Pace artist Paul Graham will be in London signing copies of Does Yellow Run Forever?, the catalogue of his recent exhibition at Pace, 25th Street in New York (5 September - 4 October 2014). At 7:00 pm on Thursday, Paul Graham will be in conversation with David Campany on his newest photographs included in this monograph. The book signing will start at 8:00 pm onwards.
On Thursday, September 4, Pace Gallery opened Paul Graham: Does Yellow Run Forever? and David Hockney: The Arrival of Spring at 510 and 508 West 25th Street, respectively. Graham's photographs will be on view through October 4, and Hockney's iPad prints, charcoal drawings, and video will remain on view through November 1.
Pace is pleased to announce its inaugural participation in SP-Arte, taking place at the Pavilhão Ciccillo Matarazzo, in São Paulo from 4 – 7 April 2013. The gallery’s booth (G2) will include Joel, a large-scale oil-on-canvas portrait of American sculptor Joel Shapiro by Chuck Close; an elegant sculpture by Alexander Calder; a stained glass sculpture homage to the legendary Brazilian architect Oscar Niemeyer by Brian Clarke; and a painting by Mark Rothko. The gallery is proud to feature work
Art in America has picked Paul Graham's Pace exhibition The Present as one of the top photography shows of 2012. Graham's inaugural show at the gallery presented a new series of largescale diptychs of New York City street scenes, showing the same location shot moments apart. The exhibition was the only non-museum exhibition on the list. Click here to view the full list, selected by Joshua Chuang, associate curator of photography and digital media at the Yale University Art Gallery.
In the mid-20th century, photographers such as Garry Winogrand, Harry Callahan, Lee Friedlander, and Helen Levitt captured the vitality of the modern city and helped define the genre of “street photography.” Until this day, one of the guiding tenets of the genre was the “decisive moment.” Coined by the famous French photographer Henri Cartier-Bresson, the decisive moment was the rare, but fortuitous, convergence of human drama and compositional elegance that could occur within a photograph in the
This is a work from Paul Graham’s new show called “The Present,” at Pace Gallery’s 22nd Street space in New York. Just when it seemed impossible for anyone to revive the great American tradition of street photography, Graham brings it into the digital age. (Click on the image to enlarge it.) His large-scale color photos of New York aren’t digitally manipulated or anything like that, but by always presenting them in pairs or trios, shot seconds or less apart from about the same streetside spot, he
The Pace Gallery and Pace/MacGill 545 West 22nd Street, Chelsea Through April 21 The latest series by the British photographer Paul Graham reinvents street photography for an age of perpetual distraction. On view in Chelsea and collected in a new monograph, “The Present” completes a trilogy that includes the bleached-out landscapes of “American Night” and the stuttering vignettes of “a shimmer of possibility,” and brings the fractured, impaired vision of these earlier, countrywide bodies of wo
Paul Graham has been named as the winner of the 2012 Hasselblad award, which is presented annually to "a photographer recognised for major achievements". It is the first time a British photographer has won the prestigious international prize. Previous recipients include Robert Adams (2009), Nan Goldin (2007) and William Eggleston (1998). Graham, who had a major retrospective at the Whitechapel Gallery in London last year, is a self-taught photographer. He was born in Buckinghamshire and discove
Paul Graham is a British artist based in New York and a recipient of a 2010 Guggenheim Fellowship in the category of photography. His latest body of work is on view in “The Present” at the Pace Gallery until March 24. In conjunction with the exhibition, MACK will publish a monograph of his new work. Here, Graham discusses the sixteen diptychs and two triptych photographs in the show. THESE ARE NEW YORK STREET PHOTOGRAPHS, that unique genre of photography where you dance with the Brownian motion
Coinciding with the exhibition, MACK has published a new, 96-page hardcover monograph featuring color plates
2014. MACK. Hardcover
96 pages: 31 color plates; 7 ⅞ x 5 ⅝
2012. Mack. hardcover
114 pages: 75 color illustrations; 12 x 9 5/8 inches