintings, Betty Parsons Gallery, New York, March 3–22, 1947.

1946

Oils and Watercolors by Mark Rothko, San Francisco Museum of Art, San Francisco, August 16–September 8, 1946. Traveled in part to: The Santa Barbara Museum of Art, September 1946.

Mark Rothko: Watercolors, Mortimer Brandt Gallery, New York, April 22–May 4, 1946.

1945

Mark Rothko Paintings, Art of This Century, New York, January 9–February 4, 1945. (Catalogue)

1942

Valentin-Dudensing Gallery, New York.

1933

An Exhibition of Oils, Water-Colors, Drawings by Marcus Rothkowitz, Contemporary Arts Gallery, New York, November 20–December 9, 1933. (Catalogue)

Museum of Art, Portland, Oregon, Summer, 1933.

Mark Rothko
Group Exhibitions

Mark Rothko Group Exhibitions

2023

American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, Massachusetts, May 20–August 13, 2023. (Catalogue)

2022

Being In the World: The Tenth Anniversary of the Long Museum, Long Museum (West Bund), Shanghai, November 13, 2022–February 5, 2023.

Monet / Rothko, Giverny Impressionism Museum, Giverny, France, March 18–July 3, 2022.

Hello! Super Collection 99 Untold Stories, Nakanoshima Art Museum, Osaka, Japan, February 2–March 21, 2022. (Catalogue).

2021

On the Bowery, Zürcher Gallery, New York, November 13–December 23, 2021. (Catalogue)

2020

Church & Rothko: Sublime, Mnuchin Gallery, New York, September 30–December 12, 2020. (Catalogue)

The Irascibles: Painters Against the Museum, New York, 1950, Fundación Juan March, Madrid, March 6–June 7, 2020. (Catalogue)

2019

Monsters & Myths: Surrealism and War in the 1930s and 1940s, Baltimore Museum of Art, February 24–May 26, 2019.

2018

Epic Abstraction: Pollock to Herrera, The Met Fifth Avenue, New York, opened December 17, 2018.

The Joy of Color, Mnuchin Gallery, New York, November 1–December 15, 2018. (Catalogue)

The Masters: Art Students League Teachers and Their Students, Hirschl & Adler, New York, October 18–December 1, 2018. (Catalogue)

The Moon – From Inner Worlds to Outer Space, Louisiana Museum of Modern Art, Humlebæk, Denmark, September 13, 2018–January 20, 2019. Traveled to: Henie Onstad Kunstsenter, Oslo, February 14–May 19, 2019. (Catalogue)

American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue)

Reds, Mnuchin Gallery, New York, April 27–June 9, 2018. (Catalogue)

My Favorites: Toshio Hara Selects from the Permanent Collection, Hara Museum of Contemporary Art, January 6–June 3, 2018.

2017

With Liberty and Justice for Some, Berkeley Art Center, September 23–October 8, 2017.

No Exit, Peter Blum Gallery, New York, February 11–April 15, 2017.

2016

Paths to the Absolute: Kandinsky, Malevich, Mondrian, Newman, Pollock, Rothko and Still, Di Donna Galleries, New York, October 13–December 3, 2016. (Catalogue)

Abstract Expressionism, Royal Academy of Arts, London, September 24, 2016–January 2, 2017. Traveled to: Guggenheim Museum, Bilbao, February 3–June 4, 2017. (Catalogue)

Rodin—Giacometti, Pollock—Twombly, Rothko—Serra: The Looser Collection at the Museum Folkwang. Dialogues, Museum Folkwang, Essen, April 8–October 9, 2016.

2015

Black Sun, Fondation Beyeler, Riehen / Basel, Switzerland, October 4, 2015–January 10, 2016.

The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery, Yale University Art Gallery, New Haven, September 4, 2015–January 3, 2016. (Catalogue)

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

2014

Make it New: Abstract Painting from the National Gallery of Art, 1950–1975, The Clark Art Institute, Williamstown, August 2–October 13, 2014. (Catalogue)

Gorgeous, Asian Art Museum, San Francisco, June 20–September 14, 2014.

Color Shift, University of California Berkeley Art Museum, June 18–August 24, 2014.

Guess What? Hardcore Contemporary Art’s Truly a World Treasure: Selected Works from the YAGEO Foundation Collection, The National Museum of Modern Art, Tokyo, June 20–August 24, 2014. Traveled to: Nagoya Art Museum, September 6–October 26, 2014; Hiroshima City Museum of Contemporary Art, December 20, 2014–March 8, 2015; The National Museum of Modern Art, Kyoto, March 31–May 31, 2015. (Catalogue)

Modernism from the National Gallery of Art: The Robert and Jane Meyerhoff Collection, de Young Museum, San Francisco, June 7–October 12, 2014. (Catalogue)

Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell, Princeton University Art Museum, New Jersey, May 24–October 5, 2014. Travel to: The Cummer Museum of Art & Gardens, Jacksonville, Florida, January 31–April 26, 2015. (Catalogue)

Treasures of the Tamayo Museum, Mexico City, Museum of Contemporary Art San Diego, May 17–August 31, 2014.

2013

Moving: Norman Foster on Art, Carré d'Art - Musée d'art Contemporain, Nîmes, France, May 3–September 15, 2013. (Catalogue)

Byzantine Things in the World, Menil Collection, Houston, May 3–August 18, 2013.

Kansai Collections, National Museum of Art, Osaka, April 6–July 15, 2013. (Catalogue)

Winter Group Show, Pace Gallery, 32 East 57th Street, New York, January 7–26, 2013.

2012

Rothko / Sugimoto: Dark Paintings and Seascapes, Pace London, 6 Burlington Gardens, October 4–November 17, 2012. (Catalogue)

Muse: Exploring Inspiration, Richard Gray Gallery, Chicago, September 20–December 1, 2012.

Self-Portrait, Louisiana Museum of Modern Art, Humlebæk, September 14, 2012–January 13, 2013. (Catalogue)

Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960, The Solomon R. Guggenheim Museum, New York, June 8–September 12, 2012. (Catalogue)

Auf Augenhöhe: Meisterwerke aus Mittelalter und Moderne, Ulmer Museum, Ulm, Germany, May 5, 2012–January 6, 2013. (Catalogue)

Mythology, The Pace Gallery, New York, February 22–March 24 (extended through April 14), 2012. (Catalogue)

Guggenheim Collection: The American Avant-Garde 1945–80, Palazzo delle Esposizioni, Rome, February 7–May 6, 2012.

2011

Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, November 19, 2011–February 12, 2012.

The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery, Albright-Knox Art Gallery, Buffalo, New York, November 4, 2011–March 4, 2012. (Catalogue)

Evolution in Action, Michael Rosenfeld Gallery, New York, September 10–October 29, 2011.

TRA-The Edge of Becoming, Palazzo Fortuny, Venice, June 4–November 27, 2011 (Catalogue).

Abstract Expressionist New York: Masterpieces from The Museum of Modern Art, Art Gallery of Ontario, May 28–September 4, 2011.

2010

From a Collection of Abstract Works on Paper 1946–1961, Cheim & Read, New York, October 29–December 30, 2010.

Color Fields, Deutsche Guggenheim, Berlin, October 22, 2010–January 10, 2011.

Group exhibition, Crane Kalman Gallery, London, October 5–29, 2010.

Abstract Expressionism at the Museum of Modern Art, The Museum of Modern Art, New York, September 28, 2010–April 25, 2011. (Catalogue; text by Ann Temkin)

50 Years at Pace, The Pace Gallery, 32 East 57th Street, and 534 West 25th Street, New York, September 17–October 23, 2010. (Catalogue)

Robert & Ethel Scull: Portrait of a Collection, Acquavella Galleries, New York, April 13–May 27, 2010. (Catalogue: text by Judith Goldman)

Le grand geste! Informel und Abstrakter Expressionismus 1946–1964, Museum Kunst Palast, Dusseldorf, April 10–August 1, 2010. (Catalogue; texts by Kay Heymer, Susanne Rennert and Beat Wismer)

Vertical Thoughts: Morton Feldman and the Visual Arts, Irish Museum of Modern Art, Dublin, March 31–June 27, 2010.

Side by Side: Oberlin’s Masterworks at the Met, The Metropolitan Museum of Art, New York, March 16–August 29, 2010.

Unconscious Unbound: Surrealism in America, Michael Rosenfeld Gallery, New York, March 13–May 28, 2010.

Monet and Abstraction, Museo Thyssen-Bornemisza, Madrid, February 23–May 30, 2010. Traveled to: Musée Marmottan Monet, Paris, June–September 2010. (Catalogue)

2009

Just What Is It…, ZKM | Museum für Neue Kunst, Karlsruhe, Germany, December 5, 2009 –April 11, 2010. (Catalogue)

Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.

The Robert and Jane Meyerhoff Collection: Selected Works, National Gallery of Art, Washington, D.C., October 1, 2009–May 2, 2010. (Catalogue)

Passions Partagées: From Cézanne to Rothko, 20th Century Masterpieces in Private Swiss Collections, Fondation de l’Hermitage, Lausanne, Switzerland, June 26–October 25, 2009. (Catalogue)

The Heritage of the Holy Land: Treasures from The Israel Museum, Jerusalem, Museum of Fine Arts, Budapest, June 23–September 6, 2009. (Catalogue)

In-Finitum, Palazzo Fortuny, Venice, June 6–November 15, 2009. (Catalogue)

Rothko/Giotto: Tactility in Painting, Gemäldegalerie, Berlin, February 5–May 3, 2009. (Catalogue)

2008

Dialogues, Dactyl Foundation, New York, October 29–November 20, 2008.

The Seduction of Light — Compositions in Pink, Green, and Red: Ammi Phillips and Mark Rothko, American Folk Art Museum, New York, October 7, 2008–March 29, 2009.

American Artists from the Russian Empire, Fred Jones Jr. Museum, University of Oklahoma, Norman, October 4, 2008–January 4, 2009. Traveled to: State Russian Museum, St. Petersburg, February 19–May 25, 2009; State Tretyakov Gallery, Moscow, June 10–August 23, 2009; San Diego Museum of Art, October 10, 2009–January 3, 2010. (Catalogue)

Paintings & Drawings, L&M Gallery, New York, July 7–September 9, 2008.

Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976, Jewish Museum, New York, May 4–September 21, 2008. Traveled to: St. Louis Art Museum, Missouri, October 19–2008–January 11, 2009; Albright-Knox Art Gallery, Buffalo, February 13–May 31, 2009. (Catalogue)

Monet – Kandinsky – Rothko and their inheritance, BA–CA Kunstforum, Vienna, February 28–June 29, 2008. (Catalogue)

How Artists Draw: Toward the Menil Drawing Institute and Study Center, The Menil Collection, Houston, February 15–May 18, 2008.

Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, February 10–May 19, 2008. (Catalogue)

2007

The 30th Anniversary: Selected Works from the Collection of the National Museum of Art, Osaka, National Museum of Art, Osaka, December 18, 2007–February 11, 2008. (Catalogue)

The Complexity of the Simple, L & M Arts, New York, December 1, 2007–January 31, 2008.

Color as Field: American Painting 1950–1975, Denver Art Museum, Colorado, November 9, 2007–February 3, 2008. (Catalogue)

Einfach sehen, Kunsthalle Weishaupt, Ulm, Germany, opened November 2007. (Catalogue)

German and American Paintings from the Frieder Burda Collection, Museum Frieder Burda, Baden-Baden, Germany, October 20, 2007–January 6, 2008.

Insight? Gagosian Gallery, Barvikha Luxury Village, Moscow, October 19–28, 2007. (Catalogue)

Taste of the Modern: Rothko, Rauschenberg, Oldenburg, Kline, Nasher Museum of Art, Duke University, Durham, North Carolina, October 11, 2007–September 14, 2008.

Declaring Space: Mark Rothko, Barnett Newman, Lucio Fontana, Yves Klein, Modern Art Museum of Fort Worth, Texas, September 30, 2007–January 6, 2008. (Catalogue)

Who’s Afraid of Red, Yellow and Blue? Positionen der Farbfeldmaleri, Staatlichen Kunsthalle Baden-Baden, July 21–September 30, 2007. (Catalogue)

Mark Rothko and Barnett Newman: The Sublime is Now! Beyeler Museum AG, Basel, May 16–August 5, 2007. (Catalogue; text by David Anfam)

Pathways and Parallels: Roads to Abstract Expressionism, Hollis Taggart Galleries, New York, April 12–May 12, 2007. (Catalogue)

2006

Black Paintings, Haus der Kunst, Munich, October 15, 2006–January 14, 2007. (Catalogue)

Pre Post: American Abstraction 1940s–1960s, Greenberg Van Doren Gallery, New York, October 11–November 11, 2006.

The Picasso Influence in Pollock, Rothko and Smith, Washburn Gallery, New York, October 1–November 30, 2006.

Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur, Kunstmuseum Winterthur, Switzerland, August 26–November 19, 2006. (Catalogue)

Postwar Directions: Abstract Expressionism to Minimalism, Museum of Contemporary Art, Los Angeles, July 22–October 9, 2006.

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue)

The Divine Image: Depicting God in Jewish and Israeli Art, Israel Museum, Jerusalem, July 11–October 14, 2006. (Catalogue)

Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York, June 29–September 3, 2006. (Catalogue)

Where Are We Going?: Selections from the François Pinault Collection, Palazzo Grassi, Venice, April 30–October 1, 2006. (Catalogue)

2005

The Perception of the Horizontal, Museion-Museum für moderne und zeitgenössische Kunst Bozen / Museo d’arte moderna e contemporanea Bolanzo, Bolanzo, Italy, September 17, 2005–January 8, 2006. (Catalogue)

Salute to the 130th Anniversary of the Art Students League of New York: Paintings, Sculpture and Works on Paper from the 1930s, Washburn Gallery, New York, September 8–October 28, 2005.

Organic New York 1941–1949, Michael Rosenfeld Gallery, New York, September 10–November 5, 2005. (Catalogue)

Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue; essay by Claire Schneider)

A Time and Place: East and West Coast Abstraction from the ‘60s and ‘70s, Gagosian Gallery, Beverly Hills, California, July 21–August 27, 2005.

The 35th Anniversary Exhibition: Modern & Contemporary Masters, Gallery Hyundai, Seoul, April 6–May 10, 2005.

Seeking Transcendence, Art Gallery of Western Australia, Perth, February 13–April 24, 2005. (Catalogue)

Imageless Icons: Abstract Thoughts, Gagosian Gallery, London, February 3–March 26, 2005. (Catalogue)

2004

What’s Modern?, Gagosian Gallery, New York, November 6–December 18, 2004. (Catalogue)

Ground–Field–Surface, Robert Miller Gallery, New York, June 10–August 20, 2004.

An American Odyssey 1945/1980, Circulo de Bellas Artes, Madrid, April 13–May 30, 2004. Traveled to: Domus Artium 2002 (DA2), Salamanca, June 10–July 31, 2004; “Kiosco Alfonso,” A Coruna, September 2–October 2, 2004; Queensborough Community College, City University of New York, Queens, New York, October 24–January 15, 2005. (Catalogue)

2003

The 1940s: Modern American Art & Design, Michael Rosenfeld Gallery, New York, September 9–November 1, 2003. (Catalogue)

2002

An American Legacy, A Gift to New York, Whitney Museum of American Art, October 24, 2002–January 26, 2003. (Catalogue)

Painting on the Move: A Century of Contemporary Painting (1900–2000), Kunstmuseum Basel, May 25–September 8, 2002. (Catalogue)

Coming to Light: Avery, Gottlieb, Rothko. Provincetown Summers 1957–1961, Knoedler & Company, New York, May 2–August 15, 2002. (Catalogue)

Claude Monet... Up to Digital Impressionism, Fondation Beyeler, Basel, March 28–August 18, 2002. (Catalogue)

Winter Group Show, PaceWildenstein, New York, January 19–February 9, 2002.

2001

Vital Forms: American Art in the Atomic Age, 1940–1960, Brooklyn Museum of Art, New York, October 10, 2001–January 6, 2002. Traveled to: Walker Art Center, Minneapolis, February 15–May 12, 2002; Frist Center for the Visual Arts, Nashville, June 21–September 15, 2002; Los Angeles County Museum of Art, November 17, 2002–February 23, 2003; Phoenix Art Museum, April 4–June 29, 2003. (Catalogue)

On the Sublime: Mark Rothko, Yves Klein, James Turrell, Deutsche Guggenheim Berlin, Germany, July 7–October 7, 2001. (Catalogue)

Black + White, Blains Fine Art, London, June 21–August 25, 2001.

2000

Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, October 7, 2000–January 15, 2001. (Catalogue)

19th and 20th Century Works on Paper, Dickinson Roundell, Inc., New York, May4–31, 2000. (Catalogue)

Objective Color, Yale University Art Gallery, New Haven, February 2–March 25, 2001.

1999

Panza: The Legacy of a Collector, Museum of Contemporary Art, Los Angeles, December 12, 1999–April 20, 2000. (Catalogue)

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000. (Catalogue)

Renoir to Rothko: The Eye of Duncan Philips, The Phillips Collection, Washington, DC, September 25, 1999–January 23, 2000.

New York Collects: Drawings and Watercolors 1900–1950, The Pierpont Morgan Library, New York, May 20–August 29, 1999.

The American Century: Art and Culture 1900–1950, Whitney Museum of American Art, New York, April 22–August 22, 1999. (Catalogue)

1998

Kiasma, Museum of Contemporary Art, Helsinki, September 16–November 1, 1998. (Catalogue)

The New York School, Gagosian Gallery, New York, March 17–April 25, 1998. (Catalogue)

The Edward R. Broida Collection: A Selection of Works, Orlando Museum of Art, Orlando, Florida, March 12–June 21, 1998. (Catalogue)

Then and Now: Art Since 1945 at Yale, Yale University Art Gallery, New Haven, February 10–July 31, 1998. (Catalogue)

Eduardo Chillida—Alabastros/Mark Rothko—Pinturas, Galería Elvira González, Madrid, February 6–March 30, 1998. (Catalogue)

The Surrealist Vision: Europe and the Americas, Bruce Museum of Arts and Science, Greenwich, Connecticut, January 17–April 5, 1998. (Catalogue)

1997

The Mythmakers: Mark Rothko and Adolph Gottlieb, The Formative Years Of Two Abstract Expressionist Painters, 1930–1960, Newcomb Art Gallery, Tulane University, New Orleans, December 19, 1997–February 21, 1998. (Catalogue)

Winter Group Show, PaceWildenstein, New York, December 19, 1997–January 24, 1998.

Contemporary Art in Transition - From the Collection of the Ho-Am Art Museum, Ho-Am Art Gallery, Seoul, Korea, October 17–December 28, 1997.

American Works: 1945–1975, C&M Arts, New York, October 8–December 6, 1997. (Catalogue)

‘Surface’ Ad Reinhardt, Gerhard Richter, Robert Ryman, Mark Rothko, 11 Duke Street Ltd., London, closed July 25, 1997.

‘Surface’ Ad Reinhardt, Gerhard Richter, Robert Ryman, Mark Rothko, Galerie Franck & Schulte, Berlin, May 24–June 24, 1997.

Joie de Vivre, Galerie Beyeler, Basel, June–September 1997. (Catalogue)

The Age of Modernism: Art in the Twentieth Century, Martin-Gropius-Bau, Berlin, May 7–July 27, 1997. (Catalogue)

In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of The Art Museum, Princeton University, The Art Museum, Princeton University, Princeton, New Jersey, February 22–June 8, 1997.

Bonnard—Rothko: Color and Light, PaceWildenstein, New York, February 19–March 22, 1997. (Catalogue)

1996

Pintura Estadounidense Expresionismo Abstracto, Centro Cultural Arte Contemporaneo, Mexico, October 11, 1996–January 12, 1997. (Catalogue)

Abstract Expressionism, Sezon Museum of Art, Tokyo, June 6–July 14, 1996. Traveled to: Aichi Prefectural Museum of Art, July 26–September 16, 1996; Hiroshima City Museum of Contemporary Art, September 29–November 17, 1996. (Catalogue)

In Quest of the Absolute, Peter Blum, New York, April 6–June 8, 1996.

The Robert and Jane Meyerhoff Collection, National Gallery of Art, Washington, DC, March 31–July 21, 1996.

Abstraction in the 20th Century: Total Risk, Freedom, Discipline, The Solomon R. Guggenheim Museum, New York, February 9–May 12, 1996. (Catalogue)

Group Exhibition, Manny Silverman Gallery, Los Angeles, January 13–March 2, 1996.

1995

Exploring the Unknown: Surrealism in American Art, Michael Rosenfeld Gallery, New York, November 16, 1995–January 27, 1996. (Catalogue)

1945: Les Figures de la Liberté, Musée Rath, Geneva, October 27, 1995–January 7, 1996. (Catalogue)

Surrealism: Dream of the Century, Galerie Beyeler, Basel, October 1995–March 1996. (Catalogue)

Our Century, Museum Ludwig, Cologne, Summer 1995.

Affinities and Influences: Native American Art and American Modernism, Montclair Art Museum, New Jersey, July 16–October 1, 1995. (Catalogue)

1945: The End of the War, Annely Juda Fine Art, London, June 28–September 16, 1995. Traveled to: Galerie Denise Rene, Paris, September 26–November 4, 1995; Galerie Hans Mayer, Düsseldorf, November 11–December 20, 1995. (Catalogue)

Who is Afraid of Red...? Galerie Beyeler, Basel, June–September 1995. (Catalogue)

Abstract Expressionism: Works on Paper from The Metropolitan Museum of Art, National Museum of Modern Art, Tokyo, March 11–June 4, 1995. (Catalogue)

1994

Quelque Chose de Très Mystérieux: Intuitions Esthétiques de Michel Tapié, Artcurial, Paris, 1994.

Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s, Katonah Museum of Art, Katonah, New York, June 12–September 4, 1994. (Catalogue)

Inspired by Nature, Neuberger Museum of Art, Purchase, New York, September 25–December 24, 1994.

Dream of the Absolute, Galerie Beyeler, Basel, June–September 1994. (Catalogue)

American Art in Italian Private Collections: Alexander Calder, Jim Dine, Franz Kline, Louise Nevelson, Robert Rauschenberg, Mark Rothko, Mark Tobey, Cy Twombly, American Academy in Rome, May 27–June 30, 1994. (Catalogue)

The Tradition of the New: Postwar Masterpieces From the Guggenheim Collection, The Solomon R. Guggenheim Museum, New York, May 20–September 11, 1994.

Newman, Rothko, Still: Search for the Sublime, C & M Arts, New York, April 6–May 28, 1994. (Catalogue)

1993

A Century of Silence, University Art Museum, State University of New York, Binghamton, New York. (Catalogue)

Ils ont cité Matisse, Galerie de France, Paris, 1993.

Pittsburgh Collects, The Carnegie Museum of Art, Pittsburgh, 1993.

Magic Blue, Galerie Beyeler, Basel, December 1993–March 1994. (Catalogue)

In a Classical Vein: Works from the Permanent Collection, Whitney Museum of American Art, New York, October 18, 1993–April 3, 1994. (Catalogue)

The Usual Suspects, Manny Silverman Gallery, Los Angeles, September 9–October 16, 1993.

New York on Paper: Drawings, Watercolors, Collages, Galerie Beyeler, Basel, June–October 1993. (Catalogue)

Azur, Fondation Cartier, Jouy-en-Josas, France, May 28–September 12, 1993. (Catalogue)

Singular Dimensions in Painting, Guggenheim Museum Soho, New York, May 26, 1993–January 4, 1994. (Catalogue)

American Art in the 20th Century: Painting and Sculpture 1913–1993, Martin-Gropius-Bau, Berlin, May 8–July 25, 1993. Traveled to: Royal Academy of Arts and the Saatchi Gallery, London, September 16–December 12, 1993. (Catalogue)

Passion, Roemer- und Pelizaeus-Museum, Hildesheim, Germany, May 2–June 27, 1993, and Dominikanerkloster St. Albertus Magnus, Braunschweig, May 16–July 20, 1993. (Catalogue)

Abstract Expressionism: Works on Paper, High Museum of Art, Atlanta, January 26, 1993–April 4, 1993. Traveled to: The Metropolitan Museum of Art, May 4, 1993–September 12, 1993. (Catalogue)

1992

Pitched Black, Vivian Horan Fine Art, New York, November 5–December 19, 1992.

Homage to Francis Bacon: with works by Picasso, Giacometti, Gonzalez, Miro, Dubuffet, Tapies, Rothko, Galerie Beyeler, Basel, June–September 1992. (Catalogue)

Group Show, Gagosian Gallery, New York, January 18–February 19, 1992.

Arte Americana 1930–1970, Lingotto, Turin, Italy, January 8–March 31, 1992. (Catalogue)

1991

Masterpieces from the Permanent Collection, Museum of Contemporary Art, Los Angeles, January 20–February 17, 1991.

Diversité Surréaliste, Gallerie 1900-2000 Marcel Fleiss, Paris, January 15–March 2, 1991.

1990

A Claim to Primacy: American Painting of The Post-War Era from The Solomon R. Guggenheim Museum, The Lowe Art Museum, University of Miami.

Private Views, Achim Moeller Fine Art, New York. (Catalogue)

Object and Content: Meaning in Minimal Art, Australian National Gallery at the Drill Hall Gallery, Canberra, November 24, 1990–January 20, 1991.

Abstract Expressionism: Other Dimensions, Whitney Museum of American Art at Philip Morris, New York, October 5–December 5, 1990. (Catalogue)

Painting and Sculpture, The Pace Gallery, 32 East 57th Street, New York, July 16–August 24, 1990.

Portrait of an American Gallery: The Pace Gallery, Galerie Isy Brachot, Brussels, April 19–June 23, 1990. (Catalogue; text by Arnold Glimcher)

Gegenwart Ewigkeit: Spuren des Transzendenten in der Kunst unserer Zeit, Martin-Gropius-Bau, Berlin, April 7–June 24, 1990. (Catalogue)

Octavio Paz: Los Privilegios De La Vista, Centro Cultural Arte Contemporaneo, Mexico City, March 29–July 1990. (Catalogue)

1989

Wege zur Abstraktion, Galerie Beyeler, Basel, July–September 1989.

20 Años Theo: Gran Formato, Pequeño Formato, Galería Theo, Madrid, February–March 1988.

1987

Miró and Rothko: Magnetic Fields and Murals, The Pace Gallery, New York, December 4, 1986–January 2, 1987.

Abstract Expressionism: The Critical Developments, Albright-Knox Art Gallery, Buffalo, New York, September 19–November 29, 1987. (Catalogue)

Beuys, Klein, Rothko, Galerie Anthony d'Offay, London, June 5–July 3, 1987. Traveled to: Fundacion Caja de Pensiones, Madrid, September 17–November 8, 1987. (Catalogue)

1986

The Spiritual in Art: Abstract Painting 1890–1985, Los Angeles County Museum of Art, November 23, 1986–August 3, 1987. Traveled to: Museum of Contemporary Art, Chicago; Haags Gemeentemuseum, The Hague. (Catalogue)

Highlights, Seibu Contemporary Gallery, Tokyo, July 25–September 3, 1986. (Catalogue)

The Interpretive Link: Abstract Surrealism Into Abstract Expressionism: Works on Paper, 1938–1948, Newport Harbor Art Museum, Newport Beach, California, July 16–September 14, 1986; Whitney Museum of Art, New York, November 13, 1986–January 21, 1987; Walker Art Center, Minneapolis, February 21–April 19, 1987.

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida, January 12–March 30, 1986. (Catalogue)

1984

La Grande Parade: Highlights in Painting after 1940, Stedelijk Museum, Amsterdam, December 15, 1984–April 15, 1985. (Catalogue)

“Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern, The Museum of Modern Art, New York, September 19, 1984–January 15, 1985. (Catalogue)

1983

Twentieth Century Works of Art: An Exhibition, Stephen Mazoh & Co., New York, November 1–December 31, 1983. (Catalogue)

Modern Art in the West Guggenheim, Tokyo Metropolitan Teien Art Museum, October 1–December 25, 1983. (Catalogue)

1982

Solitude: Inner Visions in American Art, Terra Museum of American Art, Evanston, Illinois, September 25–December 30, 1982. (Catalogue; text by David M. Sokol)

In Our Time: Houston’s Contemporary Arts Museum 1948–1982, Contemporary Arts Museum, Houston, October 23, 1982–January 2, 1983. (Catalogue; texts by Cheryl A. Brutvan, Linda L. Cathcart, and Marti Mayo)

The Pace Gallery at Asher/Faure. Asher/Faure Gallery, Los Angeles, California, March 13–April 10, 1982.

1981

Amerikanische Malerei 1930–80, Haus der Kunst, Munich, November 14, 1981–January 31, 1982. (Catalogue)

Peintres du Silence: Julius Bissier, Giorgio Morandi, Ben Nicholson, Mark Rothko, Mark Tobey, Musée Jenisch, Vevey, Switzerland, September13–November 22, 1981. (Catalogue)

Classical Moderns, Galerie Gmurzynska, Cologne, May–August 1981. (Catalogue)

1980

Ten Americans From Pace, Wildenstein & Company, London, June 18–July 18, 1980. (Catalogue)

Zeichen des Glaubens—Geist der Avantgarde, Schloss Charlottenburg, Grosse Orangerie, Berlin, May 31–July 13, 1980. (Catalogue)

The Fifties: Aspects of Painting in New York, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., May 22–September 21, 1980. (Catalogue)

1978

American Art at Mid-Century: The Subjects of the Artist, National Gallery of Art, Washington, June 1, 1978–January 14, 1979. (Catalogue)

1977

America VIII: Post-war Modernism, The San Jose Museum of Art, California, November 4–December 31, 1977. (Catalogue)

New York: The State of Art, The New York State Museum, Albany, October 9–November 27, 1977. (Catalogue)

Twentieth Century American Paintings from the Metropolitan Museum of Art, The Parrish Art Museum, Southampton, New York, September 25–December 31, 1977. (Catalogue)

American Art at Home in Britain: The Last Four Decades, American Embassy, London, July 6–26, 1977. (Catalogue)

Paris-New York, Centre Georges Pompidou, Paris, June 1–September 19, 1977. (Catalogue)

American Art in Belgium, Palais des Beaux-Arts, Brussels, May 25–August 28, 1977 (Catalogue)

Jubilation: American Art During the Reign of Elizabeth II, The Fitzwilliam Museum, Cambridge, England, May 10–June 18, 1977.

Collectors, Collecting, Collection, San Francisco Museum of Modern Art, April 22–June 5, 1977.

Less is More, Sidney Janis Gallery, New York, April 7–May 7, 1977. (Catalogue)

Abstract Expressionists: The Formative Years, Herbert F. Johnson Museum of Art,

Ithaca, New York, March 30–14, 1978. Traveled to: The Seibu Museum of Art, Tokyo, June 17–December 3, 1978; Whitney Museum of American Art, New York, October 5–December 3, 1978. (Catalogue)

The Calligraphic Statement, South Dakota Memorial Art Center, Brookings, March 20–April 24, 1977.

Surrealism and American Art: 1931–1947, Rutgers University Art Gallery, New Brunswick, New Jersey, March 5–April 24, 1977. (Catalogue)

Milton Avery and His Friends, Grace Borgenicht Gallery, New York, January 28–February 24, 1978.

Aspekte Konstruktiver Kunst, Kunsthaus Zürich, January 14–February 27, 1977. (Catalogue)

Selections and New Acquisitions from the Fort Worth Art Museum Permanent Collection, Fort Worth Art Center Museum, Texas, January 9–February 20, 1977.

1976

Acquisition Priorities: Aspects of Postwar Painting in America, The Solomon R. Guggenheim Museum, New York, October 15, 1976–January 16, 1977. (Catalogue)

Three Centuries of Art by Foreign Born American Masters, Milwaukee Art Center, October 15–November 28, 1976. (Catalogue)

The Natural Paradise: Painting in America 1800–1950, The Museum of Modern Art, New York, October 1–November 28, 1976. (Catalogue)

America, America, Galerie Beyeler, Basel, October–December 1976. (Catalogue)

Artists and East Hampton: A 100-Year Perspective, Guild Hall, East Hampton, New York, August 14–October 3, 1976. (Catalogue)

Peinture américaine en Suisse: 1950–1965, Musée d’Art et d’Histoire, Geneva, July 4–October 4, 1976. (Catalogue)

American Watercolors and Pastels from the Museum Collection, The Brooklyn Museum of Art, New York, July 3–September 19, 1976.

Three Decades of America Art, Seibu Department Store Art Gallery, Tokyo, June 18–July 20, 1976.

Peinture Américaine en Suisse 1950–1965, Musée d’Art et d’Histoire, Geneva, July 8–October 4, 1976. (Catalogue)

The Permanent Collection: A 75th Anniversary Retrospective, Fort Worth Art Center Museum, Texas, June 6–October 31, 1976.

The Golden Door: Artist-Immigrants of America, 1876–1976, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., May 20–October 20, 1976. (Catalogue)

Abstract Expressionism, Works from the Collection of the Whitney Museum of American Art: A 75th Anniversary Retrospective, Miami-Dade Community college, South Campus, Florida, March 8–April 1, 1976. (Catalogue)

Heritage and Horizon: American Painting 1776–1976, Albright-Knox Art Gallery, Buffalo, March 6–April 11, 1976. Traveled to: Detroit Institute of Arts, May 5–June 13, 1976: The Toledo Museum of Art, Ohio, July 4–August 15, 1976; Cleveland Museum of Art, Ohio, September 8–October 10, 1976. (Catalogue)

America Now, The Minneapolis Institute of Arts, February 20–May 2, 1976.

Twentieth Century American Drawing: Three Avant-Garde Generations, The Solomon R. Guggenheim Museum, New York, January 23–March 28, 1976. Traveled to: Staatliche Kunsthalle Baden-Baden, May 26–July 11, 1976; Kunsthalle Bremen, July 18–August 29, 1976. (Catalogue)

Aspects of Postwar Painting in America, The Columbus Gallery of Fine Arts, Ohio, January 17–February 29, 1976.

1975

The Collective Unconscious: American and Canadian Art: 1940–1950, the Edmonton Art Gallery, Edmonton, Canada, December 5, 1975–January 18, 1976. (Catalogue)

Selections form the Permanent collection and Forth Worth Private Collections, Fort Worth Art Center Museum, Texas, October 26–November 9, 1975.

The Jewish Experience in the Art of the 20th Century, The Jewish Museum, New York, October 16, 1975–January 25, 1976. (Catalogue)

Landscapes, Interior, Exterior: An Exhibition of Paintings by Milton Avery, Mark Rothko, Jon Schueler, The Cleveland Museum of Art, Ohio, July 9–August 31, 1975. (Catalogue)

Marden, Novros, Rothko, Institute for the Arts, Rice University, Houston, April–May 1975. (Catalogue)

Subjects of the Artists: New York Painting 1941–1947, Whitney Museum of American Art, New York, April 22–May 28, 1975.

1974

Art du XXe siècle, foundation Peggy Guggenheim, Venise, Orangerie des Tuileries, Paris, November 30, 1974–March 3, 1975. (Catalogue)

Picasso to Lichtenstein: Masterpieces of Twentieth-Century Art from the Nordrhein-Westfalen Collection Düsseldorf, The Tate Gallery, London, October 2–November 24, 1974. (Catalogue)

Astrattismo e Pop Art, Centro internazionale di sperimentazioni artistiche Marie-Louise Jeanneret, Boissano, Italy, July 27–September 15, 1974.

25 Years of Sidney Janis: Part 2: From Pollock to Pop, Op and Sharp-Focus on Realism, Sidney Janis Gallery, New York, March 13–April 13, 1974.

Selected American Painters of the Fifties, The Pace Gallery, New York, February 9–March 19, 1974.

The Great Decade of American Abstraction: Modernist Art 1960–1970, The Museum of Fine Arts, Houston, January 15–March 10, 1974. (Catalogue)

The Kirsch Years: 1936–1958, Des Moines Art Center, Iowa, January 7–February 10, 1974. Traveled to: University of Nebraska Art Galleries, Lincoln, February 25–March 31, 1974.

1973

American Art Mid-Century, National Gallery of Art, Washington, D.C, October 28, 1973-January 6, 1974. (Catalogue)

Period of Exploration, Oakland Museum of Art, California, September 4–November 4, 1973. (Catalogue)

Beginnings: Directions in Twentieth Century American Painting, Whitney Museum of American Art, Downtown Branch, New York, September–October 26, 1973.

American Art Third Quarter Century, Seattle Art Museum, August 22–October 14, 1973. (Catalogue)

Cleveland Collects Contemporary Art, Cleveland Museum of Art, Ohio, July 11–August 20, 1973. (Catalogue)

Twenty-Five Years of American Painting 1948–1973, Des Moines Art center, Iowa, March 6–April 22, 1973. (Catalogue)

1972

Masters of the 19th and 20th Centuries, Marlborough Gallery, New York, April–May 1972.

Color Forum, The University Art Museum, University of Texas, Austin, February 27–April 16, 1972. (Catalogue)

Abstract Expressionism and Pop Art, Sidney Janis Gallery, New York, February 9–March 4, 1972.

Color Painting, Mead Art Building, Amherst College, Amherst, Massachusetts, February 4–March 3, 1972. (Catalogue)

Abstract Expressionism: First and Second Generations in the Albright-Knox Art Gallery, Albright-Knox Gallery, Buffalo, January 19–February 20, 1972. (Catalogue)

1971

New Orleans Collects, New Orleans Museum of Art, November 14, 1971–January 9, 1972. (Catalogue)

Twentieth Century American Artists, Corcoran Gallery, Washington, D.C., October 23–November 22, 1971.

Louisiana—Revy: Amerikansk Kunst 1950–1970, Louisiana Museum, Humlebæk, Denmark, September 11–October 24, 1971. (Catalogue)

Selections from the Collection of Mrs. Harry Lynde Bradley, Northwood Institute, Cedar Hill, Dallas, March 21–April 30, 1971. (Catalogue)

The Structure of Color, Whitney Museum of American Art, New York, February 25–April 18, 1971. (Catalogue)

1970

Malerei des zwansigsten Jahrhunderts, Kunsthaus Zürich, 1970.

Modern Masters in West Coast Collections, San Francisco Museum of Art, October 18–November 27, 1970. (Catalogue)

Color and Field: 1890–1970, Albright-Knox Art Gallery, Buffalo, September 15–November 1, 1970. Traveled to: Dayton Art Institute, November 20, 1970–January 10, 1971: Cleveland Museum of Art, Ohio, February 4–March 28, 1971. (Catalogue)

Landmarks of American Art: 1900–1960, Whitney Museum of American Art, New York, July 24–September 13, 1970.

Exposition l’art vivant aux Etats Unis, Fondation Maeght, St. Paul de Vence, France, July 16–September 30, 1970. (Catalogue)

Recent Acquisitions, Whitney Museum of American Art, New York, July 9–19, 1970.

Arts, Centennial Exhibition: American Artists of the Nineteen Sixties, School of Fine & Applied Arts Gallery, Boston University School of Fine and Applied Arts, February 6–March 14, 1970. (Catalogue)

Color, The Katonah Gallery, Katonah, New York, February 1–March 15, 1970. (Catalogue)

Trends in Twentieth Century Art: a loan exhibition from the San Francisco Museum of Art, Santa Barbara Museum of Art, California, January 6–February 15, 1970.

1969

Peinture américaine depuis 1945, Palais des Beaux-Arts de Bruxelles, 1969.

Painting in New York: 1944 to 1969, Pasadena Art Museum, Pasadena, California, November 24, 1969–January 11, 1970. (Catalogue)

109 Obras de Albright-Knox Art Gallery, Museo Naciónal de Bellas Artes, Buenos Aires, October 23–November 30, 1969. (Catalogue)

New York Painting and Sculpture: 1940–1970, The Metropolitan Museum of Art, New York, October 16, 1969–February 1, 1970. (Catalogue)

Art in Westchester from Private Collections, Hudson River Museum, Yonkers, New York, September 28–November 30, 1969. (Catalogue)

Seven Decades of 20th Century Art, Whitney Museum of American Art, New York, July 3–September 28, 1969.

The Development of Modernist Painting: Jackson Pollock to the Present, Gallery of Art, Washington University, St. Louis, April 1–30, 1969. (Catalogue)

American Art 1948–1968, Kunsthaus Zürich, January 20–February 23, 1969.

The Disappearance and Reappearance of the Image: Painting in the United States since 1945, Sala Dalles, Bucharest, January 17–February 2, 1969. Traveled to: Museu Banatului, Timosoara, Romania, February 14–March 1, 1969; Galeria de Arta, Cluj, Romania, March 14–April 2, 1969; Slovenská Národná Galéria, Bratislava, Czechoslovakia, April 14–June 15, 1969: Národní Galerie, Prague, July 1–August 15, 1969; Palais des Beaux-Arts de Bruxelles, October 21–November 16, 1969. (Catalogue)

Works from the Peggy Guggenheim Foundation, The Solomon R. Guggenheim Museum, New York, January 16–March 23, 1969. (Catalogue)

1968

Malerei des Zwanzigsten Jahrhunderts, Städtische Kunsthalle Düsseldorf, 1968.

The Collection of Mrs. Harry Lynde Bradley, Milwaukee Art Center, October 25, 1968–February 23, 1969. (Catalogue)

Signals in the Sixties, Honolulu Academy of Arts, Hawaii, October 5–November 10, 1968. (Catalogue)

Betty Parsons’ Private Collection, Cranbrook Academy of Art, Bloomfield Hills, Michigan, September 22–October 20, 1968. Traveled to: Brooks Memorial Art Gallery, Memphis, November 1–December 1, 10968. (Catalogue)

The Art of the Real: USA 1948–1968, The Museum of Modern art, New York, July 3–September 8, 1968. Traveled to: Centre National d’Art Contemporain, Paris, November 14–December 23, 1968; Kunsthaus Zürich, January 19–February 23, 1969, The Tate Gallery, London, April 24–June 1, 1969. (Catalogue)

Recent Acquisitions, Whitney Museum of American Art, New York, May 23–July 7, 1968.

Paintings from the Albright-Knox Art Gallery, National Gallery of Art, Washington, D.C. May 19–July 21, 1968. (Catalogue)

Dada, Surrealism, and their Heritage, The Museum of Modern Art, New York, March 27–June 9, 1968. Traveled to: Los Angeles County Museum of Art, July 16–September 8, 1968: The Art Institute of Chicago, October 19–December 8, 1968. (Catalogue)

Betty Parson’ Private Collection, Finch College Museum of Art, New York, March 13–April 24, 1968. (Catalogue)

Twentieth-Century Works on Paper, Art Gallery, University of California, Irvine, January 30–February 25, 1968. Traveled to: Memorial Union Art Gallery, University of California, Davis, March 26–April 20, 1968. (Catalogue)

The Sidney and Harriet Janis Collection, The Museum of Modern Art, New York, January 17–March 4, 1968. Traveled to: The Minneapolis Institute of Arts, May 15–July 28, 1968; Portland Art Museum, Oregon, September 13–October 13, 1968; Pasadena Art Museum, November 11–December 15, 1968; San Francisco Museum of Art, January 13–February 16, 1969; Seattle Art Museum, March 12–April 13, 1969; Detroit Institute of Arts, July 14–August 17, 1969; Cleveland Museum of Art, Ohio, November 18, 1969–January 4, 1970: Kunsthalle Basel, February 28–March 30, 1970; Akademie der Künste, Berlin, June 12–August, 1970; Kunsthalle, Nürnberg, September 11–October 25, 1970: Würtembergischer Kunstverein, Stuttgart, as Von Surrealismus bis zur Pop Art, November 12–December 27, 1970: Palais des Beaux-Arts de Bruxelles, January 7–February 11, 1971. (Catalogue)

1967

Rosc ’67: The Poetry of Vision, The Royal Dublin Society, November 13, 1967–January 10, 1968. (Catalogue)

Kompass III: Schilderkunst na 1945 uit New York: Paintings after 1945 in New York, Stedelijk van Abbemuseum, Eindhoven, The Netherlands, November 9–December 17, 1967. Traveled to: Frankfurter Kunstverein, December 30, 1967–February 11, 1968. (Catalogue)

Six peintres américaines: Gorky, Kline, de Kooning, Newman, Pollock, Rothko, M. Knoedler et Cie., Paris, October 19–November 25, 1967. (Catalogue)

Selected Works from the Collection of Mr. and Mrs. H. Gates Lloyd, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 18–November 19, 1967. (Catalogue)

Art for Embassies Selected from the Woodward Foundation Collection, Washington Gallery of Modern Art, Washington, D.C., September 30–November 5, 1967. (Catalogue)

Dix ans d’art vivant 1955–1965, Fondation Maeght, St. Paul de Vence, France, May 3–July 23, 1967. (Catalogue)

Six Painters: Mondrian, Guston, Kline, de Kooning, Pollock, Rothko, University of St. Thomas Art Department, Houston, February 23–April 2, 1967. (Catalogue)

2 Generations: Picasso to Pollock, Sidney Janis Gallery, New York, January 3–27, 1967. (Catalogue)

1966

Peggy Guggenheim samling fran Venedig, Moderna Museet, Stockholm, November 26, 1966–January 8, 1967. (Catalogue)

Two Generations of American Art: 1943–1965, The Columbus Gallery of Fine Art, Ohio, November 11–December 1966.

Two Decades of American Painting, The National Museum of Modern Art, Tokyo, October 15–November 27, 1966. Traveled to: The National Museum of Modern Art, Kyoto, December 12, 1966–January 22, 1967; Lalit Kala Academy, New Delhi, March 25–April 15, 1967; National Gallery of Victoria, Melbourne, June 6–July 8, 1967; Art Gallery of New South Wales, Sydney, July 17–August 20, 1967. (Catalogue)

The W. Hawkins Ferry Collection, Detroit Institute of the Arts, Michigan, October 11–November 20, 1966.

Art of the United States: 1670–1966, Whitney Museum of American Art, New York, September 28–November 27, 1966. (Catalogue)

The Straus Collection, Art Museum, University of Texas, Austin, July 11–September 11, 1966.

Fifty Years of Modern Art 1916–1966, Cleveland Museum of Art, Ohio, June 14–July 31, 1966. (Catalogue)

Seven Decades, 1895–1965: Crosscurrents in Modern Art, exhibition divided among various New York galleries: Paul Rosenberg and Co., 1895–1904; M. Knoedler & Co., Inc., 1905–1914; Perls Galleries, E.V. Thaw & Co., 1915–1924; Sadenberg Gallery, 1925–1934; Stephen Han Gallery, 1925–1934; Pierre Matisse Gallery, 1935–1944; André Emmerich Gallery and Galleria Odyssia, 1945–1965, April 26–May 21, 1966. (Catalogue)

Brandeis University Creative Arts Awards, 1957–1966: Tenth Anniversary Exhibition, The Larry Aldrich Museum, Ridgefield, Connecticut, April 17–June 26, 1966. (Catalogue)

Williams-Vassar Exchange Exhibition, Williams college Museum of Art, Wesleyan, Massachusetts, February 28–March 18, 1966.

The University Arts Center Dedication Exhibition, University of California, Berkeley, January 6–February 16, 1966.

1965

The New York School, The First Generation: Paintings of the 1940s and the 1950s, Los Angeles County Museum of Art, July 16–August 1, 1965. (Catalogue)

The White House Festival of the Arts, The Presidential White House, Washington D.C., June 14, 1965.

Art Since 1923: An Exhibition in Honor of Agnes Rindge Claflin, Vassar College Art Gallery, Poughkeepsie, New York, May 5–June 16, 1965.

1965 Kane Memorial Exhibition, Critic’s Choice: Art Since World War II, Providence Art Club, Rhode Island, March 31–April 24, 1965. (Catalogue)

The Decisive Years: 1943–1953: The Decisive Years, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 14–March 1, 1965. (Catalogue)

1964

The Peggy Guggenheim Collection, The Tate Gallery, London, December 31, 1964–March 7, 1965. (Catalogue)

A Selection of 20th Century Art of 3 Generations, November 24–December 26, 1964. (Catalogue)

Art Since 1889, Art Gallery, University of New Mexico, Albuquerque, October 20–November 15, 1964. (Catalogue)

Wisconsin Collects, Milwaukee Art Museum, September 24–October 25, 1964. (Catalogue)

A Century of American Art, 1864–1964, Adelphi University, Garden City, New York, July 10–26, 1964.

Bilanz Internationale Malerei seit 1950 (Austellung zum 125jährigen Jubiläum), Kunsthalle Basel, June 20–August 23, 1964. (Catalogue)

Painting and Sculpture of a Decade 54–64, The Tate Gallery, London, April 22–June 28, 1964. (Catalogue)

American Painting 1910–1960, Fine Arts Gallery, Indiana University, Bloomington, April 19–May 10, 1964. (Catalogue)

Recent American Paintings, University Art Museum, University of Texas, Austin, April 15–May 15, 1964. (Catalogue)

2 Generations: Picasso to Pollock, Sidney Janis Gallery, New York, March 3–April 4, 1964.

Artistes américaines, Galerie Jacques Benador, Geneva, February 14–late March 1964.

Contemporary American Artists, Danbury Scott-Fanton Museum and Historical Society, Inc., Danbury, Connecticut, January 9–25, 1964.

New York Painting, Ferus Gallery, Los Angeles, January 1964.

1963

New Directions in American Painting, Munson-Williams-Proctor Institute, Utica, New York, December 1, 1963–January 5, 1964. Traveled to: Isaac Delgado Museum of Art, New Orleans, February 7–March 8, 1964; Atlanta Art Association, March 18–April 22, 1964: J.B. Speed Art Museum, Louisville, May 4–June 7, 1964; Art Museum, Indiana University, Bloomington, June 22–September 20, 1964; Washington University, St. Louis, October 5–30, 1964; Detroit Institute of Arts, November 10–December 6, 1964. (Catalogue)

Four Centuries of American Art, The Minneapolis Institute of Arts, November 27, 1963–January 19, 1964. (Catalogue)

11 Abstract Expressionist Painters, Sidney Janis Gallery, New York, October 7–November 2, 1963. (Catalogue)

Aspects of 20th Century Art, Marlborough Fine Art, London, July–August 1963. (Catalogue)

Sam Francis, Franz Kline, Joan Mitchell, Robert Motherwell, Marc Rothko, Galerie Müller, Stuttgart, January 19–February 15, 1963.

1962

The Artist’s Environment: The West Coast, Amon Carter Museum of Western Art, Fort Worth, Texas, November 6–December 24, 1962. Traveled to: UCLA Art Gallery, Los Angeles, January 6–February 10, 1963; Oakland Art Museum, California, March 17–April 15, 1963.

Contemporary American Painting, Selections from the Collection of Mr. and Mrs. Roy R. Neuberger, University of Michigan Museum of Art, Ann Arbor, October 21–November 18, 1962.

Treasures from the East Bay Collections, Oakland Art Museum, California, September 28–November 2, 1962. (Catalogue)

Art of the Thirties, Smolin Gallery, New York, September 25–October 13, 1962.

Gegenwart bis 1962, Haus am Waldsee, Berlin, June 1962. (Catalogue)

Artisti Americani, Notizie: Associazione Arti Figurative, Turin, opened June 8, 1962. (Catalogue)

10 American Painters, Sidney Janis Gallery, New York, May 7–June 2, 1962. (Catalogue)

Seattle World’s Fair, Art Since 1950: American and International, Seattle Fine Arts Pavilion, Seattle World's Fair, Washington, April 21–October 21, 1962; Rose Art Museum, Brandeis University, Waltham, Massachusetts, November 21–December 23, 1962; The Institute of Contemporary Art, Boston. (Catalogue)

Continuity and Change: 45 American Abstract Painters and Sculptors, Wadsworth Atheneum, April 12–May 27, 1962. (Catalogue)

A Selection of East Coast & West Coast American Painters, Gimpel Fils Ltd., London, March 1962.

Masters of American Watercolor, Whitney Museum of American Art, New York, February 13–March 4, 1962.

Painting and Sculpture in Florida, Florida Union Social Room of the University of Florida, Gainesville, January 14–18, 1962.

Group Exhibition, Dwan Gallery, Los Angeles, 1962.

1961

American Art of our Century: 30th Anniversary Exhibition, Whitney Museum of American Art, New York, November 15–December 10, 1961. (Catalogue)

The 1961 Pittsburgh International exhibition of Contemporary Painting and Sculpture, Department of Fine Arts, Carnegie Institute, Pittsburgh, October 27, 1961–January 7, 1962. (Catalogue)

American Abstract Expressionists and the Imagists, Solomon R. Guggenheim Museum, New York, October 13–December 31, 1961. (Catalogue)

Twenty Eight Works from the Carol and Robert Straus Collection of Paintings and Sculptures, Exhibited by “Art Today,” Brooks Memorial Art Gallery, Memphis, October 1–31, 1961.

The Collection of Mr. and Mrs. Ben Heller, The Art Institute of Chicago, September 22–October 22, 1961. Traveled to: Contemporary Arts Center, Cincinnati, January 22–February 25, 1962; Cleveland Museum of Art, Ohio, March 13–April 10, 1962; California Palace of the Legion of Honor, San Francisco, April 30–June 3, 1962; Portland Art Museum, Oregon, June 15–July 22, 1962; Los Angeles County Museum of Art, September 5–October 14, 1962. (Catalogue)

American Business and the Arts, San Francisco Museum of Art, September 14–October 15, 1961.

Paintings for the WPA, Smolin Gallery, New York, September 11–October 5, 1961.

Polariteit, Stedelijk Museum, Amsterdam, July 22–September 18, 1961. (Catalogue)

Arte e Contemplazione, Centro Internazionale delle Arti e del Costume, Palazzo Grassi, Venice, July 7–October 18, 1961. (Catalogue)

10 American Painters, Sidney Janis Gallery, New York, May 8–June 3, 1961. (Catalogue)

Paintings and Sculpture from the Albright-Knox Art Gallery, Yale University Art Gallery, New Haven, Connecticut, April 26–September 4, 1961.

The Sidney Janis Painters, John and Mable Ringling Museum of Art, Sarasota, Florida, April 8–May 7, 1961.

New Trends in 20th Century American Painting, Union College, Schenectady, New York, March 5–26, 1961.

Aktuelle Kunst: Bilder Sammlung Dotremont, Kunsthalle, Dusseldorf, March 3–April 9, 1961. Traveled to: (as Moderne Malerei seit 1945 aus der Sammlung Dotremont) Kunsthalle, Basel, April 22–May 28, 1961. (Catalogues)

Vanguard American Painting, various cities in Yugoslavia, 1961. Traveled to: USIS Gallery, American Embassy, London, February 28–March 30, 1962; Hessischen Landesmuseum, Darmstadt, April 14–May 13, 1962; Salzburg, Zwerglagarten, July 10–August 3, 1962. (Catalogue)

On the Logic of Modern Art, William Rockhill Nelson Gallery and Atkins Museum of Fine Arts, Kansas City, Missouri, January 19–February 26, 1961. (Catalogue)

1960

Die Jubiläamsschenkung des Schweizerischen National-Versicherungs-Gesellschaft an das Basler Kunstmuseum, Kunstmuseum Basel, 1960.

Art Across America, Munson-Williams-Proctor Institute, Utica, New York, October 15–December 31, 1960. (Catalogue)

Paths of Abstract Art, Cleveland Museum of Art, Ohio, October 15–December 31, 1960. (Catalogue)

Paintings and Sculpture from the Collection of Mrs. John Rockefeller, San Francisco Museum of Art, July 1–August 7, 1960.

Konkrete Kunst: 50 Jahre Entwicklung, Helmhaus, Zurich, June 8–August 14, 1960. (Catalogue)

Undici Americani, Galleria dell’Ariete, Milan, April 27–May 1960. (Catalogue)

Religious Perspectives in Post-1950 American art, Yale University Christian Association, New Haven, April 18–29, 1960.

9 American Painters, Sidney Janis Gallery, New York, April 4–23, 1960. (Catalogue)

60 American Painters 1960: Abstract Expressionist Painting of the ‘50s, Walker Art Center, Minneapolis, April 3–May 8, 1960. (Catalogue)

Business Buys American Art, Whitney Museum of American Art, New York, March 17–April 24, 1960. (Catalogue)

Art from Ingres to Pollock, University Art Galleries, University of California, Berkeley, March 6–April 3, 1960. (Catalogue)

Group Exhibition, Galerie Neufville, Paris, February 23–March 22, 1960.

Jonge Kunst uit de collectie Dotremont, Brussel, Van Abbemuseum, Eindhoven, February 20–March 27, 1960. (Catalogue)

Modern American Painting 1930–1958, Galleria Nazionale d’Arte Moderna, Rome, January 23–February 22, 1960. Traveled to: Permanente Gallery, Milan, March 5–31, 1960; Amerika Haus, Berlin, April 15–May 15, 1960; Hessisches Landesmuseum Darmstadt, June 3–26, 1960: Götebergs Konstmuseum, Sweden, July 15–August 7, 1960; City Art Gallery, York, England, mid-August–mid-September 1960. (Catalogue)

Contemporary American Painting, The Columbus Gallery of Fine Arts, Ohio, January 14–February 18, 1960. (Catalogue)

Fourteen New York Artists, Ferus Gallery, Los Angeles, January 18–February 13, 1960.

Monochrome Malerei, Städtisches Museum Leverkusen, 1960.

1959

American Painting and Sculpture: American National Exhibition in Moscow, Sokolniki, Moscow, July 25–September 5, 1959. (Catalogue)

II Documenta ’59, Kunst nach 1945: Internationale Ausstellung, Museum Fridericianum, Kassel, July 11–October 11, 1959. (Catalogue)

Neue Amerikanische Maleri, Kunstmuseum St. Gallern, Switzerland, March 14–April 26, 1959. (Catalogue)

The Roy and Marie Neuberger Collection, 21 American Paintings: 1944–1956, Brooks Memorial Art Gallery, Memphis, February 13–March 1, 1959. (Catalogue)

New York and Paris: Painting in the Fifties, The Museum of Fine Arts, Houston, January 16–February 8, 1959. (Catalogue)

8 American Painters, Sidney Janis Gallery, New York, January 5–31, 1959.

1958

Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Department of Fine Arts, Carnegie Institute, Pittsburgh, Pennsylvania, December 5, 1958–February 8, 1959. (Catalogue)

New Trends in 20th Century Painting, Root Art Center, Clinton, New Jersey, October 26–November 30, 1958.

X Years of Janis: 10th Anniversary Exhibition, Sidney Janis Gallery, New York, September 29–November 1, 1958. (Catalogue)

29th Exposizione Biennale Internazionale d’Arte, Venice, June 14–October 19, 1958. (Catalogue)

American Art Today, Fieldston School Arts Center, The Fieldston School, Riverdale, New York, April 26–30, 1958. (Brochure)

The New American Painting, Kunsthalle Basel, April 19–May 26, 1958. Traveled to: Galleria Civica d’Arte Moderna, Milan, June 1–29, 1958; Museo Nacional de Arte Contemporáneo, Madrid, July 16–August 11, 1958: Hochschule für Bildende Künste, Berlin, September 1–October 1, 1958; Stedelijk Museum, Amsterdam, October 17–November 24, 1958; Palais des Beaux-Arts de Bruxelles, December 6, 1958–January 4, 1959; Musée National d’Art Moderne, Paris, January 16–February 15, 1959, Tate Gallery, London, February 24–March 22, 1959; The Museum of Modern Art, New York, September 25–October 25, 1959; Albany Institute of History and Art, September 25–October 25, 1959. (Catalogue)

Some Paintings from the E.J. Powers Collection, Institute of Contemporary Art, London, March 13–April 19, 1958. (Catalogue)

An Exhibition in Tribute to Sidney Janis, Museum of Art, Pennsylvania State University, Philadelphia, February 3–24, 1958.

1957

Summer Exhibition, Gimpel Fils, Ltd., London, July 16–August 24, 1957.

Contemporary Art Acquisitions 1954–1957, Albright-Knox Art Gallery, Buffalo, May 15, 1957–February 15, 1958. (Catalogue)

8 Americans, Sidney Janis Gallery, New York, April 1–20, 1957. (Catalogue)

Third International Contemporary Art Exhibition, All India Arts and Crafts Society, New Dehli, India, February 23–March 7, 1957. Traveled to: Municipal Museum, Ahmedabad, closed March 31, 1957; Industrial Exhibition Grounds, Hyderabad, April 15–25, 1957; Calcutta, May 4–25, 1957. (Catalogue)

Paintings by Mark Rothko, Bradely Tomlin and Kenzo Okada, The Phillips Collection, Washington D.C., January 6–February 26, 1956.

1956

Recent Paintings by 7 Americans, Sidney Janis Gallery, New York, September 24–October 20, 1956.

1955

Ten Years, Betty Parsons Gallery, New York, December 19, 1955–January 14, 1956. (Announcement with text)

American Watercolors from the Whitney Museum of American Art, Katonah Gallery, Katonah, New York, November 26, 1955-January 3, 1956.

55 Americans, Milwaukee Art Institute, Wisconsin, September 9–October 23, 1955. (Catalogue)

Modern Art in the U.S.A., Musée Nationale d’Art Moderne, Paris, March 30–May 15, 1955. Traveled to: Kunsthaus Zürich, July 16–August 28, 1955; Museo de Arte Moderno, Barcelona, September 24–October 24, 1955; Haus des Deutschen Kunsthandwerks, Frankfurt, November 13–December 11, 1955; Tate Gallery, London, January 5–February 12, 1956; Gemeente Museum, The Hague, March 2–April 15, 1956; Wiener Secession Galerie and Neue Galerie, Vienna, May 5–June 2, 1956: Kalemagdan Pavilion, ULUS Gallery, Fresco Museum, Belgrade, July 6–August 6, 1956. (Catalogue)

1954

Painting and Sculpture in the Institute Collection, Joe and Emily Lowe Art Center, Syracuse University, New York, February 9–28, 1954.

9 American Painters Today, Sidney Janis Gallery, New York, January 4–23, 1954.

1953

M M: An Exhibition of Contemporary Art Collected by American Business, Meta Mold Aluminum Company, Cedarburg, Wisconsin, April 1953. (Catalogue)

1952

Fifteen Americans, The Museum of Modern Art, New York, April 9–May 27, 1952. (Catalogue)

1951

Revolution and Tradition: An Exhibition of the Chief Movements in American Painting from 1900 to the Present, The Brooklyn Museum, Brooklyn, New York, November 15, 1951–January 6, 1952. (Catalogue)

Contemporary American Painting, City Art Museum of St. Louis, Missouri, November 12–December 10, 1951. (Catalogue)

I Bienal do Museu de Arte Moderna de São Paulo, October–December 1951. (Catalogue)

Sixtieth Annual American Exhibition, Art Institute of Chicago, October 25–December 16, 1951.

Berliner Feswochen 1951: Amerikanische Malerei: Werden und Gegenwart, Rathaus Schonberg, Berlin, September 20–October 5, 1951. Traveled to: Schloss Charlottenburg, October 10–24, 1951. (Catalogue)

Selections from New York Private Collections, The Museum of Modern Art, New York, June 26–September 29, 1951. (Catalogue)

40 American Painters, University Gallery, University of Minnesota, St. Paul, June 4–August 30, 1951. (Catalogue)

1951 Annual Exhibition: Contemporary Painting in the United States, Los Angeles County Museum of Art, June 2–July 12, 1951. (Catalogue)

University of Illinois Exhibition of Contemporary Painting, College of Fine and Applied Art at Urbana, Illinois, March 4–April 15, 1951. (Catalogue)

Nebraska Art Association: 61st Annual Exhibition, University Art Galleries, University of Nebraska, Lincoln, March 4–April 1, 1951. (Catalogue)

Abstract Painting and Sculpture in America, The Museum of American Art, New York, January 23–March 25, 1951. (Catalogue)

Surrealisme + Abstraction: Choix de la Collection Peggy Guggenheim/Surealisme Abstractie: Keuze uit de Verzameling Peggy Guggenheim, Stedelijk Museum, Amsterdam, January 19–February 26, 1951. Traveled to: Palais des Beaux-Arts de Bruxelles, March 3–28, 1951; Kunsthaus Zürich, April–May 1951. (Catalogue)

Seventeen Modern American Painters, Frank Perls Gallery, Beverly Hills, California, January 11–February 7, 1951. (Catalogue)

1950

Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, November 10–December 30, 1950. (Catalogue)

Young Painters in the United States and France, Sidney Janis Gallery, New York, October 23–November 11, 1950.

American Painting, Virginia Museum of Fine Arts, Richmond, Virginia, April 22–June 4, 1950. (Catalogue)

University of Illinois Exhibition of Contemporary American Painting, College of Fine and Applied Arts at Urbana, Illinois, February 26–April 2, 1950. (Catalogue)

Exhibition of Watercolors and Sculpture by the Members of the Federation of Modern Painters and Sculptors, Lotos Club, New York, February 21–March 5, 1950.

1949

Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, December 12, 1949–February 5, 1950. (Catalogue)

New Accessions: U.S.A. from Great Britain, The United States and France with Sculpture from the United States, Colorado Springs Fine Arts Center, November–December 1949.

The Intrasubjectives, The Samuel M. Kootz Gallery, New York, September 14–October 3, 1949. (Catalogue)

The Western Round Table on Modern Art, San Francisco Museum of Art, April 8–10, 1949.

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, April 2–May 8, 1949. (Catalogue)

Federation of Modern Painters and Sculptors, National Arts Club, New York, April 2–May 8, 1949. (Catalogue)

La Collezione Guggenheim, Palazzo Strozzi, Florence, February 19–March 10, 1949. Traveled to: Palazzo Reale, Milan, June 1949. (Catalogue)

1948

Eighth Annual Exhibition of Paintings and Sculpture by Members of the Federation of Modern Painters and Sculptors, Wildenstein and Company, New York, September 14–October 2, 1948.

La XXIV Biennale de Venezia: La Collezione Peggy Guggenheim, Venice, May 29–September 30, 1948. (Catalogue)

Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings, Whitney Museum of American Art, New York, January 31–March 21, 1948. (Catalogue)

1947

Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, December 6, 1947–January 25, 1948. (Catalogue)

Abstract and Surrealist Art of America, The Art Institute of Chicago, November 6, 1947–January 1, 1948. (Catalogue)

International Watercolor Exhibition: 14th Biennial, The Brooklyn Museum, New York, April 16–June 8, 1947.

The Ideographic Picture, Betty Parsons Gallery, New York, January 20–February 8, 1947.

1946

Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, December 10, 1946–January 16, 1947. (Catalogue)

Annual Exhibition of Paintings and Sculpture by Members of the Federation of Modern Painters and Sculptors and guest artists, Wildenstein and Co., Inc. New York, September 18–October 5, 1946. Traveled to: The Rochester Memorial Art Gallery, New York; The Saint Paul Gallery, Minnesota; M. H. de Young Memorial Museum, San Francisco; the Museum of Fine Arts, Houston; William Rockhill Nelson Gallery of art, Kansas City, Missouri.

12 Works of Distinction, Charles Egan Gallery, New York, May 20–June 8, 1946.

Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings, Whitney Museum of American Art, New York, February 5–March 13, 1946. (Catalogue)

The One Hundred and Forty-First Annual Exhibition of Painting and Sculpture, Pennsylvania Academy of Fine Arts, Philadelphia, January 26–March 3, 1946. (Catalogue)

1945

Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, November 27, 1945–January 10, 1946. (Catalogue)

Autumn Salon, Art of This Century, October 6–29. 1945.

Fifth Anniversary Exhibition of Paintings and Sculpture by Members of the Federation of Modern Painters and Sculptors and Guest artists, Wildenstein and Company, New York, September 11–29, 1945.

Contemporary American Painting, California Palace of the Legion of Honor, San Francisco, May 17–June 17, 1945. (Catalogue)

A Problem for Critics, 67 Gallery, New York, May 14 - July 7, 1945.

A Painting Prophecy, 1950, The David Porter Gallery, Washington, D.C., February 3–28, 1945. Traveled to: Springfield, Massachusetts and St. Louis. (Catalogue)

1944

Forty American Moderns, 67 Gallery, New York, December 4–30, 1944.

Some Aspects of Modern Art, New Art Circle, New York, closed October 23, 1944.

First Exhibition in America of Twenty Paintings Never Shown in America Before, Art of This Century, April 11–May 6, 1944.

Abstract and Surrealist Art in the United States, Cincinnati Art Museum, Ohio, February 8–March 12, 1944. Traveled to: The Denver Art Museum, March 26–April 23, 1944; Seattle Art Museum, May 7–June 10, 1944; The Santa Barbara Museum of Art, California, June–July 1944; San Francisco Museum of Art, July 1944; Mortimer Brandt Gallery, New York, November 29–December 30, 1944. (Catalogue)

1943

As We See Them, The 460 Park Avneue Galleries, New York, October 11–November 3, 1943.

The Third Annual Federation of Modern Painters and Sculptors Inc., Wildenstein and Company, New York, June 3–26, 1943.

1942

The Second Annual Federation of Modern Painters and Sculptors Exhibition, Wildenstein and Company, New York, May 21–June 10, 1942. (Catalogue)

Group Exhibition, R. H. Macy Department Store, New York, January 5–26, 1942.

1941

The First Annual Federation of Modern Painters and Sculptors Exhibition, Riverside Museum, New York, March 9–23, 1941.

1940

American Art from the Federation of Modern Painters and Sculptors, Smith College Museum of Art, Northampton, Massachusetts, November 12–December 1, 1940.

The Federation of Modern Painters and Sculptors: The First Exhibition of Paintings and Sculpture, Rotunda of the American Art Today Building, New York World’s Fair, June 20–July 8, 1940.

New Work by Marcel Gromaire, Mark Rothko, Joseph Solman, The Neumann-Willard Gallery, New York, January 8–27, 1940.

1939

The Ten, Bonestell Gallery, New York, October 23–November 4, 1939.

1938

The Ten: Whitney Dissenters, Mercury Galleries, New York, November 5–26, November 1938. (Pamphlet)

The Ten, Georgette Passedoit Gallery, New York, May 9–21, 1938.

Second Annual Membership Exhibition: American Artists’ Congress Incorporated, John Wanamaker's Picture Gallery, New York, May 5–21, 1938.

1937

The Ten, Georgette Passedoit Gallery, New York, April 26–May 8, 1937.

1936

The Ten, Montross Gallery, New York, December 14, 1936–January 2, 1937.

The Ten, Galerie Bonaparte, Paris, Novmeber 10–24, 1936. (Pamphlet)

The Ten, Municipal Art Galleries, New York, January 7–18, 1936.

1935

The Ten: An Independent Group, Montross Gallery, New York, December 16–January 4, 1936.

Group Exhibition, Gallery Secession, New York, January 15–February 5, 1935.

1934

Group Exhibition, Gallery Secession, New York, December 15, 1934–January 15, 1935.

Group Exhibition: American Moderns, Uptown Gallery, Continental Club, New York, August 14–September 17, 1934.

Group Exhibition, Uptown Gallery, Continental Club, New York, June 12–July 2, 1934.

Paintings by Selected Young Americans, Uptown Gallery, Continental Club, New York, May 22–June 12, 1934.

Exhibition of Paintings and Sculpture by Brooklyn and Long Island Artists, Brooklyn Museum, January 29–February 26, 1934.

1928

Group Exhibition: Artists Selected by Bernard Karfiol, Opportunity Galleries, New York, November 15–December 8, 1928.

Mark Rothko
Public Collections

Mark Rothko Public Collections

Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Akron Art Museum, Ohio

Allen Memorial Art Museum, Oberlin College, Ohio

Anderson Collection Museum at Stanford University, California

Art Gallery of Ontario, Toronto, Canada

The Art Institute of Chicago, Illinois

Berkeley Art Museum and Pacific Film Archive, University of California

Brooklyn Museum, New York

Buffalo AKG Art Museum, New York

Chrysler Museum of Art, Norfolk, Virginia

The Cleveland Museum of Art, Ohio

Currier Museum of Art, Manchester, New Hampshire

Dallas Museum of Art, Texas

Fine Arts Museums of San Francisco, California

Fogg Museum, Harvard University, Cambridge, Massachusetts

Folkwang Museum, Essen, Germany

Fondation Beyeler, Basel

Fukuoka Art Museum, Japan

Glenstone, Potomac, Maryland

Guggenheim Museum Bilbao, Spain

High Museum of Art, Atlanta, Georgia

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Ho-Am Art Museum, Seoul, South Korea

The Israel Museum, Jerusalem

Kawamura Memorial Art Museum, Sakura, Japan

Krannert Art Museum, University of Illinois, Champaign

Kunstmuseum Basel, Switzerland

Los Angeles County Museum of Art

Louisiana Museum of Modern Art, Humlebæk, Denmark

Louvre Abu Dhabi, United Arab Emirates

The Menil Collection, Houston, Texas

The Metropolitan Museum of Art, New York

Milwaukee Art Museum, Wisconsin

Modern Art Museum of Fort Worth, Texas

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

El Museo Nacional Thyssen-Bornemisza, Madrid, Spain

Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania

Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art, Tehran, Iran

Museum of Fine Arts, Boston, Massachusetts

The Museum of Fine Arts, Houston, Texas

The Museum of Modern Art, New York

Nakanoshima Museum of Art, Osaka, Japan

National Gallery of Art, Washington, D.C.

National Gallery of Australia, Canberra

National Gallery of Victoria, Melbourne, Australia

National Gallery, Ottawa, Canada

The National Museum of Art, Osaka, Japan

The Nelson-Atkins Museum of Art, Kansas City, Missouri

Neuberger Museum, State University of New York, Purchase, New York

Ohara Museum of Art, Okayama, Japan

Peggy Guggenheim Collection, Venice, Italy

Pennsylvania Academy of Fine Arts, Philadelphia

Philadelphia Museum of Art, Pennsylvania

Phoenix Art Museum, Arizona

The Phillips Collection, Washington, D.C.

Saint Louis Art Museum, Missouri

San Francisco Museum of Modern Art, California

Seattle Art Museum, Washington

Sheldon Museum of Art, University of Nebraska-Lincoln

Smart Museum of Art, University of Chicago, Illinois

Smith College Museum of Art, Northampton, Massachusetts

Smithsonian American Art Museum, Washington, D.C.

Solomon R. Guggenheim Museum, New York

Staatsgalerie Stuttgart, Germany

Stedelijk Museum, Amsterdam, The Netherlands

Tate Gallery, London, England

Tel Aviv Museum of Art, Israel

Tokyo Metropolitan Art Museum, Japan

Tokyo Museum of Contemporary Art, Japan

University of Iowa Museum of Art, Iowa City

Walker Art Center, Minneapolis, Minnesota

Whitney Museum of American Art, New York

Yale University Art Gallery, New Haven, Connecticut

Mark Rothko
Periodicals

Mark Rothko Periodicals

2024

Andor Brodeur, Michael. “‘Mozart and Mark’ series breaks the silence of Mark Rothko’s paintings” (National Gallery exhibition review). Washington Post, 18 January 2024. https://www.washingtonpost.com/entertainment/music/2024/01/17/mozart-mark-rothko-national-gallery/.

Hampton, Olivia. “Paintings on paper reveal another side of Rothko.” Npr, 12 January 2024. https://www.npr.org/2024/01/12/1224357957/rothkos-paper-works-reveal-a-different-narrative-on-his-evolution-as-an-artist.

Jenkins, Mark. “The dramatic change between Mark Rothko’s early and late works” (National Gallery and Phillips Collection exhibition reviews). Washington Post, 24 January 2024. https://www.washingtonpost.com/dc-md-va/2024/01/24/mark-rothko-paintings-on-paper-rothko-room/

Rothko, Christopher. “Christopher Rothko with Phong H. Bui.” Interview with Phong H. Bui. Brooklyn Rail, 31 January 2024. https://brooklynrail.org/2024/02/art/Christopher-Rothko-with-Phong-H-Bui.

2023

Banks, Grace. “Discover Mark Rothko’s Tribute to Spirituality: An Art Chapel in Houston, Texas – Filled with His Paintings.” Forbes, 25 April 2023. https://www.forbes.com/sites/gracebanks/2023/04/25/discover-mark-rothkos-tribute-to-spirituality-an-art-chapel-in-houston-texas---filled-with-his-paintings

Banks, Nargess. “A Year In Review: Art And Design Exhibition Highlights In 2023” (Fondation Louis Vuitton exhibition review. Forbes, 25 December 2023. https://www.forbes.com/sites/nargessbanks/2023/12/25/top-art-and-design-exhibitions-in-2023/?sh=332639501972.

Baumgardner, Julie. “Mark Rothko Gets a Radical Rethink at the Fondation Louis Vuitton” (exhibition review). Artsy, 24 October 2023 https://www.artsy.net/article/artsy-editorial-mark-rothko-radical-rethink-fondation-louis-vuitton.

Bentahar, Lyna. “Rothko, in Pain and Glory” (Fondation Louis Vuitton exhibition review). New York Times, 4 November 2023. https://www.nytimes.com/2023/11/04/briefing/rothko-in-pain-and-glory.html.

“Best in Show: Here Are the 5 Buzziest Museum Exhibitions Everyone Is Talking About in Paris” (exhibition review). Artnet, 20 October 2023. https://news.artnet.com/art-world/best-in-show-5-museum-exhibitions-in-paris-2372103.

Biffot-Lacut, Sandra. “’Great Vibrations’ Of Mark Rothko at Blockbuster Paris Show” (Foundation Louis Vuitton exhibition review). Barron’s, 16 October 2023. https://www.barrons.com/news/great-vibrations-of-mark-rothko-at-blockbuster-paris-show-972061c4.

Chilton, Louis. “Rothko redefined: Major new exhibition of abstract artist opens in Paris to rave reviews” (Foundation Louis Vuitton exhibition review). Independent, 20 October 2023. https://www.independent.co.uk/arts-entertainment/art/news/rothko-exhibition-paris-louis-vuitton-b2433139.html#.

Dagen, Philippe. “Rothko at the Louis Vuitton Foundation: When color throbs” (exhibition review). Le Monde, 23 October 2023. https://www.lemonde.fr/en/culture/article/2023/10/23/rothko-at-the-louis-vuitton-foundation-when-color-pulsates_6197644_30.html.

Durón, Maximilíano. “A Stunning Mark Rothko Retrospective in Paris Illuminates the Artist’s Lesser-Known Sides” (Foundation Louis Vuitton exhibition review). ARTnews, 19 October 2023. https://www.artnews.com/art-news/reviews/mark-rothko-retrospective-fondation-louis-vuitton-review-1234683644/.

Farago Jason. “Mark Rothko at Full Scale, and in Half Light” (Foundation Louis Vuitton exhibition review). The New York Times, 25 October 2023. https://www.nytimes.com/2023/10/25/arts/design/mark-rothko-review-paris.html.

Gavin, Francesca. “Mark Rothko at Fondation Louis Vuitton” (exhibition review). Marie Claire, 2 November 2023. https://www.marieclaire.co.uk/fashion/mark-rothko-fondation-louis-vuitton.

Ghassemitari, Shawn. "Fondation Louis Vuitton to Show Monumental Retrospective on Mark Rothko." Hypebeast, 7 July 2023. https://hypebeast.com/2023/7/fondation-louis-vuitton-mark-rothko-retrospective-announcement

Gierowska, Natalia. “Mark Rothko” (Fondation Louis Vuitton exhibition review). The Brooklyn Rail, 13 December 2023. https://brooklynrail.org/2023/12/artseen/Mark-Rothko-Gierowska.

Greenberger, Alex. "25 Must-See Museum Shows Beyond the US to Visit This Fall.” Artnews, 5 September 2023. https://www.artnews.com/list/art-news/news/museum-shows-to-see-fall-2023-international-1234678146/edgardo-gimenez-no-habra-ninguno-igual-at-museo-de-arte-latinoamericano-de-buenos-aires/.

Harris, Gareth. “What would Mark Rothko make of the world today? His son discusses his legacy and market at launch of major Foundation Louis Vuitton exhibition” (Foundation Louis Vuitton exhibition review). The Art Newspaper, 17 October, 2023. https://www.theartnewspaper.com/2023/10/17/mark-rothko-christopher-rothko-fondation-louis-vuitton-paris.

Jacquet, Mattieu. “Mark Rothko in 5 astonishing artworks at the Fondation Louis” (exhibition review). Numéro, 6 November 2023. https://www.numero.com/en/art/mark-rothko-fondation-louis-vuitton-paris-artworks.

Jacquet, Matthiew. “Mark Rothko in a new light” (Fondation Louis Vuitton exhibition review). Art Basel, 30 October 2023. https://www.artbasel.com/news/restrospective-mark-rothko-fondation-louis-vuitton-paris-reveals-lesser-known-aspects-american-painter-work.

Jhala, Kabir. “What sold on Art Basel's first VIP day: from a $22.5m Bourgeois spider to a huge $2.5m Richter sculpture.” The Art Newspaper, 13 June 2023. https://www.theartnewspaper.com/2023/06/13/what-sold-on-art-basels-first-vip-day-from-a-225m-bourgeois-spider-to-a-huge-25m-richter-sculpture

Kazakina, Katya. “A $40 Million Rothko Painting From the Estate of Thomas H. Lee Will Test the Market at Paris+ This Week.” Artnet News, 16 October 2023. https://news.artnet.com/market/a-40-million-rothko-painting-from-the-estate-of-thomas-h-lee-will-test-the-market-at-paris-this-week-2376690

Kazakina, Katya. “The Horse Trading Behind the Ecstatic, $3 Billion Mark Rothko Exhibition at Fondation Louis Vuitton” (exhibition review). Artnet News, 27 October 2023. https://news.artnet.com/news-pro/mark-rothko-fondation-louis-vuitton-2382342.

Kazakina, Katya. “Market Reset or Not, Art Basel Still Dazzles: Top Trophies Range From a $60 Million ‘Mellon’ Rothko to $22.5 Million Bronze Spider.” Artnet News, 9 June 2023. https://news.artnet.com/news-pro/market-reset-or-not-art-basel-still-2317310

Kormornick, Tamara and Kristina Foster. “What to see around town during Paris+ par Art Basel” (Foundation Louis Vuitton exhibition review). Financial Times, 13 October 2023. https://www.ft.com/content/a1e79a37-2604-424b-a969-bc7460877dfd.

Laneri, Raquel. “A Golden Rothko Shines at Christie’s as Passion for Abstract Expressionism Endures.” Artnet News, 13 November 2023. https://news.artnet.com/market/a-golden-rothko-shines-at-christies-as-passion-for-abstract-expressionism-endures-2393431.

Lawson-Tancred, Jo. “The Other Side of Rothko: 5 Intimate, Must-See ‘Paintings on Paper’” (The National Gallery of Art exhibition review). Artnet News, 28 November 2023. https://news.artnet.com/art-world/mark-rothko-paintings-on-paper-2399655.

Lazazzera, Milena. “From A Rothko Retrospective To An Immersive Chagall Experience, All Of The Must-See Exhibitions In Paris Right Now” (Fondation Louis Vuitton exhibition review). Vogue, 22 November 2023. https://www.vogue.co.uk/article/best-exhibitions-paris.

Longo, Robert. “Robert Longo on Mark Rothko: ‘A Small Battle Scene Occurs Where the Colours Meet.’” Frieze Magazine, 29 November 2023.https://www.frieze.com/article/mark-rothko-review-2023.

Loos, Ted. “Fall Exhibitions to See in Paris” (Foundation Louis Vuitton exhibition review). The New York Times, 17 October 2023. https://www.nytimes.com/2023/10/17/arts/design/paris-fall-exhibitions.html.

"Mark Rothko" (Fondation Louis Vuitton exhibition review). Connaissance Des Arts, 18 October 2023.

Middleton, William. “Mark Rothko’s Eternal Search for the Sublime” (Fondation Louis Vuitton exhibition review). W Magazine, 21 November 2023. https://www.wmagazine.com/culture/mark-rothko-exhibition-paris-fondation-louis-vuitton.

Newsom, Sean. “Eight of the world’s most exciting new autumn art exhibitions” (Fondation Louis Vuitton). The Times, 20 September 2023. https://www.thetimes.co.uk/article/eight-of-the-worlds-most-exciting-new-autumn-art-exhibitions-wxjlkxq2f.

“Paris+: The augmented reality of Paris’s contemporary art scene.” Judith Benhamou Reports, 19 October 2023. https://judithbenhamouhuet.com/sarah-lucas/

Rabb, Maxwell. “The 10 Most Expensive Works Sold at Auction in 2023.” Artsy, 14 December 2023. https://www.artsy.net/article/artsy-editorial-10-expensive-works-sold-auction-2023.

Rathe, Adam. “Alone in a Room with Rothko.” Town & Country, 24 August 2023. https://www.townandcountrymag.com/leisure/arts-and-culture/a44665399/rothko-loan-phillips-fondation-louis-vuitton/

Rea, Naomi. “Art Basel’s Day-One Sales Show Demand for Fresh Work Is Undented, While Secondary Material Receives More Price Scrutiny.” Artnet News, 13 June 2023. https://news.artnet.com/market/art-basels-day-one-sales-2316815

Rea, Naomi. “How Paris’s Once-in-a-Lifetime Mark Rothko Exhibition Changes the Way We See His Revered Paintings” (Fondation Louis Vuitton exhibition review). Artnet news, 1 November 2023. https://news.artnet.com/art-world/mark-rothkos-fondation-louis-vuitton-2023-2387000#:~:text=The%20exhibition%20offers%20plenty%20of,interpretation%20of%20these%20late%20works.

Rea, Naomi. “The Second Paris+ Started With a Bang. Could Art Basel’s New Venture Unseat Its Flagship Fair One Day?” Artnet News, 18 October 2023. https://news.artnet.com/market/paris-plus-2023-sales-2380644

Reyburn, Scott. “Auctions in New York Reflect a Dip in the Market.” The New York Times, 17 November 2023. https://www.nytimes.com/2023/11/17/arts/design/auctions-new-york-november-sales.html#:~:text=While%20some%20risk%20was%20offloaded,seemingly%20the%20Fisher%20Landau%20collection.

Roy, Jessica. “The Best Fashion and Art Exhibitions to See This Fall” (Fondation Louis Vuitton). Elle, 16 September 2023. https://www.elle.com/culture/art-design/g45168426/best-fashion-art-exhibitions-fall-2023/.

Sansom, Anna. “Rothko on Rothko.” Sotheby’s, 4 December 2023. https://www.sothebys.com/en/articles/rothko-on-rothko.

Schama, Chloe. “A Sweeping Mark Rothko Retrospective Opens In Paris At The Fondation Louis Vuitton” (exhibition review). Vogue, 23 October 2023. https://www.vogue.com/article/mark-rothko-fondation-louis-vuitton#

Silver, Hannah. “Mark Rothko retrospective to open at Fondation Louis Vuitton in October 2023.” Wallpaper*, 6 July 2023. https://www.wallpaper.com/art/mark-rothko-exhibition-announced-fondation-louis-vuitton-paris

Smee, Sebastian. “This once-in-a-generation Rothko exhibition is spellbinding” (Fondation Louis Vuitton exhibition review). The Washington Post, 11 December 2023. https://www.washingtonpost.com/entertainment/art/2023/12/11/rothko-exhibit-paris-review/.

Tarmy, James. “At European Art Faris, the Rich Are Leery to Buy on Credit.” Bloomberg, 21 October 2023. https://www.bloomberg.com/news/newsletters/2023-10-21/at-european-art-fairs-the-rich-are-leery-to-buy-on-credit?embedded-checkout=true#xj4y7vzkg.

Vesterberg, Flora. “The best exhibitions in Paris for November” (Fondation Louis Vuitton, Centre Pompidou, and Thaddaeus Ropac exhibition reviews). Conde Nast Traveller, 31 October 2023. https://www.cntraveller.com/article/best-exhibitions-in-paris.

Vicente, Alex. “‘The artist the world needs today’: The largest Rothko exhibition ever arrives in Paris” (exhibition review). EL PAIS, 24 October 2023 https://english.elpais.com/culture/2023-10-24/the-artist-the-world-needs-today-the-largest-rothko-exhibition-ever-arrives-in-paris.html.

Waga, Nel-Olivia. “What Made Hearts Beat Faster At Paris+ Par Art Basel 2023.” Forbes, 23 October 2023. https://www.forbes.com/sites/neloliviawaga/2023/10/23/highlights-from-paris-par-art-basel-2023-and-beyond/?sh=45ab8bf43ec8.

Woodward, Daisy. “The Enduring Relevance of Rothko’s Magnificent Abstract Expressionism” (Foundation Louis Vuitton exhibition review). AnOther, 24 October 2023. https://www.anothermag.com/art-photography/15203/the-enduring-relevance-of-rothkos-immersive-abstract-expressionism.

Wullschläger,Jackie. “Best art exhibitions of 2023 — from unrepeatable Vermeer to ubiquitous Picasso” (Fondation Louis Vuitton exhibition review). Financial Times, 15 December 2023. https://www.ft.com/content/ccff51bf-5e23-4f55-a666-7fa5c3535156.

Wullschläger Jackie. “Mark Rothko, Foundation Louis Vuitton – a retrospective full of surprises” (exhibition review). Financial Times, 26 October 2023. https://www.ft.com/content/dc66222e-5004-4fd4-b7c0-e10ebbdf07dd.

Zheng, Elaine YJ. “8 Must-See Institutional Shows in Paris over Autumn 2023” (Foundation Louis Vuitton and Musée de l’Orangerie exhibition reviews). Ocula, 11 October 2023. https://ocula.com/magazine/features/must-see-institutional-shows-paris-autumn-2023/.

2022

Boniello, Kathianne. “Manhattan gallery sued for $10 million over Mark Rothko painting.” The New York Post, 29 January 2022. https://nypost.com/2022/01/29/nyc-gallery-sued-for-10-million-over-mark-rothko-painting/.

Hertzog, Tancrède, “Monet et Rothko à Giverny: Révélatrices oppositions” (Museum of Impressionisms exhibition review). Artpassions, no. 68, March 2022: 46-49, cover.

Kazakina, Katya. “The Macklowe Collection Is Back for an Encore at Sotheby’s in May. Can the $200 Million Trove Ignite the Same Fireworks?” Artnet News, 18 February 2022. https://news.artnet.com/news-pro/macklowe-sale-part-two-2074649.

Manca-Kunert, Isabelle. "Depoussierer L'impressionnisme." In The Eye. L'Oeil, no. 753, 1 April 2022: 38–45, illustrated.

Moore, Jane. “Collections on exhibit at Norton span works from 15th century to modern era.” Palm Beach Daily News, 17 March 2022. https://www.palmbeachdailynews.com/story/lifestyle/2022/03/17/exhibits/7062781001/.

Porterfield, Carlie. “Macklowe Divorce Art Trove: See The Highlights From The Collection’s Second Auction.” Forbes, 18 February 2022. https://www.forbes.com/sites/carlieporterfield/2022/02/18/macklowe-divorce-art-trove-see-the-highlights-from-the-collections-second-auction-photos/?sh=1e7684096871.

Ross, Alex. “Music Fills the Rothko Chapel.” The New Yorker, 7 March 2022. https://www.newyorker.com/magazine/2022/03/14/music-fills-the-rothko-chapel.

Sheets, Hilarie M. “They Guard It. Now They Get to Choose It.” The New York Times, 23 March 2022: C10, illustrated. Web version: https://www.nytimes.com/2022/03/23/arts/design/baltimore-museum-guards-curators-union.html.

Tsioulcas, Anastasia. “At the Rothko Chapel, Tyshawn Sorey explores sound — and silence” (Rothko Chapel performance review). NPR, 24 February 2022. https://www.npr.org/sections/deceptivecadence/2022/02/24/1082598252/tyshawn-sorey-rothko-chapel-50th-anniversary-composition.

Villa, Angelica. “How the Late U.S. Ambassador Donald Blinken Shaped Mark Rothko’s Legacy.” ARTnews, 30 September 2022. https://www.artnews.com/art-news/news/donald-blinken-art-legacy-mark-rothko-1234641385/

Woolfe, Zachary. “A Composer Responds to His Hero’s Echo” (Rothko Chapel performance review). The New York Times, 22 February 2022: C3, illustrated. Web version: https://www.nytimes.com/2022/02/21/arts/music/review-rothko-chapel-tyshawn-sorey.html.

2021

Davies, Lucas. “Family Portrait.” The Telegraph, 4 September 2021: 24–29, illustrated. Web version: https://www.telegraph.co.uk/luxury/art/rothkos-children-growing-orphaned-possession-astonishing-artistic/

Frankel, Eddy. “Mark Rothko 1968: 'Clearing Away' review” (Pace Gallery exhibition review). TimeOut, 7 October 2021. https://www.timeout.com/london/art/mark-rothko-1968-clearing-away-review

Frankel, Eddy. “There’s a show of late Mark Rothko paintings coming to London” (Pace Gallery exhibition preview). Time Out London, 4 August 2021. https://www.timeout.com/london/news/theres-a-show-of-late-mark-rothko-paintings-coming-to-london-080421

Gerlis, Melanie. "Pace's next generation." Financial Times, 9 October 2021: 5, illustrated. Web version: https://www.ft.com/content/5acbc373-4309-439d-9cee-d5c21e96b78f

Ghassemitari, Shawn. “Pace Gallery to Release a New Book and Exhibition on Mark Rothko” (Pace Gallery exhibition preview). Hypebeast, 26 August 2021. https://hypebeast.com/2021/8/mark-rothko-1968-clearing-away-pace-gallery-book

Harris, Gareth. “Rothko brings star power to London gallery launch” (Pace Gallery exhibition preview). Financial Times, 3 June 2021. https://www.ft.com/content/0ec3559b-22d0-4a7d-8b2f-7ee765f3ce29

“It’s Show Time for London’s Mayfair Galleries” (Pace Gallery exhibition preview). Country & Town House, September 2021. https://www.countryandtownhouse.co.uk/culture/mayfair-galleries-london/

Jones, Jonathan. “Rothko on paper, Rossetti in love and Télémaque on the rampage – the week in art” (Pace Gallery exhibition preview). The Guardian, 1 October 2021. (opens in a new window) https://www.theguardian.com/artanddesign/2021/oct/01/rothko-rossetti-turner-prize-shilpa-gupta-the-week-in-art

Kazakina, Katya. “Mark Rothko’s Abstract Art Has Fallen Out of Fashion. Here’s How a Cohort of Industry Players Is Working to Revive His Market” (Pace Gallery exhibition review). Artnet News, 15 October 2021. https://news.artnet.com/news-pro/art-detective-rothko-2021261

Lloyd-Smith, Harriet. “Torkwase Dyson and Mark Rothko inaugurate Pace gallery’s new London home” (Pace Gallery exhibition preview). Wallpaper, 8 October 2021. https://www.wallpaper.com/art/pace-gallery-london-opening-torkwase-dyson-mark-rothko

“Mark Rothko 1968: Clearing Away” (Pace Gallery exhibition preview). Air Mail, September 2021. https://airmail.news/arts-intel/events/mark-rothko-1968-clearing-away-4881

Morgensztern, Maïa. “Running a Famous Artist’s Estate Is a Maze of Infighting and Deal-Making. Here’s How the Rothkos and Other Families Did it.” Artnet News, 3 August 2021. https://news.artnet.com/news-pro/artist-heirs-estate-management-1994494

Rothko, Christopher. “Can the art world really change its wasteful ways?” (Pace Gallery exhibition review). Interview with Ben Luke and Louisa Buck. The Art Newspaper, 15 October 2021. Online audio 00:44:00. https://www.theartnewspaper.com/2021/10/15/can-the-art-world-really-change-its-wasteful-ways

Sherwin, Skye. “Living Color Mark Rothko” (Pace Gallery exhibition review). The Guardian, 2 October 2021: 60-61, illustrated. Web version: https://www.theguardian.com/artanddesign/2021/oct/04/living-colour-how-mark-rothko-found-light-in-his-dark-final-years

Villa, Angelica. “The Most Expensive Works by Mark Rothko Sold at Auction.” ARTnews, 29 September 2021. https://www.artnews.com/list/art-news/artists/most-expensive-works-by-mark-rothko-auction-records-1234604959/

Westall, Mark. “Pace to Launch New London Space with Rothko & Torkwase Dyson Presentations: Mark Rothko” (Pace Gallery exhibition preview). FAD Magazine, 4 June 2021. https://fadmagazine.com/2021/06/04/pace-to-launch-new-london-space-with-rothko-torkwase-dyson-presentations/

2020

Charlin, Ventura and Arturo Cifuentes. “A general framework to study the price-color relationship in paintings with an application to Mark Rothko rectangular series”. Color Research and Application, 30 July 2020: 1–15. https://doi.org/10.1002/col.22559

Fazzare, Elizabeth. “Renovated Rothko Chapel Focuses on Light, Landscape, and a New Audience.” Cultured, 1 September 2020. https://www.culturedmag.com/renovated-rothko-chapel-focuses-on-light-landscape-and-a-new-audience/

Montes, Geoffrey. “Houston’s Rothko Chapel Now Reflects Mark Rothko’s Original Vision.” Galerie Magazine, 29 September 2020. https://www.galeriemagazine.com/rothko-chapel-restoration-houston/

2019

Carrier, David. “Excavating Mark Rothko’s Theatrical Foundations” (Kunsthistorisches Museum Wien exhibition review). Hyperallergic, 22 June 2019. https://hyperallergic.com/506318/excavating-mark-rothkos-theatrical-foundations/

Graff, James. “The Push to Preserve a Rothko Masterpiece.” The Wall Street Journal, 27 February 2019. https://www.wsj.com/articles/the-push-to-preserve-a-rothko-masterpiece-11551283796

“Great American Artist Mark Rothko in Vienna.” Vindobona, 22 March 2019. https://www.vindobona.org/article/great-american-artist-mark-rothko-in-vienna

Lee, Donald. “The music of Mark Rothko finally sounds in the land of Mozart” (Kunsthistorisches Museum exhibition review). The Art Newspaper, 11 March 2019. https://www.theartnewspaper.com/preview/the-music-of-rothko-finally-sounds-in-the-land-of-mozart

“New Must-Have Monograph: 'Mark Rothko: The Exhibitions at Pace.” Artfix Daily, 14 October 2019. http://www.artfixdaily.com/artwire/release/9680-new-must-have-monograph-mark-rothko-the-exhibitions%C2%A0at-pace

Pogrebin, Robin. “Museum to Sell Rothko In a Bid for Diversity.” The New York Times, 16 February 2019: C3, illustrated.

Sharp, Jasper and Saara Pritchard. “Expert Voices: Mark Rothko’s Mirrors of the Soul” (Kunsthistorisches Museum exhibition review). Sotheby’s, 16 May 2019. https://www.sothebys.com/en/videos/mark-rothkos-mirrors-of-the-soul

Schjeldahl, Peter. “The Inflation of Abstraction” (The Met exhibition review). The New Yorker, 7 January 2019. https://www.newyorker.com/magazine/2019/01/07/the-inflation-of-abstraction

Sheets, Hilarie M. “Rothko Chapel to Be Seen in New Light.” The New York Times, 27 February 2019. https://www.nytimes.com/2019/02/27/arts/design/rothko-chapel-renovation.html

2018

Fazzare, Elizabeth. “7 Chapels Designed by Artists Including James Turrell, Louise Nevelson, and Mark Rothko.” Architectural Digest, 3 April 2018. https://www.architecturaldigest.com/gallery/artist-chapels

Glentzer, Molly. “Rothko Chapel Begins Upgrade Project That Will Close Beloved Art Temple for Much of 2019.” Houston Chronicle, 10 December 2018. https://www.houstonchronicle.com/entertainment/arts-theater/article/Rothko-Chapel-begins-upgrade-project-that-will-13455449.php#photo-16627137

Lescalleet, Cynthia. “Restoring Rothko Chapel, Renovating Houston Campus In $30M Multi-Phase Project.” Forbes, 30 December 2018. https://www.forbes.com/sites/cynthialescalleet/2018/12/30/restoring-rothko-chapel-renovating-houston-campus-in-30m-multi-phase-project/#d28460d29719

Scott, Chadd. “Jackson Pollock And Superstars of Abstract Expressionism On View At The Met” (exhibition review). Forbes, 30 December 2018. https://www.forbes.com/sites/chaddscott/2018/12/30/jackson-pollock-and-superstars-of-abstract-expressionism-on-view-at-the-met/#3671bc54528a

2017

Alexa, Alexandra. “From Matisse to Turrell, 8 Artists Who Designed Transcendent Chapels.” Artsy.net, 10 April 2017. https://www.artsy.net/article/artsy-editorial-matisse-turrell-8-artists-designed-transcendent-chapels

Gilbert, Laura. “Lawsuit Against Art Historian Over Fake Rothko Settled Out of Court.” The Art Newspaper, 11 April 2017. http://theartnewspaper.com/news/news/lawsuit-against-art-historian-over-fake-rothko-settled-out-of-court/

Kennedy, Randy. “Native Art Gets Its Due at the MET.” The New York Times, 7 April 2017: C13, illustrated.

Kennicott, Philip. “Two Rooms, 14 Rothkos and a World of Difference.” The Washington Post, 20 January 2017. https://www.washingtonpost.com/entertainment/museums/two-rooms-14-rothkos-and-a-world-of-difference/2017/01/20/fcbb9e90-d6a9-11e6-9a36-1d296534b31e_story.html?utm_term=.1b3dec430c27

Peiffer, Prudence. “Mark Rothko: Pace” (exhibition review). Artforum 55, no. 7 (March 2017): 264, illustrated.

Rivetti, Ermanno. “Rothko and Rauschenberg to Lead Christie’s London Auction in March.” The Art Newspaper, 17 January 2017. http://theartnewspaper.com/market/auctions/rothko-and-rauschenberg-to-lead-christie-s-london-auction-in-february/

Shine, Jacqui. “The Rothko Chapel.” The New York Times Magazine, 27 August 2017: MM26, illustrated.

2016

“Architecture Research Office Tapped to Renovate Rothko Chapel.” Artforum, 26 October 2016. https://www.artforum.com/news/id=64353

Benhamou, Judith. “Mark Rothko: l’exposition muséale dans une galerie newyorkaise” (Pace Gallery exhibition review). LesEchos.fr, 7 November 2016. http://blogs.lesechos.fr/judith-benhamou-huet/mark-rothko-l-exposition-museale-dans-une-galerie-newyorkaise-a16016.html

Birnbaum, Daniel. “Best of 2016: 6. Barnett Newman and Mark Rothko” (National Gallery of Art exhibition review). Artforum 55, no. 4 (December 2016): 219.

Cantrell, Scott. “Art Review: Rothko Revelations in Houston” (Museum of Fine Arts, Houston exhibition review). The Dallas Morning News, 19 January 2016. http://www.dallasnews.com/lifestyles/arts/columnists/scott-cantrell/20160119-art-review-rothko-revelations-in-houston.ece

Cohen, Alina. “A New Rothko Show Opens This Month in New York” (Pace Gallery exhibition preview). The Wall Street Journal, 31 October 2016. http://www.wsj.com/articles/a-new-rothko-show-opens-this-month-in-new-york-1477933134

Ebony, David. “David Ebony’s Top 10 New York Gallery Shows for November: 10. Mark Rothko at Pace” (exhibition review). Artnet News, 26 November 2016. https://news.artnet.com/exhibitions/david-ebony-november-gallery-753410

Gopnik, Blake. “Mark Rothko: More ‘Abstract’ Than ‘Expressionist’” (Pace Gallery exhibition review). Artnet, 12 December 2016. https://news.artnet.com/opinion/mark-rothko-abstract-expressionist-779621

Korody, Nicholas. “Architecture Research Office to Update the Rothko Chapel.” Archinect News, 25 October 2016. http://archinect.com/news/article/149975226/architecture-research-office-to-update-the-rothko-chapel

Lynch, Patrick. “Architecture Research Office Selected to Renovate Philip Johnson-Designed Rothko Chapel.” Arch Daily, 24 October 2016. http://www.archdaily.com/798039/architecture-research-office-selected-to-renovate-philip-johnsons-rothko-chapel

Naquin, Par Pierre. “Arne Glimcher, Pace ou la Religion de l’Art.” La Gazette Drouot, no.42, 2 December 2016: 24-7, illustrated.

Ramsawak, Joe. “Architecture Research Office to Renovate Rothko Chapel in Houston.” Architecture Paper, 24 October 2016. http://archpaper.com/2016/10/architecture-research-office-rothko-chapel-renovation/

Riley, Charles A. “Art Review: Rothko’s ‘Dark Palette,’ Meppayil’s Bright Minimalism at Pace” (exhibition review). Hamptons Art Hub, 21 November 2016. http://hamptonsarthub.com/2016/11/21/reviews-art-review-rothkos-dark-palette-meppayils-bright-minimalism-at-pace/

Rothko, Christopher. “Mark Rothko, According to His Son on Books and Arts.” Interview with Amanda Smith. ABC Radio, 13 September 2016. Online audio, 18:38. https://radio.abc.net.au/programitem/pgkeGQJR36

Schjeldahl, Peter. “Of Late” (Pace Gallery exhibition review). The New Yorker, 19 and 26 December 2016: 27, illustrated.

Sheets, Hilarie M. “Finding Light in a Painter’s Darker Hues.” The New York Times, 3 November 2016: C1, C5, illustrated.

Shilcutt, Katharine. “The Rothko Chapel Is Getting a Facelift.” Houstonia Magazine, 1 November 2016. http://www.houstoniamag.com/articles/2016/11/1/the-rothko-chapel-is-getting-a-facelift

Sooke, Alastair. “’Pollock Was Not a Good Drunk’: Secrets of the Abstract Expressionists” (Royal Academy of Arts exhibition review). Telegraph, 24 September 2016. http://www.telegraph.co.uk/art/artists/pollock-was-not-a-good-drunk-secrets-of-the-abstract-expressioni/

Stapley-Brown, Victoria. “My Friend Mark Rothko: Pace Gallery’s Arne Glimcher Explains the Allure of the Artist’s Dark Work.” The Art Newspaper, 4 November 2016. http://theartnewspaper.com/news/news/my-friend-mark-rothko-pace-gallery-s-arne-glimcher-explains-the-allure-of-the-artist-s-dark-work/

Vaizey, Marina. “Abstract Expressionism, Royal Academy” (exhibition review). The Arts Desk, 24 September 2016. http://www.theartsdesk.com/visual-arts/abstract-expressionism-royal-academy

Williams, Holly. “There Hasn’t Been a Major Group Show of Abstract Expressionism in Europe Since 1959” (Royal Academy exhibition review). Independent, 22 September 2016. http://www.independent.co.uk/arts-entertainment/art/abstract-expressionism-makes-its-first-uk-group-appearance-since-1959-jackson-pollock-royal-academy-a7323136.html

2015

Dunne, Carey. “The Obamas Give the White House a Modern Art Makeover.” Hyperallergic, 27 October 2015. http://hyperallergic.com/248653/the-obamas-give-the-white-house-a-modern-art-makeover/

Glentzer, Molly. “Expect Brighter Days at This Houston Landmark Chapel.” Chron, 19 May 2015. http://www.chron.com/entertainment/arts-theater/article/Expect-brighter-days-at-this-Houston-landmark-6272931.php#photo-8007715

Kennedy, Randy. “Rare Mark Rothko Painting Leads Christie’s New York Auction.” The New York Times, 7 March 2015: C3, illustrated.

Lee, Woo-young. “With or Without Jobs, Mark Rothko Strikes a Chord with Koreans” (Seoul Arts Center exhibition review). Korean Herald, 19 April 2015. http://www.koreaherald.com/view.php?ud=20150419000176

Mancusi-Ungaro, Carol, Harry Cooper, Jeffrey Weiss, Yve-Alain Bois, Michelle Kuo, Lynn Hershman Leeson, David Reed, Ken Okiishi, and R.H. Quaytman. “Light Repairs.” Artforum 53, no. 10 (Summer 2015): 290–299, 380, 382, 384, illustrated.

“Mark Rothko Exhibition Reveals Important Original Works in Seoul” (Seoul Arts Center exhibition review). Arirang News, 2 April 2015. Online video: 3:28. http://www.arirang.co.kr/News/News_View.asp?nseq=178191

Menand, Louis. “Watching Them Turn Off the Rothkos.” (Harvard Art Museum exhibition review). New Yorker, 1 April 2015. http://www.newyorker.com/culture/cultural-comment/watching-them-turn-off-the-rothkos?intcid=mod-most-popular

Moeller, Robert. “In the Spotlight, Harvard’s Rothkos Don’t Shine” (Harvard Art Museums exhibition review). Hyperallergic, 17 April 2015. http://hyperallergic.com/199824/in-the-spotlight-harvards-rothkos-dont-shine/

2014

Annicchiarico, Francesca. “Rarely Seen Rothkos Highlight Harvard Art Museum’s Reopening.” Harvard Magazine, 20 May 2014. http://harvardmagazine.com/2014/05/rothkos-highlight-art-museums-reopening#article-images

Breslin, David and Matt Jolly. “Make It New: Abstract Painting from the National Gallery of Art, 1950–1975” (Clark Art Institute exhibition review). Antiques & Fine Art 8, no.3 (Autumn 2014): 102–107, illustrated.

Cascone, Sarah. “All the Evidence Indicates It’s a Rothko, but Experts Refuse to Authenticate.” Artnet News, 25 April 2014. http://news.artnet.com/in-brief/all-the-evidence-indicates-its-a-rothko-but-experts-refuse-to-authenticate-12143

Cascone, Sarah. “Harvard to Unveil Forgotten Mark Rothko Murals.” Artnet News, 22 May 2014. http://news.artnet.com/art-world/harvard-to-unveil-forgotten-mark-rothko-murals-25303

Crow, Kelly. “The Race to Find New Collectors.” The Wall Street Journal, 1 August 2014: D2, illustrated.

Edgers, Geoff. “Harvard’s Rothko Murals to Be Seen in New Light.” The Boston Globe, 20 May 2014. http://www.bostonglobe.com/arts/theater-art/2014/05/20/harvard-rothko-murals-seen-new-light-with-revolutionary-new-projection-system/UspSbL0csFjeM2cwSflKON/story.html

Esman, Abigail R. “Miraculous Pictures: Mark Rothko at the Hague Gemeentemuseum” (exhibition review). Artinfo, 22 September 2014. http://blogs.artinfo.com/culturalaffairs/2014/09/22/miraculous-pictures/

Fielden, Jay. “Nailing It.” Town & Country, November 2014: 36, illustrated.

“First Dutch Mark Rothko Exhibition in 40 Years at Gemeentemuseum” (exhibition review). Artlyst, 19 November 2014. http://www.artlyst.com/articles/first-dutch-mark-rothko-exhibition-in-40-years-at-gemeentemuseum

Fox, Stephen. “Rothko Chapel at the Right Time of Day.” Houston Chronicle, 4 December 2014. http://www.houstonchronicle.com/local/gray-matters/article/Rothko-Chapel-5934762.php#/2

Galenson, David. “Mark Rothko in the Hague” (Gemeentemuseum exhibition preview). Huffington Post, 7 October 2014. http://www.huffingtonpost.com/david-galenson/mark-rothko-in-the-hague_b_5941346.html

Gay, Malcolm. “Saint Louis Art Museum Lands Small Yet Stunning Exhibit of Abstract Works” (exhibition review). Riverfront Times, 26 June 2014. http://www.riverfronttimes.com/2014-06-26/culture/mark-rothko-tragic-and-timeless-review-saint-louis-art-museum/

Grisworld, Mac. “Auctions: A Rare Trove.” Architecture Digest 71, no.11 (November 2014): 50, illustrated.

Hellstein, Valerie. “The Cage-iness of Abstract Expressionism.” American Art 28, no. 1 (Spring 2014): 56–77, illustrated.

Kalb, Peter. “Unified Harvard Art Museums Launch with Restored Rothkos.” Art in America, 19 November 2014. http://www.artinamericamagazine.com/news-features/news/unified-harvard-art-museums-launch-with-restored-rothkos/

Kazakina, Katya. “Bunny Mellon’s $250 Million Rothkos Sold in Private Sales.” Bloomberg, 5 September 2014. http://www.bloomberg.com/news/2014-09-05/why-mellon-s-250-million-rothkos-aren-t-in-n-y-auction.html

Kinsella, Eileen. “New York Gallery Beat: 6 Critics Review 18 Shows. Pace Gallery, Mark Rothko” (exhibition review). Artnet, 7 May 2014. http://news.artnet.com/market/new-york-gallery-beat-6-critics-review-18-shows-12847

Maloney, Jennifer. “Is This Rothko Real?” The Wall Street Journal, 25 April 2014: D1–D3, illustrated.

Miller, Sarah Bryan. “Rothko Exhibit Opens at St. Louis Art Museum with a Visit from the Artist’s Son” (exhibition review). St. Louis Post-Dispatch, 13 June 2014. http://www.stltoday.com/entertainment/arts-and-theatre/culture-club/rothko-exhibit-opens-at-st-louis-art-museum-with-a/article_97988db5-5148-5894-8e0e-29d4b20c8e25.html

Nicholson, Louise. “Rothko Colours in the US East Coast” (Pace Gallery exhibition review). Apollo Magazine, 30 May 2014. http://www.apollo-magazine.com/rothko-colours-us-east-coast/?utm_source=rss&utm_medium=rss&utm_campaign=rothko-colours-us-east-coast

Patel, Alexander H. “Art Museums Will Display Digitally Restored Rothko Murals in Inaugural Exhibition.” The Harvard Crimson, 28 May 2014. http://www.thecrimson.com/article/2014/5/28/rothko-mural-digital-exhibition/

Peiffer, Prudence. “Previews: ‘Mark Rothko’s Harvard Murals,’ Harvard Art Museums.” Artforum 53, no. 1 (September 2014): 200, illustrated.

Rosenberg, Karen. “Mark Rothko, ‘The Watercolors 1941–47’” (exhibition review). The New York Times, 13 June 2014: C28, illustrated.

Sheets, Hilarie M. “A Return for Rothko’s Harvard Murals.” The New York Times, 26 October 2014: F16, illustrated.

Thompson, Tatyana. "Mark Rothko - The Art of Conservation." MOCA TV, 16 December 2014. Online video, 4:01. (opens in a new window) https://www.youtube.com/watch?v=GiWvvJcmvJU&feature=youtu.be

“UMaine’s Lord Hall Gallery to Feature Work of Artist, Educator Josef Albers and Students.” Portland Press Herald, 22 June 2014. http://www.pressherald.com/2014/06/22/umaines-lord-hall-gallery-to-feature-work-of-artist-and-art-educator-josef-albers-and-students/

Viladas, Pilar. “Harvard Homecoming” (exhibition preview). Town & Country, November 2014: 120, illustrated.

Vogel, Carol. “All 43 Works Owned by Mellon Sell at Auction, Bringing Nearly $160 Million.” The New York Times, 11 November 2014: A28, illustrated.

Wilk, Deborah. “Harvard Art Museums Unveil Restored Rothkos Along With Renovation” (exhibition review). Artinfo, 15 November 2015. http://www.blouinartinfo.com/news/story/1062586/harvard-art-museums-unveil-restored-rothkos-along-with

Wilson, Emily. “Asian Art Museum and SFMoMA Explore What Gorgeous Means” (exhibition review). SF Weekly, 17 June 2014, illustrated. http://blogs.sfweekly.com/exhibitionist/2014/06/asian_art_museum_and_sfmoma_ex.php

2013

Dodd, Philip. “Rothko’s Homecoming.” Financial Times, 27 April 2013: 17, illustrated.

Eglitis, Aaron. “Rothko’s Family Brings Burning Red Paintings to Latvia.” Bloomberg, 29 April 2013. http://www.bloomberg.com/news/2013-04-29/rothko-s-family-brings-burning-red-paintings-to-latvia.html

Ellingboe, Sonya. “Rothko’s 1940s Works on Display in Denver” (Denver Art Museum exhibition review). Our Colorado News, 18 July 2013. http://www.ourcoloradonews.com/castlerock/life/rothko-s-s-works-on-display-in-denver/article_1d8cc834-efbc-11e2-b3ad-001a4bcf887a.html

Fullerton, Elizabeth. “’Rothko/Sugimoto: Dark Paintings and Seascapes’” (exhibition review). Art News 112, no. 2 (February 2013): 100.

James, Lauren. “Mark Rothko Exhibit Opening at Arkansas Arts Center Friday” (exhibition review). In Arkansas, 24 October 2013. http://www.inarkansas.com/article/family/95328/mark-rothko-exhibit-opening-at-arkansas-arts-center-friday

Loos, Ted. “Rothko’s Journey to His Fields of Color, in Full View” (Columbus Museum of Art exhibition review). The New York Times, 21 March 2013: F24, illustrated.

Peacock, Leslie Newell. “At the Arts Center: Rothko in the 1940s, Face to Face, Portraiture New” (exhibition review). Arkansas Times, 28 October 2013. http://www.arktimes.com/EyeCandy/archives/2013/10/28/friday-openings-rothko-in-the-1940s-face-to-face-portraiture-now

Zhao, Jie. “The Place We Left: Michal Rovner.” Art Bank (January/February 2013): 26–33, illustrated.

2012

Brown, Jenny. “’Mythology,’ Pace” (exhibition review). Art News 111, no. 5 (May 2012): 108, discussed.

Buhr, Elke. “Portfolio: Mark Rothko & Hiroshi Sugimoto” (Pace London exhibition review). Monopol (October 2012): illustrated.

Bunyard, Jessica. “Rothko/Sugimoto: Dark Paintings and Seascapes” (Pace London exhibition review). Mouth London, 23 October 2012: http://www.mouthlondon.com/arts/review-rothkosugimoto-dark-paintings-and-seascapes/

Castle, Jack. “Rothko Sugimoto Amplifying a Common Thrust” (exhibition review). Artlyst, 11 October 2012. http://www.artlyst.com/articles/rothko-sugimoto-amplifying-a-common-thrust-pace-gallery-review

Crow, Kelly. “Icons: At Auctions, Rothko and Picasso vs. Sandy.” Wall Street Journal, 3–4 November 2012: C14, illustrated.

Crow, Kelly. “Record Rothko Headlines at Christie’s.” Wall Street Journal, 9 May 2012, illustrated.

Dhillon, Kam. “Rothko / Hiroshi Sugimoto” (exhibition review). Garage (October 2012): http://garagemag.com/docs/editorial-layer/rothko--hiroshi-sugimoto

Dobrzynski, Judith H. “Object of Desire: Rothiko’s No. 210/No. 211 (Orange). A Rothko Fills a Museum’s Breach.” Wall Street Journal, 26 September 2012, illustrated.

Doohan, Carmel. “Rothko/Sugimoto at Pace [London] Gallery.” Exeunt Magazine, accessed 31 October 2012, http://exeuntmagazine.com/reviews/rothko-sugimoto/

Failing, Patricia. “Mark Rothko, Portland Art Museum” (exhibition review). Art News 111, no. 5 (May 2012): 117, illustrated.

Gale, Richard. “Arts Choice: Rothko/Sugimoto: Dark Paintings and Seascapes” (Pace London exhibition review). The American (October 2012), illustrated.

Gambardella, Steven. “Rothko/Sugimoto: Dark Paintings and Seascapes, Pace Gallery” (exhibition review). The Arts Desk, 10 October 2012. http://www.theartsdesk.com/visual-arts/rothkosugimoto-dark-paintings-and-seascapes-pace-gallery

Itzkoff, Dave. “Arts, Briefly: A Rothko Vandalized at the Tate Modern.” The New York Times, 9 October 2012: C3.

Phillips, Sam. “Review: Rothko and Sugimoto at Pace Gallery” (exhibition review). Royal Academy of Arts, 11 October 2012. http://www.royalacademy.org.uk/ra-magazine/blog/review-rothko-and-sugimoto-at-pace-gallery,298,BAR.html

Vogel, Carol. “Arts, Briefly: Rothko Vandal Sentenced.” The New York Times, 14 December 2012: C2.

Vogel, Carol. “Rothko Painting ($87 Million) and Other Art Bring Record Sales at Christie’s.” The New York Times, 8 May 2012, illustrated.

2011

Cooper, Harry. “Spatter and Daub: Harry Cooper on the Contradictions of Abstract Expressionism.” Artforum 49, no. 10 (Summer 2011): 316–319, illustrated.

Crow, Kelly. “Out of Nowhere, a Rothko: Mystery Owner Bought Work From the Artist in 1965 but Kept Quiet Until Now.” The Wall Street Journal, 12 April 2011: A19, A24, illustrated.

Doss, Erika. “Commentaries: Makes Me Laugh, Makes Me Cry. Feelings and American Art.” American Art 25, no. 3 (February 2011): 2–8, illustrated.

Joselit, David. “Signal Processing: David Joselit on Abstraction Then and Now.” Artforum 49, no. 10 (Summer 2011): 356–361, illustrated.

Sandler, Irving. “Remembering Mark Rothko.” The Tretyakov Gallery, Special Issue, 2011: 100–102, illustrated.

Smith, Patti. “Top Ten: 1—Rothko Chapel (Houston).” Artforum 50, no. 2 (October 2011): 125–126, illustrated.

Vogel, Carol. “In London, U.S. Art Enjoys Diplomatic Showcase.” The New York Times, 2 March 2011: C1, C7, illustrated.

2010

Crow, Thomas. “Best of 2010: ‘In the Tower: Mark Rothko’” (exhibition review). Artforum 49, no. 4 (December 2010): 190–193, illustrated.

Gayford, Martin. “Rothko’s Art Reflects Baltic Landscapes, Scars of Russian Youth” (Garage Center for Contemporary Culture exhibition review). Bloomberg, 15 April 2010.

Gopnik, Blake. “Art: In those black paintings, some incredible light” (National Gallery of Art exhibition review). Washington Post, 14 March 2010: illustrated.

Grant, Daniel. “Art Restoration: Fixing Without Touching.” Wall Street Journal, 15 June 2010: D10, illustrated.

Hodouchi, Ayano. “Rothko’s Fields of Colour Brighten Up Moscow” (Garage Center for Contemporary Culture exhibition review). Moscow News, 25 June 2010.

In the Tower: Mark Rothko (exhibition brochure). Text by Harry Cooper. Washington, D.C.: National Gallery of Art, 2010.

Markitan, Anastasia. “Mark Rothko’s First Exhibition in Moscow Declares Supremacy of Color” (Garage Center for Contemporary Culture exhibition review). Ria Novosti, 22 April 2010.

Johnson, Ken. “Artistic Matchmaking in Met Galleries.” The New York Times, 23 April 2010: C28.

Schama, Simon. “Rothko’s Return” (Garage Center for Contemporary Culture exhibition review). Financial Times, 24 April 2010, Life & Arts: 10, illustrated.

2009

Ayes, Robert. “Reviews: New York—‘Dialogues’” (Krugier at the Dactyl Foundation exhibition review). Art News 108, no. 1 (January 2009): 115–116, illustrated.

Hammond, Jeff Michael. “Rothkos Reunited in Chiba” (Kawamura Memorial Museum of Art exhibition review). The Japan Times, 22 May 2009: illustrated.

Sauerlander, Willibald. “Der Verborgene Gott: Lastend dunkle Farbkissen, Todesahnungen gleich: Das bestürzend schöne. Werk Mark Rothkos in einer Münchner Ausstellung” (exhibition review). Feuilleton (Munich), 8 February 2008.

Vogel, Carol. “A Bold and Modern White House.” The New York Times, 7 October 2009: A14.

2008

Anfam, David. “Mark Rothko: Rome, Munich and Hamburg” (Kunsthalle Hamburg exhibition review). Burlington Magazine 150, no. 1264 (July 2008): 498–500, illustrated.

Colpitt, Frances. “Report from Fort Worth: Spatial Overtures” (Modern Art Museum of Fort Worth exhibition review). Art in America (January 2008): 58–61, illustrated.

Cotter, Suzanne. “Best of 2008—#8: ‘Rothko: The Late Series.’” Artforum 47, no. 4 (December 2008): 274–75, illustrated.

Darwent, Charles. “True Colours: How two 1959 paintings by Jasper Johns have defined the way we look at colour – and art – ever since.” Art Review, no. 28 (December 2008): 82–85.

Druckman, Charlotte. “Uncommon Threads.” Art and Auction 31, no. 5 (February 2008): 101–104, illustrated.

Gladstone, Valerie. “Two Tates, Two Titans” (Tate Modern exhibition review). The New York Sun, 24 September 2008: 18+, illustrated.

Hoffman, Noah G. “Rothko: Ethnographic or Classical?” Art in America, no. 5 (May 2008): Letters to the Editor, 37.

Hudson, Mark. “Rothko Exhibition: Art Replaces Religious Faith” (Tate Modern exhibition review). The Telegraph, 25 September 2008. http://www.telegraph.co.uk/culture/art/3561167/Rothko-exhibition-art-replaces-religious-faith.html

Johnson, Ken. “Yankee Spirit in Disparate Masters” (American Folk Art Museum exhibition review). New York Times, 27 October 2008: C1, C9, illustrated.

Nodelman, Sheldon. “The Unknown Rothko.” Art in America, no. 2 (February 2008): 98–105, illustrated.

Searle, Adrian. “Every Single Thing Counts” (Tate Modern exhibition review). The Guardian, 23 September 2008. http://www.guardian.co.uk/artanddesign/2008/sep/24/rothko.tatebritain

Shattuck, Kathryn. “38 Years After Artist’s Suicide, His Remains Are on the Move.” The New York Times, 16 April 2008: Metro, B5.

Shattuck, Kathryn. “Rothko Kin Sue to Transfer His Remains.” The New York Times, 8 April 2008: The Arts, E1.

Sheets, Hilarie M. “Young at Art.” Art + Auction (May 2008): 188–197, illustrated.

Stoilas, Helen. “Rothko Remains to be Moved.” The Art Newspaper 17, no. 191 (May 2008): 7.

Thornton, Sarah and Cristina Ruiz. “Revealed: Royal family of Qatar is buyer of world’s most expensive Hirst.” The Art Newspaper 17, no. 191 (May 2008): 1, illustrated.

Thornton, Sarah and Georgina Adam. “Revealed: $72.8m Rockefeller Rothko has gone to Qatar.” The Art Newspaper, 4 May 2008: http://www.theArtNewspaper.com/article.asp?id=7946

Wullschlager, Jackie. “Fade to black” (Tate Modern exhibition review). Financial Times, 27–28 September 2008: Life & Arts, 12–13, illustrated.

2007

Mansoon, Jaleh. “Previews— Declaring Space: Mark Rothko, Barnett Newman, Lucio Fontana, Yves Klein” (exhibition preview). Artforum (September 2007): 170.

Sparks, Jon W. “IRIS Links Music, Art for Stunning Premiere. Composer Schoenberg Pays Tribute to Rothko, Abstract Expressionist” (review of IRIS Chamber Music Orchestra’s world premiere of “Finding Rothko”). Memphis Commercial Appeal, 15 January 2007. http://www.comercialappeal.com/mca/arts/.

Richardson, Karen and Kelly Crow. “Bidding Up Sotheby’s.” The Wall Street Journal, 3 April 2007.

Schuyler, James. “Reviews and previews: Mark Rothko at Janis.” In “A Matter of Opinion.” Art News 106 (November 2007): 191, illustrated.

Tupitsyn, Margarita. “Reviews: ‘Black Paintings,’ Haus der Kunst” (exhibition review). Artforum (January 2007): 265–266.

Wecker, Menachem. “Paintings That Pray: MOCA’s Mark Rothkos.” The Jewish Press, 3 January 2007.

2006

Baker, R.C. “Best in Show: Recommendations by R.C. Baker” (Washburn Gallery exhibition review). Village Voice, 18–24 October 2006: 146.

Belcher, David. “Today’s Picks: Simon Schama’s Power of Art.” The Herald, 8 December 2006: http://www.thehearld.co.uk/features/.

Boswell, Randy. “Gehry Commissioned to Design Icon of 21st Century.” Canada.com, 3 October 2006: http://www.canada.com/.

Cotter, Holland. “America the Contradictory” (Whitney Museum of American Art exhibition review). The New York Times, 30 June 2006: E25+, illustrated.

Esplund, Lance. “Is the Pen Mightier Than the Brush? Rothko was obsessed with attaining a universal, heroic, yet deeply intimate art that ‘expressed basic human emotions–tragedy, ecstasy, doom.’” New York Sun, 20 April 2006, Section II: 13, 15, illustrated.

Freudenheim, Tom L. “Was Judaism a Color On Rothko’s Palette?” The Jewish Journal of Los Angeles, 10–16 November 2006.

Harris, Gareth. “What Happens When I Die?” The Art Newspaper 173 (October 2006): 28, illustrated.

Moore, Susan. “Collecting: Shuffling it Off in Buffalo.” Financial Times, 2–3 December 2006: 3.

Ouroussoff, Nicolai. “Restoring Kahn’s Gallery, and Reclaiming a Corner of Architectural History, at Yale.” The New York Times, 11 December 2006: The Arts, 1–5, illustrated.

Reisman, Phil. “Art Is In the Skeptical Eye of the Beholder.” The Journal News, 5 November 2006.

Ribas, João. “Arts: Another Record Week?” The New York Sun, 13 November 2006: illustrated.

“Rothko Opens at MoCA” (exhibition preview). art.blogging.la, 8 November 2006, http://www.art.blogging.la/.

Schroeder, Mariana. “Try Wet ‘n’ Wild Ride, See Rodin’s Kiss: Going Out in Munich” (Haus der Kunst exhibition preview). Bloomberg.com, 22 September 2006, http://www.bloomberg.com/.

Skrypek, Erin. “Paul Smith Arrives in Soho.” Fashionwiredaily.com, 10 November 2006, http://www.fashionwiredaily.com/.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America (November 2006): 88–89, illustrated.

Vogel, Carol. “Big Prices, Big Risks at Fall Art Auctions.” The New York Times, 2 November 2006: E1, E8.

2005

Broughton, Chris. “Exploring New York Through the Work of Mark Rothko.” American Psychoanalyst 39, no. 4 (Fall/Winter 2005): 10–11, illustrated.

Davies, Paul. “Not Everything is Bigger in Texas.” Modern Painters (July/August 2005): 45–47, illustrated.

Hirsch, Faye. “Abstract Generations” (exhibition review). Art in America (October 2005): 123–129+.

2004

Cohen, David. “Gallery–Going: Mark Rothko” (PaceWildenstein exhibition review). New York Sun, 12 February 2004: Arts & Letters section, 18, illustrated: No. 1 (1949).

“Galleries–Uptown: Mark Rothko” (PaceWildenstein exhibition review). New Yorker, 9 February 2004: 12.

Johnson, Ken. “Art in Review: Mark Rothko: ‘A Painter’s Progress: The Year 1949” (PaceWildenstein exhibition review). New York Times, 6 February 2004, Fine Arts Leisure sectioin: E39, illus.

Kramer, Hilton. “Rothko’s Progress Toward Abstraction Focuses on 1949” (PaceWildenstein exhibition review). New York Observer, 23 February 2004: 1, 18, illustrated.

Long, Robert. “Gottlieb Before the Sunbursts” (PaceWildenstein exhibition review). The Easthampton Star, Arts and Leisure section: 2C, illustrated.

Westfall, Stephen. “Mark Rothko at PaceWildenstein” (exhibition review). Art in America (September 2004): 129, illustrated. (Untitled, 1949).

2003

Vogel, Carol. “Rothkos Rise to the Top of Art Sale.” New York Times, 15 May 2003: Metro section: B4.

2002

Asbury, Edith Evans. “The Rothko Decision.” Art News (November 2002): 225.

Cotter, Holland. “Art Review: A Gift to the Whitney, for New Yorkers to Open.” The New York Times, 25 October 2002: E38.

Muchnic, Suzanne. “City Focus. New Directions.” Art News (June 2002): 80–86.

Rosenfeld, Jason. “Mark Rothko at Washburn and PaceWildenstein” (exhibition review). Art in America (May 2002): 153.

Russell, J. Hale. “Big Apple Art. Mark Rothko: The Realist Years” (PaceWildenstein exhibition review). Harvard Crimson, 14 January 2002: C–1.

2001

Canning, S.E. “A Dada launch for Naumann” (PaceWildenstein exhibition review). The Art Newspaper 119 (November 2001): 72.

Cotter, Holland. “Mark Rothko” (PaceWildenstein and Washburn exhibition reviews). The New York Times, 16 November 2001: E34.

Conley, Kevin. “Mark Rothko” (exhibition review). The New Yorker, November 26, 2001: 26.

Ebony, David. “Damaged Reinhardt to Serve as Guinea Pig.” Art in America (June 2001): 25.

Hochfield, Sylvia. “Museum Grateful for ‘Dead’ Painting.” Art News (June 2001): 53.

“Mark Rothko” (PaceWildenstein exhibition review). The New Yorker, 26 November 2001.

Naves, Mario. “The Best Vibe of the Season” (PaceWildenstein exhibition review). The New York Observer, 10 December 2001.

Oetgen, Catherine. “A Double Bill of Early Rothko” (PaceWildenstein exhibition review). Art + Auction (2001): 35, illustrated.

2000

Dewan, Shaila K. “Restoring Rothko’s Chapel and His Vision.” The New York Times, 15 June 2000: 1–2.

1999

Boxer, Sarah. “After a Freudian Century, There Are Good Dreams and Bad.” The New York Times, 3 December 1999: E39.

Flam, Jack. “The Century’s 25 Most Influential Artists: Living Color.” Art News (May 1999): 139.

Golding, John. “Mark Rothko: The Works on Canvas: a catalogue raisonné by David Anfam.” The Burlington Magazine, June 1999: 365–366.

Nodelman, Sheldon. “Rediscovering Rothko.” Art in America (July 1999): 58–65, 106.

Scully, Sean. “Bodies of Light.” Art in America (July 1999): 67–71, 111.

1998

Baker, Kenneth. “Shedding Light on Rothko’s Light.” The Art Newspaper, June 1998: 24

Dobrzynski, Judith H. “A Betrayal The Art World Can’t Forget.” The New York Times, 2 November 1998: E1.

FitzGerald, Michael. “The Golden Age.” Vogue, May 1998: 282–287.

Gibson, Eric. “Size Does Matter: In the Gallery...” The Wall Street Journal, 4 June 1998: A16.

Gopnik, Adam. “City Boy.” The New Yorker, 1 June 1998: 54–55.

Heartney, Eleanor. “Rothko Retrospective in D.C.” Art & Auction, May 1998: 156.

Homes, A. M. “The Color of Light.” Vanity Fair, May 1998: 113, 116.

Kimmelman, Michael. “Rothko’s Gloomy Elegance in Retrospect.” The New York Times, 18 September 1998: E31, E34.

Kramer, Hilton. “Rothko’s Surreal Killer May Have Been Greenberg.” The New York Observer, 15 June 1998: 1, 27.

Plagens, Peter. “Darkness Into Light.” Newsweek, 1 June 1998: 68.

Rosenblum, Robert. “Isn’t It Romantic?” Artforum (May 1998): 116–119.

Rosenblum, Robert. “Mark Rothko.” Artforum (December 1998): 102.

Schjeldahl, Peter. “Shining Through.” The Village Voice, 6 October 1998: 139.

Schwabsky, Barry. “Preview–Summer ‘98: Mark Rothko.” Artforum (May 1998): 46.

Tomkins, Calvin. “Onward and Upward with the Arts: The Benefactor.” The New Yorker, 8 June 1998: 52–67.

Tomkins, Calvin. “The Escape Artist: A New Rothko Retrospective at the Whitney.” The New Yorker, 28 September 1998: 102–103.

Yablonsky, Linda. “The Agony and the Ecstasy.” Time Out New York, 1–8 October 1998: 64.

1997

Garbarino, Steve, ed. “In a Light Mode.” New York Post, 15 March 1997: 28–29.

Kertess, Klaus. “Mark Rothko: Menil Collection.” Artforum (October 1997): 96, illustration.

Kimmelman, Michael. “Art in Review: ‘Bonnard/Rothko’.” The New York Times, 7 March 1997: C29.

Vincent, Steven. “Bonnard and Rothko at PaceWildenstein.” Art & Auction, February 1997: 42.

Vogel, Carol. “A Night of Records for 8 Contemporary Artists.” The New York Times, 20 November 1997: B12.

1996

Morley, Simon. “Yanks.” Art Monthly, July/August 1996: 9–12.

Plagens, Peter. “Abstract Slant.” Newsweek, 4 March 1996: 69.

Riding, Alan. “Art Fraud’s New Trick: Add Fakes to Archive.” The New York Times, 19 June 1996: C11–12.

Stevens, Mark. “Energy Made Visible.” New York, 19 February 1996: 62–63.

Tomkins, Calvin. “Total Abstraction.” The New Yorker, 25 March 1996: 92–95.

1995

Auer, James. “Art museum exhibit embraces pluralism.” Milwaukee Journal Sentinel, 10 September 1995: 1, 12.

Bailey, Martin. “The twentieth century reaches London.” The Art Newspaper, November 1995: 9.

Karmel, Pepe. “A Modern Master of Bottles, Scraps, and Squares.” The New York Times, 25 June 1995: 33, 34.

Knight, Christopher. “A Blue–Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53, 56.

Kramer, Hilton. “Here’s an Artist I Adore: Baziotes Emerges Intact.” New York Observer, 13 February 1995: 1, 21.

Kramer, Hilton. “Gorky’s Break with Cubism Led to His Breakthrough.” The New York Observer, 28 August–4 September 1995: 1, 23.

Kramer, Hilton. “Abolish the Carnegie, That Warhol Hellhole.” The New York Observer, 20 November 1995: 1, 25.

Mitchell, Charles Dee. “Report from Houston: Twombly’s Tempietto.” Art in America (February 1995: 17.

Napack, Jonathan. “Sean Scully at Mary Boone.” Art & Auction, November 1995: 86.

Naves, Mario. “The native & the new.” The New Criterion, October 1995: 44–46.

Newman, Emily. “Looking to the Past.” Elle Decor, October/November 1995: 40.

Waxman, Sharon. “Big Galleries Give Los Angeles a Higher Profile.” International Herald Tribune, 14 December 1995: 24.

Weil, Rex. “Milton Avery’s Spring Orchard.” Art News (November 1995): 203–204.

1994

Breslin, James E.B. “Terminating Mark Rothko: Biography Is Mourning in Reverse.” The New York Times Book Review, 24 July 1994: 3, 19–20.

Gibson, Eric. “Lives of the Artists.” The New Criterion, January 1994: 69–73.

“Goings on About Town.” The New Yorker, 14 March 1994: 21.

Herrera, Hayden. “Review of Books: Biography.” Art in America (July 1994): 29–31.

Kaufman, Jason Edward. “Catalogue Raisonné for Rothko.” Art Newsletter, 20 September 1994.

Larson, Kay. Review. New York, 7 March 1994: 96.

Madoff, Steven Henry. “Reviews: Mark Rothko.” Art News (Summer 1994): 176.

Schaffner, Ingrid. “From Rodin to Rothko, the Artist as Tragic Hero.” Art & Antiques, April 1994: 90.

Schildkraut, Joseph J. “Mark Rothko: A Forgone Conclusion?” The New York Times, Letters, 27 March 1994: 10.

Smith, Roberta. “For Rothko, It Wasn't All Black Despair.” The New York Times, 6 March 1994: 41.

Story, Richard David. “Hot Line.” New York, 7 March 1994: 31.

Trepp, Judith. “Reviews: Magic Blue.” Art News (May 1994): 168–169.

Tully, Judy. “Solid Foundations.” Art & Auction, November 1994: 152–155, 185, 186.

Vincent, Steven. “The Warhol Brawl.” Art & Auction (January 1994): 84–87.

1993

C. R. “Rothko Rerevealed.” Art News (April 1993: 42

Crow, Thomas. “Europe's Summer Shows: A Rough Guide.” Artforum (November 1993): 83–84, 128.

Kramer, Hilton. “The Passion of Mark Rothko.” The New York Times Book Review, 26 December 1993: 1, 21.

“Rothko Sold for $2 Million.” Art Newsletter 29, no. 5 (5 November 1993): 3.

Smith, Roberta. “Classics From the Whitney Permanent Collection.” The New York Times, 19 November 1993.

Vincent, Steven. “Cold War Warriors.” The Antique Collector, September 1993: 76–81.

1992

Barrie, Lita. “On the Scene: Los Angeles.” Artspace, May/June 1992: 80–82.

Berry, Heidi L. “Jacob and Ruth Kainen: The House of Expressionism.” Art News (Summer 1992: 75–77.

Bois, Yve–Alain. “Robert Ryman.” Galeries Magazine, June/July 1992: 82–91.

Brignone, Patricia. “Switzerland: Clyfford Still.” Arte Factum, June/July/August 1992: 58.

Brumer, Andy. “Paris Connections.” Artspace, May/June 1992: 88–89.

“Goings on Around Town: Art.” The New Yorker, 13 July 1992: 11.

Guelton, Bernard. “Mark Rothko: Indizi Spaziali.” Apeiron, June 1992: 18–19.

Gutterman, Scott. “Hans Namuth.” Atelier, July 1992.

Santlofer, Jonathan. “Robert and Adriana Mnuchin: Peace and Order, Clash and Clamor.” Art News (October 1992: 71–73.

Schjeldahl, Peter. “The Guggenheim.” The Village Voice, 7 July 1992: 86–7.

Stein, Judith. “Review of Exhibitions: Seoul, Yun Hyong–Keun at Inkong.” Art in America (July 1992: 121.

Tully, Judd. “Auction Reviews: Contemporary Art.” Art & Auction, January 1992: 91.

1991

“Amerikanische Kontraste.” Finanz Und Wirtschaft, 9 February 1991.

C., G. “Elle restera à Bâle.” Le Democrate, 15 February 1991.

Dumont, Etienne and Peduzzi, Peppo. “Rothko e i 100 anni di Tobey.” Il Giornale Dell'Arte, January 1991: 48.

Glueck, Grace. “One Art Dealer Who's Still a High Roller.” 24 June 1991: C9, 16.

Glueck, Grace. “Robert Motherwell, Master of Abstract, Dies.” The New York Times, 18 July 1991: A1, B9.

“Good Rothko and Mark Tobey Shows.” The Art Newspaper, no. 4 (January 1991).

Gregory, Alexis. “The End of an Era?” The Journal of Art, January 1991.

Hachuel, Jacques and Marta. “Good Vibrations.” Art News (February 1991): 81–83.

Hoban, Phoebe. “Artists on the Beach.” New York, 1–8 July 1991: 38–44.

Iden, Peter. “Malerei über Malerei hinaus.” Frankfurter Rundschau, 23 January 1991.

Kaneda, Shirley. “Painting and Its Others: In the Realm of the Feminine.” Arts Magazine (Summer 1991: 58–64.

Kastor, Elizabeth. “Degas Works Among Gifts To NGA.” The Washington Post, 13 February 1991.

Kimmelman, Michael. “A 75th Birthday Bash. Hold the Blockbusters.” The New York Times, 9 June 1991: H31.

Kimmelman, Michael. “Bringing the 1940's Back Alive.” The New York Times, 22 February 1991: C1, 30.

Kimmelman, Michael. “Surrealism Finds Itself Riding New Wave.” The New York Times, 29 August 1991.

“Kunstmuseum als Fernziel möglich.” Basler Zeitung, 19 January 1991: 38.

Kuspit, Donald. “Tart, Wit, Wise Humor.” Artforum (January 1991): 93–101.

Newhall, Edith. “A Portrait of the Artist...and the Dealer and the Bon Vivant.” New York, 13 May 1991: 29.

Saunders, Linda, ed. “Clement Greenberg with Peter Fuller.” Modern Painters 4, no. 4 (Winter 1991): 18–27.

Smith, Roberta. “'African–American Abstraction,' an Exploration.” The New York Times, 28 June 1991.

Solomon, Deborah. “Barnett Newman's Big Ideas.” The New Criterion, March 1991: 17–21.

Strickland, Carol. “Camera and Action.” Art & Antiques, September 1991: 74–83.

Tully, Judd. “Auction Reviews: Contemporary.” Art & Auction, January 1991: 124.

Vaizey, Marina. “Fresh Cast for a Never–Ending Story.” Sunday Times (London), 20 January 1991: section 6, p. 6–7.

1990

“Abstract Expressionist Paintings.” Antiques & Collectibles, 16 October 1990.

“Abstract Paintings dazzle the eye at N.Y. Gallery.” Farm and Diary (Salem, Ohio), 29 March 1990.

Alberge, Dalya. “Themes Across Frontiers.” The Independent, 2 October 1990: 14.

Anfam, David. “Mark Rothko: Subjects in Abstraction.” The Burlington Magazine, July 1990.

Arikha, Avigdor. “On Transgressing the Prohibition of Images.” The Journal of Art, December 1990: 32.

“Art.” The New Yorker, 29 January 1990.

Artner, Alan G. “An instinct for art.” Chicago Tribune, 27 May 1990.

B., T. “Mark Rothko and Frank Stella in Australia.” The Art Newspaper 1, no. 3 (December 1990): 6.

Ball, Edward. “African Sitings.” The Journal of Art, December 1990: 23–24.

Burn, Gorgon. “Playing to the Galleries.” The Sunday Times Magazine, 30 September 1990: 38–49.

C., H. “La mort d'Hans Namuth.” Le Quotidien De Paris, 16 October 1990.

Carrier, David. “Abstract Working Spaces.” Art International, Spring 1990.

Carrier, David. “Why We Love What We See.” Art International, Summer 1990: 66 and 67.

Caujolle, Christian. “Namuth, l'ami américain.” Libération, 16 October 1990.

Chauvey, Laurence. “La foire de Bale entre ludisme et derision.” Gazette de Lausanne, 16 June 1990.

“Corrections.” The New York Times, 11 July 1990.

Davis, David E. “Jewish artist attempts to answer 'What is Jewish art?'.” Cleveland Jewish News, 4 May 1990.

Day, Jeffrey. “An Eclectic Eye.” Columbia, SC State, 25 March 1990.

Debailleux, Henri–François. “Les Sixties de Virginia Dwan.” Libération, 15 November 1990.

Duault, Nicole. “Claude Berri devenu fan de peinture depuis le cambriolage de sa maison.” France–Soir, 12 December 1990.

Ehrlich, Jane. “Method Man.” The American, 5 October 1990: 7.

F., M. “Larry Rivers.” Elle, 25 June 1990.

Feaver, William. “Prize Wake for Timeless Values.” Observer, 7 October 1990.

French, Christopher. “The Religious Content of Contemporary Art.” The Journal of Art, December 1990: 36.

Glueck, Grace. “Gustave Harrow Is Dead at 60; Assistant State Attorney General.” The New York Times, 4 July 1990.

Graham–Dixon, Andrew. “Old frames of reference.” The Independent, 26 June 1990.

Grimes, William. “MOMA's Boy.” New York Times Magazine, 11 March 1990: 30–33, 61–64.

“Hans Namuth, An Appreciation.” The Journal of Art, December 1990.

Hatts, Leigh. “Roots of Faith Shared With Judaism.” Catholic Herald, 9 November 1990.

Hayt–Atkins, Elizabeth. “Mark Rothko.” Art News (May 1990.

Hoving, Thomas. “My Eye.” The Connoisseur, December 1990: 160.

Hughes, Robert. “The Decline of the City of Mahagonny.” The New Republic, 25 June 1990: 27–38.

Hughes, Robert. “The Great Massacre of 1990.” Time, 3 December 1990: 124–125.

Hurlburt, Roger. “Deciphering Abstraction.” Sun–Sentinel, 26 September 1990.

K., J. “GroBe Spannung.” Kolner Stadt–Anzeiger, 4 April 1990.

Kimmelman, Michael. “An Architect's Dreams and What He Built.” The New York Times.

Kohen, Helen L. “Lowe Show One to Cherish.” The Miami Herald, 14 October 1990: section 1: 1, 7.

Kuspit, Donald. “The Only Immortal.” Artforum (February 1990.

Layaz, Alphonse. “La creation artistique en cette fin de XX Siecle: Foutoir ou eclatement de tous les possibles?” Voir Magazine, April 1990.

“Museen Auf Dem Prüfstand.” Pan, November 1990: 18.

“Museum & Gallery Guide.” The Artist, August 1990.

Narbaits, Xavier. “Pour beaucoup de dollars de plus.” Le Figaro, 4 May 1990.

Oliver–Hoffmann, Paul and Camille. “Strong as Corrugated Iron.” Art News (February 1990: 93–96.

Page, Amy. “Expansive Tastes.” Art & Auction, April 1990.

Paire, Alain. “Verts Veronese et jaunes de Naples.” Le Provençal, 6 July 1990.

Pfeifer, Tadeus. “Formenklang und Farbklang.” Basler Zeitung, 6 November 1990.

“Portrait of an American Gallery.” Kiosque, June 1990.

Rexroat, Dee Ann. “National Rothko Exhibit Debuts in Cedar Rapids.” Gazette (Cedar Rapids, IA), 7 September 1990.

“Richard Gray.” Quotidien de Paris, 24 October 1990.

Riley, Charles A. II. “Talk of the Trade: Family Affair.” Art & Auction, May 1990.

Robinson, John. “In the valley of art.” Seattle Weekly, 4 April 1990.

Robinson, Walter. “Artists Turn Philanthropic.” Art in America (July 1990): 152 and 153.

Robson, Deirdre. “The Market for Abstract Expressionism: The Time Lag Bewteen Critical and Commercial Acceptance.” Archives of American Art Journal 30, no. 1–4 (1990).

“Romantische>> Weltsehnsucht der Moderne.” Basler Zeitung, 27 December 1990.

Rose, Frank. “Cool John B.” California, April 1990.

Scheiss, Robert. “Bilanz zweier Jahre: Ruckzug in die namenlose Provinz.” Basler Zeitung, 16 June 1990.

“Sidney Janis Dies at 93.” The Journal of Art 2, no. 4 (January 1990): 2.

Smith, Roberta. “18 Works of an Evolving Rothko, a la Française.” The New York Times, 19 January 1990.

“State Attorney General.” The New York Times, 4 July 1990.

Straus, Marc. “Contemporary Art: How High Can Prices Go.” The Journal of Art, January 1990.

Tarantino, Michael. “The Machine and the Wheels.” The Bulletin, 24 May 1990.

Taylor, Noreen. “Wardrobes With a French Polish.” The European, 5–7 October 1990: 24–25.

“The Market.” Art & Antiques, November 1990: 50.

Tully, Judd. “Auction Previews: Contemporary.” Art & Auction, November 1990: 270–271.

Tully, Judd. “Passed!” The Journal of Art, December 1990: 1–2.

“Vortrag über Aspekte der Kunst.” Die Heimat, 25 October 1990.

Weidle, Barbara. “Wir sind alle Wellen ein und desselben Meeres.” General–Anzeiger,

12 July 1990.

“Works by Abstract Expressionists at Whitney Museum at Philip Morris.” Antiques & the Arts Weekly, 9 November 1990.

Zimmer, William. “Abstract Expressionism's Smaller Side.” The New York Times, 22 April 1990.

Zimmer, William. “Childe Hassam's Island Garden.” The New York Times, 13 May 1990.

1989

Altorfer, Sabine. “Mickrige Kardinale und erhabene Malerei.” Badener Tagblatt, 1 April 1989.

Bauermeister, Volker. “Kardinale und entfesselte Gefuhle.” Badische Zeitung, 6 April 1989.

Beck, Kurt. “Der Versuch, mit Kunst den Appetit zu verderben.” Luzerner Neuste Nachrichten.

Bernauer, Markus. “Von der Gegenwart ab in den Tempel.” Buendner Zeitung, 10 March 1989.

Binder–Hagelstange, Usula. “Schweigende Kardinale.” Franfurter Allgemeine Zeitung, 20 March 1989.

“Blae concilie Manzu et Rothko.” Tribune des Arts.

Calnek, Anthony. “A Scientist Collects.” Contemporanea, July–August 1989.

Causey, Andrew. “American Art in the 20th Century.” Art & Design, 1989.

Clarke, John. “An author collects art.” Journal of Art, April 1989.

Decker, Andrew. “Rothko's Legacy.” Art News (September 1989.

Descloux, Ch. “Bale s'offre une chapelle Rothko.” La Liberte, 22 April 1989.

Descombes, Mireille. “Les Seagram Murals forcent le respect.” L'Hebdo, 23 March 1989.

“Drei Amerikaner: Rothko, Flavin, Johns.” Neue Zurcher Zeitung, 2 March 1989.

“Ein neuer Direktor stellt sich mit alter Kunst vor.” Der Bund, 15 March 1989.

“Ein spannungsgeladener Auftakt.” Basler AZ, 25 February 1989.

Galligan, Gregory. “New New York Painters.” Art International, Spring 1989.

Gassert, Sigmar. “Mutige, stimulierende Kombination.” Basler Zeitung, 16 February 1989.

Givord, Christiane. “Rothko buisson ardent.” L'Express, 23 March 1989.

Hafif, Marcia. “True Colors.” Art in America (June 1989.

Heron, Patrick. “Can Mark Rothko's Work Survive.” Modern Painters 2, no. 2 (Summer 1989): 36–39.

“I Cardinali nelle Kaaba.” Agora, 22 March 1989.

Kageneck, Christian. “Kardinale wie die Weihnachtsmanner.” Die Welt, 3 April 1989.

Kakutani, Michiko. “Using a Spiritual Prism to View Modern Art.” The New York Times, 19 February 1989.

Kellein, Thomas. “Mark Rothko.” Kunst–Bulletin, March 1989.

Kind, Yvonne. “Hoch und Heilig.” Schweizer Illustrierte, 20 February 1989.

Kopp, Regine. “Au bord du Rhin.” Scenes Magazine, March 1989

Kraft, Martin. “Die Ruckkehr zum Bewahrten.” Schaffhauser Nachrichten, 21 March 1989.

Kraft, Martin. “Mark Rothko, Giacomo Manzu, Cristina Spoerri.” Appenzeller Zeitung, 18 March 1989.

Kraft, Martin. “Rothko und Manzu in der Kunsthalle Basel.” Der Landbote, 1 March 1989.

Kraft, Martin. “Zuruck zum Bewahrten.” Zuerichsee Zeitung, 13 March 1989.

“Kunsthalle, Rothko, Manzu, Spoerri.” Basler Zeitung, 20 February 1989.

Kurzmeyer, Roman. “Mark Rothko.” Nike, 1989.

“Le grand oeuvre meconnu de Rothko.” Gazette de Lausanne, 18 March 1989.

Lerch, Liliane. “Von Auseinandersetzung zu musealer Andacht.” Doppelstab, 23 February 1989.

Monteil, Annemarie. “Kunstwerkr zeigenden Weg in die Stille.” Berner Zeitung, 23 March 1989.

Moser–Ehinger, Susann. “Basler Kunsthalle–Leiter geht neue Wege.” 7 March 1989.

Moser–Ehinger, Susann. “Manzu, Rothko und Cristina Spoerri unter einem Dach.” Aargauer Tagblatt Ausgabe Aarau, 22 February 1989.

Moser–Ehinger, Susann. “Thomas Kellein geht neue Wege.” Zofinger Tagblatt, 2 March 1989.

Muller, Hans–Joachim. “Kniefall vor Orangerot und Braun.” Basler Zeitung, 21 February 1989.

Oberholzer, Niklaus. “Ein weihevoller Ruckgriff auf das Bewahrte.” Vaterland, 23 February 1989.

Renggli, Hans. “Eine provozierende Kombination.” Tages–Anzeiger, 10 March 1989.

Sandler, Irving. “Les Irascibles.” Art Press, January 1989.

Schaer, Alain. “Appetitzugler in der Basler Kunsthalle.” 21 February 1989.

Schaer, Alain. “Tiefe Ruhe in Farben, Flachen und Formen.” Basler Volksblatt, 21 February 1989.

von Kageneck, Christian. “Diesseits und jenseits kaum fabar.” Stuttgarter Zeitung, 4 April 1989.

von Kageneck, Christian. “Unbegreifbare Welt.” Die Presse, 5 April 1989.

“Unterwegs zu etwas, das mehr ware.” Frankfurter Rundschau, 7 April 1989.

Waibel, Jurgen. “Ein Schlemmerlokal ist kein Andachtsraum.” Mannheimer Morgen, 14 March 1989.

Wechsler, Max. “Mit Devotionalien ins Restaurant.” Die Weltwoche, 23 February 1989.

1988

Bethell, John. “Damaged Goods.” Harvard Magazine (July–August 1988).

Butash, Titian. “A voyage in surreal America.” The Advocate, 24 June 1988.

Charriere, Edmond. “la triade et le monochrome.” Art Press (September 1988).

Gardner, Paul. “Collecting Art of the Eighties.” Contemporanea (September/October 1988).

Gibson, Eric. “The Other Rothko Scandal.” The New Criterion (October 1988).

Giuliano, Charles. “Blaming the Victim.” Art News (November 1988).

Kimmelman, Michael. “Mark Rothko's Harvard Murals Are Irreparably Faded by Sun.” The New York Times, 7 August 1988.

Kimmelman, Michael. “Of the 50's, When Fortunes Shone.” The New York Times, 23 December 1988.

Kirili, Alain. “Adrian & Robert Mnuchin; Un Art de Vivre.” Galeries Magazine, June/July 1988.

McGuigan, Cathleen. “The Skeletons in the Closet.” Newsweek, 15 August 1988.

Ratcliff, Carter. “Dandyism and Abstraction in a Universe Defined by Newton.” Artforum (December 1988

Raynor, Vivien. “Whitney Traces the Path that led from Surrealism.” The New York Times, 3 July 1988.

Saussy, Haun. “Mark Rothko.” Arts, November 1988.

Strand, John. “Do You Remember the Fifties.” Art International, Autumn 1988.

Taylor, Robert. “Rothko Murals: a tragic story.” Boston Sunday Globe, 7 August 1988.

Wasserman, Deborah. “A Place for Artists to Come Home To.” Business First Magazine, Columbus, Week of 12 December 1988.

1987

Kimmelman, Michael. “Art: Gallery Shows Miro and Rothko Together.” The New York Times, 25 December 1987.

1986

Brenson, Michael. “Museum and Corporation–A Delicate Balance.” The New York Times, 27 February 1986, Section 2: 1

Cernuschi, Claude E. “Mark Rothko's Mature Paintings: A Question of Content.” Arts (May 1986).

Glueck, Grace. “Rothko Art Dispute Ends Quietly After 15 Years.” The New York Times, 20 August 1986.

1985

Ellis, Stephen. “The Bronze Age, the Iron Age, the Age of Gold.” Issue (Summer 1985).

Ratcliff, Carter. “Rothko: The Dark Paintings 1969–70.” The New York Times, 12 April 1985.

1984

Glueck, Grace. “A Collection That Breathes the Spirit of Modernism.” The New York Times, 8 April 1984: H33, 35.

1983

“Contemporary Art: Twenty–Five Years.” Art + Auction (February 1983): 58–67

“89 of Rothko's Works Are Given to Museums.” The New York Times, 11 April 1985.

Molotsky, Irvin. “Six Rothko Murals to Hang at the National.” The New York Times, 10 November 1985.

Ratcliff, Carter. “Why All The Fuss About Mark Rothko?” Dial (May 1983).

“Rothko Paintings Vandalized.” The New York Times, 14 May 1983.

1982

Daulte, François. “La Pace Gallery et l'Art Vivant aux U.S.A.” Interview with Arnold Glimcher and Jeffrey Hoffeld. L'Oeil (September 1982).

Duthy, Robin. “The Investment File.” The Connoisseur 209 (January 1982): 50, illustrated.

1981

Conrad, Barnaby III. “A Stroll Down Fifty–Seventh Street.” Horizon (April 1981).

Glueck, Grace. “Art: Rothko as Surrealist In His Pre–Abstract Years.” The New York Times, 1 May 1981.

Reif, Roberta. “Recent Art Brings Record Auction Prices.” The New York Times, 19 May 1981

Smith, Roberta. “Mark Rothko's Surrealistic Billows.” The Village Voice, 6 May 1981.

Wolff, Theodore. “The Rothko Show–How a Master Worked in the Early Stages.” The Christian Science Monitor, 4 May 1981.

1980

Glueck, Grace. “Painting by Jasper Johns Sold for Million, a Record.” The New York Times, 27 September 1980.

Mullaly, Terence. “Out of Date Abstracts.” Daily Telegraph, 30 June 1980.

Shepherd, Michael. “Corkers and Pace–setters.” In London, 27 June 1980.

Spalding, Frances. “Ten American Artists.” Arts Review (7 April 1980).

Taylor, John Russell. “Ten American Artists from Pace.” The Times, 24 June 1980.

Vaizey, Marina. “The Name of the Game.” Sunday Times, 29 June 1980.

1979

Cavaliere, Barbara. “Notes on Rothko.” Flash Art (January/February 1979).

Crossley, Mimi. “Rothko––An American Story.” The Houston Post, 11 February 1979.

Goddard, Donald. “Rothko’s Journey into the Unknown.” Art News 79 (January 1979): illustrated.

Lipkin, Joan. “Photographs of Artists' Studios on Display at Laumeier Gallery.” St. Louis Globe–Democrat, 1–2 September 1979: 6E

Wilson, William. “Rothko: Retrospective of a Dark Journey.” Los Angeles Times Calendar, 15 July 1979.

1978

Berges, Marshall. “Marcia and Fred Weisman.” Los Angeles Times Home Magazine, 24 September 1978: 45–48, 51–52.

Kingsely, April. “Mark Rothko: The Painful Evolution of a Radical.” The Village Voice, 20 November 1978.

Kramer, Hilton. “Rothko––Art as Religious Faith.” The New York Times, November 1978.

Kuspit, Donald B. “Symbolic Pregnance in Mark Rothko and Clyfford Still.” Arts Magazine (March 1978): 120–125.

Packer, William. “Mark Rothko––the Inward Landscape.” London Financial Times, 6 November 1978.

1977

Ashton, Dore. “Oranges and Lemons: An Adjustment.” Arts Magazine (February 1977): 142.

Phillips, Robert F. “Abstract Expressionists: Mark Rothko.” Museum News [the Toledo Museum of Art], 1977: 98–101.

1976

Goldin, Amy. “Abstract Expressionism, No Man's Landscape.” Art in America (January–February 1976): 77–79.

Holmes, Ann. “The Rothko Chapel Six Years Later.” Art News (December 1976): 35–37.

Rand, Harry. “Adolph Gottlieb in Context.” Arts Magazine (February 1976): 112–135.

1975

Gilbert–Rolfe, Jeremy. “Appreciating Ryman.” Arts Magazine (December 1975): 70–73.

Kutner, Janet. “Marden, Novros, Rothko: The Urge to Communicate through Non–Imagistic Painting.” Arts Magazine (September 1975): 61–63.

Rosenberg, Harold. “The Art World: Death and the Artist.” The New Yorker, 24 March 1975: 69–75.

1974

Gibson, Michael. “Fifteen American Artists.” Herald Tribune (Paris), 5 January 1974.

Levine, Les. “Lone Star Four.” Arts Magazine (March 1974): 30–39.

O'Doherty, Brian. “Rothko: Failure was His Success.” The New York Post, 27 July 1974: 34.

Putnam, Wallace. “Rothko Told Me.” Arts Magazine (April 1974): 44–45.

1973

Alloway, Lawrence. “Residual Sign Systems in Abstract Expressionism.” Artforum (November 1973): 36–42.

Galy–Carles, Henry. “Regard sur une Certaine Peinture Americaine.” Nouvelles Littéraires, 31 December 1973

Harrison, Charles. “Abstract Expressionism II.” Studio International (February 1973): 53–60.

O'Doherty, Brian. “The Rothko Chapel.” Art in America (January/February 1973): 14–18, 20.

“Quatorze Artistes Américains.” Nouvel Observateur, 10 December 1973.

“Quinze Artistes Américains.” Le Monde, 21 December 1973.

1972

Causey, Andrew. “Rothko Through His Paintings.” Studio International (April 1972): 149–155.

1971

Anon. “Celebration of Genius at the Rothko Chapel.” Vogue (March 1971): 109–11.

Alloway, Lawrence. “Art.” The Nation, 15 March 1971: 349–50.

Alloway, Lawrence. “The Spectrum of Monochrome.” Arts Magazine (January 1971): 30–3.

Ashton, Dore. “The Rothko Chapel in Houston.” Studio (June 1971): 273–75.

Chandler, John. “The Colors of Monochrome: An Introduction to the Seduction of Reduction.” Artscanada (October/November 1971): 18–31.

Feldman, Morton. “After Modernism.” Art in America (November–December 1971): 68–7.

Goldwater, Robert. “Rothko's Black Paintings.” Art in America (March–April 1971): 58–63.

Hess, Thomas B. “Editorial: Can Art Be Used?” Art News (April 1971): 33.

Kuh, Katherine. “The Fine Arts: A Maximum of Poignancy.” Saturday Review (April 1971): 52, 81.

Kuspit, Donald B. “The Illusion of the Absolute in Abstract Art.” Art Journal (Fall 1971): 26–30.

Levine, Edward M. “Abstract Expressionism: The Mystical Experience.” Art Journal (Fall 1971): 22–25.

Marandel, Jean Patrice. “Une chapel oecumenique au Texas.” L'Oiel (May 1971): 16–19.

de Menil, Dominique. “The Rothko Chapel.” Art Journal (Spring 1971): 249–251.

Rose, Barbara. “Mondrian in New York.” Artforum (December 1971): 54–63.

1970

Anon. “Mark Rothko, Artist, A Suicide Here at 66.” The New York Times, 26 February 1970: 1, 39.

Fischer, Joel. “Mark Rothko: Portrait of the Artist as an Angry Man.” Harper's (July 1970): 16–23.

Gordon, Alastair. “In the Galleries: The Rothko Room.” Connoisseur (December 1970): 303.

Hess, Thomas B. “Editorial: Mark Rothko.” Art News (April 1970): 29, 66, 67.

Kenedy, R.C. “Mark Rothko.” Art International (20 October 1970): 45–9.

Kozloff, Max. “Mark Rothko.” Artforum (April 1970): 88–89.

Kramer, Hilton. “A Pure Abstractionist: Rothko's Work in Color Conveyed Luminosity Yet an Extreme Serenity.” The New York Times, 26 February 1970: 39.

Netter, Maria. “Ende der Pionierarbeit: Zum Tode des Malers Mark Rothko.” Die Weltwoche, 6 March 1970: 35.

O'Doherty, Brian. “Rothko.” Art International (20 October 1970): 30–44.

Olmos, Robert. “Mrs. Allen About Her Brother.” Northwest Magazine, 29 March 1970: 21.

Rosenberg, Harold. “The Art World: Rothko.” The New Yorker, 28 March 1970: 90–5.

Rubin, William. “Mark Rothko 1903–1970.” The New York Times, 8 March 1970: 21, 22.

Trini, Tommaso. “Dietro la luce di Rothko.” Arte Illustrata 30–33 (June–September 1970): illustrated.

1969

Kerber, Bernhard. “Der Ausdruck des Sublimen in der amerikanischen Kunst.” Art International (Christmas 1969): 31–36.

1968

Leider, Philip, Irving Sandler and Ellen Mandelbaum. “Dada, Surrealism and Their Heritage.” Artforum 6, no.9 (May 1968): 22–35.

1967

Pleynet, Marcelin. “De la peinture americaine (III).” Les lettres françaises, 6–12 April 1967: 31–32.

1966

Baigell, Matthew. “American Abstract Expressionism and Hard Edge: Some Comparisons.” Studio International (January 1966): 10–15.

1965

Alloway, Lawrence. “The Biomorphic Forties.” Artforum (September 1965): 18–22.

Hess, Thomas B. “Private Faces in Public Spaces.” Art News (February 1965): 36–38, 62.

Kozloff, Max. “The Problem of Color–Light in Rothko.” Artforum (September 1965): 38–44.

Newman, Barnett and Levine, Neil A. “The New York School Question.” Art News (September 1965): 38–41, 55–56.

1964

Ashton, Dore. “La Voix tourbillon dans l'Amerique de Kafka.” XXe Siecle (May 1964): 92–96.

Bowness, Alan. “54/64 Painting and Sculpture of a Decade.” Studio 167 (May 1964): 192, illustrated.

Sollers, Phillipe. “Le Mur du Sens.” Art de France (1964): 239–51.

1963

Alloway, Lawrence. “The American Sublime.” Living Arts (June 1963): 11–22.

Franca, Jose Augusto. “Mark Rothko et l'espace continu.” Aujourd'hui (January 1963): 10–11.

Henning, Edward B. “In Pursuit of Content.” The Bulletin of the Cleveland Museum of Art (October 1963): 218–39.

Kozloff, Max. “Letter to the Editor: An Answer to Clement Greenberg....” Art International, 25 June 1963: 88–92.

Vallier, Dora. “Rothko ou l'absence de theme devenue theme.” XXe Siecle (May 1963): 53–56.

1962

Alloway, Lawrence. “Notes on Rothko.” Art International (1962): 90–94.

Greenberg, Clement. “After Abstract Expressionism.” Art International (25 October 1962): 24–32.

Jacobs, Rachel. “L'ideologie de la peinture americaine.” Aujourd'hui (June 1962): 6–19.

1961

Alloway, Lawrence. “Easel Painting at the Guggenheim.” Art International 5 (December 1965): 33, illustrated.

Goosen, E.C. “Rothko: The Omnibus Image.” Art News (January 1961): 38–40, 60–61.

Oeri, Georgine. “Mark Rothko.” Quadrum (1961): 65–74.

Picard, L. “Mark Rothko.” Das Kunstwerk (April/May 1961): 33–40.

Rosenblum, Robert. “The Abstract Sublime.” Art News (February 1961): 38–41, 56, 58.

1960

Ashton, Dore. “Perspective de la peinture americaine.” Cahiers d'Art (1960): 203–221.

Drudi, Gabriella. “Mark Rothko.” Appia (January 1960).

Goldwater, Robert. “Reflections on the New York School.” Quadrum (1960): 17–36.

Oeri, Georgine. “Tobey and Rothko.” Baltimore Museum of Art News Quarterly (Winter 1960): 2–8.

Villa, Emilio. “Idee de Rothko.” Appia (January 1960).

1959

Read Herbert, and Arnasson, H.H. “Dialogue on Modern U.S. Painting.” Art News (May 1960): 33–36.

Seiberling, Dorothy. “Part 1, Baffling U.S. Art: What It Is About.” Life, 9 November 1959: 68–80.

1958

Alloway, Lawrence. “Art in New York Today.” The Listener, 23 October 1958: 647–48.

Alloway, Lawrence. “6. Background to Action: The Words.” Art News and Reviews, 18 January 1958: 3–4.

Ashton, Dore. “Art: Lecture by Rothko.” The New York Times, 31 October 1958: n.p.

Ashton, Dore. “L'Automne a New York: Letter from New York.” Cimaise (December 1958): 37–40.

Goossen, E.C. “The Big Canvas.” Art International (November 1958): 45–47.

Heron, Patrick. “London.” Arts 32 (May 1958): 22–23.

de Kooning, Elaine. “Two American in Action: Franz Kline and Mark Rothko.” Art News Annual (1958): 86–97, 174–179.

Rosenblum, Robert. “Unite et divergence de la peinture americaine: La peinture americaine depuis la seconde guerre mondial.” Aujourd'hui (July 1958): 12–18.

Rubin, William. “The New York School–Then and Now, Part II.” Art International (May/June 1958): 19–22.

1957

Ashton, Dore. “Mark Rothko.” Arts and Architecture (August 1957): 8, 31.

Greenberg, Clement. “New York Painting Only Yesterday.” Art News (Summer 1957): 58–59, 84–86.

Rothko, Mark. “Letter to the Editor.” Art News (December 1957): 6.

1956

Anon. “Art: The Wild Ones.” Time, 20 February 1956: 10–15.

Ashton, Dore. “L'Apport artistiques des Etats Unis.” XXe Siecle, June 1956: 69–72.

Crehan, Hubert. “Is There A California School?” Art News (January 1956): 32–35, 64.

Read, Herbert. “An Art of Internal Necessity.” Quadrum (May 1956): 7–22.

Schapiro, Meyer. “The Younger American Painters of Today.” The Listener (January 1956): 146–147.

1955

Greenberg, Clement. “'American Type' Painting.” Partisan Review (Spring 1955): 179–196.

1954

Friedman, B.H. “The New Baroque.” Arts Digest (15 September 1954): 12–13.

1949

McAgy, Douglas. “Mark Rothko.” Magazine of Art 42 (January 1949): 20–1.

Rothko, Mark. “Statement.” The Tiger's Eye, October 1949: 114.

1951

Langsner, Jules. “More About the School of New York.” Arts and Architecture (May 1951): 20, 46.

Rothko, Mark et al. “A Symposium on How to Combine Architecture, Painting and Sculpture.” Interiors (May 1951): 104.

1947

Collier, Oscar. “Mark Rothko.” The New Iconograph (Fall 1947).

Rothko, Mark et al. “The Ideas of Art: The Attitides of Ten Artists on Their Art and Contemporaneousness.” The Tiger's Eye, December 1947: 44.

Rothko, Mark et al. “The Romantics Were Prompted.” Possibilities (Winter 1947): 84.

1943

Jewell, Edward Alden. “The Realm of Art: A New Platform and Other Matters/Globalism Pops Into View.” The New York Times, 13 June 1943: np.

1929

“Brown Belittles Drawings in Book.” The New York Times, 5 January 1929.

Mark Rothko
Books and Catalogues

Mark Rothko Books

2024

Cateforis, David. Modern Art: A Global Survey from the Mid-Nineteenth Century to the Present. New York: Oxford University Press, 2024: 272, illustrated.

2023

American Watercolors, 1880–1990: Into the Light (exhibition catalogue). Texts by Horace D. Ballard, Elisa Germán, Joachim Homann, Penley Knipe, Miriam Stewart, and Richard Tuttle. Cambridge, Massachusetts: Harvard Art Museums, 2023: 120, illustrated.

Crosby, Eric, ed. Carnegie Museum of Art Collection Handbook. Pittsburgh, Pennsylvania: Carnegie Museum of Art, 2023: 122, illustrated.

Greenhalgh, Adam. Mark Rothko Paintings on Paper. New Haven, Connecticut: Yale University Press, 2023.

Morley, Simon. World of Art: Modern Painting. New York: Thames & Hudson, 2023: 171, illustrated.

Packard, Cassie. Art Rules: How Great Artists Think, Crate, and Work. London: Frances Lincoln, an imprint of The Quatro Group, 2023: 23, illustrated.

Wujcik, Stacey A., ed. American Art: Selections from the Yale University Art Gallery. New Haven, Connecticut: Yale University Press, 2023: 245, illustrated.

2022

Ashby, Chloë. Colors of Art: The Story of Art in 80 Palettes. London: Frances Lincoln Publishing, 2022: 185, illustrated.

Aquin, Stéphane, and Anne Reeve, eds. Hirshhorn Museum and Sculpture Garden: The Collection. New York: DelMonico Books, 2022: 184, illustrated.

Cornelia Parker (exhibition catalogue). London: Tate Publishing, 2022: 26, illustrated.

Hello! Super Collection 99 Untold Stories (exhibition catalogue). Osaka, Japan: Nakanoshima Museum of Art, 2022: 155, illustrated.

2021

Akiyama, Akira, and Masayuki Tanaka, eds. Western Art History. Tokyo: Bijutsu Shuppan Co., 2021: 344, illustrated.

Gipson, Ferren. The Ultimate Art Museum. New York: Phaidon Press, 2021: 192, illustrated.

Hutton, Deborah, Jean Robertson. The History of Art: A Global View. London: Thames & Hudson, 2021: 1153, illustrated.

Mark Rothko: 1968: Clearing Away (exhibition catalogue). Texts by Christopher Rothko and Eleanor Nairne. New York: Pace Gallery, 2021.

Miura, Akinori, and Tamahito Yoshikawa. Expression of Painting. Japan: Musashino Art University Press, 2021: 180, illustrated.

2020

Brophy, Christina Connet, Elizabeth Broun, and William C. Agee. A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art. New York: Rizzoli Electa; New Bedford, Massachusetts: in association with New Bedford Whaling Museum, 2020: 163, illustrated.

Berggruen Gallery: 50 Years 1970–2020. San Francisco: Berggruen Gallery, 2020: 276–279, illustrated.

Church & Rothko: Sublime (exhibition catalogue). Text by John Wilmerding. New York: Mnuchin Gallery, 2020.

The Irascibles: Painters Against the Museum, New York, 1950 (exhibition catalogue). Texts by Daniel Belasco, Bradford R. Collins, Beatriz Cordero, Charles H. Duncan, Manuel Fontán del Junco, et al. Madrid: Fundación Juan March, 2020: 184–185, illustrated.

Kopp, Edouard, John Elderfield, Richard Shiff, and Terry Winters. Drawing Is Everything: Founding Gifts of the Menil Drawing Institute. New Haven and London: Yale University Press, 2019: 188, illustrated.

2019

Brian O’Doherty: Collected Essays. Edited by Liam Kelly. Oakland, California: University of California Press, 2019: 55–95, illustrated.

Hollein, Max. Modern and Contemporary Art in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2019: 94, illustrated.

Looking at Art with Alex Katz. London: Laurence King Publishing, 2019: 144–145, illustrated.

2018

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 50–51, illustrated.

Guerin, Frances. The Truth is Always Grey: A History of Modernist Painting. Minneapolis and London: University of Minnesota Press, 2018: plate 6, illustrated.

The Joy of Color (exhibition catalogue). New York: Mnuchin Gallery, 2018: 38–39, illustrated.

Louvre Abu Dhabi: The Complete Guide. Abu Dhabi and Paris: Department of Culture & Tourism; Éditions Skira, 2018: 329, illustrated.

Reds (exhibition catalogue). New York: Mnuchin Gallery, 2018: 30–31, illustrated.

The Masters: Art Students League Teachers and Their Students (exhibition catalogue). New York: Hirschl & Adler, 2018: 12–13, illustrated.

Martin Z. Margulies Collection, Vol.1. Bologna BO, Italy: Damiani, 2018: 82–86, illustrated.

The Moon – From Inner Worlds to Outer Space (exhibition catalogue). Texts by Marie Laurberg and E.C. Krupp. Odder, Denmark: Narayana Press, 2018: 92, illustrated.

2017

De Chassey, Éric. L’abstraction avec ou sans raisons. Éditions Gallimard, 2017: 66, 195, illustrated.

Nippe, Christine and Christiane Wedemann. 50 Modern Artists You Should Know. Munich, London and New York: Prestel, 2017 138–141, illustrated.

Rothko: The Color Field Paintings. Text by Christopher Rothko and Janet Bishop. San Francisco: Chronicle Books, 2017.

2016

Anfam, David. Abstract Expressionism (exhibition catalogue). London: Royal Academy of Arts, 2016.

Agee, William C. Modern Art in America. London and New York: Phaidon Press Limited, 2016: 198–9, 227–9, illustrated.

Getlein, Mark and Annabel Howard. Art Visionaries. London: Laurence King Publishing Ltd., 2016: 116–9, illustrated.

Gramge, Susan. Mark Rothko: Break into the Light. London: Flame Tree Publishing, 2016.

Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 75, illustrated.

Paths to the Absolute: Kandinsky, Malevich, Mondrian, Newman, Pollock, Rothko and Still (exhibition catalogue). Texts by Emmanuel Di Donna and Mark Rosenthal. New York: Di Donna Galleries, 2016.

Rothko: Dark Palette (exhibition catalogue). Introduction by Arne Glimcher. New York: Pace Gallery, 2016.

San Francisco Museum of Modern Art 360°: Views on the Collection. Edited by Judy Bloch and Suzanne Stein. San Francisco: San Francisco Museum of Modern Art, 2016: 124–5, illustrated.

Tate Modern: The Handbook. Edited by Matthew Gale. London: Tate Publishing, 2016: 278, illustrated.

2015

The Botticelli Renaissance (exhibition catalogue). Berlin, London and Munich: Staatliche Museen zu Berlin; Victoria and Albert Museum and Hirmer Verlag GmbH, 2015: 127, illustrated.

Cohen-Solal, Annie. Mark Rothko: Toward the Light in the Chapel. New Haven and London: Yale University Press, 2015.

Greene, Alison de Lima. Mark Rothko: An Essential Reader (exhibition catalogue). Texts by Harry Cooper, Douglas MacAgy, Hubert Grehan, et al. Houston: The Museum of Fine Arts, 2015.

Mark Rothko: Uit de Collectie van de National Gallery of Art Washington (exhibition catalogue). Texts by Franz-W. Kaiser, Harry Cooper and Joost Zwagerman, et al. Den Haag, The Netherlands: Gemeentemuseum, 2015.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 330, illustrated.

Miller, Sequoia. The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery (exhibition catalogue). Text by John Stuart Gordon. New Haven: Yale University Art Gallery, 2015.

Rothko, Christopher. Mark Rothko: From the Inside Out. New Haven and London: Yale University Press, 2015.

2014

A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University. Texts by Gwen Allen, David Cateforis and Evelyn C. Hankins, etc. Stanford, California; New York: The Anderson Collection at Stanford University, 2014: 93, 103, illustrated.

Baum, Kelly. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell (exhibition catalogue). Texts by Hal Foster, Susan Stewart and Eleanor Stoltzfus. Princeton, New Jersey: Princeton University Art Museum, 2014: 94–5, illustrated.

Cooper, Harry. Modernism from the National Gallery of Art: The Robert and Jane Meyerhoff Collection (exhibition catalogue). Washington, D.C. and San Francisco: National Gallery of Art; Fine Arts Museums of San Francisco, 2014: 102–3, illustrated.

Guess What? Hardcore Contemporary Art’s Truly a World Treasure: Selected Works from the YAGEO Foundation Collection (exhibition catalogue). Tokyo: The National Museum of Modern Art, 2014: 85, illustrated.

Make it New: Abstract Painting from the National Gallery of Art, 1950–1975 (exhibition catalogue). Williamstown: The Clark Art Institute, 2014: 58–59, illustrated.

Mark Rothko: Works on Paper 1941–1947 (exhibition catalogue). Text by James Lawrence. New York: Pace Gallery, 2014.

Museum Folkwang: Painting & Sculpture 19th–21st Century, Essen and Munich: Museum Folkwang; Sieveking Verla, 2014: 228–9, illustrated.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014.

Rothko, Mark. “The Romantics Were Prompted.” In Perl, Jed. Art in America 1945–1970: Writings from the Age of Abstract Expressionism, Pop Art, and Minimalism. New York: The Library of America, 2014: 3–5.

Rothko, Mark. “Two Statements from The Tiger’s Eye.” In Perl, Jed. Art in America 1945–1970: Writings from the Age of Abstract Expressionism, Pop Art, and Minimalism. New York: The Library of America, 2014: 5–6.

When Modern Was Contemporary: The Roy R. Neuberger Collection. Purchase, New York: Neuberger Museum of Art of Purchase College, 2014: 179–81, illustrated.

2013

The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013: 32–39, illustrated.

Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 352, 353, illustrated.

Kansai Collections (exhibition catalogue). Osaka: The Asahi Shimbun, 2013: 98–103, illustrated.

Moving: Norman Foster On Art (exhibition catalogue). Texts by Norman Foster and Jean-Marc Prevost. London: Ivorypress Architecture: 79, 81, 382, illustrated.

Your Museum Transformed. Saint Louis, Missouri: Saint Louis Art Museum, 2013: 6, illustrated.

2012

Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960 (exhibition catalogue). New York: Solomon R. Guggenheim Museum, 2012: 152–153, illustrated.

Auf Augenhöhe: Meisterwerke aus Mittelalter und Moderne (exhibition catalogue). Texts by Gabriele Holthuis, Tilman Osterwold, Angelika Bauer and Eva Leistenschneider. Ulm, Germany: Ulmer Museum, 2012: 23, illustrated.

Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 463, illustrated.

Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 21, illustrated.

Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: illustrated.

Finger, Brad. Modern Art: The Groundbreaking Moments. Munich: Prestel, 2012: 85, illustrated.

Hodge, Susie. Why Your Five Year Old Could Not Have Done That. London: Thames & Hudson, 2012: 80, illustrated.

Holm, Michael Juul, ed. Self-Portrait (exhibition catalogue). Texts by Helle Crenzien, Eleanor Nairne, Finn Skarderud, Liz Rideal and Marco Pierini. Humlebæk: Louisiana Museum of Modern Art, 2012: 63, illustrated.

Mark Rothko: The Decisive Decade, 1940–1950 (exhibition catalogue). Essays by David Anfam, Bradford R. Collins, Harry Cooper, Ruth Fine, and Christopher Rothko. New York and Columbia, S.C.: Skira Rizzoli; Columbia Museum of Art, 2012.

Mythology (exhibition catalogue). Interview between Matthew Spender and Marc Glimcher. New York: The Pace Gallery, 2012: 39–43, illustrated.

Soppelsa, Walter, ed. A Selection from the Daros Collection. Text by Jean-Christophe Ammann. Zurich: Daros Services AG, 2012: plates 5–10, illustrated.

Rothko / Sugimoto: Dark Paintings and Seascapes (exhibition catalogue). Text by Richard Shiff. London: Pace Gallery, 2012.

2011

Allen, Felicity. Your Sketchbook Your Self. London: Tate Publishing, 2011: 7, illustrated.

Allen Memorial Art Museum: Highlights from the Collection. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 2011: 93, illustrated.

Chikako, Takaoka. The Complete Catalogue of Ohara Museum of Art (I): Foreign Artists. Okayama, Japan: Ohara Museum of Art, 2011: 83, illustrated.

Dreishpoon, Douglas. The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery. Text by Holly E. Hughes, Mariann W. Smith and Susana Tejada. Milan: Skira editore spa, 2011: illustrated.

Esteban Vicente in America: Collage, Color and Somewhere in Between (exhibition catalogue). Text by Nicole Atzbach. Dallas: Meadows Museum, Southern Methodist University, 2011: 33, 40, illustrated.

Holzwarth, Hans Werner and Laszlo Taschen, eds. Modern Art: 1870–2000, Impressionism to Today. Köln: Taschen, 2011: 368, 432–433, illustrated.

In the Tower: Mark Rothko (exhibition brochure). Text by Harry Cooper. Washington, D.C.: National Gallery of Art, 2011.

Rylands, Philip, ed. Hannelore B. and Rudolph B. Schulhof Collection. Text by Nicholas Fox Weber; interview by Lisa Jacobs. New York: the Solomon R. Guggenheim Foundation, 2011: 121, 150, illustrated.

Vervoordt, Axel, ed. TRA-The Edge of Becoming (exhibition catalogue). Ghent: Vervoordt Foundation in association with MER. Paper Kunsthalle, 2011: illustrated.

2010

Abstract Expressionism at the Museum of Modern Art (exhibition catalogue). Text by Ann Temkin. New York: Museum of Modern Art, 2010: 36, 37, 56, 57, 89, 115, illustrated.

Blinky Palmero: Retrospective 1964–1977 (exhibition catalogue). New York: Dia Art Foundatin, 2010: 46, illustrated.

De Menil, Dominique. The Rothko Chapel: Writings on Art and the Threshold of the Divine. Houston, Texas: The Rothko Chapel, 2010.

In the Tower: Mark Rothko (exhibition brochure). Text by Harry Cooper. Washington, D.C.: National Gallery of Art, 2010.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Kamien, Kazhden, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Jerusalem: The Israel Museum, 2010: 168, illustrated.

Le grand geste! Informel und Abstrakter Expressionismus 1946–1964 (exhibition catalogue). Texts by Kay Heymer, Susanne Rennert and Beat Wismer. Köln: DuMont, 2010: 141, 336, illustrated.

Mark Rothko, Into an Unknown World: 1949–1969 (exhibition catalogue). Texts by Andrei Tolstoy and Irving Sandler. Moscow: Garage Centre for Contemporary Culture, 2010.

Masterworks of the 20th and 21st Centuries. Texts by Anette Kruszynski, Maria Müller and Julia Hagenberg. Düsseldorf: Kunstammlung Nordrhein-Westfalen, 2010: 106, illustrated.

Monet and Abstraction (exhibition catalogue). Text by Paloma Alarcó. Madrid: Museo Thyssen-Bornemisza, 2010: illustrated.

Robert & Ethel Scull: Portrait of a Collection (exhibition catalogue). Text by Judith Goldman. New York: Acquavella Galleries, 2010: 229–233, illustrated.

Ronnberg, Ami and Kathleen Martin, eds. The Book of Symbols. Köln: Taschen, 2010: 640, illustrated.

United States Embassy London: Art in Embassies Exhibition. Washington, D.C.: Art in Embassies Program, 2010: cover, 4, 27–28, illustrated.

2009

Cooper, Harry. The Robert and Jane Meyerhoff Collection: Selected Works (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2009: illustrated.

Fischel, Jack. Encyclopedia of Jewish American Popular Culture. Westport, Connecticut: Greenwood Press, 2009, illustrated.

Godfrey, Tony. Painting Today. London: Phaidon Press Limited, 2009: illustrated.

The Heritage of the Holy Land: Treasures from The Israel Museum, Jerusalem (exhibition catalogue). Budapest: Museum of Fine Arts, 2009: 110–111, illustrated.

Vervoordt, Axel, ed. In-Finitum (exhibition catalogue). Ghent: MER Paper Kunsthalle, 2009.

Just What Is It…(exhibition catalogue). Germany: ZKM | Museum für Neue Kunst, 2009.

Kennedy, Brian P. and Emily Schubert Burke, eds. Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2009: 31, illustrated.

Mark Rothko (exhibition catalogue): Sakura, Japan: Kawamura Memorial Museum of Art, 2009.

Marzio, Peter C. Director’s Choice: Masterpieces from the Museum of Fine of Arts, Houston. Texas: The Museum of Fine Arts, Houston, 2009: 157–158, illustrated.

Passions Partagées: From Cézanne to Rothko, 20th Century Masterpieces in Private Swiss Collections (exhibition catalogue). Lausanne, Switzerland: Fondation de l’Hermitage, 2009.

Piero Manzoni: A Retrospective (exhibition catalogue). Text by Germano Celant. Italy: Skira, 2009: 307, illustrated.

Richard, Sophie. Unconcealed: The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections. London: Ridinghouse, 2009: 48.

Rothko / Giotto (exhibition catalogue). Texts by Gerhard Wolf, Stefan Weppelmann, Karin Gludovatz, Regina Deckers, Katharina Christa Schüppel, Manuela De Giorgi, Pia Gottschaller. Munich: HIrmer Verlag, 2009.

Taylor, Michael, R. Arshile Gorky: A Retrospective (exhibition catalogue). Pennsylvania: Philadelphia Museum of Art in association with Yale University Press, 2009: illustrated.

The Third Mind: American Artists Contemplate Asia, 1860–1989 (exhibition catalogue). New York: Guggenheim Museum Publications, 2009: 288, illustrated.

2008

Acton, Mary. Guardare l’arte contemporaea. Torino, Italy: Piccola Biblioteca Einaudi, 2008, illustrated.

American Artists from the Russian Empire (exhibition catalogue). Texts by Yevgenia Petrova, Alison Hilton, Percy North et al. St. Petersburg: State Russian Museum, 2008: illustrated.

Brice Marden: Jawlensky-Awardee—A Retrospective of Prints (exhibition catalogue). Texts by Roland Koch, Dr. Helmut Muller, Stephan Ziegler et al. Wiesbaden: Museum Wiesbaden, 2008: 215, illustrated.

Glenstone: The Inaugural Exhibition (exhibition catalogue). Texts by Stephanie Rachum and Yve-Alain Bois. Potomac, Maryland: Glenstone Foundation, 2008.

Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008: 16, 67, 266, 366.

Ishikawa, Chiyo, ed. A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Washington: Seattle Art Museum, 2008: 27–29, illustrated.

Kawamura Memorial Museum of Art: Volume I. Tokyo: DIC Corporation, 2008: 104–15, illustrated.

Kawamura Memorial Museum of Art: Volume II. Tokyo: DIC Corporation, 2008: illustrated.

Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon, Charlotte Eyerman, Mark Godfrey, Caroline A. Jones, Norman L. Kleeblatt and Irving Sandler. New York and New Haven: The Jewish Museum and Yale University Press: 2008: illustrated.

Macnair, Jennifer, Thomas Frick and Nola Butler, ed. BCAM/LACMA 2008 (exhibition catalogue). Los Angeles: Los Angeles County Museum of Art, 2008: 97–98, 105, 120, 123, 133, 152, illustrated.

The Margulies Collection. Miami: The Martin Z. Margulies Foundation, 2008: 258–260, illustrated.

Mark Rothko: Retrospektive (exhibition catalogue). Texts by Oliver Wick, Hubertus Gaßner, Gottfried Boehm et al. Munich: Hirmer Verlag, 2008.

Rothko: The Late Series (exhibition catalogue). Edited by Achim Borchardt-Hume. Texts by Briony Fer, David Anfam, Morgan Thomas et al. London: Tate Publishing, 2008.

Scott, Deborah Emont, ed. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Kansas City, Missouri: The Nelson-Atkins Museum of Art, 2008: 219, illustrated.

This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles (exhibition catalogue). Texts by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: The Museum of Contemporary Art, 2008.

Whitney Museum of American Art at Altria. Foreword by Adam D. Weinberg. Introduction by Shamim M. Momin. New York: Whitney Museum of American Art, 2008.

2007

All for Art! (exhibition catalogue). Montreal, Quebec, Canada: The Montreal Museum of Fine Arts, 2007: 185, illustrated.

Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961–1968 (exhibition catalogue). Introduction by Carolyn Hill. Texts by Barbara Rose, Gerald Nordland, and Hardy S. George. Oklahoma City: Oklahoma City Museum of Art, 2007: illustrated.

Dreishpoon, Douglas and David Bonetti. The Panza Collection: An Experience of Color and Light (exhibition catalogue). Buffalo: Albright-Knox Art Gallery, 2007: 15, 17, 18, 103, 107.

Godfrey, Mark. Abstraction and the Holocaust (exhibition catalogue). New Haven and London: Yale University Press, 2007: 16, 77, 266, illustrated.

Insight? Moscow: Gagosian Gallery, Prime Concept and Alfa Bank, 2007: 58–59, illustrated.

Mark Rothko (exhibition catalogue). Texts by Christopher Rothko, Esther Dotan, John Gage et al. Tel Aviv: Tel Aviv Museum of Art, 2007.

Mark Rothko (exhibition catalogue). Texts by Oliver Wick, Christopher Rothko, Giovanni Carandente et al. Milan: Arthemisisa and Skira Editore S.p.A., 2007.

Neff, Terry Ann R. The Fisher Collection: L–Z (exhibition catalogue). Text by Mark Rosenthal. San Francisco: Doris and Donald Fisher, 2007: 216–217, 377, illustrated.

"On Rothko, A Eulogy." The Writing of Robert Motherwell. Edited by Dore Ashton and Joan Banach. Berkeley and Los Angeles: University of California Press, 2007: 271–274.

Pacquement, Alfred. Selected Works: La Collection du Centre Pompidu, Musée National D’Art Moderne. Paris: Éditions du Panama / Éditions du Centre Pompidou, 2007: 9, 153, illustrated.

The Panza Collection: An Experience of Color and Light (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 2007: 15, 107, 18, 103, 107.

The Rothko Book. Texts by Bonnie Clearwater and Mary Bustin. London: Tate Publishing, 2007.

Tatehata, Akira. The 30th Anniversary: Selected Works from the Collection of the National Museum of Art, Osaka (exhibition catalogue). Osaka: National Museum of Art, 2007: 96–97, illustrated.

Weishaupt, Siegfried. Kunsthalle Weishaupt: einfach sehen (exhibition catalogue). Germany: Ulm, 2007.

Wick, Oliver, ed. Mark Rothko and Barnett Newman: The Sublime is Now! (exhibition catalogue). Text by David Anfam. Basel: Beyeler Museum AG, 2007.

2006

Black Paintings (exhibition catalogue). Munich: Haus der Kunst, 2006: illustrated.

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 114–115, illustrated.

Illumination I at the Rothko Chapel (exhibition catalogue). Text by Christopher Rothko, David Anfam, and Michael Somoroff. New York: Stativ Ltd Inc., 2006.

Kuh, Katherine. “Mark Rothko: A Portrait in Dark and Light.” In My Love Affair with Modern Art: Behind the Scenes with Modern Art. Edited and completed by Avis Berman. New York: Arcade Publishing, 2006: 143–166; 147, 153, illustrated.

Morris, Frances, ed. Tate Modern: The Handbook (exhibition catalogue). London: Tate Publishing, 2006: 210–211, illustrated.

Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur (exhibition catalogue). Düsseldorf: Richter Verlag, 2006: 27, 28, illustrated.

Rothko, Mark. Writings on Art: Mark Rothko. Edited by Miguel López-Remiro. New Haven and London: Yale University Press, 2006.

Van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture. Munich: Prestel Verlag, 2006: 136–137, illustrated.

Where Are We Going?: Selections from the François Pinault Collection (exhibition catalogue). Milan: Skira editore S.p.A., 2006: 135–139, illustrated; 138–139, discussed.

2005

El Fuego bajo las Cenizas: De Picasso a Basquiat (exhibition catalogue). Texts by Kosme de Barañano, Guillermo Carnero, Jaime Siles et al. Valencia: IVAM Institut Valencià d’Art Modern, 2005: 24, illustrated.

Extreme Abstraction (exhibition catalogue). Text by Claire Schneider. Buffalo, New York: Albright-Knox Art Gallery, 2005.

Mark Rothko: Works on Paper 1930–1969 (exhibition catalogue). Text by Oliver Wick. Basel: Galerie Beyeler, 2005.

Organic New York 1941–1949 (exhibition catalogue). Text by Robert C. Morgan. New York: Michael Rosenfeld Gallery, 2005.

Perl, Jed. New Art City. New York: Alfred A. Knopf, 2005: 79, 161, 427, illustrated.

Phillips, Glenn and Thomas Crow ed. Seeing Rothko. Los Angeles: Getty Research Institute, 2005.

Sajet, Kim. In Private Hands: 200 Years of American Painting. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005: 153, illustrated.

Seeking Transcendence (exhibition catalogue). Text by John Stringer. Perth: Art Gallery of Western Australia, 2005: 11, illustrated.

The Perception of the Horizontal (exhibition catalogue). Bozen/Bolanzo, Italy and Köln, Germany: Museion Bozen/Bolanzo and Verlag der Buchhandlung Walter König, 2005: 42–43, illustrated.

2004

Elderfield, John. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (exhibition catalogue). New York: The Museum of Modern Art, 2004: 184–5, illustrated.

Fer, Briony. The Infinite Line: Re-making Art After Modernism. New Haven and London: Yale University Press, 2004: 8–22, illustrated.

Mark Rothko: Paredes de Luz (exhibition catalogue). Texts by Oliver Wick, Ellsworth Kelly, Robert Ryman et al. Bilbao: Guggenheim Bilbao, 2004.

Rothko, Mark. The Artist’s Reality: Philosophies of Art. Edited by Christopher Rothko. New Haven, Connecticut: Yale University Press, 2004.

Rothko: A Painter’s Progress. The Year 1949 (exhibition catalogue). Text by Bernice Rose. New York: PaceWildenstein, 2004.

What’s Modern? (exhibition catalogue). New York: Gagosian Gallery, 2004.

2003

Baal-Twahuva, Jacob. Mark Rothko 1903–1970: Pictures As Drama. Cologne: Taschen, 2003.

The 1940s: Modern American Art & Design (exhibition catalogue). New York: Michael Rosenfeld Gallery, 2003: illustrated.

2002

Belli, Gabriella. Le Stanze dell’Arte: Figure e immagini del XX secolo (exhibition catalogue). Milan: Skira Editore, 2002: 421, illustrated.

Fabozzi, Paul F. Artists, Critics, Context: Readings in and Around American Art Since 1945. Upper Saddle River, N.J.: Prentice Hall, 2002.

2001

Mark Rothko: A Consummated Experience Between Picture and Onlooker (exhibition catalogue). Texts by Oliver Wick, Franz Meyer, Jeffrey Weiss et al. Ostfildern-Ruit, Germany: Hatje Cantz, 2001.

Mark Rothko: The Edith Sachar Collection: Paintings and Works on Paper (exhibition catalogue). New York: Joan T. Washburn Gallery, 2001.

Mark Rothko: The Realist Years: Selected Works (exhibition catalogue). Text by Klaus Kertess. New York: PaceWildenstein, 2001.

Meyer, James. Minimalism: Art and Polemics in the Sixties (exhibition catalogue). New Haven and London: Yale University Press, 2001.

On the Sublime: Mark Rothko, Yves Klein, James Turrell. Texts by Tracey R. Bashkoff, et al. New York: Guggenheim Museum Publications, 2001.

2000

Mark Rothko (exhibition catalogue). Texts by Oliver Wick, Jeffrey Weiss, Eliza E. Rathbone et al. Barcelona: Fundació Joan Miró, Barcelona, 2000.

Goldbaum, Karen Chassin, ed. Mark Rothko and the Lure of the Figure: Paintings 1933–1946 (exhibition catalogue). Ann Arbor: The University of Michigan Museum of Art, 2000.

19th and 20th Century Works on Paper (exhibition catalogue). New York: Dickinson Roundell, Inc., 2000: pl. 69, illustrated.

1999

Corzo, Miguel Angel, ed. Mortality Immortality?: The Legacy of 20th Century Art (exhibition catalogue). Los Angeles: The Getty Conservation Institute, 1999.

Fairbrother, Trevor. The Virginia and Bagley Wright Collection of Modern Art, Seattle: Seattle Art Museum, 1999.

Haskell, Barbara. The American Century: Art & Culture 1900–1950. New York: Whitney Museum of American Art in association with W. W. Norton & Co., 1999.

Mark Rothko (exhibition catalogue). Texts by Barbara Novak, Brian O’Doherty, Carol Mancusi-Ungaro et al. Paris: Paris-Musées, 1999.

Passantino, Erika D., ed. The Eye of Duncan Phillips: A Collection in the Making (exhibition catalogue). Washington, D.C.: The Phillips Collection, 1999.

Phillips, Lisa. The American Century: Art & Culture 1950–2000. New York: Whitney Museum of American Art in association with W. W. Norton & Co., 1999.

Spaulding, Karen Lee. Masterworks at the Albright-Knox Art Gallery. Enlarged and revised edition of: 125 Masterpieces from the Collection of the Albright-Knox Art Gallery. New York: Rizzoli, 1987; New York: Hudson Hills Press in association with Albright-Knox Art Gallery, 1999: 190–191, illustrated.

1998

Anfam, David. Mark Rothko: The Works on Canvas: Catalogue Raisonné. New Haven and London: Yale University Press, 1998.

Causey, Andrew. Sculpture Since 1945. Oxford History of Art. Oxford: University Press, 1998: 61, 153.

Doorman, Maarten and Michaël Zeeman. Het scherm der verbeelding: opstellen over televisie. Amsterdam: Meulenhoff, 1998: cover.

Mark Rothko (exhibition catalogue). Text by Jeffrey Weiss, John Cage, Barbara Novack, Brian O’Doherty, Carol Mancusi-Ungaro, Jessica Stewart, and Mark Rosenthal. Washington, D.C.: National Gallery of Art, 1998.

The New York School (exhibition catalogue). New York: Gagosian Gallery, 1998: illustrated.

The Surrealist Vision: Europe and the America (exhibition catalogue). Text by Nancy Hall-Duncan. Greenwich, Connecticut: Bruce Museum of Arts and Science, 1998.

1997

Archer, Michael. Art Since 1960. London: Thames and Hudson, 1997.

Bonnard, Rothko: Color and Light (exhibition catalogue). Text by Bernice Rose. New York: PaceWildenstein, 1997.

Nodelman, Sheldon. The Rothko Chapel Paintings: Origins, Structure, Meaning. Austin, 1997.

Sylvester, David. About Modern Art: Crtical Essays 1948–1997. New York: Henry Holt and Company, 1997.

1996

Makino, Kenichiro. Abstract Expressionism (exhibition catalogue). Nagoya: Sezon Museum of Art, 1996.

Mark Rothko: The Chapel Commission (exhibition catalogue). Text by David Anfam and Carol Mancusi-Ungaro. Houston: The Menil Collection, 1996.

1995

1945: The End of the War (exhibition catalogue). London: Annely Juda Fine Art, 1995: no, 58, illustrated.

1945: Les Figures de la Liberté (exhibition catalogue). Geneva: Musées d;art et d’histoire, 1995: illustrated.

Sawin, Martica. Surrealism in Exile and the Beginning of the New York School. Cambridge, Massachusetts and London, England: The MIT Press, 1995: 96–97, 158, 197, 212, 239, 240, 274, 295, 296, 299–301, 304–306, 329, 338, 413, illustrated.

Selected Works from Kawamura Memorial Museum of Art. Sakura, Japan: Kawamura Memorial Museum of Art, 1995: 184–191, illustrated.

Wood, James N, T J. Edelstein, and Sally R. May. The Art Institute of Chicago: The Essential Guide. Illinois: The Art Institute of Chicago, 1994: 97, illustrated.

1994

Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s (exhibition catalogue). Text by Jill Snyder. New York: Katonah Museum of Art, 1994.

Mark Rothko: The Last Paintings (exhibition catalogue). Text by Brian O'Doherty. New York: PaceWildenstein, 1994.

Newman, Rothko, Still: Search for the Sublime (exhibition catalogue). Text by Irving Sandler. New York: C&M Arts, 1994.

Waldman, Diane. Mark Rothko in New York. New York: Guggenheim Museum, 1994.

1993

Breslin, James E. B. Mark Rothko: A Biography. Chicago: The University of Chicago Press, 1993.

Hiromoto, Nobuyuki. Mark Rothko. Tokyo: Kodansha, 1993.

Joachimides, Christos M. and Norman Rosenthal, eds. American Art in the 20th Century: Painting and Sculpture 1913–1993 (exhibition catalogue). Munich: Prestel-Verlag, 1993.

Leja, Michael. Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s. New Haven and London: Yale University Press, 1993.

Mark Rothko: "Multiforms" (exhibition catalogue). Text by David Anfam, Andreas Franzke, Siegfried Gohr, Mark Rothko, and Mark Stevens. Munich: Galerie Daniel Blau, 1993.

O’Brian, John, ed. Clement Greenberg. The Collected Essays and Criticism. Volume 3: Affirmations and Refusals 1950–1956. Chicago: The University of Chicago Press, 1993: discussed.

1992

Kimiko, Mochida. The Thought of Painting. Tokyo, 1992.

Messinger, Lisa Mintz. Abstract Expressionism: Works on Paper (exhibition catalogue). New York: The Metropolitan Museum of Art, 1992.

1991

Glimcher, Marc, ed. The Art of Mark Rothko: Into an Unknown World. New York: Clarkson N. Potter, Inc., 1991.

Polcari, Stephen. Abstract Expressionism and the Modern Experience. London: Cambridge University Press, 1991: illustrated and cover.

1990

Cirlot, Lourdes. Las ultimas tendencias Pictoricas. Madrid: Ediciones VIVENS-VIVES, S.A., 1990.

Friedman, Martin. Walker Art Center: Painting and Sculpture from the Collection. Minneapolis: Rizzoli International Inc. in conjunction with the Walker Art Center, 1990.

Mark Rothko (exhibition catalogue). Text by Mark Rothko. Basel: Galerie Beyeler, 1990.

Mark Rothko: Multiforms (exhibition catalogue). Text by Mark Stevens. New York: The Pace Gallery, 1990.

Octavio Paz: Los privilegios de la vista (exhibition catalogue). Mexico City: Centro Cultural Arte Contemporaneo, 1990.

Portrait of an American Gallery: The Pace Gallery (exhibition catalogue). Text by Arnold Glimcher. Brussels: Galerie Isy Brachot, 1990.

1989

Chave, Anna C. Mark Rothko: Subjects in Abstraction. New Haven and London: Yale University Press, 1989.

Daval, Jean-Luc. History of Abstract Painting. Paris: Hazan, 1989: 107, illustrated.

Lieberman, William S., ed. Twentieth-Century Modern Masters: The Jacques and Natasha Gelman Collection (exhibition catalogue). New York: The Metropolitan Museum of Art, 1989: 32.

Mark Rothko: Kaaba in New York (exhibition catalogue). Text by Thomas Kellein. Basel: Kunsthalle Basel, 1989.

1988

American Abstract Drawings 1930–1987. Text by Townsend Wolfe. Little Rock: The Arkansas Arts Center, 1988: 16, illustrated.

Hammacher, A.M. Modern Sculpture: Tradition and Innovation. New York: Abrams, 1988.

Mark Rothko, 1903-1970: Retrospektive der Gemälde (exhibition catalogue). Cologne: Museum Ludwig, 1988.

Mark Rothko: The Seagram Mural Project (exhibition catalogue). Text by Michael Compton. Liverpool: Tate Gallery, 1988.

Rudenstine, Angelica Zander. Modern Painting, Drawing & Sculpture Collected by Emily and Joseph Pulitzer Jr. Cambridge: Harvard University Art Museums, 1988: 854–62.

Three Decades: The Oliver-Hoffmann Collection (exhibition catalogue). Chicago: The Museum of Contemporary Art, 1988

1987

Mark Rothko (exhibition catalogue). Text by Michael Compton and the artist. Madrid: Fundación Juan March 1987.

Mark Rothko 1903–1970 (exhibition catalogue). Text by Bonnie Clearwater, Michael Compton, Dana Cranmer et al. London: Tate Gallery, 1987.

1986

Gohr, Siegfried. Museum Ludwig Cologne: Paintings, Sculptures, Environments From Expressionism to the Present day (exhibition catalogue). Munich: Prestel-Verlag, 1986.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

Kunst des 20ten Jahrhunderts: Sommlung Viktor und Marianne Langen, Vol. II. Ascona, Swtizerland 1986.

1985

Mark Rothko: The Dark Paintings 1969–70 (exhibition catalogue). Text by Brian O'Doherty: New York: The Pace Gallery, 1985.

1984

Clearwater, Bonnie. Mark Rothko: Works on Paper (exhibition catalogue). Text by Dore Ashton. Washington, D.C.: National Gallery of Art, 1984.

Van Grevenstein, Alexander, Edy de Wilde and Karel Schampers. La Grande Parade: Highlights in Painting after 1940 (exhibition catalogue). Amsterdam: Stedelijk Museum, 1984: illustrated.

1983

Ashton, Dore. About Rothko. New York: Oxford University Press, 1983.

Mark Rothko 1949: A Year in Transition/Selections from The Mark Rothko Foundation (exhibition catalogue). Text by Karen Tsujimoto. San Francisco: San Francisco Museum of Modern Art, 1983.

Mark Rothko: Paintings 1948–1969 (exhibition catalogue). Text by Irving Sandler. New York: The Pace Gallery, 1983.

Mark Rothko: Seven Paintings from the 1960's (exhibition catalogue). Text by Bonnie Clearwater. Minneapolis: Walker Art Center, 1983.

Mark Rothko: Subjects (exhibition catalogue). Text by Anna C. Chave. Atlanta: High Museum of Art, 1983.

Modern Art in the West: Guggenheim (exhibition catalogue). Tokyo: Tokyo Metropolitan Art Museum, 1983.

Twentieth Century Works of Art: An Exhibition (exhibition catalogue). New York: Stephen Mazoh & Co., 1983: illustrated.

1982

Ashton, Dore. American Art Since 1945. London: Oxford University Press, 1982.

In Our Time: Houston’s Contemporary Arts Museum 1948–1982 (exhibition catalogue). Texts by Cheryl A. Brutvan, Linda L. Cathcart, and Marti Mayo. Houston, Texas: Contemporary Arts Museum, 1982.

Solitude: Inner Visions in American Art (exhibition catalogue). Text by David M. Sokol. Evanston, Illinois: Terra Museum of American Art, 1982: illustrated, 40.

1981

Adolph Gottlieb: A Retrospective. New York: The Art Publisher and the Adolph and Esther Gottlieb Foundation, 1981: 170–171.

Alley, Ronald. Catalogue of the Tate Gallery's Collection.... London: The Tate Gallery, 1981.

Glozer, Laszlo. Westkunst: Zeitgenössische Kunst seit 1939 (exhibition catalogue). Cologne: DuMont, 1981.

Mark Rothko: The Surrealist Years (exhibition catalogue). Text by Robert Rosenblum. New York: The Pace Gallery, 1981.

Namuth, Hans. Artists 1950–81: A Personal View. New York: Pace Gallery Publications, 1981: portrait.

Sandler, Irving. Great Drawings of All Time: The Twentieth Century. Volume 2. New York: Shorewood Press, 1981.

1980

Rosenzweig, Phyllis. The Fifties Aspects of Painting in New York (exhibition catalogue). Washington, D. C.: Hirshhorn Museum and Sculpture Garden; Smithsonian Institution, 1980: 51, 81, illustrated.

1979

Seldes, Lee. The Legacy of Mark Rothko. New York: Holt, Rinehart and Winston, 1979.

1978

Mark Rothko: A Retrospective (exhibition catalogue). Text by Diane Waldman. New York: Harry N. Abrams Inc., in collaboration with the Solomon R Guggenheim Museum, 1978.

Mark Rothko: The 1958–1959 Murals (exhibition catalogue). Dan Rice interviewed by Arnold Glimcher. New York: The Pace Gallery, 1978.

1977

American Art in Belgium (exhibition catalogue). Brussels: La Société des expositions du Palais des beaux-arts, 1977.

Panicelli, Ida. Mark Rothko: Mostra Didattica. Mantua: Galleria Civica d’Arte Moderna, Palazzo Te, 1977.

1976

Amerikanische Kunst von 1945 bis heute: Kunst der USA in europäischen Sammlungen. Edited by Dieter Honisch and Jens Christian Jensen. Koln: DuMont Buchverlag Köln, 1976: illustrated.

America, America (exhibition catalogue). Basel: Galerie Beyeler, 1976.

Peinture Américaine en Suisse 1950–1965 (exhibition catalogue). Geneva: Musée d’Art et d’Histoire, 1976.

Three Decades of American Art Selected by the Whitney Museum (exhibition catalogue). Tokyo: Seibu Museum of Art, 1976.

1975

Alloway, Lawrence. Topics in American Art Since 1945. New York: W.W. Norton & Co., 1975.

Blok, Cor. Geschichte der Abstrakten Kunst 1900–1960. Cologne, 1975.

Rosenblum, Robert. Modern Painting and the Northern Romantic Tradition. New York: Harper & Row, 1975.

1974

Plagens, Peter. The Sunshine Muse: Contemporary Art on the West Coast. New York and Washington D.C., 1974.

1973

American Art Mid-Century I (exhibition catalogue). Washington: National Gallery of Art, 1973: illustrated.

Amerikanische abstrakte Malerei (exhibition catalogue) Zurich: Marlborough Galerie, 1973.

O'Doherty, Brian. American Masters: The Voice and the Myth. New York: Random House, 1973.

1972

Ashton, Dore. The New York School: A Cultural Reckoning. New York: The Viking Press: 1972.

Hunter, Sam. American Art of the 20th Century. New York, 1972.

Mark Rothko (exhibition catalofgue). Texts by Werner Haftmann and Donald McKinney. Paris Réunion des musées nationaux, 1972.

O'Connor, Francis V. ed. The New Deal Art Projects: An Anthology of Memoirs. Washington D.C., 1972.

Rosenberg, Harold. The De-definition of Art. New York, 1972.

1971

Art Since Mid-Century: The New Internationalism. Volume 1. Greenwich, Connecticut, 1971.

Kerber, Bernhard. Amerikanische Kunst Seit 1945. Stuttgart, 1971.

Mark Rothko (exhibition catalogue). Texts by Felix Andreas Baumann, Werner Haftmann, and Donald McKinney. Zurich: Kunsthaus Zurich, 1971.

1970

Ashton, Dore. Modern American Painting. New York and Toronto: The New American Library; UNESCO, 1970.

Mark Rothko (exhibition catalogue). Venice: Museo d’Arte Moderna Ca’Pesaro, 1970.

Sandler, Irving. The Triumph of American Painting; A History of Abstract Expressionism. New York: Praeger Publishers, 1970: illustrated.

1968

Arnasson, H.H. History of Modern Art... New York, 1968 and 1977.

The Art of the Real: USA 1948–1968 (exhibition catalogue). Text by Eugene C. Goosen. New York: The Museum of Modern Art, 1968: illustrated.

Chipp, Herschel B., ed. Theories of Modern Art: A Source Book by Artists and Critics. Berkeley and Los Angeles, 1968.

Paintings from the Albright-Knox Art Gallery (exhibition catalogue). Washington, D.C.: National Gallery of Art, 1968: 53, illustrated.

Six painters: Mondrian, Guston, Kline, De Kooning, Pollock, Rothko (exhibition catalog). Houston, Texas: University of St. Thomas Art Department, 1968: illustrated.

1967

Rose, Barbara. American Art Since 1900: A Critical History. New York, 1967 and 1975.

Rose, Barbara, ed. Readings in American Art Since 1900: A Documentary Survey. New York, 1967 and 1975.

1965

Tuchman, Maurice ed. The New York School, The First Generation: Paintings of the 1940s and the 1950s (exhibition catalogue). Los Angeles: Los Angeles County Museum of Art, 1965: 29–30, et al, illustrated.

1964

54–64: Painting and Sculpture of a Decade (exhibition catalogue). London: Calouste Gulbenkian Foundation, 1964: 16–17, illustrated.

A Selection of 20th Century Art of 3 Generations (exhibition catalogue). New York: Sidney Janis Gallery, 1964: illustrated.

1962

Artisti Americani (exhibition catalogue). Text by Carla Lonzi. Turin, Italy: Notizie, 1962.

Ashton, Dore. The Unknown Shore: A View of Contemporary Art. Boston and Toronto, 1962.

Mark Rothko (exhibition catalogue). Basel: Kunsthalle Basel, 1962.

Mark Rothko (exhibition catalogue). Rome: De Luca Editore, 1962.

1961

Aktuelle Kunst: Bilder und Plastiken aus der Sammlung Dotremont (exhibition catalogue). Dusseldorf: Kunsthalle, 1961.

American Abstract Expressionists and the Imagists (exhibition catalogue). New York: Solomon R. Guggenheim Foundation, 1961: 21, illustrated.

Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961.

Moderne Malerei seit 1945 aus der Sammlung Dotremont (exhibition catalogue). Basel: Kunsthalle Basel, 1961.

Mark Rothko: A Retrospective Exhibition: Paintings 1945–1960 (exhibition catalogue). Texts by Peter Selz and Robert Goldwater. London: Whitechapel Art Gallery, 1961.

1960

Jonge Kunst uit de collectie Dotremont, Brussel, Van Abbemuseum, Eindhoven, February 20–March 27, 1960. (Catalogue)

Konkrete Kunst: 50 Jahre Entwicklung (exhibition catalogue). Zurich: Helmhaus, 1960: 47, illustrated.

1957

Rodman, Selden. Conversations with Artists. New York: Devin Adair Publishers, 1957: 92–96.

Third International Contemporary Art Exhibition 1957: Delhi, Ahmedebad, Hyderabad, Calcutta and Amritsar (exhibition catalogue). New Delhi: All India Arts and Crafts Society, 1957.

1955

Seitz, William C. Abstract Expressionist Painting in America....Princeton, New Jersey: Princeton University, 1955. [unpublished Ph.D. diss.]

1953

M M: An Exhibition of Contemporary Art Collected by American Business (exhibition catalogue). Cedarburg, Wisonsin: Meta Mold Aluminum Company, 1953.

1951

Hess, Thomas B. Abstract Painting: Background and American Phase. New York, 1951.

1944

Janis, Sidney. Abstract and Surrealist Art in America. New York: Reynal and Hitchcock, 1944.

Mark Rothko

Details:

Pace Publications:

Mark Rothko, a pioneer of the New York School, is one of the most significant and influential artists of the twentieth century, predominantly recognized for his mesmerizing Color-field paintings of immense scale.

Exhibitions

Mark Rothko

1968: Clearing Away

Mark Rothko

Dark Palette

Mark Rothko

Works on Paper 1941–1947

Rothko / Sugimoto

Dark Paintings and Seascapes

Journal

Robert Longo on Mark Rothko

The New York Times Reviews Mark Rothko at the Fondation Louis Vuitton

The Friction In Between, by Eleanor Nairne

Notes on Rothko's Surrealist Years, by Robert Rosenblum

Mark Rothko
One-Artist Exhibitions

Mark Rothko
One-Artist Exhibitions

Mark Rothko
Group Exhibitions

Mark Rothko
Group Exhibitions

Mark Rothko
Public Collections

Mark Rothko
Public Collections

Mark Rothko
Periodicals

Mark Rothko
Periodicals

Mark Rothko
Books and Catalogues

Mark Rothko
Books and Catalogues

Mark Rothko

Details:

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Mark Rothko, a pioneer of the New York School, is one of the most significant and influential artists of the twentieth century, predominantly recognized for his mesmerizing Color-field paintings of immense scale.

Exhibitions

Mark Rothko

1968: Clearing Away

Mark Rothko

Dark Palette

Mark Rothko

Works on Paper 1941–1947

Rothko / Sugimoto

Dark Paintings and Seascapes

Journal

Robert Longo on Mark Rothko

The New York Times Reviews Mark Rothko at the Fondation Louis Vuitton

The Friction In Between, by Eleanor Nairne

Notes on Rothko's Surrealist Years, by Robert Rosenblum

Mark RothkoOne-Artist Exhibitions

Mark RothkoOne-Artist Exhibitions

Mark RothkoGroup Exhibitions

Mark RothkoGroup Exhibitions

Mark RothkoPublic Collections

Mark RothkoPublic Collections

Mark RothkoPeriodicals

Mark RothkoPeriodicals

Mark RothkoBooks and Catalogues

Mark RothkoBooks and Catalogues

Mark Rothko
One-Artist Exhibitions

Mark Rothko
One-Artist Exhibitions

Mark Rothko
Group Exhibitions

Mark Rothko
Group Exhibitions

Mark Rothko
Public Collections

Mark Rothko
Public Collections

Mark Rothko
Periodicals

Mark Rothko
Periodicals

Mark Rothko
Books and Catalogues

Mark Rothko
Books and Catalogues